Ciutadella Rounded is not only a font with soft corners, it has a real rounded terminal across all the weights. It was a challenge to achieve a rounded effect in close counters characters, especially in the heaviest weights where there is less space available to accommodate the round ending. Suitable to be used across a wide range of applications, from identity systems to publications. It is available in Open Type format and includes Alternate Characters (‘a’, ‘t’ and ‘&’), Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF. See also Ciutadella and Ciutadella Slab.

POSSIBLE is both sans and serif, either is possible. The typeface is a sans-serif impersonating a spur serif, or it’s a glyphic with the look and feel of a sans. This clean, contemporary family is inspired by Percy J Smith’s ’Petit Serif’ from 1928, and similarly takes inspiration from Johnston’s Underground, though more recent influences provide geometric and humanist elements that, together with the tiny micro-serifs, improve clarity and legibility. Spur serifs such as Petit Serif, Copperplate and Liberty are often caps-only fonts, but Possible contains a lowercase, as well as a full Latin Extended-A character set. Possible is available in five weights – Thin, Light, Regular, Medium and Bold – each supplied with a corresponding, optically-corrected italic.

Ventella is a beautifully nostalgic upper and lowercase typeface that works best as a focal display text (think logos, headers, pretty quotes, calls to action, etc.). Featuring an elegant upright serif, light and clean italic, this duo brings a splendid, clean visage to websites, logos, brand identities, quotes, and anything else you can think of! Ventella serif is a versatile font that gives your projects a modern and minimalist look. Ventella is a classy and supremely legible font that stands out in both large and small designs be it a display or body text. Ventella comes with adorable 89 quirky ligatures and alternates for a custom typography look. All duo fonts provide a full set of uppercase and lowercase letters, numerals, and punctuation.

The Core Sans R Family is a part of the Core Sans Series, such as N, NR, N SC, M, E, A, D. and G. This font family has closed and square letter shapes, and overall rounded finishes provide a soft and friendly appearance. Simple shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans R Family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) and Italics for each format. Core Sans R supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Camber is the last in a personal series of squarish sans. It is a noiseless typeface with a geometric base, it has a synthetic and clean design, but with a human sensitivity where the geometry fails. It tries to be more versatile and simpler than its predecessors, with a pragmatic approach, having less visual noise and virtually removing the disturbing elements. The family is generous in width meeting a certain shortage of wider fonts. Camber works well in both display and text, it is a multipurpose font suited for magazine, branding and web. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format. For more details please see the Camber PDF.

Appetite Pro is a total upgrade of the world wide popular display font Appetite (2011). It is based on original lettering and belongs to the upright script like. Appetite Pro consists of 10 weights of the refreshed curves — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international font, with a full Western Latin, Cyrillic (Russian, Belarusian, Ukrainian) and basic Greek support. The Appetite Pro font family is specially designed for food identity and packaging design projects. In addition to standard letter cases, Appetite Pro also includes dingbats set. Due to the 10 weights font palette, you can solve a wide variety of professional problems without spending money on extra fonts for titles, subtitles, and main text. Try and buy!

Adelbrook is a dynamic serif typeface that keeps calm. It enriches text with the archaic structure of humanist type, because its characters arrange in a harmonious rhythm with a dynamic stroke, asymmetric serifs and stems that lean in the direction of reading. These characters have gravity and are firmly on the baseline. The tapered stems define a heaviness that end in emphasized foot serifs. Actually all the details are heftier the lower they are. This is particularly evident in a subtle vertical hairline variation, light or unapplied head serifs, and clipped upper dots. The clearness of the semi-serif italics with a brushy nature integrates perfectly in a subtle way. All these details result in a sophisticated text typeface with a sharp contemporary design.

Glot is a ten-member flared terminal sans serif family of typefaces based on a mix of proportions of Roman square capitals and hyper-readable sans serifs. Glot comes in five weights with matching true italics: Light, Regular, Medium, Bold and Black. The Glot family has a wide range and is incredibly functional, working well for longer texts as well as display typography. After designing the house typefaces for a handful of the most predominant multi-player online games out there, we decided that it was time to bring the battlefield to the people. Glot comes armed with ample language support (Central, Eastern, and Western European) and OpenType ornamental spiked alternate characters for when one needs a hint of danger.

Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since 2001. Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality. This new Fox family consists two subfamilies: Fox TRF and Fox Sans TRF. Fox TRF is upright italic typeface with light, regular and bold weight styles. The most distinguished Fox characteristic is the lowercase letters. Their curly, playful and vivid letter forms were derived from handwritten lettering then carefully shaped and adapted onto sans serif category. Fox typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.

German type designer Verena Gerlach created this display and sans FontFont between 1999 and 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Karbid provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid Display, FF Karbid Slab, and FF Karbid Text.

Geon Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Geon is a versatile type family of 54 fonts. Geon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) & 3 widths (Condensed, Normal & Expanded)with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Arcus OpenType is a geometrically constructed font. The grounding principle is the round curve. The homogeneous character of this font is guaranteed by using this principle not only in drawings of particular letters but in the shaping of diacritical signs, too. The scope of the typeface weight is from Extra Light to Extra Bold while the complete font family includes 6 weights and their respective, well turned italics. This font contains a wide range of alternative signs, small capitals, lining and oldstyle numerals, fractions, superiors, inferiors, ligatures and discretionary ligatures; all this is within the frame of OpenType functions. This font type is not made for the typography of extensive texts. Best it can be used for headline display typeface or in creating logotypes and corporate identities.

Glot Round is a ten-member flared terminal sans serif family of typefaces based on a mix of proportions of Roman square capitals and hyper-readable sans serifs with slightly rounded corners. Glot Round comes in five weights with matching true italics: Light, Regular, Medium, Bold and Black. The Glot family has a wide range and is incredibly functional, working well for longer texts as well as display typography. After designing the house typefaces for a handful of the most predominant multi-player online games out there, we decided that it was time to bring the battlefield to the people. Glot Round comes armed with ample language support (Central, Eastern, and Western European) and OpenType ornamental spiked alternate characters for when one needs a hint of danger.

Cantiga is a monophonic song or melody, sometimes repetitive, often with unpretentious themes. In the same simplicity, this font family combines robustness with some very fine details, with 44 versions for various purposes. Choose thinner (or thicker) versions for titles, and intermediate versions (normal, medium, etc.) to small sizes. Explore the condensed versions when you need to save space. Use the light versions for special cases in huge sizes. Cantiga intended to be your new "Swiss army knife" sans typeface. The Cantiga family consists of 2 widths (normal and condensed) with 11 weights each, plus their respective italic versions. The fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish as well as Western European languages.

Jiho Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with minimal & modern shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Jiho is versatile type family of 18 fonts. Jiho family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features. We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand composition font in 1922 by Barnhart Brothers & Spindler of Chicago and later spread by ATF. Cooper Black is an extra bold face based on Cooper Old Style. Bitstream Cooper is an old style face with rounded serifs and tilted back ovals. For use both in text (normal weights) and in advertising and display typography (heavy weights). Cyrillic version was developed for ParaType in 2000 by Manvel Shmavonyan and based on TM Oswald face of TypeMarket, 1996, by Victoria Grigorenko.

Ample is a display type family, optical mono linear and a bit squarish in nature. It has a smooth curve instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasise the message. It is graphically strong and commands viewer’s attention. The overall appearance of type is suitable in setting it as heading, title, headline, etc. The type family consists of six weights viz. Thin, ExLight, Light, Regular, Medium and Bold. Considering the nature of this type family, italics have been excluded. Ample is designed by Aakash Soneri in a period between 2013 and 2014.

Silian Rail is a high quality serif typeface. A professional uppercase font, this intellectual font has a distinct personality while being strict and controlled. Drawn and created by Mans Greback in 2022, the Silian Rail family consists in 16 high-quality styles, complimenting each other. Among them, Light, Regular, Bold, Black, Italic, Sharp and several combinations. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from American to South-East Asian. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Anabella is a typeface made for the Master’s Degree in Typography at the University of Buenos Aires. It is inspired by the posters of pizzerias located in Naples, Italy; in order to be used in the pizza franchise Giuseppe in Buenos Aires, Argentina. The font preserves and rescues gestural features of these posters, adding a vertical axis and high contrast, typical of the Italian types that arrived in the city product of the immigration. The stroke with brush provides a more organic quality to the sign and provides connotative features. The family has three variables for the different applications that may be required in a pizza place: Italic for bodies greater than 16 pt, Roman for short texts up to 14 pt, and Stencil for use in brands and titles. Anabella was selected to participate in the eighth typography biennial Tipos Latinos.

Posey is a vintage display family (All Caps) including Regular (Clean), Textured versions as well as Italic versions of each. It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Say hello to Eatboy font. Made with love and joy. Comic look, Bold, Thick, so it will make your design more beautiful, cute, fun, and colorful. It comes In two awesome styles, regular and italic.

Clic is an upgrade with new alternates and improved kerning with an added styles ’Thin and Thin Italic’. Applications include Headlines, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

Julmeme-Kun is a fully italic font. This unique characteristic added to its tall and elegant proportions makes it a very dynamic typeface. Applicable for any type of graphic design, especially for posters and logotypes.

These Typoart fonts were redesigned and revived for modern use. The italic style got an entire set of swash caps, and both styles contain superior and inferior numerals as well as the historical long s.

Edmund is a vintage display family (All Caps) including Textured, Rough & Clean versions as well as Italic versions of each. It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Newtoon is a modern signature font. Perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events and more. This family includes: Newtoon Regular & Newtoon Italic.

Rouge Gorge is a Serif Font (Regular, Italic, Semi-Condensed, Condensed and Variable) The font also has 7 OpenType features : (All access Alternative (aalt) - Fraction (frac) - Numerator (numr) - Denominator (dnom) - Old Style (onum) - Kerning (kern)

Inspired by Schelter & Giesecke’s Sylphide Sylphe Pro comes as an elegant, calligraphic Italic with the touch of the Golden Age of type design. This beautiful font encompasses most European languages, Central and West, plus Turkish.

G. G. Lange’s expressive italic ‘Derby’ with its calligraphic touch has come to life again. Carefully redrawn and extended for multilingual usage, ‘Turnier’ is an ideal font for ads, posters, book titles and much more.

Ambrosine is a female name, which comes from the Greek. It means ‘immortal’. This handmade didone-ish font may not be immortal, but it is quite divine in appearance. Comes in regular and italic styles.

This SemiBold Italic original Display font GHEA Tamara includes Basic Latin, Latin 1 Supplement, Latin extended A, Cyrillic, Armenian. May be used in titles, posters, labels, etc. The font looks very nice in large sizes.

Designed at Polygraphmash in 1958 by Elena Tsaregorodtseva; Latin characters and italic were added in 1987 by Emma Zakharova. An early sans serif ('Grotesque'), it was developed for primers and the first level school textbooks.

Praxis® Next has the same robust shapes and proportions as the original 1976 Praxis design. Its large x-height, substantial counters and open apertures guarantee high levels of legibility and reading ease in print and on screen. More weights, condensed designs and true cursive italics differentiate Praxis Next from the older design. Praxis Next shines where space is at a premium. The regular designs are modestly narrow while the condensed typefaces perform with grace in the most crowded of environments. The bold designs create powerful headlines and banners and the lighter weights are ideal for both long and short-form text copy. Because of its many weights and proportions, Praxis Next is also an ideal design to build a brand identity. Praxis Next Variables are font files which are featuring two axis and have a preset instance from Light to Ultra and Condensed to Roman. Pair Praxis Next with old-style designs like Bembo® Book and Stempel Garamond™ to create a dynamic typographic contrast. Or complement the design with its serifed counterpart, Demos® Next . Unger also drew ITC Flora® as an alternative italic design. Looking for something a little different? Pair Praxis Next with Masqualero™ .

Victorian Orchid is a gorgeous vintage flower. Victorian Orchid is a beautiful, organic serif font family available for both text and display. Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era. These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments. Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font. Lowercase such like n and d also have horizontal serifs which designed in the same theory. Victorian Orchid is somewhat organic, humanistic and soft-impression font like Transitional Serif as typified by Times New Roman. But at the same time, this font has horizontal serif and vertical stressed letterform like Modern Serif. They make this font sharp, handsome and neat. In addition, Victorian Orchid has low contrast and the serifs are not too flat and not too coved. By them, Victorian Orchid create strong and casual impression like Slab Serif fonts. Victorian Orchid family consist of 5 weights from Light to Bold including about 500 glyphs, international accented letters, some OpenType features. Italics are "True" italics which designed very carefully to match Romans.

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”. In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.

Improved kerning of the Updated Version of 2020 - New Features: • Cyrillic language support • Bulgarian Localization • Completely New Nexa Text subfamily • New ExtraLight weight with a corresponding italics • Stylistic Set suitable for Display purposes - ss02 • Tabular Figures Even the most recognizable typefaces of our time, such as Nexa, should be updated sometimes. We proudly present you with the latest upgraded version of the notorious geometric sans serif. The completely refined family design comes with an addition of one more weight—Extra Light—and its matching italic, alongside an entirely new subfamily—Nexa Text, optimized for longer text, and even a futurist stylistic set of Nexa for an alternative display look. The outcome is altogether 9 weights and 36 fonts! The glyph case now covers not only an improved Extended Latin but a new set of Cyrillic with adequate language localization. The fluent functionality of Nexa is achieved with multiple OpenType features, such as case-sensitive forms, contextual and stylistic alternates. The standard numerals set encompasses tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions. The unique appearance of Nexa combined with rich variety places it beyond the scope of regular geometric typefaces for all kinds of scales and purposes and designs that speak for themselves.

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

Felice is an elegant serif font family. The humanistic touch gives a warm aspect to this complete text font. Those italics are perfect to give a refined look to text. Felice consists in a 10 styles family, from Light to Black with their italics. Each font includes Small Caps, OpenType Features such as Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and many ligatures. The ligatures are a good feature to make an original and creative layout. The range of styles provides flexibility for text and title. Felice family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

This late 19th century design conjures up early 20th century Dutch DeStijl lettering with a mostly strict adherence to right angles and minimal stroke modulation. Geometric began its life as a metal typeface from the Central Type Foundry, circa 1884. Soon after, this design was officially licensed to Morgans & Wilcox and was shown in their 1890 catalog in Regular, Light and Condensed Light variations. After acquiring Morgans & Wilcox, Hamilton Manufacturing offered Geometric Light Face Condensed as their own No 3020 and the Geometric Light Face as No 3021. HWT Geometric has been expanded digitally to include a Regular Condensed version. A heavier wood type specimen was found from an unknown manufacturer and digitized as it was found, resulting in the HWT Geometric Shopworn and Shopworn Inked variations. These digital versions all include a full Western and Central European character set of over 380 glyphs.

Hua type family is a sans-serif with very humanist details to represent the essence of nature. It features 14 weights from the very thin to the very bold, generously covering a wide range of the natural spectrum. Aiming to represent the soft and elegant side of nature, Hua features very unique italics that have their own take on the identity. The letterforms of the italic fonts are inspired by the lineage of both traditional calligraphic approaches for serifs and much simpler forms for sans-serifs. Hua provides very crisp performances on screens and its large x-height combined with fine-tuned proportions help it retain legibility very well on smaller sizes.  Features: • Support for 200+ Latin languages • Double & single storie “a” & “g” • Unique italic letterforms • Low contrast with unique details • Small caps with symbols • Arbitrary and defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style