Anavio is named in honor of the ancient Roman name of an English Derbyshire town. Anavio is a classically inspired family of Roman faces, emphasizing simplicity of form and elegance. Regular and Bold weights are offered, along with condensed forms. Anavio is offered in both upper and lower case and small capitals faces. Its simple lines are immediately legible, lending it to both text and display uses. A range of ligatures, both standard and discretionary, are included as are stylistic alternates and two styles of numerals. Use Anavio to lend that indefinable air of elegance to your next project.

East Variable is a condensed sans serif typeface. It is timeless, but with a subtle nostalgia of vintage jazz albums, film titles, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. East is versatile, but would be a good choice for film titles, labels, publications, or any context where space is limited. It has variable axes of weight and slant. The OpenType features include stylistic sets, a one-story 'a', hooked letters, seriffed uppercase 'I' and '1', a slashed zero, raised colon and punctuation (Spanish), German eszett, ligatures, and vertical fractions.

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions. According to Wikipedia: “Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from1907 onwards. Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century. It was exported to other countries, notably the United States, where it was distributed by Bauer Alphabets Inc, the U.S. branch of the firm.”

Meet Voga. Voga is a condensed modern Didone typeface with three weights: Regular, medium and bold. My aim was to create a very elegant and “sexy” typeface with some unique letterforms based on the principle of contrast - curves vs. strong straight lines - thin hairlines vs. thick stems - ball terminals vs. geometric serifs. These contrasts make it a glamourous display font for titles and large typography settings, yet readable at text sizes. Voga was inspired by iconic typefaces such as Bodoni and Didot. It has an extensive glyph set that supports languages for the Americas and most of Europe.

Tufan is a dynamic Arabic typeface abstracted from Kufi Arabic typescript, manifest a strong contrast between bold and thinner strokes, giving it a stylistic overview suitable for title and retro posters. Tufan is an Arabic word meaning flood or typhoon, it represents the boldness and the power of the font.

Cooperative is a retro style poster font in Hebrew and Latin. Is based on a printed example of a vintage handmade wood type from the 1950's. This sans serif font is available in both regular and bold versions, with a dirty and grungy styles as well in regular and bold.

Now Uniform comes in Italics! Uniform is a multi-width geometric type family designed around the circle. The O of the Regular width is based on a circle, the O of the Condensed width is based on 1.5 circles stacked (with straight sides) and the O of the Extra Condensed width is based on two circles stacked with straight sides as well, and all other characters are derived from this initial concept. This unique idea creates a remarkably fresh type family that bridges the gap between circular geometric typefaces and condensed straight-sided typefaces. Uniform also includes many opentype features like Old Style Figures, Tabular Lining Figures, Alternate characters, Ligatures and more. Uniform was first drawn starting with the Black weight. This careful process allows each character to look consistent and balanced through all weights. As a result, the typeface does not ‘break down’ or lose its form in the boldest weights like many typefaces do. The three widths of Uniform Italic make an ideal type family for a host of various uses. From branding to web design, book covers to signage, Uniform is a very versatile solution to complex typographic needs.

Uniform is a multi-width geometric type family designed around the circle. The O of the Regular width is based on a circle, the O of the Condensed width is based on 1.5 circles stacked (with straight sides) and the O of the Extra Condensed width is based on two circles stacked with straight sides as well, and all other characters are derived from this initial concept. This unique idea creates a remarkably fresh type family that bridges the gap between circular geometric typefaces and condensed straight-sided typefaces. Uniform also includes many opentype features like Old Style Figures, Tabular Lining Figures, Alternate characters, Ligatures and more. Uniform was first drawn starting with the Black weight. This careful process allows each character to look consistent and balanced through all weights. As a result, the typeface does not ‘break down’ or lose its form in the boldest weights like many typefaces do. The three widths of Uniform make an ideal type family for a host of various uses. From branding to web design, book covers to signage, Uniform is a very versatile solution to complex typographic needs.

Stovepipe Stencil JNL was not directly designed from a vintage source, but it does draw its influences from classic sans serif lettering of the past. Even its name borrows (somewhat gratuitously) from the "stovepipe" lettering so popular with sign painters. True stovepipe letters tend to be squarer with rounded corners, but the name has also been loosely associated with some tall, condensed type styles. The typeface is available in both regular and oblique versions.

Foundry Form Sans and Serif were drawn concurrently with matching proportions for harmonious use. Although designed to complement each other both families function independently. The Foundry Form Sans characters have a strong horizontal emphasis for readability; open counters to improve legibility at small sizes; and slightly condensed proportions to ensure economic use of space. Foundry Form Sans has a simplicity of design approach balanced with just enough character to achieve a unique, timeless look.

Letterpress Studio -Crafted Vintage Goods Letterpress Studio includes following • 7 fonts - a textured and clean version of each • Ornaments • Catchwords • 25 Logo Templates Letterpress Studios core is seven fonts - textured and clean version of each. Fonts are designed in same proportions and work great together. Here’s a short introduction to the fonts: • Letterpress Script -A connected script with lot’s of OpenType features • Letterpress Script Bold -Bold version of Letterpress Script • Letterpress Condensed -A condensed sans-serif typeface with swash uppercase characters on • Letterpress Gothic -A sans-serif typeface with swash uppercase characters • Letterpress Sans -An extended sans-serif typeface with swash uppercase characters • Letterpress Wood -A woodcut style serif typeface with swash uppercase characters • Letterpress Black -A black woodcut style serif typeface with swash uppercase characters • Letterpress Ornaments -A set of pictograms, ornaments, borders and badges (OTF, AI & PDF) • Letterpress Catchwords -A set of over 100 woodcut-style catchwords (OTF, AI & PDF) All fonts have West European, Central European, Baltic, Turkish and Romanian character sets. Fonts come in OTF format. TTF are also available but OpenType features won’t work with them. Letterpress Templates -25 templates (AI) Letterpress Templates is a set of 25 ready made compositions with font pairings, shapes, ornaments and ready made 2-4 color schemes for each. Templates can be used as such or as a starting point for your own project. Download Letterpress Templates here.

Introducing Soka Typeface Soka font is inspired by a sans serif font that is retro style but still modern and unique. With a preview with a Japanese concept, the Soka font looks unique among other retro fonts. Sans Serif typefaces such as “Soka typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Soka typeface contains 522 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from thin to heavy and thin condensed to heavy condensed. In the poster preview all the letters are in the Soka typeface.

A condensed serif that’s been through the ravages of reproduction but has now been digitized for modern use. Elegantly wasted.

Tall, condensed and square in shape... Slim James JNL balances well against bolder Deco-style sans or novelty type faces.

Leftheria structure is designed from the Greek order Ionic columns and their capitals, is a condensed typography with vertical emphasis.

Notification JNL is another condensed sanserif design loosely based on one of the many variations of wood type headline fonts.

Herron is a monoline Sans face with all rounded ends in Condensed and Italic, Regular and Italic, Expanded and Italic.

The Dinkle fonts are the creation of a sketchbook artist who spent years refining her craft, Diana Hollingsworth Gessler. She created the Dinkle handwriting fonts for use in her book "Very New Orleans," and now you can use it in four convenient styles: Regular, Bold, Italic and Bold Italic. Each font in this family was drawn individually, capturing nuanced differences of natural penmanship when the weights are paired together. A hand-lettered journal style, the highly legible Dinkle fonts offer tidy text and clear captions. Use it for signage, quotations, or anywhere you need a personal touch in your designs.

Gazzetta is a condensed font family with a display character and neo-grotesque nature, friendly and energetic. It exhibits softened features and curves, very sharp joins between some strokes, and a slight reverse contrast in its thicker weight. Characteristics that give it a lot of personality and display capacity.The family is made up of 8 weight variables and their respective slanted versions, with substitutions in some glyphs that seek to maintain an italic flavor. It has a repertoire of OpenType features, including Stylistic Alternates, Case Sensitive Forms and Old Style Figures. In addition to decorative resources such as circled numbers, arrows and quotation marks. Its aesthetic and technical attributes can be used in the design of book covers, newspapers, magazines, posters, large format materials, websites and apps.

Rama Gothic is an antiqued sans serif, the design inspired by 1800s-style wood type. All glyphs have been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 18 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, -r- has its alternative glyph that can be used with OpenType salt feature. Be sure to check out the slab serif style of this Rama series named Rama Slab. When you need more modern gothic, please try our Kaneda Gothic and Fairweather

Dharma Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, g, r and y has their alternative glyphs that can be available with OpenType salt feature and tabular figures can be available with tnum feature. Be sure to check out the sans serif style of this Dharma series named Dharma Gothic.

Emirose consists of 4 weights: Thin, Light, Regular and Bold, all equipped with many ligatures and alternative letters that look cute and classy. They work very well for your work such as logos, brands, packaging, posters, invitations, headlines, posters, and more.

A big fat quirky face for big bold weird uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.

Introducing Greywall, a bold stretch sans serif font. Greywall it perfect for posters, logos, magazines, covers, banners, t-shirts and headers, or even large-scale artwork.

Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.

Gengboy is a fun bold Sans Serif typeface featuring characters that stand out from every background. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, etc.

About this font family Musnad Serif Is Old South Arabian typeface for desktop applications ,for websites, and for digital ads. Musnad font family contains two types: Rigular and bold. The font includes a design that supports Latin, Arabic, and Old South Arabian language systems.

Oxford Street is a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster in Central London. The nameplates were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger’s Univers typeface, a curious combination of Univers 69 Bold Ultra Condensed, a weight that doesn’t seem to exist but which would flatten the long curves of glyphs such as O, C and D, and Universe 67 Bold Condensed with its more rounded lobes on glyphs like B, P and R. Letters were then remodelled to improve their use on street signs. Thin strokes like the inner diagonals of M and N were thickened to create a more monolinear alphabet; the high interior apexes were lowered and the wide joins thinned. The crossbar of the A was lowered, the K was made double junction, and the tail of the Q was given a baseline curve. K-Type Oxford Street continues the process of impertinent improvement and includes myriad minor adjustments and several more conspicuous amendments. The stroke junctions of M and N are further narrowed and their interior apexes modified. The middle apex of the W is narrowed and the glyph is a little more condensed. The C and S are drawn more open, terminals slightly shortened. The K-Type font adds a new lowercase which is also made more monolinear so better suited to signage, loosely based on Univers but also taking inspiration from the Transport typeface both in a taller x-height and character formation. The lowercase L has a curled foot, the k is double junctioned to match the uppercase, and terminals of a, c, e, g and s are drawn shorter for openness and clarity. A full repertoire of Latin Extended-A characters features low-rise diacritics that keep congestion to a minimum in multiple lines of text. The font tips the hat to signage history by including stylistic alternates for M, W and w that have the pointed middles of the earlier MOT street sign typeface. Incidentally, Alistair Hall (‘London Street Signs’, Batsford, 2020) notes that when the manufacturer of signs was changed in 2007, Helvetica Bold Condensed was substituted in place of the custom design, “an unfortunate case of an off-the-peg suit replacing a tailored one” and a blunder that has happily since been rectified, though offending nameplates can still be spotted by discerning font fans.

Korean Jeju Font, is a cool and modern display font and a great companion for your Korean-themed designs. It’s perfect for movie posters, greeting cards, social media content, youtube videos, even logo design, etc.

Faubourg marks the first professional typeface release by Marie Boulanger. As much traditional as it is unconventional in its celebration of letterforms, this typeface dances on the page and screen as it moves from a more conventional appearance to monoline and back again. The flowing silk-like undulation only accentuates this distinguishing feature and produces one opportunity after the next for headline settings where the word is as important as the content supporting it.

Inspired by thin and condensed handwriting style, we present to you Saturday Party, a handwritten font with thin and condensed characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Saturday Party is very suitable like as sticky notes, handwritten project, signatures, and more.That way easily change the glyphs to make more unique glyphs.

Quebra is an extend display sans-serif font family with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Inspired by thin and condensed handwriting style, we present to you Windy Monday, a handwritten font with thin and condensed characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Windy Monday is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

GL Benicassim is a very condensed and practical font. It is only caps font, but it contains latin and cyrillic characters, as well as all kind of accents to be compatible with many languages. It will give to your designs a fancy and fashionable touch and it is specially practical when the space you have is not too big, since it is really condensed.

Departura is a sans-serif family inspired by art deco travel posters in early 20th century, fused with modern & geometric touch. It comes in 18 styles, 9 weights and its matching italics. With those style variatons, Departura offers many possibilities to be applied in many graphic or editorial projects.The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way. Also thanks to the extended latin character set so that Departura supports 200+ latin-based languages plus Cyrillic (including the Bulgarian and Serbian characters). P.s.: The Bold Italic & ExtraLight styles are free to download, so you can use them for any projects free of charge.

Introducing Bahella Script, a bold and vintage-inspired script font that evokes a sense of nostalgia. This typeface is well-suited for a wide range of design projects, such as creating logos and logotypes, designing t-shirts, vintage badges, and retro quotes, as well as branding, packaging, and poster design. Additionally, Bahella Script is PUA encoded, providing easy access to all of its glyphs and ligatures, making it a convenient choice for designers looking to add a touch of vintage elegance to their work. FEATURES Alternate Characters Uppercase and Lowercase letters Numbering and Punctuations Multilingual Support Works on PC or Mac Simple Installation Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word