don't think you're alone, watch your behind "Wagnesday" is a thriller-horror styled font, inspired by thriller movies and designed with an elegant touch of horror, and thrilling. This all-caps font adds a dark vibe to your designs, making them more attention-grabbing. With its bold and sharp font style, Wagnesday can be applied to various themes, including underground, gothic, sports, and even vintage designs. Wagnesday becomes even more versatile with the addition of stylistic alternates.

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

Rahere Esoteric is a gothic-flavoured, quasi-Roman display font with an eccentric persona and more quirks than a Tim Burton film. A member of the extended Rahere typeface family, it’s the enigmatic cousin of Rahere Roman Display & Rahere Sans. This is a niche display font that doesn’t try to please everyone. Rahere Esoteric revels in its mystical aura, using a bewildering array of ligatures to magically transmute itself as characters loop, curl, jerk and strut, randomly connecting and disconnecting into words like a retro-futuristic steam train clattering along a disused railway track, challenging and delighting the reader at the same time. To add more sparkle, there are alternatives, inferior and superior caps plus a [Wicca] basketful of symbols, ornaments, weird faces and even a snake-infused ampersand. Whilst Rahere Esoteric has been designed primarily as an all-caps font, the lowercase slots contain small caps with corresponding numerals. However, because this is an arcane, unpredictable font, order and regularity are frowned upon, which means there are no tabular numerals – so company reports or accounts are a solid no! Unless they’re for the Golden Circle of Alchemists PLC or Gothic Blackstar Corporation. It is ideal for all things pagan, esoteric, alchemy, other-worldly or magic-related projects and particularly useful for music genres across the Gothic / Darkwave / Ethereal spectrum. What about legibility? Hey, look into my eyes: Esoteric is all about the mystique. If a secondary font is needed for the important stuff, I recommend its cousin, Rahere Sans, which pairs beautifully with this display font and is perfect for long passages or small text. The initial idea for Rahere Esoteric came about during a visit to Whitby, a small coastal town in Yorkshire, UK and famous for its inclusion in Bram Stoker’s novel, Dracula. A Steampunk festival was in full swing and the narrow streets of the town centre were teeming with people adorned in a glorious fusion of clothing and accessories influenced by a love of 19th-century life, science fiction, horror, fashion and art. I was fascinated by the juxtapositions of colour, patterns, material and style – archaic mechanical Sci-fi, gothic, the American Wild West and romantic Victorian. But what intrigued me the most, somehow, all the disparate elements worked as a whole. Thus, like Frankenstein, this font jolted into existence. Supported languages include Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian.

The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized long ago by bankers and others seeking a serious, established feel to their stationery. One might argue that the design is a possible precursor to Morris Fuller Benton’s Bank Gothic® typeface. Sweet® Square is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century remain both familiar and appealing. Referencing various masterplates, Mark van Bronkhorst has drawn Sweet Square in nine weights. The sources offered just uppercase, small caps, and figures, yet similar, condensed examples had a lowercase, making it possible to interpret a full character set for Sweet Square. Italics were also added to give the family greater versatility. The fonts are available as basic, “Standard” character sets, and as “Pro” character sets offering special characters, a variety of typographic features, and full support for Western and Central European languages. Sweet Square gives new life to an uncommon class of typeface: an early twentieth-century commercial invention that brings a singular verve to modern design. Its unique style is as useful as it is novel. Bank Gothic is a registered trademark of Grosse Pointe Group LLC.

The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized long ago by bankers and others seeking a serious, established feel to their stationery. One might argue that the design is a possible precursor to Morris Fuller Benton’s Bank Gothic® typeface. Sweet® Square is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century remain both familiar and appealing. Referencing various masterplates, Mark van Bronkhorst has drawn Sweet Square in nine weights. The sources offered just uppercase, small caps, and figures, yet similar, condensed examples had a lowercase, making it possible to interpret a full character set for Sweet Square. Italics were also added to give the family greater versatility. The fonts are available as basic, “/fonts/sweet/square/” character sets, and as “Pro” character sets offering special characters, a variety of typographic features, and full support for Western and Central European languages. Sweet Square gives new life to an uncommon class of typeface: an early twentieth-century commercial invention that brings a singular verve to modern design. Its unique style is as useful as it is novel. Bank Gothic is a registered trademark of Grosse Pointe Group LLC.

Dynasty is an extensive and versatile family that exploration and modernisation of the typographic quirks associated with the 'American Gothic' type school (in much the same way as English Grotesque was an exploration of Gill/Johnston idea-space) and adds chamfered elements to dots and tails to emphasise and extend the early machine-made aesthetic. Elegantly clean and readable at headline and small text settings, where (as with all fonts in small sizes) the introduction of tracking will improve legibility.

Rokha is a wedge-serif typeface with 5 weights plus obliques. Its sharp serifs were inspired by Goudy's classic Copperplate Gothic, Rokha feels land looks like carved stone, edgy and sharp. Serifs are exaggerated, pointy, and strong, this font demands attention from the viewer at all costs. Lower and uppercase letters make it more amicable in different contexts and give it extra versatility. Its striking presence makes it ideal for display, headlines, posters, big branding, and catching any viewer's eye.

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. And for the calligrapher H.P. Behrensmeyer & Charles Paxton Zaner. Use at size 20 pixels or multiples of 20 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Magdelin is a minimal yet warm gothic sans with normal and alternate families. At its core, the design has simple forms and low contrast, yet it takes some qualities from the humanist class with its calligraphy or cursive-inspired details found in the italics and the bowl shapes of characters like b and d. The small x-height, longer ascenders and descenders, and semi-condensed proportions give it a bit of a vintage or classic feel while still appearing contemporary and modern.

Elegant and prickly; smooth and sharp; beautiful, but evil - Stervella - display typeface. Its serifs resemble the twisting branches and thorny thorns of a blackthorn, trying to prick neighboring letters. This font is inspired by the forms of ancient Uncial, combining antique with pointed gothic writing. Изящная и колючая; плавная и острая; красивая, но злая - акцидентная Стервелла. Ее засечки напоминают извилистые ветви и колючие шипы терновника, стремящиеся уколоть соседние буквы. Этот шрифт вдохновлен формами старинного Унциала, совмещая в себе антикву с остроконечным готическим письмом.

The Civilite is a historic script in the sixteenth century. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 20 pixels or multiplies of 20 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

HU Blueocean is a headline typeface created by imagining waves in a square glass tube. It iis designed to be used in various environments by adding decorative elements, the swaying form of waves, to the Gothic style of a full square module. There is 1 weight of HU Blueocean : Black Features : Uppercase & lowercase Numbers and punctuation Multilanguage (Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin, Dutch, Afrikaans, Basic Greek, Basic Cyrillic, Mathematical Operators) 882 Glyphs

Basecoat is a handcrafted, geometric sans serif inspired by sign painting and influenced by modern gothics. It has a subtle organic feel without sacrificing legibility. The design of the uppercase began with chalk marker lettering for a side project and eventually grew into a small type family. Basecoat comes in three weights and includes more than 500 glyphs with European language support. It has popular OpenType features plus catchwords in multiple languages and arrows for all your sign making needs.

Magnitude is a font inspired by classics like Eurostyle and Bank Gothic, with geometric characteristics and dynamics style. Designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is well-suited for headings, display use and short text. The Magnitudes family is available in 36 weights, ranging from light to heavy, to condensed and expanded with matching italics. The font contains a character set of 401 characters supporting 206 different languages.

Herkaloya are Blackletter font with a full set of capital and lowercase letters, alternate, ligature, multilingual support, currency figures, numerals and punctuation. Herkaloya is perfect for Tattoo Logo, Barbershop Logo, Clothing, Music Events, Branding, and many more projects with Gothic theme. Herkaloya also provided Herkaloya Ornament to make your projects more sweet and stunning. If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy using it!

Stencil pixel font which has rough, tough and masculine impressions. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Gothic fraktur inspired design, I wanted to resemble old german calligraphy but making it very geometric, so I used an isometric reticle during sketching. This is a display font, created for BIG sizes, non textual. I recommend it for branding, poster, logos or titles. Its very experimental -- it exists within the limits of legible and illegible reading. I choose the name “Garbancera” because gothic calligraphy has issues that are linked with dark, gloomy, lugubrious things or fear feelings, culturally in Mexico. I related this with death and for mexicans, death is something we celebrate and give us joy and happiness, annoying, the most representative Mexican characters, one of those is “La Calavera Garbancera” or better known as “La Catrina”, a clothes skeleton with only a hat. It was drawn this way to make a critic to all Mexicans at that time, that were poor but they wanted to represent a high lifestyle, “those that where to the bones, but with a French hat with ostrich feathers”. La Catrina was created by José Guadalupe Posada, a Mexican lithographer but also a newspaper illustrator. I think this is a beautiful font that can lead to great results, just use it wisely.

Lionheart is the digitization and expansion of Saladin, a neo-gothic typeface designed by Friedrich Poppl, long after he established himself as one of the greatest German designers of all time with some of the most “ausgezeichnet” scripts and text faces to ever come out of Europe. This typeface, though lesser-known among Poppl’s other masterpieces, was one of the first in its genre to abandon blackletter influence and attempt letter variations based strictly on Roman alphabet shapes. Poppl’s idea spawned a whole generation of neo-gothics that can now be found on many a movie poster or book cover where the design must hint at secrets and dark sides. Lionheart succeeds with the idea of gradual curves leading to sharp concave or plano-concave terminals, to effectively build serious letter forms that speak of historical mystique and mystery. This font was was named after Richard I, King of England for a decade in the late 11th century. He reportedly exchanged many gifts of respect with Saladin, even though the two kings were on different sides of the Crusades. Lionheart comes in all popular font formats, with some alternates placed in accessible cells of the character set.

Introducing Midnight Flame, a powerful Blackletter/Gothic font with an array of amazing features. This font showcases the essence of medieval calligraphy with its bold and dramatic letterforms, evoking a sense of mystique and elegance. With Midnight Flame, you’ll have access to 7 stylistic alternates, allowing you to experiment and create unique and captivating designs. The ligature feature further enhances the flow and continuity of the text, adding an extra level of sophistication. Additionally, Midnight Flame is designed to support multiple languages, making it versatile and inclusive for various projects. Whether you’re working on branding, logo design, apparel, or editorial pieces, this font will make a striking impact. But that’s not all! As a bonus, you’ll also receive a complementary font brush, adding a touch of organic and handcrafted feel to your designs. Unleash the power of Midnight Flame and ignite your creativity with this captivating Blackletter/Gothic font. Let its medieval charm and modern versatility elevate your projects to new heights. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features, such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyph : http://adobe.ly/1m1fn4Y Cheers!

Au Revoir - saying goodbye is one of the hardest things in life, but in a sense it is also beautiful: there is a promise of seeing each other again, as 'Au revoir' literally means: 'to the next time we see one another'. Au Revoir font is slightly cursive, elegant without being posh, simple and legible. You could write a poem or a farewell letter with it, but I guess its simplicity lets you use it in various other, less dramatic, designs.

Jheronimus is a neo-humanistic grotesque. A font with an open aperture. It has straight terminals and a moderated height of the lowercase characters. Jheronimus is a font with a uniform ordered rhythm. Well readable on the screen in small size. Consistent letter proportions. The rounded elements are pill shaped and the font has pronounced connections strokes. Punctuation marks are well decorated. Jheronimus will satisfy the demanding typographer. There are oldstyle figures in the best traditions of humanism. The bright recognizable character is combined with a clear form. This creates a sharp, crystal impression. Jheronimus is suitable for the design of an ambitious, temperamental text. It is stylistically similar to the paintings of the Dutch artist Hieronymus Bosch. From this comes its name.

Super decorative wood type looking pixel font which has mysterious, elegant and gorgeous impressions. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

One of the more elegant script fonts available, this design is based on calligraphic handwriting called "Copperplate" because of the copper plates that it was etched into for reproduction. This face is not related to Copperplate [Gothic] by the American type designer, F.W. Goudy. The name Copperplate comes from the fact that writing masters used to hand-write their books and then send them to an engraver who recreated all the subtle details onto copper plates, which where then used to print the handwriting books.

A geometric design, published in Rick Poynor’s Typography Now 1 (Booth-Clibborn Editions, London UK,1991). Discussing these kinds of angular styles, the critic Rick Poynor noted that "fate has overtaken the angular post-constructivist type design of Neville Brody, Zuzana Licko and Max Kisman". Poynor described a process by which typefaces, once “fresh, unexpected, precisely attuned to the moment”, get used increasingly often in less and less appropriate contexts and end up looking "irredeemably passé". (Poynor, Rick, ‘American Gothic’ in Eye Magazine, 6/1992)

Based on the elegant and somewhat delicate Shàngó "Classic", Shàngó Chiseled goes to the other extreme with a bold and emphatic design that continues the legacy of the beautiful classic proportions of Dr. Schneidler's original titling typeface. Warm, cheerful, open, and sensitively masculine, Shàngó Chiseled can give you the impact you need. Perfect for an embossed look, or of classic lettering in stone. A complete character set that supports most European languages. Shàngó Chiseled is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).

The pixelated blackletter which called Fraktur, the most famous calligraphic letter in Germany. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Very decorative pixel font which has organic and soft impressions. The best pixel font for Christmas. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Magnitude is a font inspired by classics like Eurostyle and Bank Gothic, with geometric characteristics and dynamics style. Designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is well-suited for headings, display use and short text. The Magnitudes family is available in 36 weights, ranging from Extra light to heavy, to condensed and expanded with matching italics . The font contains a character set of 401 characters supporting 206 different languages.

The renowned American illustrator and graphic designer Milton Glaser designed Glaser Stencil in 1970. Glaser Stencil is a perfect summation of both Modernist proportion and New York-style solidity and self-assurance. An all capitals font, the shapes of the letters are reminiscent of popular sans serif faces of the time, such as Futura and ITC Avant Garde Gothic. Like everything New York-related, Glaser Stencil should be used big, in headlines and display applications, where it can play a bold, proud, and confident role.

Hi! Introducing a vintage layered typeface set named "Pirates Rum". This is an experiment of combining pirate motives with a touch of Gothic. It is a multi-layered decorative font containing a base layer, a layer with internal decorative elements, a layer with a shadow, and a separate aged font. It contains basic uppercase and lowercase glyphs, punctuation, numbers as well as multilingual characters for all kinds of layers. Pirates font, great for labels, logos, headers, and illustrations. Thank you & have a great day!

About Osande-TXT Neo-Grotesques Sans Osande TXT was created and inspired by Osande Pro (by. faldykudo), which carries a modern sans style with a touch of neo-grotesques / neo-gothic These include a large x-height, simpler forms and more static, low contrast, and often a condensed width. Osande TXT comes with enhancements characters and more complete language support, so you will be more flexible to use this font family for your various design, both for body text or displays. Thank you in advance _xdCreative

Introducing Khodijah, brand new display font in Arabic style. Designed with a digital flat-pen and gothic typography technique which gives the elegant looks of the letters. This font also adopted from the Hijaiyah letters that highly usable for any Islamic or Mid-east content. Perfect for Book covers, poster, flyer, banner, t-shirt, logo, branding, and other advertising needs. Khodijah has OpenType features such as alternates, swashes, and ligatures that you can access them from the software which has an open-type panel. Happy designing! Ramz.

- Heptal is a typeface family with five weights including true italics. The geometry of the characters is neo-gothic and the serifs are polygonal concave or inverted Tuscan. - Heptal fonts offer a complete set of lowercase alternatives and advanced open type functions. - The proportions, the metrics and the Kerning are meticulously configured so that the texts are shown fluid and the graphic stain is compensated. - These fonts have a wide table of characters (530 glyphs) with support for all the languages derived from Latin.

Violant fonts are designed as a tribute to Queen Violant, wife of Jaume 1st, king of Aragon, a woman of strong character, who supported her husband in the conquest of Valencia in 1238. Probably, Violant read texts in Gothic letters, which at that time were subjected to a stylization process in Castile and Aragon. Violant family comes with 736 glyphs, with OpenType features, swashes for all glyphs, stylistics sets, stylistics alternates, a lot of ligatures and a generous set of ornaments to play with your texts.

Mockgent Is A Blackletter Font Inspired By Sleek and Gothic Style. SOFTWARE REQUIREMENTS : Fonts and alternate: No special software is required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day!

"Shinobu" is an elegant psychedelic display font that combines characteristics of Art Nouveau and Modren San serif types. The name "Shinobu" comes from the anime character " Shinobu Kocho" from an anime called "Demon Slayer". Like "Shinobu's" characteristics, This exudes elegance and poshness while still having that quirkiness. This display font is intended to be used in big-scale designs such as headlines, posters, flyers, apparel, quotes, greeting cards, product packaging, album covers, movies, and more. *This font includes letters, numbers, alternates, and all essential marks needed.

In the world of graphic design, the typeface is everything. It’s the foundation on which you build your message, the first impression your reader gets of your brand. And when it comes to creating a unique and memorable brand, there are few typefaces more distinctive than Shnixgun. Based on the venerable Franklin Card Gothic, this inky, textured typeface takes inspiration from the age-old tradition of metal type, infusing it with a modern, edgy twist. Its rustic, weathered appearance is the perfect choice for anyone looking to add a touch of authenticity to their work. But Shnixgun is more than just a pretty face. Thanks to its custom letter pairs, it breaks up the monotony of repetitive letters and adds a level of nuance and sophistication to your message. With Shnixgun, your words become more than just a series of letters—they become a work of art. But what really sets Shnixgun apart is its rusty texture. This is a typeface that wears its age proudly, with every letter infused with the character and patina of a bygone era. Whether you’re designing a vintage-style poster, a hand-crafted logo, or an art magazine spread, Shnixgun is the perfect choice for anyone looking to infuse their work with a sense of warmth, authenticity, and honesty. So don’t settle for a bland, soulless typeface. Let Shnixgun’s rusty glyphs permeate your message with affection and depth, and bring your designs to life with a touch of artistic flair. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.