BD Qualle is a bold, chubby and friendly fellow great for titling and headlines.

'Pinala', a playful script & sans fonts, contains light to bold weights for various designs.

Saga is a gorgeous bold script, strong and special. Perfect for highlights like headers.

Alton JNL is an ultra-bold sanserif design that's perfect for any headline application.

Avalanche is a fun casual typeface great for when a bold caption is needed.

Introducing the stunning Longevity Bold Script Font, a true masterpiece of typography that will bring elegance and sophistication to any design project. Crafted with the utmost attention to detail, this font boasts an exquisite hand-lettered script style, complete with bold strokes and delicate flourishes that add a touch of luxury to any text. Its timeless design ensures that it will remain a classic for years to come, while its versatility allows it to adapt to any design concept, from wedding invitations to product packaging. The Longevity Bold Script Font is perfect for designers looking to make a bold statement, whether it’s on a website, brochure, or social media post. Its bold and confident appearance exudes a sense of strength and power, making it ideal for branding projects, logos, and headlines. With its sleek and stylish aesthetic, this font is sure to impress your clients and elevate your design work to new heights. So why settle for ordinary when you can have extraordinary? Choose the Longevity Bold Script Font and create designs that will stand the test of time. Feature : Longevity alternates multilingual support If you have any questions please don’t hesitate to contact me Thank you best regards, Fikryal Studio

Say hello to new serif font, Enigmatic Pandora! Enigmatic Pandora is a serif font that combines a psychedelic uniqueness with bold boldness in each letter. With its eye-catching psychedelic characteristics, Enigmatic Pandora exudes an aura of mystery and magic that is hard to describe. Enigmatic Pandora offers a great typography experience with bold bold characters. Its bold and striking design makes each letter a centerpiece in the design. Combining stunning psychedelic elements with strong, compelling contours, this font provides a unique and compelling visual dimension. Enigmatic Pandora is suitable for use in design projects that want to express visual uniqueness and tension. This font is ideal for titles, posters, illustrations, album designs, and other creative projects that need an extraordinary and bold look. Here's what you get: Enigmatic Pandora Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

Poster type faces from the twenties and thirties are enjoying a new wave of popularity. The summary, even rather hard principle of the sign is required for a view from a distance. The information appearing on the poster must be readable even from the opposite pavement. And, as is often the case with monumental type faces, these type faces are legible even in small sizes. The name Bahnhof suggests the hypothetical use of the type face on railway station buildings.

The 1913 sheet music for "There's A Girl in the Heart of Maryland (with a Heart That Belongs to Me)" may have had no shortage of words in the title - fifteen to be exact, but it also offered some nice hand lettering in the Art Nouveau style. Maryland JNL is a condensed typeface with an unusual twist. The "S" and "G" both have spurs on them, which is reminiscent of the preceding Victorian period and the popular spurred Tuscan alphabets of the time.

A compact geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility across various applications. Corbert compact is part of the popular Corbert type system; other widths include Normal, Condensed and Wide. Details include over 590 characters; OpenType features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Quan Pro is new redesigned version of Quan(2013) – one of the most popular font families of Typesketchbook foundry. This new family has refreshed structure, corners, and a new shape of glyphs. It is developed in 8 separate weights ranging from Thin to Black, each coming with Rounded and Slim version, which is well suited for a variety of typographic applications such as headlines and small texts. Quan Pro font family supports multiple languages and is available as both webfont and desktop font.

Pincoya Black Pro is a font based on lettering found on a poster from the Spanish Civil War, complemented with graphics developed in “La Unidad Popular” (Chilean political coalition) during the seventies. Pincoya has many alternate characters in Opentype format that provide multiple options when composing a text. It is an ideal font for high impact sentences, logotypes, magazine layouts, poster designs, etc. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

The goal of this font design was to create forms which could be used and reproduced electronically and remain legible. Technicians from the European Computer Manufacturers’ Association and Adrian Frutiger combined strict mathematical criteria with typographic tradition to solve both technical and aesthetic problems. OCR was the resulting font and was made a world standard in 1973. The font has an objective, technical character and was created specifically for multimedia, although its distinctive appearance has also made it a popular typographical trend.

Calluna Sans was designed by Jos Buivenga of exljbris font foundry. The Calluna Sans typeface family is a humanist sans based on the popular Calluna serif fonts. It has true italics and OpenType typographic features including small caps, figure styles, ligatures and more. There are 716 glyphs in each font, with extensive language coverage. The Calluna Sans family has 10 fonts: 5 weights each with a matching italic. Check out Calluna™ which is a great pair for Calluna Sans™.

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

Steve Jackaman. In the early 1980's, Steve worked at Typographic House in Boston, Massachusetts. At the time, 'Typo' House, as it was affectionately known, was the largest type house in New England. This font was designed and produced during his tenure. The design was so popular that it became available commercially through VGC, and was known as TH Alphabet Soup. Completely redrawn and remastered, Alphabet Soup Pro contains all the high-end features expected in a quality OpenType Pro font.

Westcoast Letters is a fun hand painted headline font by Cultivated Mind. Westcoast Letters comes in four font styles, extras, frames and page rulers. Westcoast Letters is a sister typeface to the ever popular Pacific Northwest font family. Westcoast characters are wider than Pacific Northwest and offer a new style of letters. Extras include hand painted pacific ocean icons, wild animals, a set of numbers and symbols. Frames and page rulers are decorative and look great with the Westcoast fonts.

Basecoat is a handcrafted, geometric sans serif inspired by sign painting and influenced by modern gothics. It has a subtle organic feel without sacrificing legibility. The design of the uppercase began with chalk marker lettering for a side project and eventually grew into a small type family. Basecoat comes in three weights and includes more than 500 glyphs with European language support. It has popular OpenType features plus catchwords in multiple languages and arrows for all your sign making needs.

I've worked together with the fabulous Rachelle Smith of What the Teacher Wants to come up with a new kid-friendly, teacher-friendly font. Rachelle's highly-popular teaching blog, What the Teacher Wants (http://whattheteacherwants.blogspot.com/) is a great resource for elementary teachers. She also sells educational products at Teachers Pay Teachers: http://www.teacherspayteachers.com/Store/Rachelle-Smith This font is exactly "What the Teacher Wants"- it is neat, legible, friendly, and contains enough glyphs to cover 86 languages and little extras like math symbols!

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

Linotype Matthia is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Dieter Kurz designed Matthia as a slender, flowing brush font. Its characters are in a handwritten style yet stand almost straight, making Matthia a mixture of reserved and lively, of static and dynamic. The font is reminiscent of advertisement typefaces popular in the 1950s and extremely versatile, suitable for short texts in small point size or headlines on posters.

Ela Demiserif is the typeface I originally designed for the business of my second wife and mother of my two sons; her name is, of course, Michaela. Ela - the typeface - is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design. Because lately this typeface became very popular I decided to extend it to eight weights and I added italic and smallcaps versions to it. So now Ela is a full fledged typeface.

Aago is year-long project to create sans inspired by Positype's popular Aaux Next typeface, but not beholden to its previous conventions. 54 fonts spread across 3 widths, 9 weights, and each with matching italics. Drawn from the ground up to “just work well” across print and screen uses, Aago provides a comfortable, not too wide footprint with hopes of becoming a go-to utilitarian typeface perfect for packaging, branding and identity systems, poster and billboards, small and HD screens alike.

REALLY fat faces seem to be popular these days, so here's my take on one. The strokes have been expanded to the brink of illegibility, but the letters remain distinguishable, especially in context. Also included are alternate versions of the letter A—suitable for use as first and last letters in a word— in the ASII circumflex and ASCII tilde positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.