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  1. The Bubblegum Superstar font is a vibrant and playful typeface that captures the essence of fun, youthfulness, and enthusiasm. Characterized by its rounded edges and exaggerated forms, the font exude...
  2. "Talvez Assim," a font created by PintassilgoPrints, is a unique and intriguing typeface that stands out for its distinctive characteristics and playful charm. This font is a true testament to the cr...
  3. Sure thing! Castorgate - Messed by Apostorganic Labs is a fascinating and distinctive font that truly stands out with its unique characteristics. It is part of the broader creative work that the Apos...
  4. The Siamese Katsong font, designed by Vic Fieger, is a distinctive typeface that stands out due to its playful and whimsical characteristics. This font captures the essence of creativity and eccentri...
  5. Burlesque by PizzaDude is a font that exuberantly escapes the confines of conformity, an embodiment of flamboyance and whimsy crafted for those daring to make a bold statement. Designed with a playfu...
  6. Eaglemania, crafted by the renowned Iconian Fonts, is an imaginative and dynamic font that captures the spirit of adventure and boldness. Designed with precision and a keen eye for detail, this typef...
  7. As of my last update in April 2023, "Mechanical Fun" by The Font Emporium is a font inspired by the quirky and imaginative essence of machinery and technology interwoven with a sense of playfulness a...
  8. The font KinigKap, designed by the talented David Rakowski, stands out as a unique and artistically crafted typeface. Its origins are deeply rooted in the creative pursuits of Rakowski, who has contr...
  9. The Abduction2000 font, created by the imaginative mind behind the alias PizzaDude, is a font that encapsulates the quirkiness and creativity of the late 90s and early 2000s design ethos. This font i...
  10. The VTC Tribal font by Vigilante Typeface Corporation (VTC) is an embodiment of artistic edginess meets cultural depth, capturing the spirit of tribal art within the framework of contemporary typogra...
  11. As of my last update in April 2023, the font named "Linear Curve Fatty" by Matt Perkins represents a distinctive blend of design principles that make it stand out in the realm of typography. The name...
  12. Ah, if fonts were people, Struck Base PERSONAL USE ONLY PERSONAL USE ONLY by Måns Grebäck would be that incredibly charismatic friend who insists on making a dramatic entrance at every party, yet onl...
  13. Clubland is a dynamic and vibrant font that captures the essence of night life, music, and exhilaration. Its design feels like a dance of letters on the page, embodying the energy and pulse of electr...
  14. Alright, let's dive into the enchanting world of the Dark Crystal Outline font, crafted by the talented folks over at Sharkshock Productions. Picture this: as you gaze upon the letters, it's as if yo...
  15. The KR Heartalicious font, designed by Kat Rakos, stands as an embodiment of playfulness and affection, masterfully woven into a font design. This distinctive typeface captures the whimsy and warmth ...
  16. Certainly! The Faltura Animals font, designed by the renowned typeface creator Måns Grebäck, is a fascinating and creatively driven font that deeply resonates with nature and animal lovers. This font...
  17. Ah, the ever-so-futuristic and slightly otherworldly font known as Nasalization, crafted by the visionary Ray Larabie, is like the Vespa scooter of typography: quirky, stylish, and with a hint of ret...
  18. Oh, the Kanna-W4 font by Flop Design is like the chameleon of the design world, smoothly blending into its surroundings while still managing to stand out, much like a ninja in a tuxedo at a high scho...
  19. Oh, okay, picture this: BattleLines by Blambot Fonts, it's like the ultimate secret weapon for your design arsenal, especially if you're about to embark on a project that's screaming for that punchy,...
  20. Mordred is a font that stands out with its distinctive character and bold presence. It's not just any typeface; it's a statement, a manifestation of creativity and strong personality crafted by the t...
  21. The font "3x3 dots Outline" by dustBUSt Fonts is an intriguing and distinctive typeface that captures the essence of both minimalism and creativity. True to its name, this font utilizes a unique comp...
  22. "Quick End Jerk" is a distinctive font designed by the talented Vic Fieger, a name well-recognized in the font design industry for creating a variety of unique and eye-catching typefaces. This partic...
  23. The font !CRASS ROOTS OFL by !Exclamachine is an intriguing and captivating typeface that stands out for its raw energy and unapologetic boldness. It's a creation that embodies a fusion of graffiti-i...
  24. The Prayh font, crafted by the talented Niclas Hjelm, is a remarkable testament to the fusion of traditional calligraphic styles with contemporary design sensibilities. This font stands out due to it...
  25. The "Grunt Reaper" is a distinctive font created by the renowned typeface designer known as PizzaDude. It stands out for its unique blend of playful irregularity and bold assertiveness, a hallmark of...
  26. Pabellona (C) Tríplex is a distinctive font fashioned by the talented designer Fernando Haro, known professionally as deFharo, a versatile Spanish typographer and graphic designer. This font is part ...
  27. HVD Rowdy by HVD Fonts is a strikingly unique typeface that exudes energy and vibrancy. Designed with an infectious zest, it leaps off the page, making it an unforgettable choice for projects that ai...
  28. The Spylord Bold Expanded Italic font, crafted by Iconian Fonts, is a distinctive typeface that effortlessly captures the essence of modernity fused with a dramatic flair, making it an intriguing cho...
  29. The "Tetris" font, as imagined and created by Tim Ko, is an innovative and playful typeface that directly draws inspiration from the iconic video game of the same name. This font encapsulates the ess...
  30. Sure thing! Imagine if the fonts in your computer decided to throw a costume party. Amongst the sea of letters dressed in their serif and sans-serif finery, one font stands out for its audacity and f...
  31. The "Jenna" font crafted by GautFonts is a unique typographic expression that embodies creativity and personality. This font is not just a collection of characters; it’s a glimpse into a stylized art...
  32. "Troll Bait" crafted by the notable typeface designer Ray Larabie, is a font that captures attention with its unique blend of whimsy and edge. Renowned for his ability to infuse personality into his ...
  33. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  34. Ah, the Grandiose Grantham! Crafted by the whimsical hands of Paul Lloyd Fonts, Grantham is not your average character (pun intended) in the world of typography. Imagine if the letters decided to thr...
  35. The font named Skeksis, created by Neale Davidson, is a fascinating typeface that draws inspiration from the rich tapestry of fantasy and science fiction. This font serves as a bridge between the mys...
  36. Mathmos Original is a distinctive font created by Levi Halmos, instilling a sense of nostalgia and futuristic vibes simultaneously. Imagine a concoction of retro science fiction aesthetics married to...
  37. The "Haunt AOE" font, developed by the creative minds at Astigmatic One Eye Typographic Institute, is a unique typeface that truly captures the essence of its namesake. Designed to evoke feelings of ...
  38. The Janda Scrapgirl Dots font, designed by Kimberly Geswein, is a delightfully whimsical and charming typeface that captures the essence of creativity and playfulness. Kimberly Geswein, known for her...
  39. The Old Printing Press_free-version font by Fonts Cafe is a distinctive typeface that captures the allure and nostalgia of the vintage printing techniques from an era gone by. This font effortlessly ...
  40. RNS Baruta Black is part of the RNS Fonts collection, crafted by RNS Foundry, which has been known for offering a diverse array of typeface designs that cater to various aesthetic and functional need...
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