Kab has a big impact, is very legible and at the same time has plenty of details that makes it really unique. Perfect for headers and display, it also can be used at smaller sizes and even as a body text with great results. Complete character set.

La Carte Pen is a paper textured version of the popular La Carte font. Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but easy-to-read script that sets as well in body copy as it does in headlines.

Michael Script - a casual handwritten style font with a range of ligatures, opentype stylistic ends, decorative swashes, perfect for any awesome projects that need handwriting taste. Suggested for logos, titles, body texts, branding, invitations and also when used along other fonts with strong and bold styles.

Here's a posh serif typeface and its matching italic. Glowing with elegance, Cosmetiqa can go head to head with classic evergreens like Bodoni, Didot, or Century. And just like those go-to favorites, Cosmetiqa really shines at the huge, layout-dominating sizes which have been a staple of top-shelf fashion branding and magazine design since at least the mid-1980s. You'll also find this font to be a great workhorse at much smaller sizes and in extended text passages, as the hairline serifs don't disappear in the smaller size ranges. As its title suggests, Cosmetiqa's unique look works perfectly in cosmetics and fashion branding, but also try it with 1990s-style message forward ad headline applications if you're after a retro look with a hint of a modern twist. The semi-condensed proportions and tall x-height make it great for pull quotes, page banners, and logo design.

Meet Donovan Display! She's a lovely, high-contrast Didone with lots of options. Do you like sweeping flourishes at the end of your strokes? She's got 'em! Prefer juicy ball terminals? She's got 'em! Like a simpler, cleaner terminal? She's got those, too! She also has a set of grand swash capitals and a trunkful of ligatures that will add panache and elegance to any project that requires display-size type. Even better, she comes in two widths: Slim, for standard display use, and Skinny, a compressed version for spaces that require a bit of a squeeze and/or a more (traditionally) masculine feel! Donovan's lines are inspired by classic Didone faces — most notably the work of Firmin Didot (for architectural detail) and Giambattista Bodoni (for the look of the skinny version). She's sexy and stylish and she'll give you exactly the fashionable, elegant look you're after.

The 1928 logotype for Sertal Toiletries consisted of a stylized woman's head, a very snaky S, and five fine, fat deco caps spelling out the rest of the brand name. From these five clues, designer Nick Curtis divined the rules" of the typeface and drew a complete alphabet, including a lower case. The result: ITC Scram Gravy. The finished product could be described as Bodoni on steroids. Tight curls in characters like the 'm,' 'r' and 'y' soften the lower case and give the design a light-hearted flavor. ITC Scram Gravy takes its name from one of many running gags in the screwball comic strip "Smokey Stover," which had folks alternately splitting their sides and scratching their heads from 1935 to 1973. Those familiar with Bill Holman's strip will recall Smokey's car, the Foomobile, and one of his famous nonsense declarations: "No foo-ling, that scram gravy ain't wavy.""

TT Ricordi Marmo useful links: Specimen | Graphic presentation | Customization options TT Ricordi Marmo extends the series of experimental projects within the TT Ricordi fonts collection. The main goal of the TT Ricordi project is to look for gems in old signs and on stone and bringing those inscriptions back to life in the form of contemporary fonts with the umbrella name TT Ricordi. TT Ricordi Marmo is an original experimental project by Eugene Tantsurin inspired by inscriptions at Basilica di Santa Croce in Florence. Working on it, we wanted to create a contemporary typeface that would unite the elements of a Florentine sans-serif mixed with more traditional visual solutions typical for the period's serifs. As a result, we got a bright and somewhat provocative typeface with irregular serif distribution, some unusual contours and a free spirit. In small body size TT Ricordi Marmo makes a neutral impression, but as the size gets bigger, the user is taken on a playful quest to search for interesting moves, graphic peculiarities and unusual solutions. TT Ricordi Marmo is great for poster design, packaging, and setting large and medium-sized inscriptions. Thanks to its idiosyncrasy, the typeface may look nice both at a poster in a grand academic theater and at an acid rave party. You can find a set of icon patterns that can be used in several ways. First, you can substitute letters with these patterns, thus getting an inscription with a visible graphic element. Then you can also construct borders and interval marks, or just use them as icons. All patterns are perfectly adapted to the design of letters in the font. TT Ricordi Marmo consists of 2 styles and one variable font. Each of the styles contains over 630 glyphs and 18 OpenType features. As we have conceived TT Ricordi Marmo as a poster typeface from the very beginning, it features small capitals instead of lowercase characters. In addition, the typeface has a set of interesting ligatures, stylistic alternates, pointers, hands, and pattern icons. TT Ricordi Marmo OpenType features list: AALT, CCMP, LOCL, NUMR, ORDN, TNUM, PNUM, CASE, SS01 (Alternative latin E), SS02 (Alternative Eszett), SS03 (Alternative Cyrillic I), SS04 ( Alternative Amper- sand), SS05 (Romanian Comma Accent), SS06 (Dutch IJ), SS07 (Catalan Ldot), DLIG, CALT, SALT.

Looking for a font that's chic, stylish, and oh-so-slightly handwritten? Look no further than MIX SUENO! This monoline semi-script was crafted with care using an iPad Pro and Apple Pencil, and is the perfect addition to any design project. Whether you're creating invitations, social media graphics, or just sprucing up your website, MIX SUENO will bring a touch of sophistication and personality to your work. So don't hesitate - give MIX SUENO a try today!

A new modern classic. Kana Sans is a versatile sans serif font family that’s ideal for building a contemporary yet timeless brand look. Inspired by iconic typography, Kana Sans is designed to be balanced, modern and easily adaptable to web, print, and signage applications. From fashion to corporate industry, this font gives the designer full flexibility to express his/her vision. With Six different weights and matching italics, Kana Sans is a powerful communication tool for today.

At home, we don’t drink soft drinks at all. Maybe sometimes, when one of the kids has a birthday party, but we normally don’t have a stash of the stuff. We have cordial, or, as wel call it in Holland: limonadesiroop (‘Lemonade Syrup’). There you go, another font name xplained! Today Syrup was made with a marker pen and a lot of paper! It comes with a frizzy, sticky goodness to give your designs that extra kick.

Introducing Mionic, An Inverted Contrast Display typeface. Mionic is combinations between the Antique of slab serif typeface with the modern look of today. Available with the new Variable type system that made you more easy to choose the weight of this fonts. Mionic Bold is Best for the Headliner, Display, Or anything with bigger typography needs with a Strong Characteristic. The thinnest one are good for more longer text because of the contrast on every characters.

Shows Gracious is taken from the word luxury that underlies this font, a classic theme with a subtle touch in every node of the alphabet, although classic, this font is highly recommended for designers, because of the classic design trend but not too far from ancient when used today. has several ligatures and alternatives that can add to the uniqueness of your design, very suitable for use as logos, branding, headlines, magazines, wedding cards, and others.

Today has been a busy day. I managed to take the dog for a walk, go for a run, empty the dishwasher, clean the car, vacuum the entire apartment AND make this font! :) The Busy Day font is all about fun and games: it’s playful, whimsical and legible at the same time. I’ve added an Outline version, Inside and the Regular version. They all work well together or as individual fonts - and they all have multilingual support!

Introducing Enchant, the modern serif font that will elevate your designs to new heights. With its modern and sophisticated style, Enchant is the perfect choice for any project that demands elegance and class. Whether you're creating a website, presentation, or marketing materials, Enchant's unique blend of classic and contemporary design will leave a lasting impression on your audience. So why settle for ordinary fonts when you can have Enchant's timeless beauty? Upgrade your designs today with Enchant.

Precursors to Torrone, the fonts are found among the type experiments of Art Deco artists in 1930’s Europe. Fonts of this type with chunky, geometry-driven lower case letters combined with somewhat flamboyant, brush-influenced upper case can be found in the logotypes for Mignon Chocolate Factory in Germany and Baci bon-bons still in use today by Italy’s Perugina Candies. Torrone includes alternate lower case characters and full Central European glyph sets with over 550 characters included!

Apothecary is a modern stylish font duo that includes a sweet flowing script font and a typewriter font made from an authentic typewriting. Combine both fonts to create beautiful logos and branding. Design professional apothecary and botanical labels and packaging or make elegant wedding invitations. Includes: Apothecary regular: a script flowy monoline font Apothecary typewriter: an antique typewriter font perfect for small texts, taglines or info Lowercase and uppercase characters Numerals, alternates and ligatures. Language support

“Liebelei” – dalliance, flirtation, hanky-panky; kind of diminutive of “Liebe” (German for love) The typeface Liebelei has its roots back in 1932, when Vienna-based painter Rudolf Vogl created the poster for a movie called Liebelei after the popular play by Arthur Schnitzler. Only the title letters existed of that typeface. I loved the letters from first sight and proceeded by adventurously interpreting the missing characters. The goal was to create letterforms that fit to the original from the 1930s and represent a modern multi-purpose font. It should be an easy-to-use italic font with warm and friendly details and a huge variety of alternates and languages. The characteristic curled ends of most letters provide a script touch to the Liebelei. The first font entirely designed was the bold one which corresponds to the original poster lettering, although I tweaked the proportions a tiny bit to a more contemporary shape. Liebelei covers Western, Central European, and Central Eastern European Languages and contains also complete Greek and Cyrillic character sets. Liebelei is best for poster design as well as detailed usage, for example handsome tables, since it supports small caps, different kinds of numerals and fractions.

Proudly Present The Fright House - Classic Horror Type, created by ikiiko. Inspired by classic horror movie posters, The Fright House, with its retro appeal and traditional serif styling, revives the spirit of horror from the 1970s. The nostalgia and appeal of a past of dread is captured by this typeface, which pays homage to the typefaces that covered horror novels, movie posters, and spooky magazines during that time. The Fright House is a classic elongated condensed serif typeface with a timeless elegance inspired by 1970s fonts. With a precisely defined serif that gives it a sharp and unsettling feel. Each character has graceful contours and precise proportions, seamlessly blending vintage design with the thrilling charm of suspense. This typeface is perfect for an vintage poster, movie title, classic stuff, magazine layout, book cover, and also good for quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Ligature (Bonus) Multilingual Support Works on PC & Mac Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Introducing “Haunted Brick” – The Spooky Halloween Decorative Font Dive into the eerie world of “Haunted Brick,” a spellbinding decorative Halloween font that will send shivers down your spine. Perfect for crafting captivating Halloween posters, invitations, and chilling social media posts, this font boasts a unique hand-drawn style adorned with intricate spider webs in every glyph. Key Features: Spine-Chilling Elegance: “Haunted Brick” strikes the perfect balance between elegance and the macabre, adding a spine-chilling touch to your Halloween designs. Creepy Creativity: Whether you’re conjuring up posters, eerie invitations, or haunting social media content, “Haunted Brick” lends an air of mystery and excitement to your projects. Intricate Spider Webs: Every character in “Haunted Brick” is intricately adorned with spider webs, ensuring that your text is truly one-of-a-kind and perfect for all things Halloween. Why Choose “Haunted Brick”: – Elevate your Halloween designs with a font that’s both spooky and stylish. – Craft invitations that send shivers down the spines of your guests. – Create captivating posters that will haunt the memories of those who see them. – Perfect for adding a dose of horror to your social media posts. Embrace the Spookiness – Download “Haunted Brick” Now!

EraMax 123 is a multi-layered display geometric sans serif, meant to be set BIG, for large, colourful statements. It's the perfect face for packaging, posters & branding, where a strong, colourful voice is needed... Did I mention posters? The "Max" in EraMax comes from the ultra bold weight, but also, and mainly as a tip of the hat to Peter Max, the designer and artist, known for creating so many images which have come to be emblematic of the sixties and seventies. The bold gradient effects in some of his posters were the inspiration behind the dotted and striped layers. This font's vintage flavour truly stand out in a retro setting, but also has a modern flavour that lends it the flexibility to work well in a more contemporary context. This is the second of what is to be an extended family of typefaces based on the original hand painted signage found in the T. H. & B Railway station in Hamilton Ontario, a classic Art Moderne building, designed by the New York architectural firm of Fellheimer and Wagner for the Toronto Hamilton and Buffalo Railway line and completed in 1933.

Introducing Nihilism, a meticulously crafted script font that strikes the perfect balance between graceful curves and distinctive personality. Ideal for crafting logotypes that leave a lasting impression, designing captivating posters, and so much more. Let Nihilism infuse your designs with a touch of charm and style.

Droog is an unusual rounded font pierced with circular holes, some of which are used in lieu of counters. Used to best effect in shorter settings and at larger sizes. Suitable for science fiction posters, sweet wrappers, hipster bars, noodle joints, pet shops and native Nadsat speakers.

This font is inspired by Van Morrison’s song named “Days like this”. Contains all Latin glyphs and more than 400 characters with ornaments. It is decorative, very modern and useful for logos, T-shirt designs, packaging design, posters, billboards, magazines, covers, etc. Contains regular and italic.

Saviola – Modern Display Font with all caps style and bold. You can combine a unique uppercase and lowercase, so it looks like natural. And this font perfect for signature, logo, branding, poster, band, apparel, photography, title, social media post, ad banner, book cover, product packaging, and advertising

Dutch type designer Max Kisman created this display FontFont in 1990. The family contains 2 weights and is ideally suited for poster and billboards and sports. FF Scratch provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

British type designer Rian Hughes created this pi and symbols FontFont in 1993. The family has 5 weights, and is ideally suited for poster and billboards.It provides an extensive collection of wonderful dingbats and expressive graphic cartoons. It comes with tabular lining and proportional lining figures.

Koerier means 'Courier' in Dutch and is a reference to the classic font it was modeled on. Each glyph was hand drawn, giving the font a unique look and feel, making it an ideal typeface for ads, posters and packaging. Comes with a full range of diacritics.

REINS Olstd - Display Serif Font will look gorgeous on all your designs, invitation, poster design, book design, branding materials, logo's, and all project design other. WHAT'S INCLUDED REINS Olstd - Display Serif Font contains standard characters, Lowercase, Uppercase, numbers, punctuation, ligatures and international glyphs. Enjoy Designed.! Regard Olexstudio

Martita is an elegant, handwritten, fully connected script with ligatures to help with flow and readability. Martita can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

WALLNUTT CORPS is a cool, bold and powerful super modern unicase font, designed for maximum visual and emotional impact. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — everything that strives for being confident and yolo. Definitely has a personality!

The Swipe Write letterforms are casual yet also look neat in a paragraph block of display copy. Available in both Regular and Solid styles, it is a powerful font that can be used for, posters, T-shirts, signage & design projects with a freehand and artistic feel.

Moood is a new modern grotesque typeface consisting of 5 styles. The glyph shape characterized by strong geometric outline with a little smooth rounded edges. Moood font suitable for various projects such as logos, brands, posters and many more. This font comes with alternate and ligature features.

Wood Condensed Grotesk JNL is a more condensed version of the type style found in Wood Type Grotesk JNL. The font was a popular sans used for large posters or broadsheets as well as newspaper titles where more copy needed to be fit into limited space.

Brown Sugar fonts includes uppercase letters, numerals, a large range of punctuation. Serif font with modern stylish style. Created for poster, web design, branding, illustrations, badges and some other works. Please contact us if you have any question, we are happy to help you! Thank you!

Loving Days is a brand new handwritten font perfectly suited for stationery, logos, t-shirts, print design, website headers, photo frames, flyers, music album covers, posters, image sliders, and much more. Add this font to your favorite creative ideas, and notice how it makes them come alive!

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuMifu provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Nombueang is an informal headline typeface with a bold appearance and loop-headed Thai letters, giving it a fun, friendly, and warm feeling. It is suitable for use in various media and is especially effective in emphasizing special importance, such as in posters, packaging, and more.

A robust slab serif typeface that combines classic proportions with contemporary styling. These carefully crafted letterforms are best suited for use on book jackets, news headlines, packaging, posters and t-shirts. Details include four distinct styles, a full character set, manually edited kerning and Euro symbol.

A 1940s travel poster for the Florida East Coast Railway (which then carried passengers but is now a freight line) had the railroad’s name hand lettered in a bold Art Deco sans. This inspired Passenger Train JNL, which is available in both regular and oblique versions.

A Swiss travel poster from 1927 offered the pattern for this idiosyncratic Art Deco face. Use it and add a little personality and charm to your next project. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.