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  1. Madurai by insigne, $24.75
    The rounded forms found in Chennai have proven to be one of insigne's more popular designs for web-based company logotypes. Now, insigne's new superfamily Madurai takes its popular predecessor to a new level, offering a wide range of complementary fonts. Madurai removes Chennai's rounded stems and then adjusts the character width to account for its reduction in geometry, resulting in a balanced sans-serif face with humanist touches that works well for extended text. The Madurai family has a full range of six weights from thin to black and includes Condensed and extended options for a total of 36 fonts. All members of the Madurai series include a wide variety of OpenType alternates. Madurai is equipped for complex professional typography, including alternates, small caps and plenty of alts, including "normalized" capitals and lowercase letters that include stems. The face also has a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Madurai also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Madurai supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. For your next project, explore the fantastic potential of Madurai.
  2. FS Olivia Paneuropean by Fontsmith, $90.00
    Antwerp On a visit to Belgium and the Netherlands while still an MA student at Reading University, Eleni Beveratou made some important discoveries. First, there was the letter ‘g’ from the Didot family seen at Plantin Moretus Museum in Antwerp, which seemed “almost like a mistake”. Then there were strange details such as the serifs on the “l”, “h”, “k”, “b” 
and “d” in Egmont Cursive and other typefaces by Sjoerk Hendrik de Roos, found in volumes of poetry she picked up from a chaotic bookshop in Amsterdam. These were characters that stood out from the text but seemed to blend harmoniously with the rest 
of the letters. “And there it was, the spark. 
I decided to design a typeface that would capture the details of the process of writing.” A guiding hand Eleni shared her initial thoughts with Phil Garnham and Jason Smith. They liked what they saw in her tentative first sketches, and gave her the chance to develop her ideas further. Phil, in particular, provided valuable input as FS Olivia took shape. Eleni’s main influence – the handwritten – would give the font its character. “When creating a typeface,” says Eleni, “it’s fair to say that it reflects some of the designer’s personality. And that’s certainly the case with 
FS Olivia. “Although technology is part of my everyday life. I am a great admirer of traditional graphic design where you can touch and feel paper and ink.” Irregular “What I particularly like,” says Eleni, “is that a printed item can develop its own personality sometimes as a result of imperfections in the print. “FS Olivia has some of 
these characteristics as it’s inspired by handwriting, 
and yet it also includes some 
very modern features.” Feminine and fascinating, FS Olivia captures the expressive twists and turns of (the poet’s?) pen on paper, with low junctions, 
deep top serifs and semi-rounded edges. Round outstrokes contrast with 
the rough corners of the instroke, while strong diagonals and inclined serifs create a richly textured pattern. Polytonic It’s only fitting that there should be a version of this poetic font for one of the birthplaces of poetry and song. Eleni, who hails from Athens, developed an extensive range of glyphs that could be used for the Greek language, in both modern and ancient texts. For the latter, there is a version of Olivia for displaying polytonic Greek (a system that utilises a range of accents and “breathings”), which brings the 21st century technology of OpenType to the presentation of poetic texts from Ancient Greece. Just think what Homer could have done with that.
  3. FS Olivia by Fontsmith, $70.00
    Antwerp On a visit to Belgium and the Netherlands while still an MA student at Reading University, Eleni Beveratou made some important discoveries. First, there was the letter ‘g’ from the Didot family seen at Plantin Moretus Museum in Antwerp, which seemed “almost like a mistake”. Then there were strange details such as the serifs on the “l”, “h”, “k”, “b” 
and “d” in Egmont Cursive and other typefaces by Sjoerk Hendrik de Roos, found in volumes of poetry she picked up from a chaotic bookshop in Amsterdam. These were characters that stood out from the text but seemed to blend harmoniously with the rest 
of the letters. “And there it was, the spark. 
I decided to design a typeface that would capture the details of the process of writing.” A guiding hand Eleni shared her initial thoughts with Phil Garnham and Jason Smith. They liked what they saw in her tentative first sketches, and gave her the chance to develop her ideas further. Phil, in particular, provided valuable input as FS Olivia took shape. Eleni’s main influence – the handwritten – would give the font its character. “When creating a typeface,” says Eleni, “it’s fair to say that it reflects some of the designer’s personality. And that’s certainly the case with 
FS Olivia. “Although technology is part of my everyday life. I am a great admirer of traditional graphic design where you can touch and feel paper and ink.” Irregular “What I particularly like,” says Eleni, “is that a printed item can develop its own personality sometimes as a result of imperfections in the print. “FS Olivia has some of 
these characteristics as it’s inspired by handwriting, 
and yet it also includes some 
very modern features.” Feminine and fascinating, FS Olivia captures the expressive twists and turns of (the poet’s?) pen on paper, with low junctions, 
deep top serifs and semi-rounded edges. Round outstrokes contrast with 
the rough corners of the instroke, while strong diagonals and inclined serifs create a richly textured pattern. Polytonic It’s only fitting that there should be a version of this poetic font for one of the birthplaces of poetry and song. Eleni, who hails from Athens, developed an extensive range of glyphs that could be used for the Greek language, in both modern and ancient texts. For the latter, there is a version of Olivia for displaying polytonic Greek (a system that utilises a range of accents and “breathings”), which brings the 21st century technology of OpenType to the presentation of poetic texts from Ancient Greece. Just think what Homer could have done with that.
  4. Jeztec Empire by Ronin Design, $15.00
    Jeztec Empire is an unique blackletter style, this font will give you stunning design. Jeztec Empire font is ideal for logo design, labels, posters or pretty much anything else that requires a unique touch.
  5. Chic Cat by AEN Creative Studio, $16.00
    Chic Cat is a cool and uniquely designed decorative font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  6. Laureen by aRc, $10.00
    Laureen is a clean, smooth-edge, casual script with many potentials made possible by its 429 glyphs and great legibility. This TrueType font was manually kerned & edited for its semi-connected and informal look.
  7. Chistmas Joyful by Creaditive Design, $12.00
    Christmas Joyful is a cool and fun decorative font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any cristmas creation.
  8. Hotabe by Rashatype, $9.00
    Hotabe is a thin, friendly and light lettered display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  9. Beauty Christmas by Sakha Design, $10.00
    Christmas Festive is a sweet and adorable handwritten script font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  10. HERITAGE DREAMS by Letterena Studios, $9.00
    Heritage Dreams is a cool and vintage styled serif font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  11. Relic Island 2 by Jehansyah, $9.00
    This is a font with a pretty vintage look You can express your design looks old-fashioned but has a modern feel, with several options that you can use and develop your work perfectly
  12. Pumpkin Smile by Sakha Design, $12.00
    Pumpkin Smile is a spooky and cool-looking display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  13. Juicy Fruit by Seemly Fonts, $14.00
    Juicy Fruit is a bold and paint-brushed display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  14. Friendly Smiley by Ali Hamidi, $10.00
    Friendly Smiley is a fun, natural and informal handwritten font. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.
  15. Al Seg33 by Nihar Mazumdar, $1.00
    Al Seg 33 is a moderately dense alphanumeric display. The 33 segments are made up of eight outer segments, and twenty-four inside segments, and a center dot. It has five diagonals in each corner.
  16. Blacksign by Creativework Studio, $18.00
    Blacksign is a cursive brushed handwritten font, featuring a lovely style. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  17. Infection by Ronin Design, $15.00
    Infection is a horror and halloween font. Designed with a zombie virus touch will give a creepy impression, This font is ideal for labels, posters, or pretty much anything else that requires a creepy touch.
  18. Timeless Series by Sakha Design, $12.00
    Timeless Series is a cool, bold and thick lettered display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  19. Charleston Caps by Type Associates, $21.95
    Based on hand-lettered poster styles of the twenties and thirties, Charleston evokes a mood of flapper-era nostalgia. Ideal font to suggest the period of fashionable bobbed hairstyles, short(ish) hemlines and baggy pants.
  20. Hidup Tenang by Aldedesign, $25.00
    Hidup Tenang is a whimsical, laid-back, and fun display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  21. Xmas Stencils JNL by Jeff Levine, $29.00
    A retro delight for the holiday season is Xmas Stencils JNL, assembled from original 1950s holiday stencils and other sources. Twenty-Six designs offer a generous variety of embellishments for all of your seasonal projects.
  22. Irendy by Gatype, $10.00
    Irendy is a sweet calligraphy font and includes pretty swashes. It can be used for various purposes such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more.
  23. Rock - Unknown license
  24. Medallion Ornaments by Gerald Gallo, $20.00
    Medallion Ornaments is a collection of 185 circular ornaments based on plants, creatures, flourishes, geometric shapes, and ornate designs from historical sources.
  25. Spooky Strikes by Aldedesign, $45.00
    Spooky Strikes Halloween is a crafty and distinctive display font. With a combination of pixel-art and scary horror themes, this font has the potential to bring each of your creative ideas to the highest level!
  26. Learn Write by Letterafandi Studio, $12.00
    Learn Write is a playful handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!
  27. Sans Original by Thaddeus Typographic Center, $25.00
    The name says it all. Sans Original is indeed a unique sans serif display type form with very original curves and bold characteristics. Its distinct design offers a great potential for advertising, publications and package design.
  28. Kolgar by Letterena Studios, $10.00
    Kolgar is a modern and classy serif font with a modern twist. No matter the topic, this font will be an incredible asset to your fonts' library, as it has the potential to elevate any creation.
  29. Roxy Vp by Bejeletter, $14.00
    Roxy Vp comes in bold, its a cool, robotic and thick lettered display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a modern and techno touch.
  30. Intense Emotion by Seemly Fonts, $12.00
    Intense Emotion is a cute and simple handwritten font. No matter the topic, this natural and friendly font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.
  31. Embossing Seals JNL by Jeff Levine, $29.00
    Twenty-Six various styles of document seals comprise Embossing Seals JNL. With a little imagination any plain document can take on an "official" look by adding text and a few special effects to the finished image.
  32. Dhealova by Motokiwo, $15.00
    Dhealova is a sweet and romantic font. It's a pretty script that very recommended for weddings, fashion, posters, and much more. This font contains uppercase, lowercase, numbers, punctuation, ligature, contextual alternates, stylististic alternates, and multilingual support.
  33. Aotani by Rezastudio, $9.00
    Aotani is a thin lettered and simple sans serif font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Email : rezamukhtazar6@gmail.com
  34. Encrypto by Ronin Design, $15.00
    Encrypto is a modern typeface featuring begining and ending alternates. Designed for modern project themes, this font is perfect for game/app designs, logo designs, posters or pretty much anything else that requires a unique touch.
  35. Yellabelly by Chank, $99.00
    Being a lefty makes it challenging to write in cursive. Unlike righthanders who pull the pencil across the page, lefties must push the pencil as they write. As a result, the letterforms created by pushing instead of pulling the implement are different from each other. The lefty’s cursive script is seen here in Yellabelly, the fontified version of Chank Diesel’s left-handed handwriting. This one’s named after a cowardly cowboy.
  36. Pucky by Just My Type, $25.00
    When teaching font-making at the Art Institute of Tucson, I give my students plenty of lab time to come up with design ideas. I designed Pucky while one class created their fonts. It came about through an idea for a capital A: sort of a triangle with two round sides and a crossbar formed by a circle falling out. (You can see it here.) In drawing that, I hit upon the idea of making the tops of the alphabet sharp and square and the bottoms rounded. (See the whole alphabet here.) Pucky suggests both circus and psychedelia. Hmmmm, does anybody have an “in” at Cirque du Soleil?
  37. Hashtag by Agnieszka Ewa Olszewska, $5.00
    Hashtag is a type family of four types.The font contains over 360 carefully hand-crafted glyphs. Very elegant and gentle in big sizes but is very legible in smaller sizes and longer texts - in print or on screen. As an exclusively OpenType release, these fonts have an extended character set to support Central and Eastern European. Hashtag is perfect for logos, advertising, announcement, invites, thank you�s and correspondence, for packaging, and to create all yours fun and moderns designs you want. There are plenty of options to allow you to create something unique and special. I hope you like him as much as I do!
  38. My Tara by Posterizer KG, $16.00
    My Tara is a handwritten script typeface with a casual, but rough look and sketched woody texture. Because of the fluidity, there are plenty of Standard Ligatures to avoid frequent repetition of letters. There are ligatures created for Cyrillic too. If you want floral initials, first or last letter in a word, you can use My Tara Ornaments font with sketched and inky texture. If you need drawings for your artwork, you can choose My Tara Dingbats, with more than 300 crocky drawings of flora and fauna, authentic for National Park Tara. My Tara is the perfect choice for all natural and authentically beautiful things.
  39. Teaspoon by Canada Type, $29.95
    Teaspoon was originally designed by Haley Fiege as a project-specific font in 2007, then completed and produced by Canada Type for commercial viability in 2008. With a personality that can only be described as “ironic cute”, it serves as a much needed alternative for the old overused poster faces, such as Cooper Black and Gill Sans Extra Bold. Words that look good set in Teaspoon include puppies, rainbows, salmonella poisoning and Tom Cruise. Teaspoon is available in all popular formats, comes with plenty of alternate characters, and supports a wider than normal range of Latin-based languages, as well as Cyrillic and Greek.
  40. Amellisa Ink by HansCo, $15.00
    Amellisa Ink is a beautiful, elegant and natural handwritten font. This font is perfect for creating logos, watermarks, branding, wedding invitations, quotes, or anything else you wish to design. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!. Highly recommended to use it in OpenType capable software - there are plenty out there nowadays as technology catches up with design. The OpenType features can be accessed by using programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, Afinity and more. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!
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