Bend is a contemporary ribbon type family. Unlike most typefaces of that genre Bend is a sans serif. It is the top view angle and the characteristic stripes that create an elegant illusion of volume. A prominent feature of Bend is the ascending baseline. Simply rotating the text element by 14 degrees reveals the 3D effect and Bend's full potential. Bend comes in two widths and with three different layers for chromatic results. As a display typeface Bend likes to be set in big sizes and short sentences.

Introducing the elegant new Jenson Font! For those of you who are needing a touch of elegance and modernity for your designs, this font was created for you! Jenson was built with OpenType features and includes beginning and ending swashes, alternate swash characters for most lowercase letters, numbers, punctuation, alternates, ligatures and it also supports all latin languages :) What's Included Jenson TTF Jenson OTF Multilingual support all Latin languages Check out my blog: www.instagram.com/youthlettering pinterest.com/dmitriychirkov7 Thanks so much for checking out my shop! All the best, Dmitrii

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Architype Vierkant was developed from the few letterforms that Crouwel created for an opening spread in a 1972 Drupa catalogue, on the theme ‘typo vision international’ – this single reference showed an interesting interplay of the experimental ideas underpinning his controversial ‘new alphabet’ and Fodor.

In 2012 the city of Schwäbisch Gmünd will celebrated its 850th anniversary, and in 2014 it was host town to the State Garden Show of Baden-Württemberg. These both celebrations were the background to create a special font for my home town and give it the town’s ancient name. Inspired by Excoffon’s Diane, I drew and digitized a new, multilingual script font which covers the main European languages written in Latin or Cyrillic letters. For users typing in the Serbian language, I recommend to activate the OT feature Stylistic Alternatives.

The Latin family of typefaces, first popular in the last half of the nineteenth century, is characterized by its large, sharp, triangular serifs. With six widths (from Extra Condensed to Wide), Latin CT offers the most extensive collection of Latin fonts available, each with a large character set that includes support for all European languages including those that use the Cyrillic alphabet. From the sleek elegance of Latin CT Extra Condensed to the brash boldness of Latin CT Wide, you will find a width to fit your contemporary typographic needs.

Magique is a modern serif with vintage charm, fashionable appearance with a touch of retro Quick access - using the built-in OPEN TYPE functions. Just add "-" or "_" or "+" to the letter and instantly get an alternative. This feature works in most applications Fonts is an open type with clean shapes and precise kerning. It includes ligatures and alternations with a total of 515+ characters encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Silent is a semi-serif typeface that combines readability with fluidity in a discreet and clean design. It works great on short texts such as captions, charts and graphs. The soft curves offer a calm rhythm. The design is smooth and bring silence and concentration while reading. Silent Alternates was born from the deconstruction of Silent Light, resulting in a most impressive typeface. Ideal for use in large sizes, such as posters and titles, it is an alternative to italics. It can be used to highlight some words in conjunction with Silent Light.

Holicya is a retro-style font with a stunning style that can make the most of your design projects. This font gives a touch of the retro style that the 60-70s was famous for. This font has alternative styles for Uppercase and Lowercase, Ligature, ss01, ss02, ss03 to ss04 which can be customized to suit your design needs so you don't waste time creating extrusion effects. The total glyphs for this font is 356 so you can choose according to the right style. Sincerely, Toni Dzulham - Dumadistyle

Fisionada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2023. It is a condensed sans serif typeface with sharp edges and a very technical aesthetics. Its condensed design makes it very effective for space economizing and its geometric features make it a very attractive choice for display usages such as futuristics logos, video games and sci-fi content. It has been conceived to be most suitable for headlines and short length text blocks. Fisionada consists of 8 styles. Each containing small caps and glyph coverage for several languages.

Donna Lena is a chancery cursive, feminine in character. Elegant and timeless, this font marks the return of the classical canons of the Renaissance thanks to its open forms and the clear-cut ends, while recalls the graceful ways and the intense gaze of the ladies that populate the Florentine paintings in the sixteenth century. Donna Lena is soft and slightly inclined, with a fast ductus and marked contrasts in thickness to highlight the gesture. Different stylistic variations and ligatures are considered to make the most of the many OpenType features.

Eleusis is a sans serif monospace display font. The typeface has a distinct style inspired by a combination of Naval, Industrial, Mid-Century Modern and ancient sacred geometry, designed to be bold and easy to read. The Eleusis name is derived from the legendary town (Ancient Greek: Ἐλευσίς), home of the Eleusinian Mysteries and birthplace of the great tragedian Aeschylus for its past and present. Contemporary Eleusis is one of the main industrial centers of Greece with refineries and shipbuilding. Eleusis is great for display work, quotes, invitations, posters, titles and headings.

Have you ever struggled while creating a quote with all ascenders/descenders getting on the way? When you can't find a perfect placement for a word because the letters on the upper line crossing the ones on the lower one? Well, I have :) If you want to reduce this struggle to a minimum, the Celestial brush font is for you. Full of open type features and alternates it won't stand on your way to get the job done ;) Most of the font's letters have "longer" or "shorter" alternates. Celestial brush font is fully unicode mapped.

The Svati Sava font is a Latin Alphabet layout of a Serbian font. The original letterforms of this font struck me in their modern simplicity while retaing a traditional Eastern European feel and I wished to have a variant of it suitable for Latin Alphabets. To create this font I used many of the letterforms from Serbian and recreated a large portion of the miniscule alphabet. Svati Sava comes with full punctuation, a complete character set for most Western European Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

Empera is a fearless athletic font family with six creative styles for added flexibility and variation. It's perfect for sports logos, branding, posters, apparel design with it's bold and confident appearance. The upper- and lowercase vintage characters come with different renders to add authenticity and a more natural worn look. Empera features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Bredston is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Bredston comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. You just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

Caché is a stylish, condensed sans serif font family in 3 versatile weights (Light, Medium & Bold) with an extended Latin character set. The typeface features economical letterforms with distinctively sheared terminals and occasional stencil characteristics. Designed as a practical all-rounder, it really does live up to its name, providing legibility along with added panache to any heading or copy. In practice, its surprisingly adaptable to most projects; and as usual with ‘ArtyType’ fonts, there are several alternate characters available via the glyph palette, providing that extra dimension when personalising your design projects.

Portsmouth Second Fleet is the rag tag, wild bunch companion to Portsmouth. It is a strong, sturdy typeface with historical character. Its inspiration comes from the height and strength of the wooden tall ships that sailed into port in their day. With caps and small caps, this typeface is great for headlines or subheads for design projects that need a historical or retro feel, such as from the 1940s and earlier. Two different styles that can be layered allow for different colored drop shadows, outlines and fill for even more customization.

Biscayne is inspired by the old and classic Art Deco art and architecture found in some building ads from the 1930's in the Art Deco District of Miami. The name of the font family is one of the most emblematic and representative places in Miami City. Biscayne can be used mainly in titles, display and short texts. This typeface family supports East Europe languages. It also includes standard and discretionary ligatures, alternative style of uppercase, fractions, numerators and denominators, end and/or terminal forms and other OpenType features.

Too often, familiarity in type design can fool us into mislabeling similar styles of lettering. The Art Deco years provided many variations of the thick-and-thin alphabet, and we tend to lump all of them together as being "a version of Broadway", as this is the most popular of the genre. However, if one looks closely at each design, they will see variations of line thickness, angles and even individual character design. One such variation is Stagehand JNL, based on a set of wood type and now presented in digital form.

In the early years of the twentieth century a number of romans with a soft and slightly script like quality were evolved. Although they did not represent the future in terms of the major design influences that were to appear after the First World War, they were a break with the past, and were developed further in the nineteen twenties and thirties. Monotype Bernard Condensed is closely associated with this period, a condensed roman evoking an easy charm. The Monotype Bernard Condensed font offers many display applications where warmth and friendliness is required.

Korb is a rounded sans serif family of four styles. It features a narrow geometric construction inspired by DIN letter shapes along with more unusual details like open counters and smooth connections between shoulders and stems. This makes the family suitable for a variety of applications, from corporate design to signalization. The fonts, provided in OpenType format, include diacritics for most European languages, a set of arrows and a variety of OpenType features like stylistic alternates, case-sensitive forms, tabular figures, etc. Check the pdf specimen in the gallery tab for more info.

One of my favorite blackletter fonts - Schwabacher - redrawn and redesigned, whereby I took care to stick to the original forms as close as possible. This font which has its roots in the 15th century represents at the most the uprising humanism in this period. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. By using the OT feature Stylistic Alternatives you get the historical German umlauts which are small e above a, o, u, A, O, and U. This font contais also oldstyle figures.

This ultrabold headline font is basically patterned after the font Nubian Black, designed by Willard T. Sniffin for American Type Founders in the 1920s, but includes an unusual inline treatment of the caps. Named for the local television show on KFJZ-TV (later KTVT) in Fort Worth, Texas, that introduced a whole new generation of kids to the Three Stooges, and hosted by the erstwhile Icky Twerp. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Originally designed by American type designer Morris Fuller Benton in 1933, Agency Gothic is a wonderful, narrow, squarish art deco typeface. I was commissioned by Publish magazine to create digital versions of Agency Gothic Open and Agency Gothic Condensed for a redesign in 1990. Since then, I have added four other styles. Agency Gothic CT is uppercase only and supports most European languages that use the Latin or Cyrillic alphabets. The Agency Gothic CT family is available in six weights/styles: Light, Medium, Bold, Condensed, Inline, and Open.

Harriella is a refined and delicate handwritten font. This lovely script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. It will turn any design project into a true stand-out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs, swashes, and ligatures.

Step Right Up, Step Right Up, the Font Circus is in town and ready to reveal our stupendous new tent-pole feature! Step inside for the best seat in the house. Ringmaster Roshell Beauregard dons his Big Top Hat especially for this occasion and promises us that Clowntime ain't over until the Bearded Lady takes a custard pie in the face. Our Big Top Bonanza performance begins with sideshow attractions and distractions, high-wire acrobats and low-cost rubber band guns. Can you smell the greasepaint and hear the roar of the crowd already...?

purt number The Ghost Writer font is a dynamic handcrafted font that also features beautiful open type. great for Branding, Logo Design, Fonts, Logotype, Apparel, Posters, magazines and other design projects. Ghost Writer features OpenType style alternatives, ligatures, and International support for most Western Languages ​​included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: Designer: Afri Giani Publisher: Gian Studio Happy Designing!

The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end of the nineteenth century when engraving was mechanised by the pantographic engraving machine, the traditional roundhands found their way onto pantographic pattern plates. Embassy is a traditional roundhand of vigorous contrast with straightforward capitals with ball terminals; it was transferred from such an engravers’ pattern plate to the Fotosetter at Intertype about 1955. Alphatype’s Yorktown is similar, but appears to have less contrast.

Frank H. Atkinson's book Atkinson Sign Painting was published in 1909. For decades, this book served as the manual for sign painters - a handbook for hand lettering. Atkinson’s book described techniques, layouts and several sample alphabets. Modernized Ideal Classic was inspired by one of these demonstration alphabets. Although Classic has its beginnings in art deco, it is very comfortable in any period or style of design. It is most appropriate in headline and display text, poster copy and signs. We've included some nice stylistic alternates and an interesting array of ligatures.

Surf and Turf JNL was redrawn from hand-lettering on a souvenir folder for an event believed to be sponsored by Miami Beach's exclusive Surf Club on March 19, 1938. Entitled "Steeplechase Pier March 19 Surf Club Stroller", it's now lost to time whether the event recreated some of the fun and games of Atlantic City's famed Steeplechase Pier at the Surf Club, or if this was a special event trip to the New Jersey venue. It's also highly possible that the Steeplechase Pier referred to in the title was the one at Coney Island.

Talbot Type Klamp 105 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 105 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 205, most notably featuring a traditional, double-storey lower case a and g.

Retro-futuristic robot terminal type. The 1930s Moderne Streamline decade meets the digital domain in this weird font. Use it in an ad for Ford Tri-Motor Airplane or a story about an out of control 1980s computer monster. Which? Help it find its place- as it is lost in time. Digideco is a minimal font set that includes upper and lowercase letterforms which can be used at various sizes but, we consider it a headline/display font, best applied larger than 36 points in size. Shall we play a game?

La Route is inspired by my other font Modern Times. La Route works great in any branding, films, magazines, header, logos, badge, packaging, headline, poster, t-shirt/apparel. La Route gives you options to explore a whole host of applications and give a real modern feel to any project. 965 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Greek, Georgian, Central Europe, Turkish, Baltic, Romanian, Euro, West European diacritics Please test your alphabet. If you have any issues please let me know through email turalalisoy@gmail.com.

Snippity Snap is a font made up of glyphs I cut out from black paper with some household scissors, then pasted onto white paper. When I was cutting out the shapes, my children asked me what I was doing, and when I told them, they thought it was pretty cool and started cutting out shapes from paper themselves. The result is a house filled with paper cuttings, which I keep finding everywhere - even in my bed. Snippity Snap is a very nice font for ads, book covers, packaging and children's books. Enjoy!

Bike Decals JNL captures the fun and nostalgia of the 1950s and 1960s when kids all around the country ran to their local five and dime or hobby store to purchase water applied decals. The "cool" thing would be to customize your bike, little red wagon or anything that would be fair game with various racing symbols, weird space creatures or other unusual images. In this font, Jeff Levine has put his own spin on some of the classic designs of yesteryear, drawing from scratch some of the most popular of their day.

Complement your collection of animal-shaped fonts with an illustration series that brings the different moods and moments of wildlife right to your desktop. Formed by shadows of animals in a variety of real life poses, it's perfect for design situations that require animals with a non whimsical look and a more correct morphology. 87 silhouettes and 9 pairs of tracks that range from the enigmatic energy of dodgy rats and rabbits, to the mysterious serenity of amphibians and much more. A simple and useful picture of nature.

Ponzastura typeface was inspired by Aldo Novarese's Eurostile, but in this case, monolinear strokes took on contrast and stress. The classical appearance of Ponzastura, whose name is inspired by the Italian city Pontestura where A. Novarese was born, is more of a reaction and interplay. The character set supports most European languages and contains ligatures as well as symbols, figures and alternative characters. Its strength is in a simplicity and format; recommended for use in headlines or short sentences. Ponzastura typeface can fill in a gap of high-contrasted fonts of nowadays.

Aprex Sans perfectly balances the minimalist quality associated with contemporary sans with flair within the width of the counters and comfortable, breathable apertures. — Throughout weights and sizes, the typeface has great legibility and good contrast between positive and negative space, making it stunningly versatile. — With a seamless combination of contemporary details and classic styles, Aprex Sans draws inspiration from the mid-century humanist and grotesque typefaces, and its solid and straightforward structure is characterized by angular connections between curves and stems. Aprex Sans is geometric in nature with humanist qualities rooted in the Swiss tradition.

Fortuna has some resemblance with handtexted characters based, loosely, on the classic italic. But, like Ad Hoc, Fortuna is drawn on a monitor in every detail. The name is Latin and means fate, luck. The composer Carl Orff was actual at the time when I worked with Fortuna, because he had been born 100 years earlier. Orff's Carmina Burana were being introduced on the radio when I was wondering what to call my most recent creation. The song cycle begins with a song to Fortuna: a fated choice of name. Fortuna was released in 1995.

Shelley Script was designed by Matthew Carter and appeared with Mergenthaler Linotype in 1972. It is based on intricate English scripts of the 18th and 19th centuries. The musical terms Andante, Allegro and Volante were chosen by Carter to describe the mood of the three different cuts of his font. Andante is the most reserved, Allegro has a few more flourishes, and Volante’s capital letters are surrounded with swirling strokes. Perfect for invitations or other cards, Shelley Script, like other fonts of its kind, seems to appeal particularly to America.