As well as ArTarumianIshkhan font ArTarumianIshkhanuhi (Ishkhanuhi from Arm. “Princess” was created as a modern stylization of Armenian medieval lapidary letters. As his feminine, more delicate form.

Bake Bunny is an exuberant refulgent handwritten mix cased typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Recycled was created by creating letters from bits of recycled materials such as cardboard, newspapers etc. and then taking parts of those letters to create new letters.

KP Duty JNL emulates the lettering found on military equipment. It's a bold and macho design, perfectly suited for any project which has an armed forces theme.

Stay Drips is an interesting, unique font in capital letters with uneven edge lines and ink drop details to give lovely, dynamic visual effects. The letters have soft brush wipes, and the ink drop details on some letter parts show a unique nuance of organic and artistic touch. The font’s unique, flexible characteristics can carry on various design styles such as formal, creative, and experimental ones. Designs with this font will express strong, amazing, unique impressions. In addition, bright and contrast colors will outstand this dynamic font that is more applicable for big text sizes to be greatly legible. You can also enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Stay Drips fits best for various design projects, such as brandings, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Centro Serif Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Brown Amsonia is a lovely script font of which letters are in handwriting to express unique, personal nuances in your designs. Such a handwriting font is available in high contrasts having noticeable differences between the bright and the dark letter parts to produce clear, firm displays making the designs look professional and modern. Besides, Brown Amsonia can express personal, artistic displays to create more interesting, noticeable designs. The letters are interconnected and their details show sharp, curvy scratches on the edges. Due to the complex font style details, this font is better to apply for big text sizes. In addition, you may enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Brown Amsonia fits best for various design projects, such as brandings, invitations, greeting cards, name cards, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Beast Energy is a brush-copying-script font in letter designs having uneven edges as its artistic and organic characteristics. This brush script font can express dramatic, fun impressions through its capital letters making the brush wipe details clearer. The edges will look wider and thicker on certain parts of the letters. The color applications in this brush script font will also give amazing, artistic effects. For example, brighter colors will live up the letters, while darker ones will have dramatic and mysterious effects. Above all, you need to make sure the letters remain legible even in bigger text sizes. Furthermore, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Beast Energy fits best for various design projects, such as brandings, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

This is Kimberly Gesweins own handwriting, named for a sweet California friend of hers. Kimberly has spotted the original free version of this font in use in the far outskirts of China, and now - with the expanded language support - this Pro version can also be used in more remote parts of the western world. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Spirited, unaffected and buoyant, the ITC Oldrichium type family pays homage to the calligraphy and typeface designs of Czech designer Oldrich Menhart. “I came upon one of Menhart's typefaces over a decade ago,” says George Thompson, designer of ITC Oldrichium. “I've been collecting examples of his work ever since.” Thompson was born in Chicago and grew up in north-west Indiana. “While I've been an educator and general graphic designer for over 30 years, lettering and type design have always been an important part of my work,” he says. Thompson now spends much of his free time designing typefaces. ITC Oldrichium is a subtle melding of the shapes and proportions of Menhart's Manuscript typeface, the energetic strokes of his calligraphy, and Thompson's own design skills. The result is a distinctive, powerful, and exceptionally versatile typeface family. Available in light, regular, demi bold and bold weights, with corresponding italics for all but the bold, ITC Oldrichium is comfortable setting both text and display copy. In addition to the basic weights, Thompson has created an Engraved version for those times when an especially powerful statement is called for.

There are a lot of script fonts out there - but Goldney isn't your average one, it's designed to be your go-to modern handwriting font. Goldney produces incredibly realistic letterforms and free-flowing sentences - this was achieved by writing out hundreds of individual words, then hand-picking the most natural looking letters. Also hand-picked was a whopping 90 Ligatures - these unique letter combinations give even more authenticity to each word layout. It's the perfect choice for genuine handwritten logos & branding, advertisement text, quotes, headers and product packaging. Goldney consists of 4 fonts files; Goldney • A handwritten script font containing upper & lowercase characters, numerals, and a large range of punctuation. Goldney Alt • This is a second version of Goldney, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Slanted Versions • Are included for both regular and alternate fonts. These can be used for a more italicised, fast-hand flow to your text.

Centro Slab Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Centro Sans Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Say hello to a casual handwritten font family - Dreaming OutLoud. 8 handwritten typefaces made to complement each other in the best possible way. They are easy to use and perfect for expressing your thoughts, posting quotes and simple daily updates on social media. The font package is complemented by more than a 100 transparent background marker lines (easy to change color!) - to emphasise what you are saying :) - and dingbats & doodles font. Two sub-packages included: Elementary package. Use this one if you primarily work in Canva/Cricut and similar applications and don’t want to deal with OpenType features of the PRO fonts. To access alternates - simply change the font to it’s ALT version. Voilà. You can use these fonts on your iPad in Procreate app! Charged package. You need this one if you feel comfortable with OpenType features, if you work in Adobe Suite and similar applications that have OpenType panel to access OT features. You can use these fonts in Canva-like applications as well - they are fully unicode mapped. Contact me with your MyFonts order # to get a free bonus - more than a 100 "Marker selection lines" in png and psd

Get to know the beautiful natural and neat font "Koni"! This beautiful neat retro sans-serif font with imperfect ink edges and a little sloppy shading is inspired by nature. This is a textured font in vintage style with capital letters. The letters here are clearly distinguishable, and interesting touches give it uniqueness. Eco-friendly fashion takes into account the health of consumers, the health of the planet. The font "Koni" is perfectly combined with any stylized graphics, watercolors, and also looks great on its own as part of a minimalist design. Play with letters to get different effects. Great for branding, invitation design, packaging design, quotes, label design and more. Font features: - A-Z; character set a-z; - 1 language (English); - numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love and magic ♡ Thank you for checking this out and feel free to write me a message if you have any questions! ~ Anastasia

Fightever is an expressive script font that embodies the boldness and energy of a brushstroke. With its interconnected letters and dynamic design, this typeface brings a sense of movement and liveliness to your projects. The defining feature of Fightever lies in its connected brush style, where each letter flows seamlessly into the next. This interconnectedness creates a sense of continuity and fluidity, resembling the strokes of a brush gliding effortlessly across the canvas. The result is a script font that feels organic and natural, with each letter forming a harmonious composition. Fightever captures the essence of artistic expression. The font exudes a sense of raw energy and passion, as if every letter is infused with the brushstroke's vibrant movement. This dynamic style adds a touch of personality and uniqueness to your designs. Enjoy the various features available in this font. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Fightever perfect for logos, branding materials, invitations, or any design project that calls for a touch of handcrafted charm. This font will also work on designs related to art, fashion, hand-lettering, or any project that requires a personal touch, this font will bring an authentic and expressive feel. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Naïve Deco Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. It is available in two versions: double or triple lines. The font is also decomposed in three different parts that you can use to improve your designs with multiple colors, giving to the font a deco touch. To do so, you can simply superimpose the parts with a compatible software like Photoshop and choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif... Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Type Ultimate is an exquisite serif font that combines elegance and sophistication. It comes in regular and italic versions, each containing a stunning collection of 383 ligature glyphs and alternate glyphs, as well as 26 swashes for both regular and italic versions. With its extensive character set, Type Ultimate supports a wide range of languages, making it a versatile choice for various projects. This font is perfect for creating a memorable logo, establishing a strong brand identity, and making headlines that stand out. Its timeless and refined design also makes it an excellent choice for elegant wedding invitations and other formal occasions. Overall, Type Ultimate is a font that exudes beauty and refinement, adding a touch of sophistication to any project it's used in. Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu Ligatures Uppercase - AB,AC,AD,AG,AK,AL,AM,AN,AP,AR,AS,AT,AV,AY,BE,BL,BO,BU,CE,CH,CK,CO,CT,DE,DI,DO,EA,ED, EE,EF,EI,EL,EM,EN,EP,ER,ES,ET,EV,EX,EY,FA,FE,FF,FI,FO,FR,FT,FU,GA,GE,GH,GO,GR,HA,HE,HI, HO,HT,KE,KI,KN,LA,LD,LE,LF,LI,LL,LO,MA,ME,MI,MM,MO,MP,MU,NA,NC,ND,NE,NG,NK,NO,NS,NT, NY,OA,OD,OK,OL,OM,ON,OO,OP,OR,OS,OT,OU,OW,PA,PE,PL,PO,PP,PR,RA,RD,RE,RI,RO,RR,RS,RT, RY,SA,SE,SH,SO,ST,SU,TA,TE,TH,TI,TL,TO,TR,TS,TT,TU,UG,UL,UN,UR,US,UT,VE,VI,WE,WH,WI,WO,YO, YS,MEN,WER,FRO,RON,ROM,THE,AND,ING,HER,HAT,HIS,THA,ERE,FOR,ENT,ION,TER,WAS,YOU,ITH, VER,ALL,THI,TIO,OUL,ULD,IGH,GHT,AVE,HAV,ICH,HIC,HIN,HEY,ATI,EVE,HING,WERE,FROM,THAT,THER, TION,OULD,IGHT,HAVE,THIS,THIN,THEY, ATIO,EVER,MENT Lowercase - ab,ad,ag,ai,ak,al,am,an,ap,as,at,av,ay,ba,be,bl,bo,bu,ca,ce,ch,ck,co,ct,de,di,do,ea,ec,ed,ee,ef,eg,ei,ej,el,en,ep,es,et,ev,ew,ey,fa,fe,fi,fo,fr,fu,ga,ge,gh,gi,gr,ha,he,hi,ho,ht,ic,id,ie,ik,il,im,in,io,ir,is,it,iv,ke,ki,kn,la,ld,le,lf,li,lo,ly,ma,me,mi,na,nc,nd,ne,ng,ni,nk,nl,no,nt,ny,oa,oc,od,of,oi,ok,ol,om,on,oo,op,ot,ou,ov, ow,pa,pe,pi,pl,po,pp,qu,ra,rd,re,ri,rm,rn,ro,rr,rs,rt,ru,ry,sa,se,sh,si,so,sp,ss,st,su,ta,te,th,ti,tl,to,ts,tt, tu,uc,ug,um,un,up,ur,us,ut,va,ve,wa,we,wo,xp,ye,yo,ys,men,wer,fro,rom,ron,the,and,ing,her,hat,tha, ere,for,ent,ion,ter,you,ver,thi,ght,ave,hey How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Mock ups and backgrounds used are not included. Thank you! Enjoy!

Lepontic is an ancient Alpine Celtic language that was spoken in parts of Rhaetia and Cisalpine Gaul (now Northern Italy) between 550 and 100 BC. Lepontic is attested in inscriptions found in an area centered on Lugano, Switzerland, and including the Lake Como and Lake Maggiore areas of Italy. While some recent scholarship (e.g. Eska 1998) has tended to consider Lepontic simply as an early outlying form of Gaulish and closely akin to other, later attestations of Gaulish in Italy (Cisalpine Gaulish), some scholars (notably Lejeune 1971) continue to view it as a distinct Continental Celtic language. In this latter view, the earlier inscriptions found within a 50 km radius of Lugano are considered Lepontic, while the later ones, to the immediate south of this area, are considered Cisalpine Gaulish. Lepontic was assimilated first by Gaulish, with the settlement of Gallic tribes north of the River Po, and then by Latin, after the Roman Republic gained control over Gallia Cisalpina during the late 2nd and 1st century BC

Cave Pilot is an au fait piquant handwritten mix cased typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Aircraft marking alphabets and numerals drawn in accordance with FAR Part 45 ¤ 45.29 (c), (d), and (e) of Federal Aviation Regulations. All characters are also in EPS files.

Window Sign JNL is a solidified re-working of Sign Stencil JNL; originally modeled from some vintage lettering stencils that were part of a store sign making kit.

Xevgo is a syndicate roundel tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf.

This elegant typeface was suggested to me by type critic Daniel Will-Harris. Jensen Arabique is based on a set of capital letters drawn by Gustav Jensen that included the word "ARABIQUE" at the top of the first page, therefore the name. Daniel Will-Harris has this to say about Jensen Arabique: "I found an example of this unexecuted Gustav Jensen typeface in a type sample book from 1933, and Jason Castle lovingly digitized it with all its rare and unusual curves intact." Uppercase with alternates, numerals and some punctuation.

Designed by Hans Samuelson in 2023. With two weights and many variations Klip Klop offers a large set of characters for playful lettering. The flavouring is strong avant garde and the build is strict geometrical with even stroke thickness throughout. One unusual feature is that the bottom and top horizontal strokes are centered on the baseline and capital height. This renders the same optical size between the thin and the medium but different actual heights and baselines. Use it for Headlines or signage in any medium! Klip Klop!

The roots of this font go back to 1967. A book title in trendy letters was created in a completely ingenuous way as a film prop for a Super 8 fun film. I drew the letters with felt-tip pen and poster paint without thinking too much about it. It wasn't until a good 50 years later that I realized, this was a first awkward typeface draft. The flower power vibe was captured here subconsciously. In 2019 I completed the few glyphs and created variants that I would not have thought of at the time.

Tertre is a display/short text typeface with a wide range of applications from signage or posters to menus and pricelists; branding, packaging or publishing. It is named after Place du Tertre, a square located at the top of Montmartre—a hill overlooking Paris, made famous by the artists of the 19th and 20th Century. Like in Galette, the letters have no overhangs and the stroke thickness of capitals and lower case letters is identical, making hinting or anti-aliasing more uniform at any point size and zoom combination.

Big, expansive and flat on top; that’s a land formation called a mesa. “Mesa” was the first name for Strata Bold Rounded Serif, but it turns out it’s someone else’s registered trademark; in any case, if you need a bold, extended mono-height font that’s great for logotype, you could, as we used to say in the Mid-West, do a whole lot worse. SBRS is the final generation of an evolution that started with Mesa begating Mesa Bold which begat Mesa Bold Rounded which culminated in this evolutionary superior product. Use it!

The Canava Grotesk represents simplicity. Its clean and plain appearance ensures high readability. This font increases compatibility for your UI/UX designs and makes your designs more understandable. It offers you support in many languages. Canava's fluid functionality is achieved through multiple OpenType features such as case sensitive forms, contextual and stylistic alternatives. The standard set of numbers includes tabular figures and symbols, top and bottom numbers, numerators and denominators, as well as fractions. Thanks to its corporate structure, Canava can be shaped and used in accordance with many design trends.

Bouncy is a funny cartoon font. Drawn and created by Mans Greback in 2021, this comic-style lettering has a happy, quirky personality and optimistically bold appearance. Activate "Contextual Alternates" in your design program, and the letters will overlap. https://www.fontshop.com/content/enable-contextual-alternates The typeface is provided in three styles: Thin, Black and Regular (Outlined) Bouncy is built with advanced OpenType functionality and has a guaranteed top-notch quality. It has extensive lingual support, covering all European Latin scripts. It contains all characters you'll ever need, including all punctuation and numbers.

LiebeCook is a carefully crafted collection of fruit and vegetables, forks and knives, pots and home appliances, in countless variations and sizes for creative flexibility. Create a neatly illustrated cookbook of your favorite recipes, send dinner invitations to your friends, or decorate your restaurant’s menu—with LiebeCook you will surely give your designs a personal touch. More than 170 drawings are included in this single font and can be used in any text or graphics application. Combine LiebeCook with LiebeMenu and LiebeMenuLettering to give your food-related projects a handmade but professional look.

Joe Canelli is a crooked cop working in a corrupt police force. Joe is haunted by nightmares of powerlessness. When his partner is brutally murdered and he's betrayed by his colleagues, it appears that Joe's nightmares are coming true. With his back against the wall there's only one thing he can do -- turn against the criminal network that he once embraced... KICKBACK is a fast-paced, action-filled, noir-style, crime thriller from the co-creator of V FOR VENDETTA, David Lloyd. KICKBACK is also a font. This one.

Straight Angles is a precisely designed three-dimensional font with a clean and futuristic look. The predominant angles are 90 degrees and 180 degrees with parallel and perpendicular lines. Each character is surrounded by a crisp black border of even thickness throughout the font. Upper- and lower-case letters are the same, providing a constant maximum top height while the stems extending below are allowed to show off their distinct personalities in order to spice things up. The 3D extrusion effect makes text appear to stand out from the page.