Monotype Lightline Gothic is a thin sans serif face cut by American Type Founders to work with Franklin Gothic, which had been designed as a bold face. The rather condensed nature of the Monotype Lightline Gothic font has made it popular for advertising display and newspaper work.

Avalors is a bold and authentic sans serif font. It suitable for your any project that needs the outer space touch. This font is the best for branding project, t-shirt print and many more. Featured : Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard)

Developed from Rian Hughes’ Black Panther logo for Marvel, Panther Black is a sharp and stylish three-weight headline sans. Built from sweeping curves and tapered crossbars, its bold, dynamic design is seen to best effect in shorter settings. Available in condensed, normal and extended variants.

Inside the pages of the August, 1930 issue of “The New Movie Magazine” is an ad for Warner Brothers-First National Pictures – hand lettered in a bold Art Deco sans. This was the basis for Movie Production JNL, which is available in both regular and oblique versions.

HEY YOU GUYS! Goondocks PB is a faithful recreation of the titling font from 1985 film, "The Goonies". This was a lot of fun to recreate and flesh out, and it has that purposefully awkward appeal that a lot of Pink Broccoli fonts are imbued with. With a pseudo unicase styling, wonky blockish style lettering, and that visceral tieback to the 80's, Goondocks brings back fond memories, perfect for those unorthodox creative designs.

Centric is a rounded and happy font. The circular design that covers the face of this font was inspired by the ripples made when a pebble is thrown into a pond. The outline shapes of the characters were derived from the Font Mafuta. Centric is doubly effective when used in conjunction with Mafuta. It is best used for headings and where you intend to make a strong impact, possibly with an African flair.

“I originally drew the primary characters with a felt tip marker, scanned them and then proceeded to noodle on the computer,” says George Ryan of his new typeface, Koorkin. “Over the years, I’ve designed many original typefaces, but Koorkin has become one of my favorites. I’ve worked on hundreds of highly structured text faces. For the most part, the roots of all of them can be found in the handwritten letterforms we learn as children. I enjoy going back to these shapes whenever the opportunity presents itself. ”The happy result of Ryan‘s felt tip marker sketches and his love of simple letterforms is a new family of upright and italic scripts in medium and bold weights.

In 1939 the Stephenson Blake Company bought a very popular script called Undine Ronde and began marketing under the name Amanda Ronde. Although Undine/Amanda was quite popular and can be seen in many advertisements from the 1930s and 1940s, there seems to be no surviving record stating the original foundry or designer. We thought that six and half decades of dust layers over the once-popular typeface were enough, so here and now you have its complete and expanded digital incarnation, Adore. It is quite easy to see why this typeface was popular. A round script with graceful meaty curves is rarely found and can be used in plenty of applications. Wedding paraphernalia, chapter titles, posters, poetry, book covers, religious literature... you name it, Adore can fit it. Aside from its totality being unmatched by currently available designs, Adore also possesses some of the most unique and imaginative letter shapes. The narrow loops on the B, P and R, the minuscule-like Z, the looped b and d, the descending h... all these shapes contribute to a breathtaking and adorable calligraphic work unlike any other. The original design came in a basic alphabet, but we have updated it for current digital technologies, and expanded it to include plenty of alternates and ligatures, as well as some ornaments. The Postscript Type 1 and True Type versions come in two fonts, the second containing the alternates and extras, while the Open Type version is a single font containing all the alternates and extras in conveniently programmed features, easily accessible at the push of a button in OpenType-supporting software. We also encourage you to take a look at Typodermic's Mecheria font, which is further experimentation with the same letter forms, resulting in a quirky, friendly, curly, angular gothic-like creature.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina's story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn't even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.

Crafted with passion in La Chaux-de-Fonds, Switzerland, the Hyper Fatos typography was born in a moment of pure delight as the creator (Bisou) indulged in a delicious pizza. Inspired by the excitement and satisfaction that come from the most indulgent culinary pleasures, he designed this unique typography to capture the essence of gluttony and the irresistibility of the most appetizing dishes. Hyper Fatos was meticulously crafted to evoke an undeniable sense of indulgence. Its boldness and rounded forms bring to mind juicy hamburgers, crispy fries, and donuts overflowing with icing. It's the perfect typography for fast-food restaurant signs, tantalizing menus, or even advertising campaigns for giant burgers and decadent milkshakes. Picture Hyper Fatos in bright letters above a hot dog stand, and you'll see lovers of greasy food rushing to satisfy their most voracious cravings. This typography is the ultimate choice to whet your customers' appetites and encourage them to indulge in culinary delight.

Italiko is a calligraphic font. The letters have been hand-drawn individually to extract the common strokes. The strokes have then been re-composed to give the font a more unified appearance. It comes in Black, Bold, Regular, and Thin. The Thin version is different as the extreme contrast in the font makes the thinner lines disappear. It is likely best used as a display font. There are ligatures for the combination of letters that can be written more quickly by using a single stroke and letters that are slightly different from the ‘Italic canon.’ You can select which one to use in your application (i.e., Word) using combinations of italic/bold: No selection -> Regular Bold -> Bold Italic -> Thin Bold Italic -> Black If you end up using the font, get in touch at https://github.com/lucabol/Italiko. Feel free to suggest improvements or let me know if you encounter problems.

Introduce Mattoa, a bold and sporty script. This font is very great for bold logotype . Comes with many swashes options that you can play with. Will works well for both modern and retro style. If you need a font for your display purposes, you defintely need to consider this font.

Introducing, American Wonders - Font Duo! American Wonders is a package of two fonts containing signature script and bold serif. This versatile fonts that you can use for any project. This bold serif is strong and powerful while the signature script is soft and authentic hand writing. This font also support language!

Big, expansive and flat on top; that’s a land formation called a mesa. “Mesa” was the first name for Strata Bold Rounded Serif, but it turns out it’s someone else’s registered trademark; in any case, if you need a bold, extended mono-height font that’s great for logotype, you could, as we used to say in the Mid-West, do a whole lot worse. SBRS is the final generation of an evolution that started with Mesa begating Mesa Bold which begat Mesa Bold Rounded which culminated in this evolutionary superior product. Use it!

We have adapted the version of our Arquitecta font for use in Microsoft Office™. It only has 4 variants: regular, italic, bold and bold italic. Font weights have been named in a way that can be clearly shown up in the font list in Office™ programs for the sake of a good hierarchy (the bold variant is quite bold and does not look the same as the original font). Arquitecta Office update: Improvements of proportions and drawing. The set was extended to the current one of Latinotype.

Baraksawa is a Bold, Condensed Vintage Serif Font. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. Bold serifs and grainy effects make this font even more unique. This font is perfect for logos invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels, or advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

GHEA Aram is a super family font. It has 10 upright weights and their Italics. GHEA Aram supports Central European, Armenian and Cyrillic language systems. The weights from Regular to Bold and their Italics can be used as text fonts. The weights thinner than Regular and thicker than Bold can be used as Display fonts. It is an easily readable two side serif high contrast font but the eyes don't get tired while reading.

New West is a modern clean soft round sans serif font. With bold stroke, fun character. To give you an extra creative work. New West font support multilingual and ligatures. This font is good for logo design, branding design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with New West font.

Nickels is a Fancy Bold Sans Serif font. fun character with a bit of ligatures. To give you an extra creative work. Nickels font support multilingual more than 100+ language. This font is good for Headline, logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Nickels font. Cheers, MaulanaCreative

Visuela is a modern clean soft round sans serif font. With bold stroke, fun character. To give you an extra creative work. Visuela font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Visuela font. Cheers, Maulana Creative

Sorren is a definitive bold condensed sans influenced by neo-grotesque designs. A relatively low stroke contrast complimented with sharp, horizontal stroke ends lend an unyielding appearance, while it’s rounded forms and refined curves juxtapose its inherent strength with grace. Stylistically, Sorren has a classic, timeless feel with a contemporary finish and attention to detail. It is characteristically more elegant and considerably sturdier than the typical condensed sans, lending to its singular disposition.

Spoodbrush is a new lowercase brushed textured font family designed to perfectly combine the different styles with one another and allow you to create beautiful designs with a personal touch. It also contains some ligatures and swashes and additionally a Spoodbrush Sans style. Perfect for branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, and everything requesting personal charm. Fonts Included : Spoodbrush One Spoodbrush Two Spoodbrush Bold Spoodbrush Slant Spoodbrush Sans Spoodbrush Extra

Choegs is a distressed sans font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Choegs font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Choegs font. Cheers, Maulana Creative

Cogney is an all caps modern sans serif font. With sharp bold stroke, fun character. To give you an extra creative work. Cogney font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Cogney font. Cheers, Maulana Creative

Generisch Mono is a monospaced version of Generisch Sans. Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

A square san serif font family for short texts and headlines. Inspired by old hand-painted signs in Tel Aviv.

Labours is a bold strong handcrafted typeface, inspired by an old and rustic signs on the street. Designed for any vintage purpose. suitable for Posters, Logotype, T-Shirt design, and many other vintageous design!

The Cannon family is the result of combining the clean aesthetics from a classic sans neo-grotesque with a touch of a geometric design. The result is a simple but dynamic typeface with retro and technological airs. Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts. This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support. We are proud to introduce: Cannon.

Peroba rosa is a modern sans serif type family featuring a blend of modern, classical, and playful characteristics. The simple, clean forms and classically inspired proportions give it a timeless quality and interesting visual rhythm. Peroba rosa is perfect for logo design, magazine headers, product packaging, branding projects, clothing or simply as a stylish text overlay to any images or websites. WHAT’S INCLUDED? • Comes with regular, thin, light, italic, bold, thin italic, light italic, bold italic and bold italic font styles. Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold." To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights."

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two different typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical. Scala’s dark colour and low contrast works to prevent the thin parts from breaking up. The generous length of Scala italic’s serifs gives it a strong rhythm. The bold weight has the same character widths as the normal weight, so changing a text from normal into bold does not affect the set width. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is a free bonus. Scala Jewels is a set of four highly decorative typefaces, based on the bold capitals of Scala.

Ernest is a handmade typeface with an unique yet strong personality. Say it bold with this font. Punk & Wave styles. Ideal for type based designs.

Say Hello to "Cnossus" Bold Funny Fonts! Cnossus was built with OpenType features, numbers, punctuation, ligatures and it also supports other languages. Cnossus is very suited to build your brand such as : T-shirt, Logo, Poster, Packaging, Advertising and anything. Installing Your New Font: This font can be installed in all software that can read standard fonts. Accessing the swashes / opentype features / glyphs: In order to access the alternate characters in this font, you need a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC.

Kulturista is an unmistakeable linear slab serif typeface with pronounced rectangular serifs. The drawings are based on the sans-serif Nudista typeface, and Kulturista also inherits Nudista’s distinctive narrowed character proportions, range of weights and glyph sets. The italics are inclined sufficiently, and have the same width and colouring as the plain styles. They aren’t just a mechanically-slanted version of the basic styles, as is often the case for typefaces derived from geometrical images — a whole range of characters have their own drawn variants, which greatly strengthens their highlight function. The italics are therefore an equal partner for the roman styles. Kulturista is definitely a good choice for a headline typeface for magazines and book covers. The range of boldness can come in handy when editing sections, headlines and supplements. The typeface understandably proves itself as a healthy foundation for a unified visual style, and holds up at display sizes as well as on shorter texts.

Umidus font - Trippy wavy liquid decorative font, which works perfectly for bold titles, Festival posters, as a graphic element for bright T-shit or hoodies, or even backgrounds! This weird and ugly font likes an experiment with spacing and different deformation. Please, don't hold back on your bold modern ideas! ------------------- You will receive: - 3 OTF files (3 font styles: plane black, transparent outline, black with highlights) - ATTENTION! font comes WITHOUT any photos, textures, or effects.

Archapelago is semi casual bold script This font describes about boldy, stylist, fun and elegant, catchy, dynamic, sporty, readable, easy to use FEATURES - Support Opentype Features - Stylistic alternates - Swash alternates - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Archapelago works great in any logotype, magazines, apparel, poster, advertisements, product packaging, product designs, label, and any projects that need semi casual and bold style. Enjoy using! Thanks. HIRO.std

Introducing Hoax – a pre-worn sans serif with spirit, personality and distinction. This bold and semi-condensed sans serif is inspired by old copy machines and vintage prints. It is lively and eye-catching, ideal for where and when you want to make a lasting impression. Hoax is a celebration of character, a tribute to curiosity. Use this typeface and let everyone know that you mean business. OPENTYPE FEATURES: This font includes over 40 discretionary ligatures of prepositions and common words in English. These OpenType features can be accessed using OpenType friendly applications that allow the use of discretionary ligatures and stylistic sets. MULTILINGUAL SUPPORT: With over 700 glyphs, it has support for more than 150 languages, including Cyrillic script. List of discretionary ligatures: AND, ARE, AT, BY, FOR, EST, FEAT., FROM, IN, IS, OF, ON, OR, OUR, THAN, THAT, THE, TO, WITH, YOUR, CO. Each word is available in both upright and slanted versions. How to use: Activate the discretionary ligatures as you normally do in your OpenType friendly application. When activated, the words are in upright versions. To access the slanted versions, activate the first stylistic set (“Slanted Ligatures”). Happy typing!

New Kids is a font duo that reflect the duality between the rebelliousness of graffiti and the boldness of a sans serif design. With a style that emulates the spontaneity of street art, it is perfect for projects that seek to resonate with urban and youth culture. Its bold counterpart, solid and powerful, provides a commanding visual presence, ideal for capturing attention in advertising and social content. This versatile font is a statement of modernity and audacity in the world of graphic design.

Steelkold is unique bold handwritten display font, with bold stroke, slant and fun character. It has Opentype features ligatures of character and extra swash, To give you an extra creative work. Steelkold font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Steelkold font. Cheers, MaulanaCreative