If you're getting tired of using Broadway, here’s an exciting alternative in regular and bold weights. Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger began designing this high-contrast novelty face for the Ludlow Foundry in 1928. It retains the classic style of the Jazz Age with a bit more individuality and spirit than Broadway. This extreme thick and thin design also sports normal descenders instead of the clipped ones found on Broadway. Ultramodern Classic is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Boxed, the best seller of the Tipo Pèpel foundry has been expanded with variable font technology to multiply its creative possibilities, from now on and with a single file, it is possible to control its appearance thanks to three axes with which to modify the weight, the rounding and the the width of the characters. Offering more options to customize the appearance of the text and personalize the headlines. Boxed typography is brightly conceived and designed to look good on small screen devices, but offering also enlightened looks on paper. The semi-modular geometric font shapes seek to be fully responsive to the grid of screen«s pixels to deliver a crisp, fluid reading rate. It offers an extensive set of Latin characters, even the Cyrillic.

Introducing Bilgres, a hippie-themed font that combines strong and gentle shapes with rounded edges, giving it a unique and playful style. This bold and wide font is perfect for creating eye-catching designs that stand out, whether you're designing posters, album covers, logos, or social media graphics. With extensive multilingual character support, including Latin Pro, Bilgres is versatile and adaptable to all your design needs. If you're looking to create designs that are both hippie and modern, Bilgres is the font for you. Its distinct and playful style will elevate your designs to the next level, making them pop and catch the eye. Don't wait to try out Bilgres – purchase now and start creating stunning, hippie and groovy designs that will leave a lasting impression.

Black Pearl is a revival of an ornate calligraphic font possibly created between 1850 and 1870. I spent two years looking for all the letters of this font; once I found them all, I immediately went to work on recreating this old classic. I was not able to find any numbers for the font, so new to this style are numbers, some punctuation and currency symbols. The Truetype and OpenType formats include an extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys; a ship’s wheel, located on the asterisk key; and a boat anchor on the bracket keys.

Beauville Script is a handmade pen font with a touch of comfortable elegance, inspired by the script headings of the 40s and 50s. Beauville is an upright, condensed and soft vintage script with a modern and contemporary twist. Its main characteristics are the bouncy baseline, round forms and bumpy stems. These qualities give Beauville it’s casual, friendly look and makes reference to traditional fluent handwriting. Beauville font is equipped with contextual and stylistic alternatives, swash alternatives and ligatures to create more authentic and varied connections between the letters. It has a Central European language support to fit your design. Beauville Script works perfectly in greeting cards, invitations, weddings, posters, magazines, fashion world, branding & logos, packaging, etc. It is friendly and lovable, fresh and fun to work with.

Art Deco turned mundane objects into graceful, sensual works of art, with a nod towards the opulent and extreme. Art Deco sought to build upon the elements of Modern Art movements by focusing on the principal object and removing the extraneous elements found in the Victorian era and in Art Nouveau. The concept of "form following function" and the technological advances of the early 20th century played a very important role in defining the direction of Art Deco. Popular images included stylized people, svelte animals, tall buildings, sleek vehicles and exotic scenes. Art Deco typographic designers were also inspired by these diverse themes. P22's Art Deco font set shows the influence of a cross section of some of the various European and American Art Deco styles.

HS Wamda is based on some modern style of Naskh calligraphy which supports Arabic, Persian and Latin with a Sans Serif with subtle round on stems and corners. The typeface has been optimized for corporate identity work, editorial design, book, magazine and modern projects when a contemporary and simple look with a similarity between Arabic and Latin is requested. It features a small number of ligatures. Its proportions allow high impact on the tightly set lines of big and small text alike. This font consists of five weights (Thin, Light, Regular, Mediums and bold). It can constitute a striking addition to the library of Arabic and Latin contemporary fonts models that meet the purposes of various designs for all tastes.

English HU Green Tea is a brush-type calligraphic display font for headlines with round shape and smooth strokes. This font gives you beautiful, natural and relaxed impression and is suitable for natural pictures, magazines, logos, posters, product designs and etc. Greek Το HU Green Tea είναι μια γραμματοσειρά καλλιγραφικής οθόνης τύπου πινέλου για τίτλους με στρογγυλό σχήμα και απαλές πινελιές. Αυτή η γραμματοσειρά σας δίνει όμορφη, φυσική και χαλαρή εντύπωση και είναι κατάλληλη για φυσικές εικόνες, περιοδικά, λογότυπα, αφίσες, σχέδια προϊόντων κ.λπ. Cyrillic HU Green Tea - каллиграфический дисплейный шрифт кистевого типа для заголовков с круглой формой и плавными мазками. Этот шрифт создает красивое, естественное и непринужденное впечатление и подходит для естественных изображений, журналов, логотипов, плакатов, дизайна продуктов и т. Д.

Fusion Sans is an amalgamation of traditional early nineteenth-century sans-serif letters. Despite its monotone structure it retains certain features common to roman. For instance lowercase ‘a’ and the two-storey ‘g’ are normal roman characters, while most letters are designed with a thinning of stroke at the junction of rounds to stems. Other letters are borrowed from earlier gothics, like lowercase ‘t’ which was first seen on a typeface that was developed by Paul Rand for Westinghouse in 1960. Fusion Sans is a tall family of 4 weights which is suitable for long headlines. The new ‘Pro’ version developed in 2006, provides support for all European languages including Greek and Cyrillic while it comes loaded with 19 special OpenType features.

Perillock font is a clean and modern typeface with a rounded bold design. This font is perfect for headlines, titles, logos, and other design projects that require a bold and attention-grabbing look. Its smooth and consistent curves give it a friendly and approachable feel, making it suitable for a wide range of design applications. Whether you're creating a poster, packaging design, or website, Perillock is sure to make your text stand out. Featured: Standard, Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

This font is based on the popular and timeless Caslon design and was carefully digitized from the pages of an early 19th century book. I was excited to see some unique design treatments of characters such as the lower case italic 'p', the question mark, and various swash caps that I had never seen before. During the conversion process, I made sure to preserve the worn look of faded ink on old paper by maintaining a subtle level of decay and opacity with each character. For missing characters not found in the book, I created new characters that were faithful to the style of the rest of the family. Used as a text font, The Letterpress Text Family successfully reproduces the appearance of old letterpress lithography.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Sibylle Schlaich and her friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Schlaich and her fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Styletti Medium is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH."

Like the graceful movement of a ribbon, Quiverleaf® CF glides effortlessly from letter to letter. Five weights – from a delicate, yearning thin to a hearty extra bold – combine with striking italics and wide language support for a well-rounded and expressive typeface. Quiverleaf's versatile design allows for both beautiful text and airy headlines. Quiverleaf® CF pairs well with itself at contrasting sizes and weights; it can also be used effectively alongside both sans typefaces like Greycliff® CF, and simple humanist designs like Artifex Hand CF. Quiverleaf is also available in an Arabic version, Quiverleaf Arabic CF, which pairs perfectly with the original Quiverleaf for multi-script visual design. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

The Core Sans R Family is a part of the Core Sans Series, such as N, NR, N SC, M, E, A, D. and G. This font family has closed and square letter shapes, and overall rounded finishes provide a soft and friendly appearance. Simple shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans R Family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) and Italics for each format. Core Sans R supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Duluth, Minnesota's Horace P. Brouillet Syndicate (later known as Syndicuts, Inc.) was one of a number of stock cuts providers to the letterpress trade in the decades preceding paper, then electronic clip art. Brouillet's "Typeps" catalogs offered a wide range of images covering numerous subjects, as well as cartoons, catch words and automotive logos. Many of these images have been reproduced in a number of royalty-free clip art publications over the years. Twenty-Six of these newly-redrawn catch words are found within Business Helpers JNL in two styles. On the capital keys are the original white-on-black designs, modeled from the vintage source material. The lower case keys have the phrases separated from the decorative ovals and are in black type.

The German typeface artist Lucian Bernhard designed Bernhard Antiqua as the first of his many text typefaces. The first weights were produced in 1912 by the foundry Flinsch in Frankfurt am Main. Further weights followed in the 1920s, produced by the Bauersche foundry, which had acquired Flinsch in the meantime. Bernhard font is an alphabet with a marked historical influence. It brings the viewer back to the early 20th century, when the bold forms of this typeface graced advertising displays and posters. Distinguishing characteristics of this typeface are the cross of the capital W and the rounding of the capital R. Linotype's Bernhard condensed bold, with its narrow, robust forms, is best for headlines in medium and larger point sizes.

Shirataki is a soft pen script with clear round letter shapes and large display capitals. Shirataki has really low contrast -it’s almost monolinear. Shirataki is a clear and friendly display script ideal for logo, signature, packaging, poster or headline purposes. Shirataki uses Contextual Alternates to keep the connections smooth and it has Swash alternates for every standard letter. There’s even more alternates in glyph palette. There’s also a set of swash endings coded in Titling Alternates and set in lowercase letters. In addition there’s a selection of strokes set in uppercase A-H. Shirataki is PUA encoded so you can access extras in most graphic design softwares even without OpenType support. In case you were wondering Shirataki are Japanese yam noodles. Enjoy!

Introducing 58 Rodeo: A Classic Redefined 58 Rodeo is based on several different woodtypes used primarily as display faces in the late 1800s/early 1900s. The difference with this version of a classic woodtype is the balance and legibility. 58 Rodeo has been redrawn to emphasize line and character uniformity. The goal is to create a eurostyle, square look in a western font designed for modern applications with wild west sensibility. Additional characters provide whimsy and flair to round out any layout on the fly. Stars and other sorts are included in this reinterpreted design. Egyptienne-style fonts possess a universal appeal and are spectacular for adding interest and legibility in a variety of applications. The extended character set includes the Euro, placed on the currency key.

With Royale, Resistenza reinvented the bifurcated Tuscan genre in a contemporary, warm and playful form. Now our aim was to complete this decorative family with an italic version of the font. Rounded terminals, fabulous fancy fun spurs with elegant and extravagant flourishing - Royale italic comes in 8 weights which can also be layered to create polychromatic effects in another nod to the Victorian era these styles were popularised. While inspired by days gone past this Royale is far from a revival as unlike the classic Tuscans which inspired its structure Royale is monoline and sophisticated in its simplicity. Perfect for display and emphasis, Royale will command attention and leave a memorable impression wherever it is used. Check out also Royale

Well, if you found this page via Google and what you're looking for is NOT a Slam Bang display and logo font (made famous by the logo of our sister company's flagship comic book title, HIP FLASK), but in fact a small metal bottle suitable for brandy, whiskey or the spirit of your choice, then we deeply apologize. If you've read this far, then we'd like to point you to eBay where you'll find a wide selection of the items you're looking for. While you're there you might also like to consider how difficult it is for HIP FLASK fans to find back issues of our comic amongst all those pewter and stainless steel christmas gifts for your golfing friends and fellow alcoholics.

Linotype Syntax™ Letter is reminiscent of the style of the Roman Rustic capitals and is an earthy, almost snappy companion to the other Linotype Syntax™ typefaces. Instead of subtly expressing the rhythmic dynamism of handwritten letters, this face is more overt about its connections to writing movements, such as the lead-in and exiting terminals, and the organic branching of round strokes from main stems. Linotype Syntax Letter was designed especially for office communications, and it does add a warmer, more personal touch to such documents — while still combining nicely with the more formal Syntax relatives. With six weights, their matching italics, as well as small caps and old style figures, this typeface family has a total of 24 weights.

Designed as a versatile and functional family, Convexion is the result of a personal exploration into the use of convex forms in serif designs. Its humanist form is inspired by a fusion of classical serif forms with the more expressive forms found in script lettering, to create a legible yet original typeface family. Consisting of 3 weights, with accompanying cursive inspired italics, this family is suited for a wide range of applications such as branding that will expose its defined personality or editorial design were it can be used for both display titles or text. This family supports a range of Opentype features, offering multiple numeral styles, ligatures and other alternate glyphs. With an extended Latin glyph set, it will support most Latin based languages.

Vine Spinach is a beautifully designed display font. The round and shadow style applied to the characters gives this font cute feel. While it's easy to read, the dramatic bold and heavy style is very suitable to be used to create titles and logos. You also get illustrations as special extra that you can use as you wish. Features: Stylistic Sets Swashes Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

Lina sans is an Arabic typeface from Lina type family, it expresses modern vigor based on simplicity and clarity. It's Strong, Bold, legible, clear, simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina sans was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina sans consists of 7-weight versions from thin to bold.

So glad we found each other! Enjoy Cheerful Monday, a handwritten font that has 2 variations (regular and bold), and to enhance your hand-lettering we provide 72 ligatures as your choice to summarize the words/sentences made. Also equipped with doodles as a bonus. This is perfect for quote designs, quaint logos, clever packaging, signboards, greeting cards, merchandise designs, trending Instagram photos and so much more! Cheerful Monday features: A full set of upper & lowercase characters Numbers & punctuation 72 Gorgeous ligatures Lowercase alternate (doodles) Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Bannetters (Banner Letters) was designed to alternate two letter sets. Both sets are formed on parallelograms, with one set of parallelograms sloped upward to the right and the other sloped downward to the right. When alternated, the result is a zigzaggy line of text. In applications that support the OpenType feature contextual alternatives (calt), the two sets of letters are automatically alternated. The Bannetters family has two styles, one with straight outer edges and the other that rounds these shapes for letters that have curved exteriors. Both styles are largely monospaced and monoline (not to mention weird, strange, and unusual). The tiling pattern of text created by Bannetters makes it attention-grabbing and appropriate for signage, posters, advertising, and other uses where eye-catching text is desired.

Hennigar is a Neo Grotesque sans serif especially useful for display text and headlines. Many of the rounded letters are based on the appearance of the letter O with very little variation in width. Because of it's condensed nature the apertures are narrow with extenders that dip well below the base line. Similarly many of the lowercase characters are based on the lowercase o. Terminals and tails always point east/west giving the entire alphabet a very uniform appearance. Basic Latin, extended Latin, diacritics, punctuation, math symbols, symbols,Greek, Cyrillic, ligatures, fractions, alternates, and kerning are included. Kerning support for Macedonian and Serbian is included via alternate substitutions along with proper italics for Russian. Use Hennigar for a poster, web graphics, or book title.

Linotte is a rounded sans in 7 styles designed by Joël Carrouché. Small irregularities give the typeface a warm and naive look, while the simple geometric construction provides good legibility in long texts and small sizes. Linotte is an ideal choice for food or kids related products, or anything that needs to convey a human and friendly feeling. Originally released in 2014, Linotte was updated in 2021 with Greek and Cyrillic support, two new styles, and other small additions. Linotte Semibold is 100% free for personal and commercial use. The fonts, provided in OpenType format, include diacritics for most European languages, a set of arrows & icons, and a variety of advanced features like stylistic alternates, case-sensitive forms, sub and superscript, automatic fractions, etc.

New Old English was prompted by two Victorian coins, the mid nineteenth century gothic crown and gothic florin, which featured a gothic script lowercase with quite modern looking, short ascenders and descenders enabling it to fit snugly around the queen’s head or heraldic motif. With thicker hairline strokes than normal Old English, a less sharp, warmer feel than lettering scripted with a pen, and circular instead of rhombic punctuation, this font is an attempt to capture the round-cornered softness of the die-struck lowercase blackletter. To increase harmony and homogeneity between the cases, the uppercase is narrower and simpler than is customary, without the excessive width or antiquated flamboyance of the traditional blackletter. It might even allow text set in capitals to look acceptable.

We are proud to present to you our new Latin+Cyrillic font Fedorro! Fedorro typeface is a classy example of a modern Ukrainian style of type design. It is inspired by traditional fonts of the past, but with a strong modern twist to its appearance. The main feature of this font are round and playful letters combined with a relatively tiny negative space, making it unique like no other: many typeface elements were borrowed from historical exemplars of Ukrainian handwritten letters and redesigned with modern trends in mind. Fedorro is perfect for all the situations when you need the text to pop and catch the viewer's eye: posters, books and magazine covers, headlines, banners and ads, logotypes, corporate branding, lables, ads etc.

Chunky Retro is a modern, clean and smooth retro font style. This font comes with a unique shape where every corner is smoother and more rounded. You will also get extra shadow/outline fonts in this font pack to make your design projects perfect. Use this display font to add that special retro touch to any design idea you can think of!. Equipped with all complete characters ranging from uppercase letters, lowercase letters, numbers, punctuation marks and multi-lingual support, this font is ready to be used in any project. Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Seconda Soft is the soft companion of Seconda. A little friendlier, a little easier on the eye, a little more informal, a little more fashionable — but still the refined and reliable Seconda. Seconda Soft’s softness comes from the moderate rounding of the edges of its characters. Seconda Soft has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. When using Seconda Soft in small text sizes, it will be a reliable and legible text face. When using it in big display sizes, it will show its refined details. Seconda Soft in use: 1 2. For more information about Seconda Soft, download the PDF Specimen Manual.

Our intention was to create a font with rounded melted-like shapes, like sucking candy, to make it "tasty" and playful. The CANDY MELT font is rather bold. This feature lets the graphic designer play with the letters, filling them with a variety of textures and patterns. The CANDY MELT is ideal for children' books titles, textbooks, notebooks, different brochures and advertising. We hope that GalaStudio fonts will add attractiveness and efficiency to your product. INCLUDED: GS_CandyMelt.otf GS_CandyMelt.ttf Numbers, additional glyphs & basic punctuation are included. PERFECT FOR: using in branding projects, children' books titles, textbooks, notebooks, different brochures and advertising, homeware design, packaging design; magazines, posters and flyers titles; logos design, books design, fashion design, slogans etc. Multilingual support included for the languages based on Latin alphabet.

Axion is an original design by Alex Kaczun. It is a display font not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion is a futuristic, techno-looking and dynamic typeface with elements of machined-like parts containing sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The font is also available with true-drawn slant italics. Other design style variations include small capitals with old style figures. The large Pro font character set supports most Central European and many Eastern European languages.

It’s a brand new year, but I have been going back in time. To the seventies to be precise. A ‘bubblegum’ font was on the top of my to-do list, so when it was finally finished, it reminded me of seventies posters. As if by magic, a catchy bassline started playing in my head and before I knew it, Boney M appeared - all dressed up in Purple and singing Daddy Cool. Cool Daddy is a fat, rounded bubblegum font, which will take you back to the decade of moustaches, afros and glitter. This ultra groovy font will funk up your designs 4-sho. So boogie on, take it back to your crib and get down with it. You diggin’?

Vodka - a display pack with an edge. Vodka is a display combo pack of four styles and six fonts. Vodka fonts are clean but soft. Vodka's core is two weights of a Brush Script and a Monoline Script with similar characters. Vodka Sans is a bold sans with very soft features. Vodka Sans lowercase letters are a bit condensed version of uppercase. Vodka Slab is a rounded bold display type. Vodka Brush and Pen are equipped with automatic Contextual Alternates and Standard Ligatures that help to keep the flow smooth. For more expressive letters there’s Swash Alternates for every standard letter. Vodka fonts are designed to play together but can easily be used as themselves too. For the best price purchase the whole pack!

Zany Route is a delightful and rounded typeface designed to rev up the fun in transportation-themed projects. With its playful and engaging style, it's the perfect addition to any creative project. Whether used on its own or combined with any of its eleven thematic variations, Zany Route is sure to transport your designs to a world of joy and adventure. This font offers eleven distinct variations inspired by transportation, including planes, cars, gears, motorcycles, trucks, and more. It's the ideal choice for designs related to transportation, catering to children and crafters alike. Zany Route is your ticket to logos, children's themes, crafting, invitations, packaging, posters, titles, businesses, greeting cards, stickers, children's books, magazines, and any designs connected to the world of transportation.

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina Soft consists of 7-weight versions from thin to bold.

Introducing Lando - a handmade uppercase type family with a natural character. Lando comes in two styles with two weights each. Its characters have been drawn by hand to give them a warm and authentic look. Lando's appearance is enhanced by two contextual alternates for each Latin character and all numbers. In addition, all fonts contain several open type functions such as swashes and initials, a selection of ligatures and support of open type fractions. It is rounded up by many handy extras, such as shapes and icons, catch words, bullets and much more. Lando is intended to work best in logos, posters, magazine headlines and on packaging and apparel. But it also feels comfortable with short texts, due to its support of many latin languages.

Your Stash of fonts for that custom hand-lettered look. Stash comes in two styles; a clean modern and a worn vintage look, each in five weights. Stash features hundreds of alternates to make every setting look crafted and unique. The fonts are programmed with a smart set of contextual alternates that handle initial and final forms, as well as a few connecting pairs, making each word look polished. Tails and underlines round out the character set. With Stash you can craft solid logotypes with a unique look, set posters and ads, and even run longer lines of copy on packaging. Pick it up for your next craft beer label, chocolate pack, café logo, or good old social media posts!