Enamela (rhymes with Pamela) is a monoline square sans that is available in normal width and condensed versions. Although rooted in the early years of sans serif type, the Enamela fonts have a timeless quality that is practical and unpretentious. The letterforms derive from vitreous enamel signage dating from the Victorian era and widely used in Britain for street nameplates, Post Office signs, the plates on James Ludlow wall postboxes, railway signs and direction signs, as well as for circular Automobile Association wayfinding plaques throughout the first half of the twentieth century. The quirky terminals, stemming from the compression of geometric type, invite comparison with the Charles Wright fonts used for UK vehicle registration plates. Enamela and Enamela Condensed are both available in three weights – regular, medium and bold – and as italics (optically corrected obliques). A commonly used alternative M with a vertex that touches the baseline is provided at the Alt-M (µ) keystroke on a Mac, or Alt-0181 on Windows. A commonly used G with a plain vertical throat, no crosspiece, is assigned Unicode FF27 (full width capital G).

Arbuckle is a bubbly and buoyant display typeface. The family contains two layering fonts to allow for the control and styling of the bubble highlights.

Boleo is a typeface designed to work in short texts such as headlines, banners, logos, signs, packaging and posters. It is a display font but has a good legibility thanks to well-proportioned shapes which let it works fine both on paper and screen. Boleo’s shapes remind to ribbons in motion, so that its lines, all curved, can be traced all at once. Boleo displays in three weights: regular, bold and black.

ThePuncher typeface is made exactly for the book, poster, flyer or any type of titles, and for customers who wants to have bold and eye-catching final product. It can be used as a single letter for a logo or for numbering of anything you want. It is not made for long sentences. ThePuncher typeface purpose is to make big bang from your short and specific messages you want to share with the world.

Say hello to the new modern blackletter font, SMORENS Smorens is a unique modern blackletter font. With an elegant modern style, it adds a bold touch to your projects and will inspire you to create something unique and modern. Besides that, this font is also equipped with alternative characters, ligatures and multi-language support. Smorens is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel designs, and album covers.

Shintia Script is highly legible script typeface. It is a bold, classic and fun Vintage Script font with almost 247 glyphs and opentype features with stylistic alternates. It can be used for various purposes such as posters, t-shirts, signage, logos, news, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

The Quickstep Bold, a 'quick' font, originally made for the 25th anniversary of SSP Printing Co. in Amsterdam. First used for an intro spread of a Brian Eno quote in Wired Magazine (#3.05, May 1995): "The problem with computers is that they don't have enough Africa in them. What's pissing me off is that they use so little of my body". For a less outspoken expression, the Quickstep Sans was developed later.

Static looks almost like it was stamped on paper: the black color is not evenly distributed and the background comes through the letters and consciously irregular forms reinforce the effect. The characters do not all have the same height, nor do they stand straight and regularly on the base line. Static is a robust font with bold, rounded serifs and is best used for headlines and short texts in point sizes of 12 and larger.

Kanna Aoki drew the letters for MVB Emmascript while on a picnic near the Conservatory of Flowers in San Francisco’s Golden Gate Park. Mark van Bronkhorst adapted the writing as a font that maintains a very natural scrawl. Later a bold weight was added. MVB Emmascript has been used to add a lighthearted, human touch to everything from fiction paperbacks to potato chip packaging. The typeface is named for Aoki's 1968 Volkswagen, Emma.

Introducing Aillek, a retro-condensed font with multilingual support and a distinctive look that will enhance any project. Aillek lends a touch of retro charm to any design with its lofty letterforms and alternate characters. Your design becomes more dynamic and interesting thanks to its ligatures options. Aillek is ideal for producing vintage flyers, logos in retro style, nostalgic social media graphics, and more. It is perfect for branding initiatives, packaging design, book covers, and more due to its condensed letterforms. It is adaptable for any project that needs to reach a large audience thanks to its multilingual support. Aillek is a must-have for any designer, marketer, or anyone looking to add a dash of nostalgia to their work because of its distinctive design and features. It’s ideal for those who want to add a touch of nostalgia to their designs as well as for those who want to create designs that evoke nostalgia and vintage aesthetics. Make Aillek your go-to font for all your retro-condensed design needs by taking advantage of this opportunity. Don’t wait, get this special font right away, and start making designs that will be remembered. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

If you like thematic fonts, this is for you. It appeared in an old lettering book (from the 1930s, if memory serves) and later came out as a film font for photolettering machines. We cleaned it up and drew the missing characters, and here it is. Enjoy.

Havely Condensed Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Havely Condensed Sans Serif is a subtle sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

A circa-1920s book on lettering entitled "Book of Alphabets" by Regan Publishing displayed an example of a Grotesk typeface (a popular style of sans serif of the time). This design was re-drawn digitally as Not So Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique. Not So Grotesk JNL is the perfect companion font family to use alongside Simply Grotesk JNL.

Bosgema is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Basgem typeface comes with regular, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

CHARM Mirage is a serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. CHARM Mirage typeface comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

PH from Fontfabric Type Foundry is a multifaceted font system consisting of different font weights and type of condensation. Every one of these font weights contains a number of extension types - Condensed, Narrow, Regular, Extended and Wide. Along with all of this, you will also discover added groups of extras which could serve as a foundation or add that extra "cherry on the cake" to each unique design.

Vulcant condensed serif is a balanced, smooth, elegant and stylish serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Vulcant is a condensed serif is a subtle serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Quebra Expa (Expanded) is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Basgem is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Basgem typeface comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Every character in this font is meticulously crafted from eerie, yet beautifully haunting music notes. Here are some ways you can use this font to your benefit: Party Invitations: Create spine-chilling invitations for your Halloween party that resonates with the theme, setting the mood for a night of hauntingly good fun. Posters and Flyers: Craft attention-grabbing posters and flyers for haunted houses, Halloween events, or horror movie screenings that evoke the perfect blend of fear and fascination. Merchandise: Design eerie merchandise like t-shirts, mugs, or stickers that cater to Halloween enthusiasts and music lovers alike. Digital Media: Elevate your digital content, including social media graphics, banners, and web elements, to capture the essence of Halloween in a truly unique way. (This font only includes the 26 characters based on the English alphabet)

ITC Cyberkugel is the work of British designer Timothy Donaldson, who occasionally likes to write with an extra-fine ballpoint pen. I like the spindly scrawny forms that it gives me when I follow all the usual 'italic' writing conventions", he says. And there lie the origins of ITC Cyberkugel, although the creative process was moved from pen and paper to software and a Wacom tablet. "I like the fact that people will be buying it to give them a 'human', 'organic', 'non-digital' look, and yet no ink has soiled paper. Although the movements of the hand are still the essence, the whole thing was created in cyberspace." The name comes from combining cyberspace and Kugelschreiber, the German word for ballpoint pen. ITC Cyberkugel is a fresh interpretation of traditional calligraphy."

Roughcast is a kind of outside plaster, composed of cement and pebbles. It’s not the best looking plaster and it is estimated that in the UK, a roughcast outer reduces the value of a house by 5%. I am in the middle of renovating our old farm, but I won’t cover it in roughcast! Roughcast font is actually quite an attractive brush font. I made it with a brush I found hiding underneath my stove (where it had been for a while). I cleaned it and used it to make a couple of fonts, including Roughcast. Roughcast is best used for packaging, book covers and posters.

100.000 years ago years ago, a group of mad scientists from the far away planet ZyrXX, encountered the earth and just waited to conquer the planet. Their masterplan was to use electronic brain waves to manipulate our minds. Sounds cheesy and comic, right? Well, that is the true story about this font. The font was built using a grid (hence the name!) and all I had in mind, was a mixture of old sci-fi movies and computer graphics from the 80ies. I did my best to recall and re-create this - I will let you be the judge to decide whether I succeeded! :)

Waltowns is a dynamic and expressive typeface that captures the essence of street art with its bold and energetic design. The letters are characterized by organic shapes, reminiscent of marker strokes on urban surfaces. The font exudes a raw and brave vibe, reflecting the spirit of graffiti culture. The font includes a diverse set of characters, allowing for creative and eye-catching compositions. Whether you’re designing posters, album covers, or any other graphic project, Waltowns inject a sense of urban attitude and artistic edge. Its versatility makes it suitable for a wide range of applications, making your designs stand out in the crowd. Waltowns is not just a font; it’s a statement. It represents expression, the vibrancy of the streets, and the bold creativity that defines graffiti art. Use Waltowns to bring a touch of urban authenticity to your design projects and let your creativity run wild on the walls of the digital world. FONT FEATURES Additional Accents 68 Languages Kerning SOFTWARE RECOMMENDATION Adobe Photoshop CC 2020 or later Adobe Illustrator CC 2020 or later

This font was made during testing of a neat little application, that traced hand-written letters on the fly. That application was later abandoned, and the font, named Simpel for it's obvious casual simplicity, was finished separately. This story goes up to the year 1998, and recently the font was returned from the archives. SImpel was completly remastered and some useful ligatures were added. It is nice, clean and really, quite simple. Which often comes very handy. It will work well in comic books, magazines and party flyers, for instance.

Opal Orbit is a layered font that captures the fun and whimsy of musical themes. This unique typeface is characterized by its bold, rounded letters and vibrant energy, making it a perfect choice for various applications. Whether used alone or combined with its nine thematic variations, Opal Orbit promises versatility and visual appeal. Crafted with precision, each letter exudes a playful aura, resonating with the themes of childhood and crafting. Its distinctive characteristics make it an excellent option for logos, branding initiatives, children’s themes, crafting projects, invitations cards, packaging designs, posters titles business communications greeting cards stickers children’s books magazines and other design needs aligned with its thematic elements.

Gemini Cows is the perfect funky, retro, bubbly font family! It includes every style you'll need to create a comprehensive website, clothing brand, poster, label, sticker, art cover, or any other graphic! This typeface is great for any project that needs both boldness and femininity. It comes with seven fonts, including Great for any projects needing a retro or throwback feel, restaurant menus, along with book, movie, and album covers. It has a feminine and juvenile feel simultaneously and can be layered for cool effects. It also has swash alternates to give your words some flare :) It has 460 glyphs, supporting a variety of languages!

Right Female is an elegant bold script with natural texture. I designed it with my own hand-writting style. I really hope you will enjoy it so much when using this font. I love using this one with layer masks in Photoshop, really look natural written. Right Female Script includes over couple ligatures to make everything look totally hand-done. What's Included: - OTF files - Ligatures in script - Numbers + Punctuation - Non-English support - Swashes If you are interested in more fonts of mine: https://creativemarket.com/Haksen/3908083-Attention-l-Combine-with-Extra-Bonus Please contact me if anything question, I'm glad to help :) Happy Designing, Haksen

Introducing Drefar – Slab Serif Font The Masculine Casual Blend Drefar – Slab Serif Font is a striking fusion of masculinity and casualness, making it a perfect choice for displays. Bold and Rugged Drefar’s bold and rugged appearance conveys strength and resilience, making it ideal for projects that require a robust presence. Informal Versatility This font’s informal nature lends itself to versatile applications, from posters to headlines and more, without sacrificing its bold character. Confident Typography Drefar is a font that exudes confidence. Its slab serifs and well-defined lines provide a sense of clarity and determination. In Conclusion In summary, Drefar – Slab Serif Font is the font that marries masculine and casual elements, offering bold, confident typography for your display needs. Its versatile and rugged nature ensures that your content carries a commanding presence, engaging a wide range of readers and viewers. Whether it’s posters, headlines, or other design projects, Drefar ensures your message is delivered with strength and determination.

Many foundries had versions of Concave ‹ wide, narrow, extra condensed, some with lowercase, some without. A good general utility style for Victorian typography.

Rembord is a modern, inclined and slightly condensed typeface. This font contains a wide selection of swashes, stylistics alternates, stylistics sets and ligatures.

Steinschrift Pro is a condensed sans serif font which comes with West and Central European as well as with a Cyrillic character set.

A New Typographic workhorse with robust round over corner curvature construction. Rounded condensed sans serif. 331+ Characters Upper & Lowercase Adobe Latin 3 - CE

Colour is more fun than black, but multicolour is even better. Let me introduce URLOP, a wide type family suitable for your fancy posters, headlines, covers, illustrations, websites, initials, blackmails, chronicles, signboards, poems and many others. Twelve basic styles, which make the overall construction, give a wide range of opportunities. All of them, being able to mix with each other, vary from a thin INSIDE, through a medium FILL, to a double-stem PLUS styles. And then comes a range of colour fonts, so you don’t have to waste any of your precious time for experiments, because I’ve already done it for you! URLOP is an all-caps display collection consisting of three sub-families of fonts, divided by the usage they are designed for. First of all, there is a wide range of alphabets made in the new OpenType-SVG colour fonts format. This is quite a novelty and a very promising technology at the same time. It allows designers to store colour information inside the font. Due to my experience with layered colour thinking that I explored in my first family - Epilepsja , I decided to make several preset layer combinations in this auspicious format. This sub-group is tagged RGB. Make sure that your field of usage and software support OT-SVG format. However, if you feel a need to experiment in the old-fashioned way, you may buy separate layers under the DIY tag. The last group is very similar to the DIY, but it was optimized to look better when standing without other layers. It’s called PRO*. All styles cover Latin alphabets of Europe, basic Cyrillic and Greek sets. Have fun! Before using the font, read the instructions and specimen attached to font files in the purchased package or download them from the Gallery tab on this site. This will help you avoid making unexpected mistakes when combining layers. *PRO subfamily release planned in 2019.

ITC Coventry is the work of American designer Brian Sooy. ITC Coventry is what type would look like if you left a gothic font out in the rain. IF you look close, you'll see the roots of a handsome sans serif font buried under a layer of grime and rust, basically." The low-budget student flyers that Sooy saw in the Coventry section of Cleveland Heights, Ohio, inspired him to design this font and the result is a typeface which looks as though it has been faxed or photocopied many times. "While it looks very irregular in text, it's very carefully spaced to give that effect," says Sooy. ITC Coventry was designed to work just as well in text as in headlines or even on billboards."

Papercute Inline is a cute layered hand-drawn font designed by Fanny Coulez & Julien Saurin in Paris. Inspired by paper cutting, this font is easy to read, and easy to play with 8 different styles, including 3D, outline, full or dotted line, that you can use alone or together. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks is the Inline version of Papercute . Just click on our foundry name to see it! You could follow us on our Instagram: instagram.com/sc.type We hope you will enjoy our work. Merci beaucoup!

Latex was initially a single multi-script all-cap font commissioned in 2012 by a company we can't name, to market a billion-dollar superhero movie we also can't name. A year later the commission grew to include a shaded variant and a set of DIY-like fonts, with different layering possibilities for dimensional manipulation. Each of the five Latex fonts come with a character set of over 600 glyphs, supporting the vast majority of Latin languages, as well as Cyrillic and Greek alphabets. Lots of stylistic alternates are also included, including some for Cyrillic and Greek. Superheroes are cool, though their costumes need more pockets, for credibility's sake. Maybe some superheroines should find something more practical than stilettos. Or maybe not. But definitely more pockets.

Gibon draws inspiration from the fascinating comic book universe, inhabited not only by many legendary superheroes, monsters and superbadass antiheroes, but also by its own legendary typefaces. Every cartoonist and hand letterer needs a pencil, a T-square and on and on. For digital lettering, books Gibon is an option. This handy toolkit helps you easily letter your comic strips, but even if you have nothing to do with cartooning, this bundle can simply add some comic book feel to your design or make some noise with layered sound effects. The basic font for speech balloon inking is Gibon Lettering, while Gibon Bold and Heavy let you emphasize certain text. Gibon Bold is further developed as a multilayer type where different styles are designed to be overlaid on top of each other, letting you work with built-in shadows, 3D effects and outlines to create striking SFX. Gibon Balloons offers different types of layered speech balloons and a few halftone patterns. The OpenType contextual alternate feature is set to automatically apply the random effect using two sets of glyphs. Traditionally, comic books are lettered in caps only, which explains why Gibon is an all caps font. To easily access alternate characters they are encoded as lowercase letters. For example, type the uppercase “I” to access the crossbar “I” and the lowercase “i” to access the crossbar-less “I”. Turn on stylistic set number one to use only crossbar-less “I”.

Alonzo is a modern cosmopolitan who speaks several languages fluently. Alonzo comes in six weights and two widths, as well as corresponding italics, making a total 24 styles. Alonzo is an elegant, simplistic, high-contrast sans that is at home in high-end fashion and cultural environments, as well as in the world of restaurants and nightclubs. While Alonzo Condensed is more illustrative and works best in display use, headlines, logotypes, labels and all that, Alonzo Regular works in a wider range of contexts, from body text to editorial and catalogs and more. Alonzo is equipped with several OpenType features such as oldstyle figures, small caps, Standard Ligatures, Superior and Inferior Figures. In addition Alonzo has Stylistic Alternate lowercase "a" with round Bowl. Me llamo Alonzo. Mucho gusto, piacere di conoscerti, nice to meet you!

Typefaces with very thin verticals and fat, square serifs were popular in the 19th century for display. Hollywood helped associate this style with the Old West, but reference books identify some of it as Italian style. WyomingSpaghetti, part of an extended family of typefaces, has a name which combines these two associations. Most typefaces of this type are very condensed, but this one is not. The letter o is nearly circular, which is rather unusual in this style.