Kaleidos is a lining and clean brush script with soft and round letterforms. It is sketched and drawn with a pointed brush pen. Kaleidos has plenty of alternates, ligatures and swashes so you can build interesting-looking words and headlines. Although Kaleidos is condensed and quite tightly spaced it is clear and legible. Check out also the Rough version: Kaleidos Rough

Monolina is a contemporary monolinear script that is based on the contrast between classical (beautiful) calligraphy and quickly jotted manuscript (sketches). As all styles are based on the single stroke of a round nib pen, the letter is rounded. The typeface features two sets of capital and curly uppercase letters, swash characters and alternative lowercase letters, which combine well in three styles. The font also features swash figures and decimal figures for writing years and summer sales. Accent marks for all languages using Latin letters, currency symbols and punctuation marks are included. The typeface comes across as fresh as is particularly effective at headline point sizes.

Timeless Series is a cool, bold and thick lettered display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

MOTORWAY is the companion typeface to TRANSPORT, the British road sign lettering. The Motorway alphabet was created for the route numbers on motorway signage, and is taller and narrower than the accompanying place names and distances which are printed in Transport. However, for Motorway Jock Kinneir and Margaret Calvert created only the numbers 0 to 9, the capitals A, B, E, M, N, S and W, ampersand, slash, parentheses and a comma. So, although the lettering made its first appearance on the Preston bypass in 1958, K-Type Motorway is the first complete typeface and contains all upper and lower case letters, plus a full complement of punctuation, symbols and Latin Extended-A accented characters. As with the Transport alphabet the starting point was Akzidenz Grotesk, Motorway taking inspiration from condensed versions. Changes were mainly driven by a quest for legibility, resulting in some reduced contrast between horizontal and vertical strokes, and Gill-esque straight diagonal limbs on the 6 and 9, and high vertex for the M. Kinneir and Calvert designed the limited range of characters in two weights; a SemiBold 'Permanent' weight for use as white letters on blue motorway signs, and a Bold 'Temporary' weight for heavier black letters on yellow non-permanent signage. In addition to creating full fonts in both original weights, the K-Type family adds a new Regular weight, plus a set of italics, completing a highly usable condensed typeface which, while rooted in history, is fully functional for both print and web usage. The K-Type fonts are spaced and kerned normally, simply increase the tracking to recapture the generous spacing of motorway signage.

Inspired by painted letters of Otto Heim, "Tombola" reflects in a charming way the feelings of the Roaring Twenties, especially in advertisement and in the creation of posters.

Generous is painted with a somewhat dry brush. That's why it looks so authentic! Comes with contextual alternates (7 different versions of each letter!) and multiple language support!

Helynovia is a modern and dainty handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs.No matter the topic, this font will be an incredibly asset to your fonts library, as it has the potential to elevate any creation.

Lanxi Rexas is a modern and dainty handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs.No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

This is what you get when you mix monoline rounded letters with some bracketed serifs and finish it off with a sprinkle of ornamental appendages. The result is very readable, rather original and quite charming. I have fixed some inconsistencies in serif designs across the weights, cleaned up the serif connections - and added a fourth weight. But I have kept all the wonky curves and slightly differing stroke thicknesses, as they are so integral to the charm. Kevin King says: "I guess all type designers at some point think 'Well, I'll just have a go at a standard text face...' There is a long story here somewhere, suffice it to say that I started with the thinnest version - typical. I wanted to make a standard serif text face - until I saw it in print and thought "Yuk! it looks like everything else!" - still does really but with twiddles and pooneys..." If you find the "twiddles & pooneys" too much you can tone them down with the OpenType Stylistic Alternate feature (which will make sure they don't appear on three consecutive letters) or remove them completely with the OpenType Swash feature. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Schwenk is a wide reversed-contrast typeface made to be used in display settings – headlines, logotypes, store windows. The Regular style is adjusted for smaller point size while the Thin is made in a higher contrast for large headlines. An alternative (wide) capital letter I is available via the Stylistic Set.

Savoire is a hand lettered serif that have a handmade vibes. You can use this font for any project especially for design that require handmade and organic feels. This font also comes with Regular and Bold that you can use both to highlight the point. This font already support multi language.

Use lowercase letters to make the side initials and uppercase letters to create the large center initial.

Use lowercase letters to make the side intials and uppercase letters to create the large center monogram.

Shelton is a Typeface with an eroded, printed look. The letters seem to be from different alphabets to support the wood type feeling. Every letter has an alternate character. Shelton has wide language support and also contains arrows and other special glyphs available through the OpenType contextual alternates feature.

Chamber of Commerce JNL is loosely based on a type style used for some rubber stamp letters and numbers from a vintage child's printing set. Originally a cast shadow design, Jeff Levine felt the lettering merited a direct treatment in both regular and oblique styles without the shadow effect.

Mascleta is a Mexican font inspired by street lettering. The 450 blackletter characters in Mascleta are ideal for logos, posters, album covers, advertising and wallpapers, both printed and digital. You can use it for Halloween, but it will stay with you all year long! Published by Letter INC.

Gaslon is a slight reinterpretation and major expansion of a 1973 film type called Corvina Black, originally designed for VGC by A. Bihari. While the original typeface was popular in its own right, there were some things in it that were too quirky to work in the display applications it was intended for. Some of the letter combinations just didn't work to their visual optimum. For example the a and o were too similar, ditto the C and G, the E, F and J were too overwhelming to be set properly within certain display uses. Gaslon eliminates these problems by the inclusion of plenty of alternates for the vast majority of the original letters. In fact, the original a is itself now an alternate to a gorgeous new one. The Gaslon Alt font includes tremendous possibilities for both unicase use, and proper use in conjunction with the main font. This is our true homage to a typeface that had great potential more than three decades ago, but was overlooked by digitizers because of a few quirks it had in film type contexts. Full of curves and invitation, Gaslon ranks very high among the friendliest poster faces ever made. It is ideal for friendly store signs, children book covers, and plenty of other applications. In fact, if you're planning on contributing to a few protests around your neighborhood or city, you would probably be better off using Gaslon to help your sign/placard carry words and slogans that are big but friendly. Nothing beats "DOWN WITH GAS PRICES" set in a nice imaginative mix of the many Gaslon letters. The OpenType version of Gaslon is a single font that contains all the alternates and niceties programmed within features accessible by OT-friendly programs.

ITC Rastko began as a series of initial letters for a book of poetry. Serbian designer Olivera Stojadinovic had been working with a small publishing house creating a special series of books under the Masterpieces" brand. Her goal was to draw a new set of initial letters for each book. ITC Rastko, named after the Serbian poet Rastko Petrovic, was a project that required initial letters for the entire alphabet. Once Stojadinovic had drawn the majority of the capital letters, she realized that a companion lowercase would make a distinctive script typeface. Sketches of the letters were drawn quickly with a pointed pen. Stojadinovic then refined these, keeping the spontaneous, hand-drawn quality. Capitals are wide and flourished, while the lowercase letters are more condensed and subdued. It's no surprise that the capitals also make great initial letters."

Aotani is a thin lettered and simple sans serif font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Email : rezamukhtazar6@gmail.com

LATINATE is a condensed Latin typeface whose sharp serifs are not as fiercely pointed as traditional Latins. The fonts are derived from the serial numbers of bus tickets issued by the Bell Punch Company in the mid twentieth century, and the LATINATE ROUGH font is a distressed version based on scans of coarsely printed tickets.

HT Mason is bold and hand painting font. This font is retrospective and decent, but it is also funny and cute. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Steamtown is a sans serif type family of three weights and four styles. It is based on geometric forms, so it is a clear and straightforward typeface. It has an industrial feel and also resembles street signage. It has four styles; Clean, Rough, Print and Press. The Rough style has rough edges, Print has a subtle texture and Press has a heavy letter-press texture. Rough, Print and Press styles have two sets of upper- and lowercases. You can manually alternate the two sets of upper- and lowercases or you can enable the Contextual Alternates OpenType feature to automatically cycle these two sets of letters.

A new font inspired by vintage hand-painted paper grocery store signs. The Doorbuster Collection is based on retro hand-painted paper signs primarily seen in grocery stores from the 1920s through the 1970s. We meticulously hand-drew each font, modeling the spacing and uneven baseline found in vintage sign painting. The purposely organic ascenders and descenders, along with a huge set of ligatures/contextual alternates to avoid the same letters repeating when paired, give it a real hand-lettered look. Doorbuster Script is perfect for both vintage-inspired and contemporary marketing, branding, and packaging designs. Check out a few of the samples included in the thumbnails above.

Your purchases include the Hello Darling Script, conjunctive handwritten script, and printed, handwritten, and printed script fonts. Hello Darling is made side by side to work together. All lowercase letters are placed to receive a connecting tail from Hello Darling. You can mix and match the same words to your heart's content! Hello Darling is also made with the crafter in mind: there are no closed counters on either type, meaning they can easily be used for stencils and electronic cutters such as the Cricut line and the Silhouette. The Hello Darling package includes: - More than 300 glyphs in the Hello Darling font, designed to work together! - No closed counters - useful for stencils and vinyls! - More than 200 accented characters in each font. - Double letter binder staggered for a hand drawn look! - PUA-encoded for easy character map access! Enjoy and thank you.

Introducing Disforia Inersia! Your purchase includes Disforia Inersia Script, conjunctive handwritten script, and Print, handwritten, printed script typeface. Disforia Inersia created side by side to work together. All lowercase letters are placed to receive a connecting tail from Disforia Inersia. You can mix and match in the same word to your heart's content! Disforia Inersia was also created with the crafter in mind: there are no closed counters in either type, meaning they can easily be used for stencils and electronic cutters such as the Cricut line and the Silhouette. Disforia Inersia Package includes: - Nearly 300+ glyphs in Inertia Dysphoria font, designed to work together! - No closed counters - useful for stencils and vinyls! - More than 200 accented characters in each font. - Double letter staggered ligatures for a hand-drawn look! - PUA-encoded for easy character map access! Enjoy and thank you. Skinny Type

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mÈtamorphose d'Ovide figurÈe, a splendid book with numerous gothic style wood carved pictures. The original font contains almost all modern usual characters except accented ones, no longer in use on that time. They have been added, with some others, with respect for the original design. . A render sheet, enclosed in file, help to identify various others unusual letters on keyboard. It is used as successfuly as web-site titles, posters and fliers design, editing ancien texts or greeting cards, invitations, gastronomic menus... and much more, as a very decorative and elegant font... It supports easily as enlargement as small size, remaining clear and easy to read from 8 or 9 points to 72 and more, particularly on prints.

Who made this mess! Material is quintessential paint brush font fun. A little bit grunge, little bit 80s chic. Material is rated R for adult content and violence, violence to the american alphabet. This font soars just like KITT in Knight Rider. Part virtuoso part New Kid On The Block. Feels like you’re painting those letters on yr’ own self! Anytime you need to make a little mess and really express yourself choose Material. This font will really give your designs some distressed authenticity. Material is great for billboards, t shirts or video productions. It’s full of smudgy love, it’s loud and is likely to offend but what better way to give your designs that highly sought after ‘edge’.

Detention JNL is simply the hand printing of its designer, Jeff Levine. Its uses range from personalizing notes and messages to a graffiti look or as "legible grunge lettering".

Haakke (or Håkke) - a casual, hand drawn (Stabilo OH pen, Fine) font with 4 alternates to all upper and lower case letters (a-z + å ä ö) as well as numbers for a realistic hand written look and feel! “Ligatures” have been created for double letters (TT, tt, ff, ll & LL (open type version of the font and open type compatible layout application required). Of course it holds all(?) the special characters that you will ever need. 451 glyphs... Haakke also includes symbols. Zodiak signs (letter a-l, upper case A-L write the corresponding name of the sign), planet signs (m-z, upper case M-Z write the corresponding name of the planet) triangles, squares and stars (from pentagrams (5 pointed) to Dodecagrams (12 pointed). (Write a 4, or shift-4 ("euro-sign", european keyboard, or "dollar sign", american keyboard) before your star or triangle and you will get a circle around it).

Christopher Matthews originally drew Piccadilly for Letraset in 1973. Piccadilly is a decorative, all caps display typeface with a high degree of stroke contrast. All of Piccadilly's letterforms are made up of a single, curvy line. The thick" elements of each letter are five lives, while thin elements are made from one or two. In order for all of this detail to be clear, Piccadilly should be used in large point sizes, i.e., from 36-point on upward. Piccadilly's style is reminiscent of both the Art Deco and Disco eras."

Pina is a typefaced based on Italian signage, incorporating simplified shapes for the letters and unique characters. The barebones S and the perfectly circular O are examples of the type of lettering you'd likely see on awnings. These letters have a thin footprint, and are quite condensed apart from certain letters like O and Q, which gives the font a unique bounce. It includes plenty of alternates, to letters like O, S, Q, R, K, and special ligatures for specific pairs. This font is named after my grandmother from Italy, Josephine, who was a wonderful figure in my life.

Malibu was designed for ITC by Alan Meeks in 1992 and is a font with distinctive calligraphic roots. Pronounced stroke contrast and a marked leaning to the right give the font its energetic, lively image. The letters look almost as though cut from paper, their outer contours angular and pointed against a background. Flowing and demure, Malibu works well for both short texts and headlines. For best results, the lower case letters should be set close together.

Rough and ready, bold and urgent. Or playful and fun in bright colours. The original letters were cut from actual potatoes, then scanned in and converted to vector outlines. Lighter and more heavily inked versions were used for the three variants. Using Opentype character-substitution technology, Salvation rotates through three versions of each letter to create a naturally uneven printed effect. Unlike hot metal type, the potatoes were cut the right way around. This produced reversed prints, which were then flipped back in Photoshop. Originally produced for Hughes' Get Lettering activity book, the font was then extended to cover numbers, punctuation and full European language support.

Stars contains 174 characters; a variety of solid and dimensional star designs with from three to twelve points, pentagrams, sheriff stars, stars of david, outline stars, burst stars and airforce stars. Stars Two contains 174 characters; a variety of five pointed outline stars with centers, star designs composed from various geometric shapes with from three to eight points, jagged stars, quilt stars, outline stars, starfish, arrow stars, burst stars, drop shadow stars, ragged starbursts, double stars and air force stars. Stars Three is a collection of 174 star designs.

Stack brings the spirit of industrial chimney lettering from the early twentieth century to the digital age. The typeface is designed to work both horizontally and vertically. Additionally, the fonts can work together in myriad chromatic expressions—providing limitless design possibilities. The family is true to the spirit of masonry lettering without being a direct lift of any specific lettering style from the industrial age. Like some of its masonry predecessors Stack is built as a typeface of 15 courses (horizontal rows) of ‘bricks.’ Based on several years of research a collection of 150+ photographs and roughly two dozen archival engineering drawings were amassed. The value of the historical references is a type family that is a legitimate reflection of masonry lettering styles of the period. In updating Stack for the digital age, the proportions of the base-unit ‘bricks’ and the thickness of ‘mortar’ joints have been optically adjusted to work in both screen-based and print media. Stack would not have been possible without the research and design input from Craig Welsh and Jenna Flickinger of GoWelsh.

Super Ride is a manual written font to get the best texture for each letter. Super Ride is perfectly designed, each letter character will make your design strong and dazzling. Each letter and symbol is painted using the best brushes and ink. Super Ride contains uppercase and lowercase characters, numbers and various punctuation marks ready for you to use with unique and charming characters.