Graphically drawn face with a somewhat mono weight thick to thin contrast. Zone was designed for all media and can be used in a wide range of point sizes. Similar to FreeZone but with small flared endings. Family includes common capitals and alternate lowercase characters. Zone requires subjective display kerning and compensation.

Orange is the work of British designer Timothy Donaldson and defies the conventional rules of letter construction. Its soft appearance and unusual stroke style produces a fascinating texture in both small and large point sizes. Orange is a departure from standard sans serif styles and ideal for a slightly off-beat look.

Introducing Bilground - Handwritten Fonts Beautiful handwritten fonts with strong characters are now here to accompany your design projects. You can apply it to wedding designs, logos, quotes, social media posts, video content display etc. See some of the previews above for reference. Features: • Uppercase • Lowercase • Numeral • Punctuation • Multilingual • PUA Encoded • Opentype Features Thanks.

Anglez was designed by Turkish calligraphy artist Mustafa Eren. It was inspired by the "British Script" style. "Anglez" is designed to meet modern and current needs. It offers user-specific solutions with rich ligatures, swashes, alternative characters, content alternatives, end forms and style sets. Ideal for special day designs, labels and invitation designs.

Tampico Typeface is a new font with Rough version, which includes 80+ glyphs and alternative characters. The font looks great on various packages, goods with food. You can also use it to create logos, shortcuts and other design elements. Product Content: SA Tampico Rough SA Tampico Symbols Features: Accents (Multilingual characters) Stylistic Alternates

Sonderlina is a convenient and modern grotesk sans serif features low contrast details to cover small text purposes. It can be used to create almost all types of design projects like print materials. Just use your imagination and your project will become more alive and look great than ever with this typeface.

An Elegant Bold Serif font that we created special for elegant branding needs, with unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Gafta font, We prepared any characters to help you create unlimited variations for your creative needs. Gafta Elegant Bold Serif Font ready with: Ready with Alternate Characters Preview as a inspirations that you can do with Gafta font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

NixonScript is a display typeface inspired by the typographic emancipation given voice by 1950s and '60s north American vernacular type. NixonScript's starting point was lettering found on a 1960s camera found in a Chicago junk shop, but its development saw it transformed from a punchy sans-serif to a more thoughtful serif, with a lowered x-height and a vibe of almost priestly piousness. Rather than a simple regular italic, a bold italic is offered. During its development, the regular version seemed almost placid but with the double emphasis of bold and italic, NixonScript gained an energetic, self-congratulatory form.

Local Brewery is back with a new vintage inspired font collection that includes a script, two sans serif fonts, icons and extras. The sans serif fonts and the script include regular, semi-bold and bold weights. The script is monoline with smooth edges. The sans serif fonts have a smooth edge with all caps letters. Local Brewery Script comes with caps and lowercase alternates. These alternates will give your designs an extra flair and uniqueness. The script and sans serif fonts work exceptionally well together. Use Local Brewery for packaging, products, websites, marketing and beer branding.

British type designer Chris Burke created this serif FontFont in 1994. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for editorial and publishing and small text. FF Celeste Small Text provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Celeste super family, which also includes FF Celeste and FF Celeste Sans.

About Product Almonet Ronded is a modern script font with a bold rounded style with a bold and modern look. This font is suitable for logos, branding, product design, product packaging, photography, watermarks, social media posts, advertisements, invitations, stationery, labels, logos, magazines, books, greeting/wedding cards, fashion, makeup, and more. other. What's Included: - Uppercase & lowercase - Numbers and punctuation marks - Multilingual support - Ligature - Alternative - Washing - Works on PC & Mac - Simple installation Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. PUA Coded Characters – Fully accessible without additional design software. Thank you for your purchase! Hope you enjoy with our fonts!

New Millennium Linear is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New Millennium Sans; all three work well together.) New Millennium Linear is a "monotone" newer version of the Sans face whose smooth, geometric, "Gothic" look gives it a completely different personality. The typeface comes with regular, bold, italic, and bold italic styles, each with a complete character set. New Millennium Linear might best be used in captions, callouts, labels, titles, and similar display situations.

Yuki is a full and rounded font that also manages to be compact, so when you need to make a big impact in a small space and still maintain a friendly feel, Yuki is here to do the job. In two different styles, each with bold alternatives, Yuki’s best function is to grab attention without taking up too much space. The lined form allows it to look even more streamlined in this performance, cutting shapes into more easily digestible pieces, while the bold forms create even more smoothness. Use Yuki for quick, impactful statements without being aggressive.

German type designer Ole Schäfer created this sans FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Fago Correspondence Serif provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Fago super family, which also includes FF Fago, FF Fago Correspondence Sans, and FF Fago Monospaced.

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.

Daylane is a new modern monoline script that suits for watermark, branding, logo, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, special events, and more. Daylane has three styles for each font, Regular, Light, and Bold. Daylane Font also has a standart Multilingual Support. Files Include : Daylane – Light Daylane – Regular Daylane – Bold Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multi-language Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

You're trapped in an endless now... seconds seem to be stretching out interminably... There’s an eternity between every tick, every tock of the clock... Your consciousness is stretched to the limit as time is expanded to fill the void between each microsecond. There’s a signpost up ahead... the letters appear to stretch into infinity. Anyone know the name of the font it’s set in? See the families related to Temporal Shift & Gap Expanded: Temporal Shift & Gap & Temporal Shift & Gap Compressed Features Four fonts (Shift Regular, Shift Bold, Gap Regular & Gap Bold) with upper and lowercase characters.

Ascender Sans was designed by Steve Matteson as an inventive, exhilarating sans serif design that is metrically compatible with Arial. Ascender Sans offers enhanced on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across different platforms. The Ascender Sans Narrow offers enriched on-screen readability characteristics and the pan-European WGL character set and resolve the needs of developers looking for width-compatible fonts to address document portability across platforms. Ascender Sans Narrow contains regular, italic, bold and bold italic fonts.

M Zhi Hei's design concept comes from M Stiff Hei , where horizontal and vertical strokes (橫、豎) are direct, dots (點) are short but forceful, downstrokes(撇、捺) are straight and sharp - everything bold and straightforward. One big difference between M Zhi Hei and M Stiff Hei, is the similar thickness of horizontal strokes (橫) across all font styles, so that there would be a strong contrast formed by the thin horizontal and thick vertical strokes (橫、豎) in the bold face. Still, remains bright, neat and beautifully crafted, it is a multi-purpose typeface that convince audiences and cater for different needs.

Bagusih is the perfect font for anyone who wants to bring their designs to life with a bold, unique look that’s sure to stand out from the crowd. With its retro-inspired design, this font is perfect for those who want to create a 60s-inspired aesthetic, or who want to give their designs a retro feel. And with its bold and geometric design, Bagusih is also perfect for those who want to create a geometric look with lots of impacts. So whether you’re looking for a retro or geometric look, Bagusih is the perfect font for you.

Beeching is a family of six typefaces designed to combine extreme legibility with a hint of retrospective character. It is inspired by the lettering used in the Leslie Green designed stations of the London Underground and is as up to date today as it was the day those stations opened. The Beeching faces (Regular, Bold, Small Capitals, Small Capitals Bold, Shadowed and Small Capitals Shadowed) are ideal for use in large scale signage that needs to be seen over long distances. We feel the family provides a clear demonstration that traditional details, such as serifs and ligatures serve to enhance legibility.

Ned Std. is part of a series of typographic experiments from the young Swiss designer Michael Parson. Using a wide, horizontal hexagonal grid, Parson created the system of letters that make up this font. Text set in Ned Regular takes on a modular, honeycomb-like appearance. For an interesting effect, try overlapping individual letters, or use a few letters together as elements in a logo. A great companion face to Ned Std. is Linotype's Hexatype Bold. Both Ned Std. and Hexatype Bold have been included in the Take Type 5 collection, along with eight further constructions from Parson."

The standard American sanserif of the first two thirds of the twentieth century, prepared for ATF by Morris Fuller Benton in 1908 under the name News Gothic, with a matching lightface known as Lightline Gothic. Linotype’s Trade Gothic follows News Gothic except for its widely-spaced straight-sided boldface based on ATF Alternate Gothic No.3. Linotype matches News Gothic Bold, a boldface version that originated at Intertype, with Trade Gothic Bold No.2. Ludlow Record Gothic follows News Gothic more loosely. News Gothic BT™ font field guide including best practices, font pairings and alternatives.

Mitra is a modern Arabic text typeface with two weights: Mitra Light and Mitra Bold. Both of the fonts include Latin glyphs (from Optima Medium and Optima Bold, respectively) inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The two Mitra fonts incorporate the Basic Latin character set (Western CP 1252 Latin 1/ANSI and Macintosh US Roman) and the Arabic character set (CP 1256), which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Introducing My first sans font. Carrol, a classic sans with alternates! Carrol is a classic and modern sans with alternates in each alphabets! Every alphabet have alternates up to 3 kinds! This font fits in any project. You can use it for a tittle, logo, quotes, or become a pairing in any script font. This font also support multi language! You can get 6 style with italic in every style. This font included: Thin Thin Italic Light Light Italic Regular Italic Medium Medium Italic SemiBold SemiBold Italic Bold Bold Italic ExtraBold ExtraBold Italic Heavy Heavy Italic Thank You!

BB Casual™ (Std/Pro) is a font family that appears between a contemporary neo and geogrotesque design. The characteristic is formed by the intermediate step of the font classifications on the most relevant shapes: geometry (shape and with), contrast (text and display), white space (initial and terminal) and chiriographic elements (linework, punctuation, style and variant). The character set also has a large selection of matching symbols and superscripts. ● 2 Variants: characterized and simplified ● 20 Stylistic-Sets ● 34 Styles ● 41 OpenType features ● 95 Languages Support ● 41,854 Glyphs (1,231/Style) Designer: Bold Publisher: Bold Design date: 2019-2020 Release date: 2020 Version: 2.0

Introducing this very simple sans serif font that is Paris Van Java, the font Family. I created this font with the inspiration of simplicity and it is very friendly to look at, with four versions, namely regular, italic, bold, bold italic. Very suitable to be applied in various aspects of design, Also it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Symbols multilingual support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Grab our new font, Xagetif Groovy font, and start creating your own custom project. Use it to add a little flair to your editorial work or use it for branding or product packaging with a bold and fun character. Time to add some oomph to your next project with this font. This retro-inspired typeface features a psychedelic, bold and fun character ideal for branding and product packaging. This elegant typography is simple and contemporary but with a touch of simplicity that gives it a modern feel. To create your own custom project, start using this font now!

By overwhelming popular demand, this is the wide display companion to Canada Type's Clarendon Text family. It comes in ten styles: regular, medium, bold, with small caps and oldstyle Figures counterparts, as well as stencil and sketch versions of the regular and the bold. All the fonts come equipped with superscripts/numerators, denominators, and scientific inferiors. The OpenType fonts also contain automatic fractions and class-based kerning. The Clarendon Wide fonts are available in all popular formats. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages.

Ds Hand Font Family is a handwritten font designed by Tom Nikosey, based on Danielle Nikosey’s printing style. Tom is an American Graphic Designer specializing in Typographic Design and Illustration. Ds Hand is available in Regular & Bold weights CozyFonts Foundry is Tom's intro into the world of font design. Ds Hand Family is a tribute and gift to his daughter. Ds Hand, at first glance, gives a hand drawn aesthetic feel but on closer inspection, when set as text, this font gives off a cool, organized, legibly organic read. Also available in Bold. This is the 5th Hand Drawn Font Family from CozyFonts!

You're trapped in an endless now... seconds seem to be stretching out interminably... There’s an eternity between every tick, every tock of the clock... Your consciousness is stretched to the limit as time is expanded to fill the void between each microsecond. There’s a signpost up ahead... the letters appear to stretch into infinity. Anyone know the name of the font it’s set in? See the families related to Temporal Shift & Gap Expanded: Temporal Shift & Gap & Temporal Shift & Gap Compressed Features Four fonts (Shift Regular, Shift Bold, Gap Regular & Gap Bold) with upper and lowercase characters.

Say hello to the Editor's Note Family, an editorial serif display that includes 16 fonts, regular and italic, from Hairline weight to Bold, and still has all the clean lines, tight curves, and trendy minimalist vibes! I've been loving the clean, editorial type trend happening in design right now (let's be real, there's always a place for timeless editorial type). Editor's Note is a stunningly crisp upper and lowercase typeface that looks incredible in both large settings as a display text (think big headers, pretty quotes, calls to action, etc.). I've been loving combining the regular and italic, especially in big, bold quotes.

The Tibet Museum fonts are designed for harmonic layouts of multilingual texts, especially for the combination with asian fonts such as Tibetan or Devangari. Tibet Museum is a family of four fonts – Regular, Bold, Regular Italic and Bold Italic – that combines the shapes of Tibetan letters with a contemporary western font. The result is a unique set of characters that allows the design of multilingual applications and adds to an outstanding identity. It is perfect for branding projects as well as editorial and exhibition designs. The fonts contain a set of more than 400 glyphs to support 207 languages.

The light and the bold. The thick and the thin. Laverne and the Shirley. Peanut Butter and the Jelly. Hoban is about contrast. Hoban wants to be noticed, but only after a second glance. A friend of a friend to the didones, it has smaller, tapering serifs, slightly calligraphic traits, and spindly little terminals that go where they please. It’s a headline face. Period. Set it big and bold. Or light and airy. But preferably next to something with flair. Cuff links, canapés, or corvettes–it’s up to you. Distinct ligatures, ornaments, and swashy alternates provide plenty of character to tailor your style.

German type designer Ole Schäfer created this sans FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as software and gaming. FF Fago Correspondence Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Fago super family, which also includes FF Fago, FF Fago Correspondence Serif, and FF Fago Monospaced.

Ascender Sans was designed by Steve Matteson as an inventive, exhilarating sans serif design that is metrically compatible with Arial. Ascender Sans offers enhanced on-screen readability characteristics and the pan-European WGL character set and solves the needs of developers looking for width-compatible fonts to address document portability across different platforms. The Ascender Sans Narrow offers enriched on-screen readability characteristics and the pan-European WGL character set and resolve the needs of developers looking for width-compatible fonts to address document portability across platforms. Ascender Sans Narrow contains regular, italic, bold and bold italic fonts.

Introducing Agetta Display is a bold vintage-style serif font with strong confidence. bold is inspired by something simple, elegant, usable and versatile. This serif typeface that looks amazing in both large and small settings is perfect for your design needs but still clean and elegant to apply to various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging. , fashion, make up, stationery, novel, label or any kind of advertising purposes. Font Features: Agetta Display Feature : Uppercase & Lowercase Alternative Style Standard Ligature Numbers & Punctuation (OpenType Standard) Accents (Multilingual characters) PUA encoded Support Multilingual Language Thank you.

Petit Nuage is a signature decorative font with which you can achieve a handwritten-type lettering feeling. Petit Nuage it’s a multilingual lettering font with Greek (of course), Latin character set, and diacritics. This signature style is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. It can be used on social media content, for branding or packaging. Also, Petit Nuage is the ideal typeface for organic products branding and packaging. Additionally, you can use this typeface romantic vibes for wedding and baby shower invitation designs. Especially if you are looking for a font for Instagram quote posts or any other social media content, this typeface is for you!

BB Noname™ (Pro) is intended to imply the appearance of a conventional typeface in a contemporary context. Due to the frequent use in the public service (among other things), the style associates a supposedly objective face. The style is characterized by the proportions, the contradiction of the apparently perfect reduction and the retention of chirographic elements. In addition, the rapid further development of the input devices has meant that existing character sets have been added again and again, regardless of style and technical requirements. With this work, the properties were analyzed, the characteristic features highlighted and summarized in a complete typesetting: Anonymity (procedure), bureaucracy (style by category), convention (shape) and formality (optical corrections). ● 3 Variants: Human, Computer, Interaction ● 20 Stylistic-Sets ● 34 Styles ● 39 OpenType features ● 93 Languages Support ● 35,598 (1,047/Style)