Bookbag is a font for teaching kids to read and write. It comes in 4 weights, from light to extrabold, and has dotted and lined versions for students to practice. Many glyphs have alternate versions, that can be accessed either through OpenType stylistic alternates, or using the Alt versions of the font. Bookbag has a very wide language support, with most latin languages supported.

There are two versions of Killer Ants, regular and bold. Regular is a very cool cracked up looking font that will be great for all kinds of stuff. Bold is on of the most distressed fonts I've ever seen - there's crap everywhere - adjust your leading (line spacing) so the grunge overlaps and you have one awesome effect. Yes, those dots are actually smashed ants. Killer!

Display Digits Six is a display number font with eight sets of variations of the same digits. The digits 0 through 9, with period and comma in appropriate variations, are prepared as (1) solid, (2) outline, (3) solid with contour outline, (4) outline with 3-D shadow, (5) 3-D shadow only, (6) outline with drop shadow, (7) positive in circle, (8) negative in circle.

Laughter JNL is a deconstruction of the vintage sign painter's design Brushmark JNL. By flattening most of the curved lines and making other minor adjustments to the original font, the end result was a fun and playful sanserif that is great for lighthearted ads, party invitations, special events, point-of-sale signage and many other applications where a less-than-formal type style is required.

Nothing is as it really should be with Thursday Afternoon. The x-height is jumpy, letters are not in their right places, lines are crunchy, serifs are uneven...the list goes on...but in the end, Thursday Afternoon turns out as a legible and functional font. It has most of the moves from classic serif fonts, but then again it has a mind of its own!

They say the Nile has many secrets and she was the most sacred of them all. Isis. I met her in a small tavern outside of Edfu, hidden like a jewel between Luxor and Aswan. I had journeyed to Egypt to study the mating habits of homosexual hippos. I had no idea it was the journey that would teach me the true nature of love.

Fette Gotisch font is an interpretation of Gothic scripts in the style of the 19th century. During this time, the individualistics handwritings of the past were used to create and define new broken letter forms. This style has heavily influenced the designs of the majority of today's broken letter fonts. The strong appearance of Fette Gotisch made it popular as a typeface for emphasizing text.

Sheet music featuring a song from the 1933 film "Torch Singer" starring Claudette Colbert was the basis for Dine and Dance JNL. A multi-line Art Deco design, it epitomizes both the typographic style and the night life of the time, when supper clubs featuring big bands were at their peak. Torch Singers were female vocalists who typically sang melancholy love songs of lost love and heartbreak.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Carolina is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Gottfried Pott designed his Carolina in the tradition of the Carolingian Minuskel. The rhythmic flow of the font gives text a light and elegant feel.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Original released in 2006 Depot has now been updated to Depot New. While staying true to its original robust charm Depot New has been reexamined from the ground up with improved outlines, spacing, kerning and opentype features. Depot New also boasts two new weights with Thin and Thin Italic added to its arsenal, making it the perfect choice for the most demanding of jobs.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Finding my long-lost inkwell was a lucky moment for me and it resulted in a whole bunch of brushy/inky fonts. The latest font to leak out of this well is Knockdown. It is a bold and wild brushface, but very legible. Use if for your posters, book covers and T-shirts! Or, whatever else you like. Comes with a KO of diacritics.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Nektar is a soft & smooth sans serif typeface with spirit, personality and distinction. This bold, semi-condensed and human sans serif is inspired by the "perfect imperfection" of old prints. The typeface is lively and eye-catching, ideal for where and when you want to make a positive and human impression. The font has over 650 glyphs. It has Multilingual support (including Cyrillic script).

Starting the new year with a new font. We present something different. The font this time has a straight-line theme. This font is inspired by the lamp style of the past few years. Elongated incandescent lamp. We combine aesthetic and elegant styles in the preview. Actually suitable also for styles in neon form. But we're taking a little dive into the style of today's design trends.

Linotype Cerny is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Dutch artist Mark van Wageningen designed an alphabet consisting exclusively of capital letters. The font’s most distinguishing characteristic is its irregular outer contour, almost as though they were ripped out of paper. Linotype Cerny is intended exclusively for headlines in larger point sizes.

Ailre Heleris is an elegant script font with an expression of natural handwritten style that flows freely. Perfect for titling, long texts that need handwritten feel, branding projects, social media, wedding invitations, greeting cards, elegant packaging, headlines, posters. It features multi language support (for most of Western Europe), contains glyphs with some OpenType features – some standard ligatures, alternates for lowercase letters (beginning and ending swashes).

The Hand Wide is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. It's the extended version of The Hand, coming in 8 heights finely balanced. We wanted to create the most generic and readable handwritten font, to work well in every kind of design. We hope you will enjoy our work :) You could follow us on our Instagram: instagram.com/sc.type Merci beaucoup!

Poets and musicians flourishing in southern France and northern Italy during the 11th to 13th centuries. Troubadour was designed by using a custom brush created with Adobe Illustrator. A digital tablet was used to draw all the characters in the font. The thick and thin strokes were created by applying pressure to the pen, like jesters dancing and bouncing in the streets as the music played.

About Native-Txt It is combine of transitional and contemporary type style, with variable stress angle and more stroke contrast. Native-txt has vary styles and most have a large x-height with bracketed serif and square terminal also a litle open aperture. Native-Txt comes up with a true italic with calligraphic latin style, this is a very contrasting and perfectly elegant. Thank you _xdCreative

Don't be afraid to taste something sugar free - most times you will be surprised how good it tastes! My Sugar Free font may not look as very much at first glance - but play around with the Regular and Italic versions (and notice the 4 different versions of each letter, that automatically cycles as you type!) and you will see how lively the font is!

A heavy, bold font based on two hand lettered type specimens from the 1920s. Original designer unknown. The font has a unique combination of both Old World and Asian influences, while still maintaining a fun, upbeat casual feel. Contains a full set of Alternate Caps found under the "Stylistic Alternates" OpenType feature. Contains language support for both Latin-based and most Eastern European languages.

Surakarta is a display face of western characters with numerous optional ligatures modeled after the graceful Javanese alphabet still taught in many schools on the island of Java in Indonesia, though it has been replaced by the latin alphabet for most everyday purposes. This is the second in Parquillian Design’s series of fonts inspired by some of the beautiful lesser-known native scripts of Southeast Asia.

Sovereign Display is a decorative all caps headline face in one style with small caps on the lower case positions. Thin horizontal crossrules underpinned by a heavier solid shadow give the typeface a prominent three dimensional appearance and an air of formal distinction. Ornate and iconic, Sovereign Display is perfect for certificates, manuscripts, titling or anything requiring a more sombre, elaborate or engraved slab serif style.

Display Digits Four is a display number font with eight sets of variations of the same digits. The digits 0 through 9, with period and comma in appropriate variations, are prepared as (1) solid, (2) outline, (3) solid with contour outline, (4) outline with 3-D shadow, (5) 3-D shadow only, (6) outline with drop shadow, (7) positive in circle, (8) negative in circle.

The Radonezh font is a Latin alphabet layout based on Russian Lettering I have seen. The font is designed to give a classic Medieval Eastern European feel with a hand-lettered style. Radonezh comes with full punctuation, a complete character set for most Western European Latin alphabet languages, Cyrillic languages, and polytonic orthography for Greek. Being a decorative font, it works best at larger point sizes.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Mehriban Outline is a revisit of Mehriban, Michael Browersí most successful text face that was originally released in 2006. Mehriban & Mehriban Outline are deconstructivist revivals inbred from Michael Browers' previous work: Formasi and Disjecta. Formasi characters were morphed with their Disjecta counterparts, and in some cases with previously unpublished letterforms from Disjecta's concept stages, resulting in a grunge font with its own unique swagger.

Lanetta is the perfect mixture between a blackletter and serif font. It's narrow characters give it stylistic appeal that you just can't get anywhere else. It's the perfect font for the fall/winter seasons, too. Perfect for use in letters and documents, branding and logos, websites, book and album design, themed projects, and anything else that could use edgy elegance. Glyph count: 440. Supports most western languages.

Simeon's Handwritten Blackletter is the result of my desire to have my handwritten old English style writing available for my computer. It is a basic Gothic style font with my own touch to the lettering. Simeon's Handwritten Blackletter comes with full punctuation, a character set for most Western European based Latin alphabet languages. Being a decorative font, it works best at larger point sizes.

Parallax is a modern, creative, geometric typeface with random contrast changes in the characters. It includes 26 contextual alternates that will help you to avoid similar letters in most cases. You can always exchange the letters using stylistic alternates feature. Parallax font have a multilingual support of west european languages, please check out all available characters on screenshot. Thank you and have a nice day!

Released by the Compugraphic Corporation in 1979, the Garth Graphic font family is based on a design by John Matt from the 1960's, reworked by Renee LeWinter and Constance Blanchard. Garth Graphic was named after Bill Garth, a founder of Compugraphic. A fairly strong old style face suitable for text setting; the heavier weights and condensed forms are most used for display work.

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host of Opentype features and equally incoporates a full extended latin and cyrillic character set to provide a versatile and complete design solution for titles or display settings.

Allineato was part of the Face2Face project, a fontlabel created with a couple of friend in order to stimulate new ideas and forms in the typographical landscape. Most of the Typefaces were used by Alexander Branczyk in his famous techno magazine "Frontpage". About Allineato: "Al" means "Alessio Leonardi" and Lineato "lined", but if you read it as an italian world means "conformed to a given line".

Introducing of our new product the name is Marfanco Serif Display Font with its unique curves and cut-ins making it one of the most memorable caps fonts on the market .This font is perfect for fashion related branding or editorial design and displays both masculine and feminine qualities. Also you use this font on Logo & Label Design, Apparel Design, Music, Advertising, T-shirts, Brochures And more!

It is necessary to keep the memories of our ancestors alive. Although the languages and cultures of the past societies were different, in my eyes the ancestor of our humanity is. Having to experience everything in that world, no matter where in the world it is. This font is a Runic member. It is a kind of variety that belongs to different geographical regions.

Goudy’s Newstyle typeface was desiged in 1921 began as an experiment in creating a phoentic alphabet with different shapes for letters depending on their unique sound. The design is strongly influenced by the Venetian Romans of Aldus which Goudy believed to be the most readable letterforms. Steve Matteson digitized the roman faithfully to Goudy’s original and designed the companion italic in the spirit of Goudy’s style.

Display Digits Seven is a display number font with eight sets of variations of the same digits. The digits 0 through 9, with period and comma in appropriate variations, are prepared as (1) solid, (2) outline, (3) solid with contour outline, (4) outline with 3-D shadow, (5) 3-D shadow only, (6) outline with drop shadow, (7) positive in circle, (8) negative in circle.