Cloister Open Face was designed in 1929 by Morris Fuller Benton as one weight of the Cloister Old Style family. Cloister itself appeared from 1897 with American Type Founders, and later for the typesetting machines of the Linotype, Intertype and Monotype companies. At that time, it was the truest modern industrial revival of the Jensonian Roman. Benton stayed close to the style of his model in both design and spacing. Cloister Open Face has an old-world elegance, and it works well for titling in books and magazines. In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e.""

www.Stat-Type.com Complementary Type Family Stat Display Pro Stat Text Pro is an information design sans serif type family which was developed as a complementary to Stat Display Pro. Stat Text Pro retains many characteristics of its display counterpart, while giving readability a greater importance. It has simpler letter shape details which enable it to accomplish a constant rhythm whiles being read. Its main intended use is to accompany Stat Display Pro in places where longer passages of text are needed. In this way the visual character of the composition is retained and at the same time readability of text is given attention. As its display counterpart it has a large character set with multiple weights, which are defined by optimal size ratio, wide aperture and balanced counters. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four weights (Light, Regular, Medium, Bold) which are accompanied by their corresponding obliques. Stat Text Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.

Extraordinary impact and visual conspicuousness. Dr Slab is a super 3D serif family for posters, logos and all display. The basic idea is not a brand new. Stacking type system have been used since before wood type age. As you imagined, colored wood type(woodcut), many other engravings and contemporary printer machine print many colors separately with different printing plates for each colors. Dr Slab uses the same system for 3d effect. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layers. Dr Slab "Base" style is the core of this font family. You can add effects by using the other styles(Rim, Shadow, Ext). Instruction 1. Type your text as you like. 2. Set font-name "Dr Slab" and font-style "Base" 3. Set color for "Base". 4. Duplicate the layer which includes "Base" text. 5. Set font-style and color for new layers. 6. Stacked layers in different font-style and color make the text in 3D. For further detail, https://www.dropbox.com/s/9p9083zv2855bcq/DrSlab.pdf Dr Slab "Base" style can be used solely. Rounded slabs add soft, cute and casual impressions to your design. Spec: OpenType Format (.otf) with over 500 glyphs! Basic Latin ✓ Western Europe ✓ Central Europe ✓ South Eastern Europe ✓ Mac Roman ✓ Windows 1252 ✓ Adobe Latin 1 ✓ Adobe Latin 2 ✓ Adobe Latin 3 ✓ Almost all Latins are covered.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, narrow, short descenders, diamond shaped ornamental points at median.

Epsiolet is wacky, crunchy and unpredictable! Comes in Open Type with loads of different ligatures! Note: you will need to use OpenType supporting applications to use the autoligatures.

Lobby Card JNL takes the limited characters of Theatrics JNL, removes the prismatic effect and expands the font into an extended character set for a multitude of uses.

Interesting script font with lovely crunchy details - comes with multilingual support and contextual alternates with 4 different versions of each letter, and they cycle automatically as you type!

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.

A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Trango is a sans serif that goes well with the slab serif Besley Hand.

An interesting hand lettered sans serif type style with a “brush stroke” feel was used for various article headlines in the October, 1938 issue of “Radio Stars” magazine.

Shipping stencils cut on an antique machine with its somewhat crude slab serif type design inspired Container Stencil JNL, and is available in both regular and oblique versions.

Wood Line JNL is based on a printed example of a vintage handmade wood type. This sans serif digital font is available in both regular and oblique versions.

Metropolis was designed by W. Schwerdtner and released in 1928. The tapered strokes give the impression of height. The Metropolis font family shares an attractive, informal headline design.

German type designer Johannes Erler created this pi and symbols FontFont in 1992. The font is ideally suited for advertising and packaging. It comes with proportional lining figures.

Doodles the Alphabet was designed to coordinate with Doodles the picture font. Doodles received honorable mention in U&lc’s First Annual Type Design Competition in the Picture Category.

Cubic is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc. It is perfect for t-shirts and other items.

What about some spooky type? Nd Harquied is great for Halloween, Comics, Monsters, or maybe something that you came up with melting cheese! How creative can you be?

Dimor is a modern display type family with 6 styles. Specially designed for headlines and short sentences. We hope this will contribute to your impressive and distinctive title

A slightly wild brush script suitable for posters! Comes with contextual alternates - meaning the font has 5 different versions of each letter, which automatically cycles as you type!

Zag is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Weekend Tabloid JNL is a classic sans serif wood type design that found its way into the setting of newspaper headlines during the pre-electronic age of publishing.

This contrast grotesque works well in text sizes and in large ones. Here are two sub-families: contrast and most contrast Display. Ideal companion for Osnova type family.

Dan Pro is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics, and perfect for t-shirts and other items.

Reader is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Device™ display typeface is inspired by industrial type used for decals and signage. This typeface pairs nicely with geometric sans serifs like Cerebri Sans and HK Grotesk.

Take the tri-line font Trilium JNL, remove the middle lines, close off the openings and you now have Duonor JNL, and interesting sans with a sectional look.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. It has curved sides, very short descenders, and curved, blocky serifs.

Proteina is a simple retro font, clean and contemporary modular sans for titling. It is perfect for headlines, apparel, fashion, album artwork, posters, logos and minimal type layouts.

A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Besley Hand is a slab serif that goes well with the sans serif Trango.

Antman is a bold serif font consisting of caps and smallcaps. Wide letterforms taper toward the bottom of each character to give this font a retro vintage feel.

This is the cutest font in the galaxy. It's neat yet adorable! Use it for posters, note-taking, or even cute logo designs. Your imagination is the limit.

A revival of one of the popular wooden type fonts of the 19th century, with classic flat slab serifs, unbracketed, short descenders. Very popular in the 19th century.

Oval is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.

Basenji is a flowing headline typeface influenced by the modular geometric design trend of the 1970s. Herbert Bayer published his highly influential Universal Alphabet in 1924, which was based on circles and straight lines and had a modern, industrial appearance. Jan Tschischold’s typography popularized this simple, unconventional style but by the late 1950s, it had fallen by the wayside. Type designers Joe Taylor and Herb Lubalin inaugurated the 1970s with fresh takes on an old concept. These new typefaces were more practical than the original, and their blend of futuristic curves and funky curls fit the zeitgeist. The popularity of these types spawned a flood of similar designs like Pink Mouse, Bauhaus, Pump, and Harry. These typefaces were popular throughout the decade then fell out of favor by the mid-1980s, making a comeback in the year 2000. Many contemporary font designs have drawn inspiration from the beginnings of the Universal Alphabet, but Basenji is unique. This typeface amplifies of the 1970s elements of Rondo, Pump, Bauhaus and Blippo, and packs them into a practical, versatile design toolset. Basenji comes in nine weights and italics. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.