Introducing Jinkel, the perfect font for any design project requiring a retro condensed style. This font features a unique serif design on each end of the letters, providing a distinctive touch to your designs. Jinkel is perfect for titles, headers, logos, and other creative designs that require a touch of vintage inspiration. With alternate characters and ligatures included, you’ll have plenty of design options to choose from. Elevate your designs with Jinkel and give them the retro flair they deserve. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the "oldstyle" of the Italian renaissance, its contrast reveals a clear underlying modern influence. In a typical Italian artistic fashion, Paganini manages to be a superb text face while having enough priceless ornamental moments to make it great in display uses as well: Check out the splayed M, the wide-tailed g, the flowing tail on the y, the high-armed k, etcetera. While the original metal version was limited to five basic fonts, this digital expansion includes small caps in the three main upright weights, plenty of alternate forms in all fonts, a super-seductive Open font, and an expanded language support covering the majority of Latin-based languages.

Sonovovitch is a unicase display typeface inspired by the Russian Constructivist movement and Soviet Cold War era propaganda. Although a faux Russian font, Sonovovitch has language support for the true Cyrillic alphabet. Originally intended as an exercise in downsizing the typical font’s character set, Sonovovitch quickly expanded in the opposite direction, adding multiple variations for letterforms and utilizing Open Type features allowing for easy substitution of glyphs… creating plenty of variety for letter combinations. Open Type “Titling Alternates” even substitute completely foreign glyphs, never seen before in any language, allowing for totally alien typesetting. The results found in Sonovovitch are packed with bold character and eastern European influenced flair. Sonovovitch’s eclectic geometric forms lend itself to a multitude of graphic applications; from serious branding programmes, to light-hearted packaging, to sports jerseys, to hand-crafted DIY projects.

The original Graphique Pro was designed by the famous Swiss designer Hermann Eidenbenz in 1945 and included one outline shadow style. His idea of a very narrow, very economic headline font became increasingly more popular over the last decades and since the recent trend of layered fonts his idea is more up-to-date than ever. profonts studio now took the idea of the Graphique Pro to its next level: Graphique Pro Next. This layered type family consists of 8 styles which can be combined in plenty of ways to create unique designs. The fonts thereby preserve the outstanding and timeless drawings of the original Graphique Pro font and will add an aesthetic and fresh look to every project. Please have a look at the Graphique Pro Next Type Specimen for more details about the language support and font layer combinations.

Plenty of swashes, ligatures, beginning and ending shapes, Wishes is a wit option for invitations, cards, stationery, fashion and apparel, among a wide range of uses. The curves of the cursive style are neither too solemn or pompous, its grace and playfulness are more 1950s than 1750s. This family offers the designer an additional decorative toolkit full of frames, ribbons, hearts, flowers and ornaments, plus a collection of caps and small caps. Wishes Script Pro includes the complete set of Script characters plus Ornaments and Caps. The family offers optically optimized Display and Text styles for each of the weights: Light, Regular and Bold. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide Use Wishes to express your greetings!

The Oregon Dingbat Font was created in 1995. It consists of various pictures including plants, footprints, a skyscraper and various forms of nature. The font has been published in Japan’s HyperLib magazine and used as artwork in a novel by Charlotte Vale Allen.

Cross Stitch Ornaments is a collection of classic stitched geometric shapes, plants, birds, and animals. There is an assortment of 47 ornaments located under the character set keys. All ornaments that are asymmetrical have a flopped version located under the shift+character key.

Nature is fond of stripes. Animals have them, plants have them and the rainbow has them. Besides being beautiful, stripes in nature have various origins and functions. But only Homo sapiens gave them symbolic meaning. In the American flag, the 13 stripes symbolize the 13 colonies that declared independence from Britain. In the French “Tricolour” flag, they represent Paris and the king of France. And in Russia’s “Georgiyevskaya lenta,” they symbolize the death and resurrection of St. George, the dragon-slayer. The font family COLORADO , named after the beautifully striped Colorado potato beetle, can be used to construct all kinds of symbolic or just beautiful messages. And thankfully, you need no OpenType diploma to do this. To get your texts multi-striped and multicolored, follow this simple procedure: Write the message with one of the COLORADO fonts and apply a color. Then copy and paste in place, and apply a second font and color. Repeat this again if wanted – and the masterpiece is done. COLORADO ’s language support covers about 100 languages. It has a Western European, a Central European and an Extended Cyrillic character set.

Ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852). This is a collection of ornamental plants and flowers arranged in a convenient font file that may be always at hand. Decorate your projects with high quality and interesting ornaments!

Office Stamps JNL is a collection of twenty-six images recreating the familiar 'stock' rubber stamps used in offices for decades before self-inking stamps and desktop printing made them relics of the past. Modeled from vintage sources, all of the images have been re-drawn by Jeff Levine to have a crisper look than simply utilizing scanned imprints of old marking devices.

Inspired by an image of a 1960s rock and roll concert poster for “The Beach Boys Summer Safari”, this typeface captures the casual, informal lettering of the main headline and makes it available digitally. Evoking sunny days of fast cars, pretty girls and riding the waves, the playfully hand lettered Summer Safari JNL is available in both regular and oblique versions.

Abrasive font Brush is a font that has a rough, strong, bold, natural, brushed and stroked style. Whatever the topic, this font will be a great asset to your font library, as it has the potential to enhance any creation. Features: Uppercase & lowercase Numbers and punctuation Multilingual PUA Encoding Full Character Set !"#$%&()*+,-./0123456789:;?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{}~ ¡¢£¤¥§¨©ª«­®°±²³¸¹º»¿ÀÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÛÜÝßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýÿŒœŠšŸžˆˇ˚˜–—‘’“”†•‹›€−

This family contains 5 weights and ornaments to create an artistic touch to your projects. Has tons of alternates and ligatures. Best for branding, Webdesign project, Clothing brand, logo design, valentine's greetings, packaging, and much more. Comes with a variable format as well as multilingual support, numbers, and currency symbols. Check out Pretty Boy which is a great pair for Losta Frida.

Maxhild is a cool, graffiti-style display font. Add this font to your urban and casual creations, and you will love the outcome. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. This font is suitable for designs such as t-shirts, sportswear, logos, advertisements, clothing, and more.

Take Five is a very jazzy typeface. It is more Swing than Bebop but it also evokes memories of the Cool Jazz era. Take Five can be used for jazzy covers or children's birthdays as well as jumble sales leaflets. Take Five is pretty versatile; no wonder - it is a descendant of my Bodoni Classic typeface family. Your jazzy designer Gert Wiescher

"Lovely Style" is a very pretty handwritten font. This font features uppercase, lowercase, swashes, headings, uppercase alternative, lowercase alternative, binders, multilingual support, numbers, and punctuation. How to use letter decoration is very easy, and there is a guide in the preview. This font is perfect for weddings, valentines, engagements, stickers, banners, posters, invitations, Christmas, Easter, romantic moments, quotes, and more.

Gaba has it's roots in classic mid-twenties century typefaces. With uniform drawn character widths, rounded, comfortable warm curves, combined with sharp cuts, a large x-height and a moderate drawn contrast. A timeless and outstanding collection over a comprehensive range of weights making it the perfect workhorse for a wide range of applications. Gaba contains 588 Glyphs and numerous Opentype features.

Barrowboy was inspired by the handwritten sales tickets that are still to be found on market stalls and fruit barrows, and are as familiar as the street cries that accompany them. The signage is mostly confined to numerals, so translating it into a font is pretty much a work of imagination. See also my other fun fonts Bebopalula, Calypso and Pier Arcade.

Introducing Baby Boho Baby Boho with a smooth handwriting style and very pretty and lovely. Baby Boho is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Just like a stylish text overlay to a wallpaper or anything that needs a touch of love. Thanks for checking! I really hope you enjoy it.

Introducing Hey Magdison Hey Magdison with a smooth handwriting style and very pretty and lovely. Hey Magdison is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Just like a stylish text overlay to a wallpaper or anything that needs a touch of love. Thanks for checking! I really hope you enjoy it.

Blastday is a cool and stylish serif font, featuring its own unique style and modern look. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This typeface is perfect for an elegant & luxury logo, book or movie title, fashion brand, magazine, clothes, lettering, quotes and more.

Comic Toon 3D is a cool and fun Color font 3D Style. It is the perfect font for titles or words needing a more dramatic emphasis. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. COMPATIBILITY Windows Apple/Mac Linux Easily convert to webfont Silhouette Other cutting machines

So Beautiful is a handwritten font family that includes pretty swatches and extra botanical elements to create the cutest logos, packaging or any design project with a natural style. Includes: - So Beautiful Regular: the script font - So Beautiful Swashes: perfect for a unique, elegant style - So Beautiful Extras: more than 50 hand drawn botanical elements to combine with the font

Ruqaa font is one of the original Arabic fonts. It is the most common font and is written in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is used in the titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.

Okay Cotton is soft & gentle -- specially made for situations where a pointy hard-edged font just isn't up to the job. This font is extra-soft but stays true to form -- delivering your message with clarity. The small details make Okay Cotton friendly & inviting. Okay Cotton is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Let's say a San Francisco punk group used letters from a theatre marquee to create a flyer in 1979 for one of their shows. Then the flyer showed up in the background of a newspaper photograph, and the photo, twenty-five years later, was enlarged and the lettering on the flyer was turned into a font. Santa Mensch has arrived.

Thunderbird is an old American-style typeface. It is based on the kinds of big wood type that were popular in old Wild West advertising, which is evident through its ornate serifs, and the pointy flares that pop in and out of the centers of each stroke. Thunderbird is an all caps font and is best used in very large sizes.

Introducing Stay Golden Script font in a smooth handwriting style and very pretty and classy. Stay Golden is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything else that needs a touch of elegance. Thanks for checking! I really hope you enjoy it.

FM Ephire is a hand-drawn, multilingual, type family of five weights with complimenting italics. Stuffed with tons of features, Ephire really shines through its artistic and stylish, yet elegant feel of natural handwriting. It is your best choice whenever you design greeting cards, banners or posters, and it also handles pretty well for body text, even in small sizes. Enjoy Ephire!

Enovella is a cool and modern Sans Serif font. writing for a magazine that requires a lot of text is the strength of this font. easy to read, and not tired on the eyes. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. Thank You

The Neubank family builds on the firm foundation of Bank Gothic, a twentieth-century classic designed by Morris Fuller Benton for ATF, and adds a fluid, dynamic lowercase that makes it right at home in the twenty-first century. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Tale is an experiment to convert the script-style calligraphy into bitmap format. The two variants have the same dimensions, but (as the naming suggests), Forty has double amount of pixels in it when compared to Twenty. Both variants have hand made bitmaps to compliment these correlating point sizes, and you can always get the appropriate bitmaps by multiplying by two.

Rameyon is a cool, graffiti-style display font. Add this font to your urban and casual creations, and you will love the outcome. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. This font is suitable for designs such as t-shirts, sportswear, logos, advertisements, clothing, and more.

Balegad Script Font is a very classic, elegant and unique script font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! Contains full set: -Uppercase -Lowercase -Alternative - Ligatures - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Introducing Forward Script Forward Script with a smooth handwriting style and very pretty and lovely. Forward Script is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Just like a stylish text overlay to a wallpaper or anything that needs a touch of love. Thanks for checking! I really hope you enjoy it.

In the pre-computer, pre self-adhesive label era of office supplies a number of companies (including Dennison, Maco and Denny-Reyburn) manufactured a wide variety of gummed labels for just about any use or purpose. Blank labels, specialty labels and decorative holiday seals were just a part of this line. One popular style was that of labels with parallel thick-and-thin borders of red lines and corners chamfered, rounded or straight cut. Occasionally, one could find similar labels with blue, green or gold borders but red was the mainstay, hence naming this typeface Red Border Labels JNL. Presented in this font is a collection of twenty-six standard and specialty shape label borders on the capital (A-Z keys) and twenty-six solid panel versions on the lower case (a-z) keys which can be used as backfills for the borders or as stand-alone labels.

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. Garamond Pemiere Pro was designed by Robert Slimbach, and released in 2005."

Typha Latifolia is a plant of the swamps from the Northern Hemisphere. It is characterized by its high rangy leaves. Typha Latifolia is also a font family. It is characterized by the height of the ascenders and the descenders. Numerous ornamental variations complete medium and bold versions.

PunkRocker is a bold condensed sans-serif with three versions and plenty of attitude. PunkRocker is awesome for creating strong tight square text boxes that scream for attention: it’s ideal for movie posters, single covers, as a supertool for fast graphic design. PunkRocker has three versions: Regular which is “clean”, Rough which has the worn-out appearance of a punk-poster or a gig poster that has been outside too long, and Stamp which has rugged outlines and print texture inside characters. Textured versions of PunkRocker have double characters for every standard character: Contextual Alternates will automatically replace any double letter with alternate that has different texture to avoid repetition and keep the appearance more authentic. You can also access these alternates by turning on Stylistic Alternates or via glyph palette. PunkRocker is PUA encoded so you can access extra glyphs in most graphic design softwares.

Salty - not fat just big boned. Salty is a hearty brush family that’s great for any kind of display use from packaging to poster & logos to headlines. Salty has bold and clear basic letterforms and lots of alternates for more customised look. Salty family consists of Script, Caps and Extras and two weights of each. Salty script is equipped with plenty of OpenType features: Keep Automatic Ligatures on to keep the flow and click Swash, Stylistic or Titling Alternates for extra goodies or manually select from even more alternates from Glyph Palette. Salty Caps is a vivid set of casual caps that play well with the script but can also be used on their own. Salty Extras is a set of ornaments and swashes designed to support the script. Some of the Extras are designed so that they can be used to customise the letters - to create your own Alternates.