An antique barrel lid stencil spotted in an online auction for a company once located in Guttenberg, NJ provided the hand-cut sans serif lettering which inspired Old Brass Stencil JNL; available in both regular and oblique versions.

A poster for the 1932 film “Shanghai Express” starring Marlene Dietrich has the films name is a semi-Asian lettering style. This bold poster font is now available as Asian Railway JNL in both regular and oblique versions.

Spotted amongst the online page scans from a vintage lettering book, the typeface originally called “Didot Moderne” served as the basis for Dual Line Roman JNL, which is available in both regular and oblique versions. Caps Only Fonts.

Nouveau To Go JNL is the digital version of the hand lettered title found on the 1915 sheet music for the song "Don't Bite the Hand That's Feeding You", and is available in both regular and oblique versions.

Buljirya font is inspired by dream and pastel colour combined with elegant. Perfect for Logo, product packaging, advertisement, social media post, fashion brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

The opening title card for “Grand Central Murder” (1942) is hand lettered in a stylized, condensed serif type style with strong but elegant appeal. This is now available as Mystery Story JNL in both regular and oblique versions.

A record album entitled “Calypso” by the Talbot Brothers had a hand lettered cover with a free form style reminiscent of the early 1960s. This inspired Dance Records JNL, which is available in both regular and oblique versions.

Alfrere Banner is a 1950s inspired masthead typeface, designed to complement our ‘Alfrere Sans’ typeface family. These two Banner faces, offered in regular and incised forms, emphasise horizontal lines and have a distinct ’streamline-era’ feel to them.

Soldier Stencil JNL is a re-working of a vintage example of a sign painter's "block" or "chamfer" font design into stencil form. The result is Soldier Stencil JNL, which is available in both regular and oblique versions.

Introducing Le Atallier an elegant sans serif font that look classy. Perfect for Logo brand, product packaging, advertisement, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

Dustine script is an extraordinary and bold script, suitable for a large number of designs. This font has two styles, Regular and Italic. With two styles, you can choose according to the project that you are working on.

The bold round point pen lettering on the cover of the 1934 sheet music for “New England in the Rain” was the model and inspiration for Poster Pen JNL, which is available in both regular and oblique versions.

A WPA (Works Progress Administration) poster for the Rural Electrification Administration’s promoting of running water for rural areas is the basis for Tap Water JNL. A condensed slab serif, it is available in both regular and oblique versions.

Boneous is a display font. Inspired by the shape of the bones. Comes in two font styles, regular and oblique. Boneous comes with 400+ glyphs, which also includes multilingual languages. It's perfect for headlines, branding, and many more.

The Art Nouveau hand lettered title on the sheet music for the 1909 composition "If the Wind Had Only Blown the Other Way" was the basis for Courtship JNL, which is available in both regular and oblique versions.

Mahally, Some vintage fonts with regular & italic version both with creative and sense of art. Ready for your crafting material as wedding decorative, invitation card, greeting card, T-shirt design, some merchandise, or to make your Branding Product.

The hand lettered song title on the sheet music for 1918’s ‘N’ Everything (from the Al Jolson show “Sinbad”) was the inspiration and model for Westfield Nouveau JNL, which is available in both regular and oblique versions.

Barollo is a boisterous, lively, display family of two typefaces, offered in regular and shaded form. It’s ideal for eye-catching banners and posters that call for clear and forceful type, with a sense of fun and life.

Jeff Levine Fonts offers its interpretation of Tea Chest, an Art Deco serif stencil font originally designed in 1939 by Robert Harling for the Stephenson-Blake type foundry. Pekoe JNL is available in both regular and oblique versions.

Brotherland is a handdrawn serif typeface wit a rough and vintage character inspired from American Vintage typography. Brotherland comes with 4 styles: Regular, Italic, Aged, Italic Aged. Perfect for logos, badges and any project needing a vintage touch.

Introducing Dolce Gargia, a classic modern sans serif with aesthetic look. Perfect for who needing a touch of elegancy, stylish, classy, beautiful thin, and modernity for their design. Complete with ligatures alternates regular italic icon kerning multilingual support

Talloween is a bizarre typeface in which the letters have a fraktur form, but look as if they had been made of wax that has partially melted. It comes in four styles, regular, oblique, shadow, and oblique shadow.

Techno Race - Sport Display with strong and Sporty. with 2 styles : Regular & Italic. Very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Fancy Kingdom is elegant serif font family wich great for wedding invitation, greeting cards, book covers or any fairy design. This kit includes 3 typefaces: - Regular - without curls; - Decorative - uppercase and lowercase with curls; - Combined - uppercase with curls.

Rockies is a Rough display font. It comes in a Regular and an italic version, so take your pick! This enchanting font is quirkiness and authenticity and will turn any creative idea into a true standout. Multilingual support.

In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.

The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized long ago by bankers and others seeking a serious, established feel to their stationery. One might argue that the design is a possible precursor to Morris Fuller Benton’s Bank Gothic® typeface. Sweet® Square is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century remain both familiar and appealing. Referencing various masterplates, Mark van Bronkhorst has drawn Sweet Square in nine weights. The sources offered just uppercase, small caps, and figures, yet similar, condensed examples had a lowercase, making it possible to interpret a full character set for Sweet Square. Italics were also added to give the family greater versatility. The fonts are available as basic, “Standard” character sets, and as “Pro” character sets offering special characters, a variety of typographic features, and full support for Western and Central European languages. Sweet Square gives new life to an uncommon class of typeface: an early twentieth-century commercial invention that brings a singular verve to modern design. Its unique style is as useful as it is novel. Bank Gothic is a registered trademark of Grosse Pointe Group LLC.

Cooper Black's second coming to American design in the mid-sixties, after almost four decades of slumber, can arguably be credited with (or, depending on design ideology, blamed for) the domino effect that triggered the whole art nouveau pop poster jam of the 1960s and 1970s. By the early 1970s, though Cooper Black still held its popular status (and, for better or for worse, still does), countless so-called hippie and funk faces were competing for packaging and paper space. The American evolution of the genre would trip deeper into psychedelia, drawing on a rich history of flared, flourished and rounded design until it all dwindled and came to a halt a few years into the 1980s. But the European (particularly German) response to that whole display type trend remained for the most part cool and reserved, drawing more on traditional art nouveau and art deco sources rather than the bottomless jug of new ideas being poured on the other side of the pond. One of the humorous responses to the "hamburgering" of typography was Friedrich Poppl's Poppl Heavy, done in 1972, when Cooper Black was celebrating its 50th anniversary. It is presented here in a fresh digitization under the name Gator (a tongue-in-cheek reference to Ray Kroc, the father of the fast food chain). To borrow the title of a classic rock album, Gator is meaty, beaty, big and bouncy. It is one of the finest examples of how expressively animated a thick brush can be, and one of the better substitutes to the much overused Cooper Black. Gator comes in all popular font formats, and sports an extended character set covering the majority of Latin-based languages. Many alternates and ligatures are included in the font.

The Engraver’s Square Gothic—like its rounder cousin, the engraver’s sans serif, Sweet® Sans,has been one of the more widely used stationer’s lettering styles since about 1900. Its minimal forms, made without curves, were popularized long ago by bankers and others seeking a serious, established feel to their stationery. One might argue that the design is a possible precursor to Morris Fuller Benton’s Bank Gothic® typeface. Sweet® Square is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century remain both familiar and appealing. Referencing various masterplates, Mark van Bronkhorst has drawn Sweet Square in nine weights. The sources offered just uppercase, small caps, and figures, yet similar, condensed examples had a lowercase, making it possible to interpret a full character set for Sweet Square. Italics were also added to give the family greater versatility. The fonts are available as basic, “/fonts/sweet/square/” character sets, and as “Pro” character sets offering special characters, a variety of typographic features, and full support for Western and Central European languages. Sweet Square gives new life to an uncommon class of typeface: an early twentieth-century commercial invention that brings a singular verve to modern design. Its unique style is as useful as it is novel. Bank Gothic is a registered trademark of Grosse Pointe Group LLC.

Storehouse Font is an old fashioned typeface with a modern touch. Inspired by tradition, hardworking brewers and 1800s it come up with 10 strong, confident and powerful styles, included: Regular, Italic, Thin, Black, Outline, Shadow, Used, Wide, Soft and Stencil. The font looks great when put on signs, shirts or labels of the bottles. Also, it works perfect as font for a branding and commercial uses. What is included: Shapes: 1.Storehouse Shapes EPS – EPS file 2.Storehouse Shapes PDF – PDF file Fonts: Storehouse Regular - OpenType font file - Regular old fashioned typeface with a modern touch. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Thin - OpenType font file - Thin version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Wide - OpenType font file – Wide version, big spaces. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Black - OpenType font file - Extra, extra bold version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Outline - OpenType font file – Outline version of regular version, amazing in matching with regular version as a back shadow. full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Shadow - OpenType font file – Old fashioned shadow of regular version. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Italic - OpenType font file – Regular version with smooth edges. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Soft - OpenType font file - full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Stencil - OpenType font file – Stencil font with amazing old fashioned modern touch. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Storehouse Used- OpenType font file – Softer edges, smooth lines. Full set of uppercase letters, international support, punctuation, and a wide variety of extra characters. Multilanguage Support: English, Albanian, Danish, Dutch, Estonian, Croatian, Bosnian, Slovenian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanish, Swedish with a lot of other languages; see Full Character List. Note: To access the extra alternate letters, you will need to use the glyphs panel. Many design programs offer this ability, including Adobe Photoshop CC 2015 , Adobe Illustrator, Adobe Indesign. Works with Cricut, Silhouette, PicMonkey, Photoshop, Illustrator and many more applications!

Head­line Font / Dis­play Font / Techno Fat Font Hea­vy­Loun­dEdge with 4 styles (regu­lar, bold, light, line) & 304 gly­phs, including accents & €.