American Authors is a unique collection of signatures of 75 famous American authors, poets, writers, and novelists. A must-have for autograph collectors, desktop publishers, history buffs, fans, or anyone who has ever dreamed of sending a letter, card, or e-mail "signed" as if by one of these famous literary figures. This font includes signatures from the following literary figures: Joel Barlow, Charles Brockden Brown, J. Fenimore Cooper, Stephen Crane, Richard H. Dana Jr., Theodore Dreiser, W.C. Bryan, Timothy Dwight, T.S. Eliot, Ralph Waldo Emerson, William Faulkner, Eugene Field, Philip Freneau, Robert Frost, Hamlin Garland, Alexander Hamilton, Bret Harte, Nathaniel Hawthorne, Lafcadio Hearn, Ernest Hemingway, W.D. Howells, Henry James, John P. Kennedy, Washington Irving, Oliver Wendell Holmes, Julia Ward Howe, Francis Scott Key, Sidney Lanier, James Russell Lowell, Edgar Lee Masters, Cotton Mather, Herman Melville, George John Nathan, Henry W. Longfellow, Edna St. Vincent Millay, Eugene O'Neill, Thomas Paine, Edgar Allan Poe, J.K. Paulding, Sydney Porter (aka O. Henry), Carl Sandburg, Samuel Sewall, John Howard Payne, W.H. Prescott, W. Gilmore Simms, Captain John Smith, Gertrude Stein, Harriet Beecher Stowe, John Trumbull, Daniel Webster, Noah Webster, Samuel L. Clemens (aka Mark Twain), John G. Whittier, Thomas Wolfe, Henry D. Thoreau, Walt Whitman, Emily Dickinson, Jacqueline Susann, Louisa May Alcott, Wystan Hugh Auden, Pearl Buck, Edgar Rice Burroughs, F. Scott Fitzgerald, Erle Stanley Gardner, Horace Greeley, Zane Grey, Sinclair Lewis, Jack London, Norman Mailer, Ogden Nash, Beatrix Potter, Ezra Pound, John Steinbeck, Leon Uris, Thornton Wilder. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map. Article abstract: American Authors is a unique collection of signatures of 75 famous American authors, poets, writers, and novelists in a high-quality font.

INTRODUCTION When I started the first Selfie back in 2014 I was aware that I was designing something innovative at some point, because at that time there were not too many, (if any) fonts which rescued so many calligraphy features being at the same time a monolinear sans. I took inspiration from the galerías’ neon signs of my home city, Buenos Aires, and incorporated the logic and ductus of the spencerian style. The result was a very versatile font with many ligatures, swashes and a friendly look. But… I wasn’t cognizant of how successful the font would become! Selfie is maybe the font of my library that I see the most when I finally go out, (type-designers tend to be their entire lives glued to a screen), when I travel, and also the font that I mostly get emails about, asking for little tweaks, new capitals, new swashes. Selfie was used by several renowned clients, became part of many ‘top fonts of the year’ lists and was published in many magazines and books about type-design. These recognitions were, at the same time, cuddles for me and my Selfie and functioned as a driving force in 2020 to start this project which I called Selfie Neue. THE FONT "Selfie for everything" Selfie Neue, because it’s totally new: All its glyphs were re-drawn, all the proportions changed for better, and the old and somehow naive forms of the first Selfie were redesigned. Selfie Neue is now a family of many members (you can choose between a Rounded or a Sharp look), from Thin to Black, and from Short to Tall (because I noticed the feel of the font changed notoriously when altering its proportions). It also includes swashy Caps, which will serve as a perfect match for the lowercase and some incredibly cute icons/dingbats (designed by the talented Melissa Cronenbold, see also Selfie Neue Rounded for more!) which, as you see in the posters, make the font even more attractive and easy to use. You'll find tons of alternates per glyph. It's impossible to get tired with Selfie! Like it happened with the old Selfie, Selfie Neue Sharp was thought for a really wide range of uses. Magazines, Book-covers, digital media, restaurants, logos, clothing, etc. Hey! The font is also a VF (Variable Font)! So you can have fun with its two axes: x-height and weight, in applications that support them. Let me take a New Sharp Selfie! TECHNICAL If you plan to print Selfie Neue VF (Rounded or Sharp), please remember to convert it to outlines first. The majority of the posters above have the "contextual" alternates activated, and this makes the capitals a little smaller. I'd recommend deactivating it if you plan to use Selfie for just one word. Use the font always with the "fi" feature activated so everything ligatures properly. The slant of the font is 24,7 degrees, so if you plan to have its stems vertical, you may use Selfie with that rotation in mind. THANKS FOR READING

A few scant examples of die cut gummed letters (R, C, Y and &) provided the design inspiration for Adhesive Serif Letters JNL. Influenced by the Caslon style, this typeface offers clean, legible titling. The sample letters were once manufactured by the Tablet and Ticket Company of Chicago and sold under their brand name of Willson's [named for the founder of the company]. Gummed letter sets were available in a variety of styles and sizes for various sign, merchandising and marking needs.

I really like the UK and I quite enjoy the British slang. Off Yer Trolley is one such expression. It means ‘behaving in an unusual way or doing something silly’. It just popped in my head when I was looking for a name for this rather silly font. Off Yer Trolley is a handmade cartoon or kids font. As the name implies, this font certainly behaves in an unusual way and you can use it for something silly as well!

Creating Halla was a bit unusual for me since I started out creating the italic version first and that inspired the name Halla, meaning to tilt in Icelandic. It is also a fairly common female name in Iceland. “Halla” is derived from old Norse word “hallr” = 'flat stone, rock' or 'sloping, leaning to one side' Halla is a true italic inspired by handwriting and mechanical type. The combination of Light and Italic makes Halla ideal for advertising, branding, signage, packaging and editorial design.

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

ITC Beesknees font is the work of David Farey. He credits a number of sources as inspirations for his work, including Pushpin Studio, Peter Max, Bob Zoell and the Marx Brothers, whose typographic titles he admired as much as their cinematic humor. He was going to name the font 'Horse Feathers' or 'Monkey Business' after Marx Brothers films, then the name got shortened to 'Business', which then got transformed to 'Beesknees'. ITC Beesknees font contains a capital and small caps alphabet.

Summerisle was developed from a small sample of hand-lettered characters in one of the two theatrical posters for the cult movie The Wicker Man. The style combines elements of Celtic and Art Nouveau design with a bit of the feel of the late sixties paganistic theme of the movie. We've expanded it to a full character set while preserving the unique look. The name for the font comes from the name of Christopher Lee's pivotal character in the movie.

Cross Stitch Diamond Monogram is a 25 stitch tall 3-letter diamond monogram. The letter representing the first name is on the left and is located under the character set. The letter representing the surname is in the center and is located under the shift + character set. The letter representing the middle name is on the right and is located under the option + character set or in the case of e, i, n, and u, under the shift + option + character set.

Influenza, whose name means 'the flu' in a number of languages, is a fat, single weight typeface. It's a bastard typeface, each character stands alone as an independent angular structure. Some characters have stylised blackletter features, some are quasi-bitmapped, some are blends between upper and lower case. This also inspired the name since the flu virus changes every time it comes around, it's a new disease every time you have to stay home under the covers drinking hot tea.

The first slab serif fonts appeared at the beginning of industrialization in Great Britain in 1820. Clarendon and Ionic became the names for this new development in England, known as English Egyptienne elsewhere in Europe. Clarendon is also the name of a particular font of this style, which, thanks to its clear, objective and timeless forms, never lost its contemporary feel. In small point sizes Clarendon is still a legible font and in larger print, its individual style attracts attention.

Beautiful rain made in the rainy season I made an irregular handwritten font at will with beautiful and attractive results full of love and affection in it, making this font very attractive to use in your photos with two words that go hand in hand or also to connect your own name or partner's name because Having a swash heart that can be connected is very suitable for use on greeting cards, wedding invitations, magazines, logos, clothes, stickers, and many more.

The first slab serif fonts appeared at the beginning of industrialization in Great Britain in 1820. Clarendon and Ionic became the names for this new development in England, known as English Egyptienne elsewhere in Europe. Clarendon is also the name of a particular font of this style, which, thanks to its clear, objective and timeless forms, never lost its contemporary feel. In small point sizes Clarendon is still a legible font and in larger print, its individual style attracts attention.

The Corset Pro is not another font, but not exactly and the same, as the previous two (Khamai Pro, Aeolus Pro) but is simple a different... But it has common elements and is based on two earlier. A new style added is Inlier, has this advantage engagement with Βlack style in the same manner explained in Aeolus Pro. And this series is composed and includes 12 fonts with 625 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

Saga is a rather narrow typeface designed for a typeface competition arranged by a Scandinavian graphic arts magazine. It had to be based on ancient runic characters, that's the reason of some peculiar angular shapes. Saga is not att all a new runic typeface, but a usable one when the columns are narrow. The name is taken, of course, from the Nordic mythology. But saga" in the meaning of "story" contributed to the decision about the name. Saga was released in 1992.

Miligant Font is a stunning combination of a calligraphy script font and a modern serif font. He has a beautiful character. Very suitable to be combined with invitation card designs, company logos, film titles, film names, business cards, book titles, brand names and various other designs. Miligant Font is a stunning combination of a calligraphic script font and a sleek modern serif font that exudes sophistication and elegance. Its stylish alternation and binding make this font the perfect partner for any project.

Clair De Lune is part of the famous Suite Bergamasque, written by Claude Debussy in 1890, and published in 1905. It means Moonlight in French, a kind of romantic name. The name is exactly what I had in mind for this übercute font. Clair De Lune can be used to design postcards and posters, liven up websites and give your designs an overall happy feel. Clair De Lune was handmade using a 0.5 pen, eco friendly Italian paper and a wooden kitchen table.

Trinculo is a cursive font which combines traditional letter forms with ridiculously ornate embellishments and flourishes. It's rather like what an 18th century clerk might have done with his lettering if he was bored to distraction with writing the same old letters again and again. The upper case characters are more complex with simpler versions of the same characters in the lower case. Trinculo is a lot of fun, though if you use it too much it may become overwhelming.

Alias Vertical is a sans serif typeface with a vertical cut-off point for letter endings. The vertical cut-offs bend round characters (b, c, o, etc) into a squarish, high-shouldered shape, suggesting Roger Excoffon’s Antique Olive. In mid-weights, the typeface mixes Antique Olive with typefaces such as Gill or Johnston, for example the shape of the t, the l borrowing Johnston’s flick. Vertical has the same minimal difference in weight between verticals and horizontals as Gill and Johnston, and the same sharp connection point where curves meet straight lines. Like Antique Olive, Vertical has a narrow connection point here, adding contrast and definition. The overall effect feels austere at lighter weights and strident and graphic at bolder weights, and sharp and incised throughout. In the Bold and Black weights, the squarish and top heavy shape of Antique Olive is most noticeable. For example the wide uppercase, with the B having almost-even width between top and bottom curves, and the almost-overhang of the top curve of the G. But Vertical does not have as extreme an aesthetic or square shape as Antique Olive. As well as its wide design, the upper case is given extra authority by being a slightly heavier weight than the lower case. This is a device borrowed from Gill, and other ‘old’ typefaces, where the upper case is presented as a titling design. Modern sensibilities are more focussed on an even colour between upper and lower case. Vertical was originally intended as a sister typeface to Ano, like AnoAngular or AnoStencil. Vertical developed into a similar but separate design. Ano was designed for use in Another Man — in its modular, circle-base design, and the way there aren’t the amendments usually made in bolder weights to ensure letter clarity. This is for layouts where different weights are used together in different sizes so that the overall letter weight is the same, a feature of the magazine. Where Ano is simple and graphic, Vertical has nuance and texture. It is a pragmatic, utility design. In the balance between graphic and typographic, its focus is the latter.

Introducing **ANUSCHKA** - Faux Cyrillic Display Font Faux Cyrillic, pseudo-Cyrillic, pseudo-Russian or faux Russian typography is the use of Cyrillic letters in Latin text, usually to evoke the Soviet Union or Russia, though it may be used in other contexts as well. It is a common Western trope used in book covers, film titles, comic book lettering, artwork for computer games, or product packaging which are set in or wish to evoke Eastern Europe, the Soviet Union, or Russia. A typeface designed to emulate Cyrillic is classed as an ethnic typeface. **ANUSCHKA** came with that protest and propaganda vibe. It's contain a complete Simple Latin Glyphs, with extra ligatures, D-Ligature, Stylistic set for the main character to make it stencil look and distressed look. --- This font can be used with all software that can read standard fonts. Check out my instagram: https://www.instagram.com/anomalicreatype/ Thanks so much for checking out my shop! All the best, **Krisna Teja** Anomali Creatype #typeface #Stencil #FauxCyrillic #Cyrillic #Military #Protest #Poster #vintage #Extreme #design #Vintage #graphic #calligraphy #Retro #typography #propaganda #Poster #blackletter #retrostyle #illustration #Russian #socialist #character #set #uppercase #decorative #black #classic #Uppercase #handmade #capital #bold #number #modern #tattoo #english #art #label #logo #middle #typographic #antique #sign #letterhead #fashion #filmtitles #russia #comicbooklettering #videogames #computergames

Studio Neon is an all-caps display font constructed with three rounded-end strokes; the lowercase set is included as a repeat of the uppercase to make setting type just that little bit easier. It’s a modern rendition of neon sign lettering, with a decidedly art deco pedigree, and is intended for use in larger sizes of type, upwards of 36 pt. It’s perfect for a design that wants to imitate neon — use Photoshop layer effects to light it up! I originally started this font with only a few letters, since I could not find a neon-style font made with 3 strokes that looked modern. (Once I started, I found out why. It's a LOT of work!) Most traditional neon fonts include a “bent tube” element in the design; however, not all modern neon signage is constructed with the tubes bent. I also wanted to design a fun font that would have more life than just as an imitation of signage — something to inspire designers who love the geometry of art-deco type. So I made all the corners consistent, with no references to bent tubes. Use this font for any application that needs a bold and decorative look. Studio Neon should work well for sign production and even vinyl cut applications at larger sizes.

As the name implies, this font was made with a gritty pencil. Gritty Pencil comes with language support and a set of cool alternates for the lower case letters.

Perlmutter is a Hebrew and Yiddish font designed for the purpose of legibility at great distance. Included are niqqud, letters with dagesh, punctuation, sheqel sign, and aleph-lamed ligature.

Poster Gothic was inspired by showcard lettering samples featured in the book,""Commercial Art of Show Card Lettering"" by James Eisenberg, published by D. Van Nostrand Company in 1945.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named ‘No Frills’ in the early stages of development, his widow Elsie decided that it would be called Kingsrow.

ABC Zoo is a collection of two typefaces where the alphabet letters are combined to create a design of animal using the letters in the name of each animal.

P22 Stanyan Autumn is a set of three fonts based upon a casual hand lettering text created for the deluxe 1969 edition of "...and autumn came" by Rod McKuen.

A cursive font with a curvilinear feel, named for the Scottish stream immortalized by the poet Robert Burns. Useful for menus, certificates, display lines, short paragraphs or poetry setting.