Lucky Skirt is a bold, fun, and playful display font. Its well-rounded and slightly chunky characters make this typeface an extremely versatile one! It can elevate the look of almost any of your beautiful creations!

A brass stencil hand cut to mark the tops of oil drums yielded the lettering for Stencil Plate JNL. The font emulates the retro feel of the unique letter forms found in the original antique design.

Merge is a soft family of sans, available in 4 weights. Readable at small sizes, it sets open and wide. At display sizes, the softness makes for a friendlier, more casual alternative to other rounded sans.

Another gem found in the pages of "Alphabets A to Z": rustic and rollicking fun in one face. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Summerville JNL is a condensed Art Nouveau slab serif design inspired by a typeface called “Superior” [found in the Barnhart Brothers & Spindler type specimen book circa 1897], and is available in both regular and oblique versions.

Macaroni Sans evolved from our search for an extended font family consisting of a range of weights in both uprights and obliques, with a contemporary appeal. The desired character was to be sympathetic with a range of high-tech consumer products so a friendly, soft approach was called for. The resulting mix of geometric shape, rounded terminals, subtle italic angle of just six degrees and a few quirky stroke endings met with an enthusiastic response. As its subject product line exhibits brilliant color and imagery, a style was called for that conveyed contemporary appeal and readability but would not compete with the savvy products. We arrived at a clean, modern, sociable look that would suit a broad subject field in either text, semi display or signage. Its simple lines and monoline strokes fit well with logo usage or screaming posters, enhancing letterheads or websites, for foodstuffs to autos, insurance to swimming pools, lawfirms to babyfood. Macaroni Sans is the perfect typeface for branding, logotypes, may even flatter challenging viewing conditions. Rounded types have been around (pardon the pun) for centuries; numerous examples can be seen on old wood type posters, which in a small way prompted the name: in fashion Macaroni was a term used in mid-eighteenth century Europe to describe a dandy, a chap who displayed flamboyance in dress and hairstyle and spoke outlandishly or in an effeminate manner. Hence the term macaronic verse.

FS Rosa is a free-spirited and optimistic serif typeface – reminiscent of those used on fanzines, film sequences and book covers of the 1970s, such as Cooper and Windsor, it has a laid-back nature with a touch of rebellion. It also reminds of type used in colourful protest graphics by nun-turned-designer Corita Kent, and its personality is akin with brands like Whole Foods - positive rather than preachy. While unconventional, it’s sensible enough to work perfectly for socially conscious brands, magazines, websites and campaigns that want a fairer and more responsible world. Hand-drawn digitally, FS Rosa is warm and open-minded – its irregular letterforms are rounded, with soft terminals, a large x-height and wide apertures. But it is also quirky and eclectic, with irregular shapes – its short ascenders and descenders have slanted serifs, its uppercase forms have unusually low crossbars and the letters are filled with oddities and surprises. The typeface looks to stand out against a sea of homogenous, geometric sans serifs, and celebrates beauty through imperfection. It comes in five weights of Thin, Light, Regular, Bold and Black. The heavier weights make an impact and are great for loud, headline statements. The Regular weight is functional, balanced and robust for text, and the lighter weights have an elegance and contemporary beauty. FS Rosa is eclectic yet with its soft roundness, also positive and progressive. Its name, inspired by the phrase “rose-tinted glasses”, reflects its optimism.

Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave

Italian type designer Alessio Leonardi created this display FontFont in 1994. The font is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Forchetta provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Afeelnooztii is an angular sans serif font that is useful for all sort of projects, including: books, essays, games, posters, signs, videos, and more. The 7-segment characters and Arbitrary fraction characters are both allocated in the Private Use Area starting at U+E000 and U+E100 respectively.

Stereotones is a modern display font and unique style that instantly add power and movement to your projects. Stereotones also have a ligature feature that makes writing more beautiful. Stereotones is very suitable for automotive magazine covers, racing game covers, logos & branding, product design, labels, and so on.

Hisbullah is a bold, unique and stylish display font with an Arabic look. Designed to give a luxurious and elegant impression by combining modern and classic styles to make it timeless. This font is suitable for any purpose such as industrial, religious, gaming, movie, music themes, and so on

Hello Everyone, Introduce our new collection Dotoria is a Handwritten Brush font with comical type. Crafted manually with love and passion, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, Game project and etc.

Lunch Show is a cute, friendly yet thick lettered display font. It embodies playfulness and it's the right choice for product packaging, logotype, games, children, or school projects. So what’s included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Italian type designer Alessio Leonardi created this display FontFont in 1994. The font is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Coltello provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Awesome sport font with italic wide letters, modern letter cutout and dynamic slant. Ideal for sports headline of speed car race, logo and monogram of automotive game or other modern dynamic text Font "Turber" compares favorably with its readability and massiveness, creates the effect of power and speed.

Slazer is a futurist font designed for a dynamic and powerful effect when it comes to science, technology, games, web, cellphones and electronics. All glyphs are open, straight and smooth, enhancing their connection with images. Slazer’s lines never touch or split: they always go somewhere… and go fast!

Introducing the Big Alphabet Tracing Font – a font designed to help kids learn the alphabet in a fun way. The font looks friendly and playful, making learning feel like a game. It is perfect for teachers, parents, and anyone who wants to make learning the alphabet exciting and interactive.

Spring Ride is a cute, friendly yet thick lettered display font. It embodies playfulness and its the right choice for product packaging, logotype, games, children, or school project. So what’s included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

introducing : Alien Spaceship Font ,come with powerful themes. We wanted to create the most unique character. It matches applies in some designs such as the gaming logo, logotype, brand, packaging, quotes, cute poster, kids shirt, cover book, birthday invitation and more custom design. Alien Spaceship Font is 3 style.

Italian type designer Alessio Leonardi created this display FontFont in 1994. The font is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Cavolfiore provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Inspired by the early days of video games where the graphics were made of squares (pixels), Wahyu Wibowo comes up with pixel based typeface design, Jogan, but instead of having medium width, he decided to make it narrow which is rarely exist in pixel style font. The style were expanding in the development process, so the family have 4 subfamilies: Jogan (regular, bold and monospace) Jogan Soft (regular, bold and monospace) Jogan Round (regular and monospace) Jogan Slab (regular and bold) Each Jogan font style contains 280+ glyphs which covers Western Europe languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Filipino, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Retro, retro-futuristic, futuristic, modern, techno theme projects fit perfectly with this typeface, any works from logo, poster, video, headlines, titles, and more!

Hey there, check out Altarossa! It's a font that blends classic elegance with the bright plasticity of nature. This natural fusion gives Altarossa a captivating charm that's both tough and tender, young and chic. The rounded corners and curvy lines of Altarossa will remind you of the fresh and light vibes of nature, perfect for designs that need a touch of natural beauty. This font is well-balanced both for headings and typography and for typing large text blocks. In addition to its captivating charm, Altarossa is the perfect font for a variety of businesses and activities. If you're in the fashion game, Altarossa's stylish yet natural vibe will elevate your brand to the next level. For sports and fitness brands, Altarossa's strong and flexible nature will perfectly represent your message. And for weddings, luxury brands, commerce, hobbies, and more, Altarossa brings a touch of elegance and sophistication that'll make your designs pop. This font is well-balanced both for headings and typography and for typing large text blocks. With its versatile and adaptable nature, Altarossa works with pretty much any project you throw its way. Don't sleep on Altarossa, it's a font that's too awesome to pass up!

Neo Latina is a classic sans serif typography in small caps of square proportions and rectilinear character with the ends of the rounded horns and a semi-stencil design that gives a futuristic aspect and of science fiction. Neo Latina is the right heiress of geometric fonts from the early 20th century inspired by the Bauhaus school and is specially designed for use in any size for both screen and print. Neo Latina is a very versatile typography for graphic design, you can use it in advertising posters, video games, film titles, logos, editorial design, etc. The Commercial version includes: - Two fonts: Regular & Bold - 460 glyphs. Latin Extended-A • OTF & TTF - Neo Latina fonts can be used unlimited for both Commercial and Personal projects. - The download file includes a PDF with the specimen sheet of typography. - OpenType features compatible with: Photoshop, Illustrator, QuarkXpress, Indesign. - OpenType Features: Subscript, Additional languages, Alternate Annotation Forms, Capital Spacing, Denominators, All Alternates, Oldstyle Figures, Superscript, Superiors, Superior letters, Standard Ligatures, Kerning, Extended Fractions, Small Capitals, Historical Forms, Inferiors, Fractions, Localized Forms, Numerators, Ordinals, Discretionary Ligatures, Scientific Inferiors, Slashed Zero. - Bitcoin & Chaos symbol: b# - a#(ligatures)

Cyber ​​Graph is a rounded futuristic font with 2 styles light and regular. This font is very suitable for headlines, logos, movie titles, game titles, labels, sci-fi magazines, packaging, or all kinds of advertising purposes. This font is equipped with PUA Encoded so that the OpenType feature (ligatures & Stylistic alternates) can be accessed on design software such as Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. To access all characters in Microsoft Word "click Insert-Symbol-More Symbols" If you have any questions, don't hesitate to contact us; we will be happy to help. Support for 82 languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu.

NixonScript is a display typeface inspired by the typographic emancipation given voice by 1950s and '60s north American vernacular type. NixonScript's starting point was lettering found on a 1960s camera found in a Chicago junk shop, but its development saw it transformed from a punchy sans-serif to a more thoughtful serif, with a lowered x-height and a vibe of almost priestly piousness. Rather than a simple regular italic, a bold italic is offered. During its development, the regular version seemed almost placid but with the double emphasis of bold and italic, NixonScript gained an energetic, self-congratulatory form.

Cigar is a revival of a 1970s and 1980s typeface called Cucumber or Nassel Black or Scanner. It has been carefully redrawn and expanded into a full-featured OpenType font. Cigar Octo and Cigar Quarto are new angular reinterpretations of Cigar. In Cigar Octo, most round shapes have been replaced by octagonal shapes. In Cigar Quarto, most round shapes have been replaced by rectangular shapes. Use Cigar to get attention. Use it for headlines, advertisements, magazines, brochures, book covers, corporate design, presentations, websites, signs, event announcements, and for other things that need attention. For more information about Cigar, download the PDF Specimen Manual.

Rotundus is an elegant sans serif typeface based on geometric shapes. Precise lines and accurate curves with sharp corners are the main characteristics of this fresh and modern font family. While unconventional letterforms give Rotundus its distinctive appearance, a tall x-height and a condensed width provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Rotundus is suitable for almost any type of analogue and digital application. A rounded sibling of Rotundus is available as Rotundus Rounded. The Rotundus font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Rotundus comes in six weights with matching italics.

The Cralter Font is inspired by authentic typefaces in old posters. These font collections contain serif and sans serif fonts. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Cralter gives more extras 1 pack illustrations. The Cralter matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Cralter features : 4 style typefaces (regular, rounded, rough and stamp) All-caps, numeral, symbol and punctuation Multilingual PUA Encoded Cralter includes : 9 fonts (serif, sans serif and dingbat) 13 hand-drawn illustrations in dingbat

Aljameela is a script typeface that has a rounded corner style with unique, simple and easy characteristics. Aljameela inspired from the shape of building of the Muslim Culture that is dominated by curved and rounded shapes like the pillars and domes of a mosque. Aljameela is very recommended and perfect for graphic designs that use a script typeface. It is like tagline, book cover, book text, posters, signature styles, titles, postmodern designs, web design, logos, branding, advertising, posters, invitations and more. Aljameela is suitable for all modern and classic of graphic designs. You will happy with Aljameela.

Strictly geometrically constructed character forms with an even stroke width The idea behind it: to construct letters according to geometric principles — without correcting the inevitable optical imbalances and unsightly thickening. The round shapes are really circular too. The main feature of the Constroke is the constant stroke width. Another typical feature of almost all geometric fonts is the round small a. Many characters are also available as stylistic alternates. This gives the font a completely different look. A total of 7 style sets and unusual ligatures invite you to play with alternate forms. Constroke also includes tabular figures, circled numerals and directional arrows.

Steak and Cheese - a Savoury Font Collection Packed with flavour, Steak and Cheese includes following: • Brush - Two weights of a connected Brush Script with Contextual, Swash, Titling and Stylistic Alternates • Pen - Three weights of a connected monoline Script with Contextual, Swash, Titling and Stylistic Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners • Condensed - A bold and tight condensed Sans Serif with rounded corners. Steak and Cheese fonts are designed to work together - in pairs or more. Steak and Cheese is great for branding, posters or any display use. All fonts are PUA encoded and have a wide language support.

Cambridge seeks to build on the popularity of Fiendstar amongst educational publishers and advertisers who need easy-to-read text in a classic sans serif format. Cambridge is an elegant typestyle that is equally at home in a schoolbook or an annual report. Feedback from users has resulted in a handful of changed letterforms which remove any ambiguities between similar letter forms. The family contains four weights in three widths and now benefits from matching italic form for all variants. Cambridge Round provides a rounded version of all styles, useful for headings and more informal texts.

Good Song is a cursive font based on the USA's teaching script. It can be written in Carolinian, Sioux, Oʼodham, Southern Athabaskan, Hawaiian, and Samoan from USA. It can also be written in Dutch, Maltese, Aymara, Mapuche, Rapa Nui, and other languages. This font family is cute. The style is wide and rounded. It has wide and open loops. The strokes are drawn with a round cap tool, with no contrast. It is cursive and connected. The form is upright. It is easy to read in the USA. Part H has capitals with High starts. Part L has capitals with low starts.