Rustika is a rather rough Oldstyle typeface. The roughness is seen in larger points only. In smaller points it is not easy to see that I tried to imitate characters cut with a chisel. The characters themselves follow otherwise totally the classic models. The name, in this spelling taken from Esperanto, refers to the rustic nature of the characters. Rustika was released in 1995.

Little is known of the origin of these decorative Initial Caps. Series 448 at 24 point were a different design from the 36 point on which this digital version is based. In addition to the basic 26 characters, there is a negative version contained in the lower case position and a fill character (for two color caps) option in the number and punctuation key positions.

Motor Mouth provides racy type, oozing of high octane gasoline and selfconfidence. Designer Martin Fredrikson CORE, graffiti artist turned typeface designer and car paint expert, combines his sense of speed with raw power lettering. Sloped and cocky, Motor Mouth is an original design in the great tradition of Nascar and Indy 500 and makes you think of roaring muscle cars and hot asphalt. Swedish type foundry T4 premiere new fonts every month. Motor Mouth is our fourth introduction.

Hedgehock Script Inspired by Sign painting style and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Opentype Feature Stylistic Alternate Alternative Character Ligature Swash Extended Latin Pro

Step into the world of visual grandeur with Wornas, a commanding serif display font that marries bold weight with artistic finesse. The letters are adorned with intricate artistic objects and inline details, transforming each character into a canvas of creativity. These unique style add a visual interest compared to other display fonts. The inline details in this font are a stroke of design genius. Wornas fits in headlines, logos, branding materials, print media, and many more.

A vintage rubber stamp alphabet and star printing set had a package header with Art Deco-inspired lettering describing the product. Sold by a company called Elvin [circa late 50's-early 1960s], these Japanese-made sets were one of many distributed by independent toy importers and made in various configurations including [at times] tiny animal stamps. The type design on this particular item was the model for Retro Packaging JNL, available in both regular and oblique versions.

Kutaraja is a hand-drawn script font that gives a natural-looking impression that is perfect for those of you who want to use script-style fonts, very suitable for writing product labels, printing t-shirts, greeting cards, invitation cards, etc. Kutaraja family has 2 choice models, namely regular and italic. both have several ligatures, alternate, swash at the beginning and end of lowercase letters to give a sweet touch to the written word or sentence.

BHELT is a strong and elegant display typeface. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era, with a thick and solid style in each letter as if this font has a soul in it. Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

A fancy and elegant handcrafted font that create to impress your audience and make your branding shine. Make your projects dance with this elegant and wonderful font wherever you use it. Use it for your headings, logos, ads, printed quotes, packaging, and even your website or social media branding. every letter has unique and beautiful touch, which will make your design come alive! This is a smooth font - perfect for cut machines like Cricut and Silhouette!

Scandilover Family was inspired by monochrome Scandinavian style kid rooms full of handwritten graphics, black and white accessories and prints. Scandilover is a playful display font with its personal charisma. Each letter in the font perfectly combines with another and all in all creates a text that is an entire illustration itself. Scandilover Script is a thin delicate font which isn’t devoid of playfulness too. Together with contrasting Scandilover they make funny lively combinations. Just try!

Unveil the artistry of the written word with Corymbus, a script font that captures the beauty of handwriting. The interplay between thick and thin lines creates a visual feast for the eyes. The whimsical irregularity mirrors the fluidity of natural handwriting. The distinctive hallmark of this font lies in its swinging endings-each letter playfully extends beyond its baseline, creating a sense of rhythm. Corymbus fits in headlines, logos, print media, editorial layouts, and many more.

Denalova is a modern calligraphy font with a handwritten, sophisticated flow. It is perfect for branding, wedding invites and cards. Denalova includes full set of uppercase and lowercase letters, multi-lingual symbols, numerals, punctuation and ligatures. It also includes: short lowercase, beginning and ending swashes, lowercase ending swashes, long lowercase beginning and ending swashes. The font has smooth texture, so would be perfect for all types of printing techniques, as well as embroidery, laser cut, gold foil, and more.

Sanelma is a brush script inspired by Hot Rod lettering and sign painting. Sanelma is a very versatile script: It includes two different styles of end swashes, swash caps, small caps, lots of alternate characters and underline option. All in all it has over 1,200 glyphs. Sanelma is bouncy and smooth and has a very organic feel. You have a lot of options to customize it and that makes it perfect for logos, packages and titles.

A fancy and elegant handcrafted font that create to impress your audience and make your branding shine. Make your projects dance with this elegant and wonderful font wherever you use it. Use it for your headings, logos, ads, printed quotes, packaging, and even your website or social media branding. every letter has unique and beautiful touch, which will make your design come alive! This is a smooth font - perfect for cut machines like Cricut and Silhouette!

Boldine is a strong and elegant typeface display. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era, with a thick and solid style in each letter as if this font has a soul in it. Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Hello Freshtea is a rough brush and fresh handwritten script font with an irregular baseline and dramatic movement. This font is great for your next creative project such for use with logos, printed quotes, invitations, cards, product packaging, headers, logotype, letterheads, posters, apparel design, labels, and more. Hello Freshtea is complete with uppercase and lowercase letters, as well as multi-language support, numbers, punctuation. also provide some ligatures. Mail Support: If you have any question, please contact.

Ft Zeux is a strong and elegant display typeface. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era, with a thick and solid style in each letter as if this font has a soul in it. Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed.

Oilvare is a hand-drawn, layered typeface inspired by vintage painted signs and oil cans. While sturdy, it also has a softer side—wide proportions, oval-inspired forms, curled angle strokes, and a medium contrast all help give it a little bit of distinction from the typical sans serif. Mix, match, and layer the styles to your liking. Carefully drawn, when you enlarge the typefaces, the subtle irregularities become more apparent and harken to hand lettering of the past.

The free-form Art Nouveau hand lettering for the 1905 song "Will You Love Me in December as You Do in May" was the design model for Funky Nouveau JNL, which is available in both regular and oblique versions. Since the 1960s hippie counterculture embraced elements of the Art Nouveau period in their art and design, it seemed only fitting to use the term "Funky Nouveau" in the fontís name as an homage to both eras.

A fancy and elegant handcrafted font that create to impress your audience and make your branding shine. Make your projects dance with this elegant and wonderful font wherever you use it. Use it for your headings, logos, ads, printed quotes, packaging, and even your website or social media branding. every letter has unique and beautiful touch, which will make your design come alive! This is a smooth font - perfect for cut machines like Cricut and Silhouette!

The Sekato Monoline font is a monoline script font inspired by retro scripts. The Sekato Monoline font comes with the Variable Font format available so it is easy to use to select the desired weight for the design. And supported opentype features that make it more natural and attractive for the needs of designers. Made with care and this font is suitable for digital letters, logos, t-shirts, prints, business cards, branding materials, quotes, nature photography, etc.

A fancy and elegant handcrafted font that create to impress your audience and make your branding shine. Make your projects dance with this elegant and wonderful font wherever you use it. Use it for your headings, logos, ads, printed quotes, packaging, and even your website or social media branding. every letter has unique and beautiful touch, which will make your design come alive! This is a smooth font - perfect for cut machines like Cricut and Silhouette!

Sheko is a creative headline pixel font that looks great on any retro design. Sheko is designed to be very eye catching, it’s tight kerning and bold letters makes it great for bold headline vintage designs. You can use Sheko for a wide range of projects, including print and web. If you are looking for something bold and retro for you next project, Sheko is the font for you. I hope you enjoy using the Sheko font.

LEPPERTREZ is a font that is basically a classic serif font then to make it different from other serifs is to give the effect as if it were a letter on a letterpress machine, it will add a vintage impression because remembering that letterpress machines were the beginning of a printing press. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Up until the advent of vinyl plotters, computers and a myriad of other typesetting and printing changes the world has experienced over the past few decades, the art of hand lettering flourished. An early 1900s book on show card writing displayed a nice example of a Grotesk typeface (a popular style of sans serif of the time). This has been redrawn digitally as Simply Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique.

A fancy and elegant handcrafted font that create to impress your audience and make your branding shine. Make your projects dance with this elegant and wonderful font wherever you use it. Use it for your headings, logos, ads, printed quotes, packaging, and even your website or social media branding. every letter has unique and beautiful touch, which will make your design come alive! This is a smooth font - perfect for cut machines like Cricut and Silhouette!

A fancy and elegant handcrafted font that create to impress your audience and make your branding shine. Make your projects dance with this elegant and wonderful font wherever you use it. Use it for your headings, logos, ads, printed quotes, packaging, and even your website or social media branding. every letter has unique and beautiful touch, which will make your design come alive! This is a smooth font - perfect for cut machines like Cricut and Silhouette!

D Blues its a sans serif typefamily of 9 weights plus matching italics. It is inspired by the neo humanist typefaces with a mix of 20st grotesque sans typeface. D Blues serve very well in web & print design areas, body text, excellent web-font legibility etc… D Blues is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising & logotypes.

Mahezty is a modern, bold and fashionable serif display font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Mahezty is perfect choice for people looking for modern, minimalist, elegant, clean, beauty design styles. Suitable for almost any graphic designs such as identity, business cards, branding materials, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc

Boardwalk Avenue Rough is a textured version of Boardwalk Avenue. It’s a robust type collection of three styles and two weights of each. It’s divided into Boardwalk Pen, Boardwalk Antiqua and Boardwalk Serif. Boardwalk Avenue’s core is a connected mono linear script that works fantastic when paired with either of the impressive serif styles. All the fonts work great on their own but try putting them all together for a complete display font setup for a project. Here’s a short introduction on what’s included: Boardwalk Avenue Rough Pen is a connected Script. It’s great for headlines, quotes or in packaging. It has a casual hand drawn vibe to it but it’s clean and legible. It’s equipped with automatic Contextual Alternates that keep the connections smooth and versatile. For instance when you type double letter another of them will automatically change to add variation. Or if you type “i” for example, as a first letter after space or after capital letter the code will add starting point to the letter to keep the letterforms more balanced. If you need more ambitious letterforms you can try Swash or Titling Alternates -there’s alternates for every standard letter and seek for even more alternates from the glyph palette. Boardwalk Avenue Rough Antiqua is a high contrast serif with strong character. It’s great for glamorous headlines or as a logotype. Boardwalk Avenue Rough Serif is a low contrast serif with bulky character. It’s great for strong and sturdy headlines or as a logotype.

SemikolonPlus: Optimal readability by reduced, distinct letter forms. Appropriate for 
early readers of any age in schools and other educational institutions. SemikolonPlus minimizes the risk of confusing similar characters and therefore is predestinated for the use in text blocks, work sheets, educational games et cetera. Furthermore, with its accented characters, currency signs, true fractions and other special characters, SemikolonPlus is suited for numerous typographic tasks and – thanks to its distinct letter forms - offers great readability, even in lower point sizes. SemikolonPlus is recommended by the German association of alphabetization and basic education, which uses it for adult education, reading magazines, teaching material and the own YouTube-channel. SemikolonClassic: Is the familiar font with alternative character forms. E.g. it contains the lower case double level a and g, as well as glyphs harmonically formed to the typeface. The SemikolonClassic is suitable for diverse uses in various sectors. Together or in combination SemikolonPlus and SemikolonClassic offer extensive possibilities for the layout of text material with their heavy font weights.

WAVE is characterized by curved lines and intricate details. Each character was individually made in Illustrator and Type Tool using my original illustrations. Wave is a decorative font best used for titles or short bursts of texts in large point settings. The typeface is based on the uppercase letterforms, but I have also created lowercase letters, numbers, and glyphs. The motion lines used in the making of Wave mirror an art deco-style. Inspired by an illustration of a large wave, I was fascinated that by using only lines and solid colors we as artists can depict the translucency and ever-changing movement of waves. I began by delicately sketching out all of the letters using graph paper and micron pens. My work always begins with traditional media. I'm an illustrator, freelance artist, and graphic designer from Chicago, IL. I studied at Texas Christian University, and received my Bachelors of Arts in Graphic Design from Columbia College Chicago. Visit www.jennyddesigns.com for more! :)

Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists. She was born in Lima, Peru. After learning from some of the region’s best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself. Miraflores is one of Lima’s main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration. It particularly inspired this “Looking flowers” (Miranda las flores), Lunol’s first typeface, designed in collaboration with Ale Paul. It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments. The fonts cover an expansive range of Latin languages, and are intended for use in stationery, menus, packaging, and general design where the main objective is to relay a sense of fun, playfulness and sensibility.

An unconventional classicistic Roman typeface This Roman typeface has a livelier effect than is typical of the epoch of classicistic style. In the lower case letters, an echo of the smoother forms of historically early scripts is identifiable. Typical of a classicistic Roman typeface are the emphasized and clear contrast in the weight of the strokes, the fine serifs and the accentuation of the vertical bold stem. Charpentier Classicistique is pleasantly legible. Its effect is much less harsh than other classicistic fonts. The pointed forms of M and N are uncommon. At 30°, the italic version of Charpentier Classicistique is unusually strongly slanted. The italic lower case letters refer, in part, to English handwriting, which also falls under classicism. Especially the curves show forms influenced by writing. Charpentier Classicistique supports all European languages including Turkish, Greek and Russian. It includes lots of ligatures, also discretional ones, as well as tabular figures and cap-height figures.

Solar is a font family designed by Carlos Fabian Carmargo G. Its members, together or separate, can be used in packaging, posters, cards, invitations and logos that need expressive letters with craft features. First, a set of arbitrary ideas were designed on rough paper, and through changes five styles resulted to mix and compose bright words and phrases. Solar Script comes from crossbreeding and the collusion of primitive visceral strokes and calligraphy on textured paper. This way its letters were planned for empty and full areas deteriorated sometimes simulating irregular ink clots. Therefore, the simulate trajectories with bold brushstrokes made that it works especially well in sizes larger than 12 points. Its rhythmic vitality and energy give personality, reflected in uninterrupted rapid and logical talics with strokes. Solar Words has more than 115 words unstable and inclined. Solar Dingbats has more than 100 brightness generating drawings, Solar Sans and Serif are capitals combined with other members of the family.

ITC Kendo is the work of British designer Phill Grimshaw, suggesting the dash and verve of quick, sketchy calligraphy, complete with splatters of ink. Grimshaw says he worked deliberately against his own habits to create the forms, drawing the letters with slow deliberation" and a pointed pen. He overloaded the pen with ink and drew on rough paper, "applying a lot of pressure at the beginning of a stroke and easing off towards the terminals. Accidental splashes occurred frequently owing to the nib catching the 'tooth' of the paper." Those splashes were refined into features which enhance but do not overwhelm the characters and carefully worked so as not to leave an obvious white strip of unsplattered space between lines and letters. The initial capitals can be used alone or combined with the lowercase alphabet, and the font includes a full set of f-ligatures and some extra ligatures as well as decorative elements."

A truly faithful ally for every designer looking for fresh yet familiar and reliable font choice. Geller was created as a part of graduation project in Typowa Pracownia at Academy of Fine Arts in Warsaw. It is a typeface family especially intended for newspapers, magazines, and advertising. Geller family comes in two optical sizes - headline and text, so it is a complete solution for editorial purposes. During the design process, the technical needs of certain typographic fractions were examined. The capital letters were specially and purposely designed: its modern proportions (derived from Didone fonts) with optimized inner lights as well as short ascenders and descenders work very well within titles and leads. In addition to a wide range of OpenType features, Geller contains bullets & dingbats providing many possibilities of entry points in editorial design. Compact diacritics, proportionally tall x-height, narrow letter construction, all these features allow easy typesetting of narrow text columns and spreads.

Envisage is a distinctive new grotesk design by Alex Kaczun. Characterized by distinct details throughout as particularly visable in the capitals A, H and N. There is a more organic and natural feel to the overall design as in the sutle curves introduced in many of the lower case letter forms, specifically the a, h, m and n. And, especially evident in the warm overall curves within the l‘case g. In addition, incorporating flexibility in form and function, Alex has also included alternate letter forms in this OpenType font; allowing the graphic designer a choice in the overall look and feel. Envisage has impact and zeal. It's a wonderful choice for a distinctively unique headline treatment, and works equally well in text in a large range of point sizes. Use this friendlier sans serif as an alternate to Futura and Gill Sans. We think you will like what you see. The large Pro font character set supports most Central European and many Eastern European languages.

Kisba Nova – A character actor that turns heads. Spiky serifs, soft ball terminals. All eyes on Kisba Nova: enter a typeface designed to arouse attention. Kisba Nova is that one guest who joins a party, and a murmur goes through the crowd. Kisba Nova is pure charisma. Opposites attract: Kisba Nova combines sharp wedge serifs and spiky spurs with round and soft ball terminals. Infuse this with a neoclassical stroke contrast and you get a thrilling typeface driven by visual extremes. Sure: Kisba Nova is a diva. But it’s a pro, after all. That’s why it comes in two optical sizes: Headline and Text. This makes sure it looks gorgeous in any situation. The Kisba Nova Headline subfamily is flaunts the trademark flamboyant looks and extravagant letters like f and k. They bring you all of the excitement of the showbiz in large applications—use it for sizes of 24 Pt. and more. The extraordinarily designed, thin and monolinear diacritics, punctuation marks, and symbols of Kisba Nova Headline add to this modern and elegant character. Kisba Nova Headline consists of seven weights from Thin to Black, offering plenty of possibilities to set headlines and titles. With about 600 characters per weight, it contains enough functionality for the demands of a skilled typographer. OpenType features, such as a large set of ligatures, extended language support, case-sensitive forms, different sets of figures, and arrows, enable sensational designs both in web & print layouts. The Kisba Nova Text subfamily comes with decreased contrast, more generous letter proportions, and wider spacing. Instead of employing flashy thin and monolinear diacritics, punctuation marks, and symbols, Kisba Nova Text aims for a more even texture on the page. It retains the true, elegant Kisba DNA while allowing you to set legible copy in sizes between 9 and 18 Pt. Nothing will distract your reader–Kisba Nova Text aims to please. Kisba Nova Text consists of seven weights from Thin to Black, offering plenty of possibilities to set body copy and subheadlines. With about 600 characters per weight, it contains enough functionality for the demands of a skilled typographer. OpenType features, such as a large set of ligatures, extended language support, case-sensitive forms, different sets of figures, and arrows, enable sensational designs both in web & print layouts. Kisba Nova celebrates the dual nature of softness and sharpness in a single typeface. It’s a character actor that turns heads.

Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the Old Style genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Malabar Heavy and Heavy Italic are best relegated to headline use only. Malabar Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark. Malabar received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.