A year after the tremendous success of Memoriam in the "Lives They Lived" issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once more to tackle the same project for the 2009 issue. This time the magazine's design concept revolved around a typeface they created specifically for custom vertical malleability, and that can play just as well in single- or multi-color environments. The result was another iconic commemorative issue that shows exotic tri-line letters merging, swashing, extending and flourishing in stunning gold, silver and blue on black on the cover, and in black on white on the inside pages. Just like in the previous year, the issue won multiple publication design and typography awards. Crescendo is that typeface, finally issued for retail by public demand. Just turn your setting into outlines in your favorite vector program, grab single strands and extend away, and do your best alternating colours between strands. Crescendo comes with a limited punctuation set, but accented characters for Western Latin languages are included, and there many, many alternates and ligatures in there as well. This typeface is best used in large display sizes.

Inspired by the early days of video games where the graphics were made of squares (pixels), Wahyu Wibowo comes up with pixel based typeface design, Jogan, but instead of having medium width, he decided to make it narrow which is rarely exist in pixel style font. The style were expanding in the development process, so the family have 4 subfamilies: Jogan (regular, bold and monospace) Jogan Soft (regular, bold and monospace) Jogan Round (regular and monospace) Jogan Slab (regular and bold) Each Jogan font style contains 280+ glyphs which covers Western Europe languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Filipino, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Retro, retro-futuristic, futuristic, modern, techno theme projects fit perfectly with this typeface, any works from logo, poster, video, headlines, titles, and more!

Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Optimized for web, tablet and smartphone applications. Also “Bosphorus” is a perfect screen display font. Technical information: “Bosphorus” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bosphorus 50 Normal 53 Regular” forms the central point. The first figure of the number describes the stroke thickness: 51 Thin to 56 Black. 5 Width / 6 Weights and italics also “Bosphorus” total 60 types. The family contains a set of 530 characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. UPDATE: 1- Some glyph unicode error correction / 04-06-2018 - Euro Unicode - Idottacent Unicode - Oganec Unicode - Middot Unicode 2- New Version 2.0 / 25-06-2021 You can enjoy using it.

Hi all, This beautiful modern lettering named Seinna Grace, its created with lovely and stylistic characters. This Elegant font was PUA encoded. Seinna Grace is a modern lettering typeface that comes with Extended Latin Characters. This fonts works properly and perfectly for logos, wedding invitation card, stationary, packaging, clothing, flyer, apparel, magazines, brochures, headings, signature, lable, news, posters, badges, etc. Seinna Grace features 327 glyphs and 82 alternate characters contain with opentype features. Seinna Grace has many stylistic alternate characters that allowing you to make each word look completely clean and elegant. The Standard Ligatures are also included to bring up your creativity. You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign and CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). For other programs that doesn't support OpenType features or Glyphs Panel such as Photoshop, you can use Character Map in Windows to access the alternate characters.

Makosi is a traditional serif typeface that is ideal for classic or retro modernist applications. With a graceful and elegant design, this typeface adds a distinctive touch to any text composition. Makosi includes unusual features such as ligatures and alternatives, which provide flexibility and provide intriguing variations in text appearance. As a result, you’ll be able to effortlessly adjust the style and feel you want for each of your creative projects. Furthermore, Makosi is multilingual, allowing you to utilize this typeface in a variety of languages all around the world. You may reach a worldwide audience while also providing a consistent and appealing visual experience. You will develop an eye-catching design with a distinctive classic touch if you use Makosi as the main font for your project. Join Makosi and give your distinctive typography a new depth. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

"NOVARE Typeface" is a modern sans serif font that comes in a variety of weights, ranging from Thin to Heavy. It has a high body, making it easy to read even in small sizes. The font includes 600 glyphs, which allow for a wide range of typographic possibilities. In addition to the regular weight, "NOVARE Typeface" also includes a condensed version, which is ideal for situations where space is limited. The font supports Private Use Area (PUA) encoding, allowing you to access special characters and symbols that are not available in standard character sets. Overall, "NOVARE Typeface" is a versatile font family that can be used in a variety of design contexts, from branding and advertising to editorial and web design. Its clean and modern aesthetic make it a popular choice for designers looking for a fresh and contemporary look. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting the Bottucke Signature Script font by alitdesign. The Bottucke Signature Script font is inspired by spontaneous and dynamic signature strokes with an ink texture that makes the Bottucke Signature Script look real. The Bottucke Signature Script font looks unique and charming which makes designs using the Bottucke Signature Script look more prominent and cool. The Bottucke Signature Script font is perfect for a collection of new fonts on your computer, tablet and smartphone for making unique designs or lettering. The Bottucke Signature Script font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Bottucke Signature Script contains 648 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Thorfin is a sharp serif typeface. Drawn and created between 2020 to 2022, this modern lettering has a distinct personality while maintaining a regularity of a body text. Thorfin gives any project a smart character with its geometric shapes and crisp edges. The Thorfin family consist of 14 fonts, such as Thin, Light, Regular, Medium, Bold, Black and Italic. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about Variable Fonts: https://mansgreback.com/variable-fonts The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The retro-inspired design of Aviano Copper Variable echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while carrying a big stick. To create the right balance, small wedge serifs were added onto Aviano Sans, giving you a sophisticated style that looks and acts like it belongs nowhere short of Boardwalk. Developed to a new level of excellence, this design offers a wide range of weights from thin to black. There's full multilingual support of all Latin-based languages and five stylistic sets, swash designs, and 1000 glyphs per weight, including some unique ligatures. Number options include old style figures, tabular figures, and superscripts. Unique median spur alternates, swashes, and ligatures will help you customize every single design. The feel of last century’s personal and business correspondence is waiting for you in this member of the Aviano family. While ideal for headings, displays, logos, and short texts, Aviano Copper’s use for everything from letterhead to wine labels may just give you the monopoly you’re looking for.

PT Root is a contemporary sans serif with strict, laconic forms. It’s a versatile typeface that provides a wide range of possibilities. Regular style works great in long texts (both on screen and in print), as well as in the interfaces. Medium and Demibold are good for signage, while the lightest and boldest styles look great in large sizes and are suitable for the brand identity. PT Root is a sans serif with 10 weights and a variable version. Its character set includes extended Latin and extended Cyrillic, three arrow variants, fractions, index numbers and letters. PT Root automatically lifts dashes and brackets with the case change. Its characters have stylistic variants, including the single-storey a, a strikethrough zero and some local alternates for Bulgarian and Serbian Cyrillic. PT Root can work in a project both independently and in pairs. Contemporary serif typefaces are the best text companions for it — try for example PT Serif, Yefimov Serif or Scientia. In case PT Root is the only text typeface in the project, then combine it with serious typefaces, such us technical (Din Condensed as an example) or pronouncedly contemporary typefaces, including postmodern ones, from Stapel or Spile to Helsa.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. In the case of French stencils the challenge was special, because of the varieties of different widths and weights between the stencil sets – so I made France No. 1, No. 3 and No. 5. The most unique and eye-catching elements of typical French stencils are the figures 1, 2, 3, 7 and a specially 5. The figure 5 changes in style on smaller stencil sizes, its bobble getting replaced by something like a “breve”. The letters J and Q can differ in style too. While the local stencil lettering styles are gradually disappearing in other countries, there are regions in France, such as Normandy and Brittany, where these stencils are still in use today. They are used for technical lettering, which is what stencils were originally intended for, but also for ads and information signs in a more artistic or patriotic context. Over the time, these stencil letters became a globally recognized landmark of French design and French taste. All styles offering an extended Latin character set. » pdf specimen «

Are you looking for a Comic/Cartoon font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Blood Blaster a Bouncy Cartoon Font Blood Blaster a Bouncy Cartoon Font, Inspiring from playful bouncy cartoon style typography. This bouncy cartoon font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Blood Blaster font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Presenting the Mrattoos Signature Script font by alitdesign. The Mrattoos Signature Script font is inspired by spontaneous and dynamic signature strokes with an ink texture that makes the Mrattoos Signature Script look real. The Mrattoos Signature Script font looks unique and charming which makes designs using the Mrattoos Signature Script look more prominent and cool. The Mrattoos Signature Script font is perfect for a collection of new fonts on your computer, tablet and smartphone for making unique designs or lettering. The Mrattoos Signature Script font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mrattoos Signature Script contains 700 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Watermint Script is a formal typeface that epitomizes the essence of elegance and sophistication. Envisioned for formal settings, its calligraphic strokes evoke a sense of classic beauty, making it an ideal choice for invitations or logotypes that demand a touch of class. Watermint Script is a harmonious blend of cute and lovely, wrapped in a feminine and romantic design. Its light and fresh appearance breathes life into each word, offering a clean and flawless presentation. The font's perfection lies in its attention to detail, with each character exuding a classy aura that enhances the overall visual experience. The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Designed by Mans Greback, Watermint Script is a testament to his commitment to creating fonts that are not just tools of communication, but artworks that enrich the visual landscape.

Klein PDF Specimen Klein is Zetafonts love letter to the grandmother of all geometric sans typefaces, Futura. Starting from a dialogue with Paul Renner’s iconic letterforms and proportions, Francesco Canovaro and Andrea Tartarelli decided to depart from its distinctive modernist shapes with slight humanist touches and grotesque solutions - with some design choices evoking the softness of humanist sans serifs like Gill Sans. The end result is a workhorse superfamily of 54 fonts with full multilingual capabilities and coverage of over two hundred languages using latin, cyrillic and greek alphabets. The original display-oriented family, developed in nine weights with matching italics (from the hairline thin to the sturdy black), has been paired with a text version (with slightly higher x-height, better readability and maximum legibility at small point size) and with a condensed version, to be used for space-saving display solutions in editorial and advertising formats. With a name that is both a nod to its humble functionality and an homage to french nouveau realiste artist Yves Klein, this typeface aims to become your next trusted companion in all your adventures in print, digital and motion design.

Outside Voice is a handwritten, all-caps typeface, created as an homage to the robust history of handwritten protest signs. It's a beautiful display font for a huge range of projects, from poster art to holiday cards. With contextual alternates enabled, this font will automatically cycle through three sets of handwritten alphabets as you type. The result is type that looks as imperfect and handmade as a digital font can get. This makes Outside Voice a wonderful choice for pairing with hand-drawn illustrations. Consider varying the size, slant, and/or color of each line in your layouts. These adjustments make Outside Voice look even more handmade and organic, which is great for fun designs like posters and quotes. This typeface is quirky and ligature-rich, with over 600 glyphs and icons. It supports Latin and Modern Greek alphabets, and includes all European language diacritical markings. It includes a set of decorated word ligatures comprised of common protest words like 'peace,' 'vote', and 'yes!'. Additionally, you'll get a full set of common protest icons, such as a raised fist, planet, dove, and peace sign.

Larken is a confident serif. Designed to reflect nature, it creates a sense of natural softness and expressiveness. We pushed the concept into a usability focused direction, to work as a bold tool and beautiful communicator. Larken variable allows fluid design across 7 weights, italics and major latin based languages. True italics advance the aesthetics, bringing energy and making it suitable for modern design. The type family melds organic curves and gentle repetition into powerful and harmonious type. At large point sizes you can appreciate the letter shapes, whilst the same restraint and focus creates an even texture for small point sizes and long reading. The font broadens its use by supplying weights all the way from thin to black. The natural curves, swells and sloping trunks, grow in character as the font gains weight. Whilst the thinner weights have lowered contrast and optical corrections to create a warm and gentle appearance. The Larken character set incorporates additional symbols, stylistic alternates, unique ligatures and case sensitive punctuation - producing a stable workhorse family ready to tackle projects of any size.Check out Jeko which is a great pair for Larken.

It took me 12 years to bring this extensive font family to completion. A lot has been changed, transformed, peeled and developed in all those years. For many of my projects I used it as my quarry and so it might have become something like a synthesis of all my imaginations and experiences. To me »Schnebel Sans« represents the optimal design of a contemporary grotesque that perfectly unites dynamics with statics. For copy text the typefaces are very legible, neutrally and remain in the background, but despite this generate the necessary tension when set as headlines. »Schnebel Sans« is available in 48 different styles. It is available as a Pro Font, containing West, East Greek, and Cyrillic or as the Schnebel Sans ME, also containing Arabic and Hebrew. The scripts include small caps and various figure sets. This big range of styles from Thin to Black and from Compressed to Expanded offer many possibilities for design and fulfill all requirements for a professional use. Because of the supplement of several non-Latin character sets, the »Schnebel Sans« is perfectly suitable for global services too. Volker Schnebel, 2016

Fakir | A Hindu ascetic or religious mendicant, especially one who performs feats of magic or endurance. The well known feats performed by them include sitting steadily on a bed of nails and walking on burning coals. Blackletter | A script used throughout Western Europe from approximately 1150 to 1500. It continued to be used for the German language until the 20th century. Fakir, a blackletter with a holy kiss is a contemporary interpretation of gone letterforms with origin in blackletters. More precisely, we based the construction on broadnip textura, with lots of broken, edgy, interrupted strokes – try to sit on a nail bed and you’ll know why fakirs like to read just these kind of fonts! After being abandoned for some time (not accepted, nearly forbidden), we would like to give our generation a blackletter from here and now. So Fakir is not a revival, but an all new 21st-century blackletter. Fakir is a set of edgy text and display fonts, ranging from tight and heavy to light and wide. It has 11 fonts, all supporting Underware Latin Plus character set, that covers 219 languages.

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). The design combines traditional conservative appearance with modern trends of humanistic sans serif and possess enhanced legibility especially in caption styles. These features, besides conventional use in business applications and printed materials, make the fonts usable for direction and guide signs, schemes, screens of information kiosks, and other objects of urban visual communications. The fonts have extended Latin and Cyrillic character sets serving alphabets of all title languages of the national republics of Russian Federation and supporting the most of the languages of neighboring countries. Each font contains about 1400 characters including small caps for all alphabetic characters, 4 sets of figures with lining and old style variations, stressed Cyrillic vowels, indices, fractions and so on. Design -- Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov. The fonts released by ParaType in 2010.

Presenting the Manfollo Script font from alitdesign. The Manfollo Script font is inspired by spontaneous and dynamic signature strokes with an ink texture that makes the Manfollo font look real. The Manfollo font looks unique and charming which makes designs using the Manfollo font look more prominent and cool. The Manfollo font is perfect for a collection of new fonts on your computer, tablet and smartphone for making unique designs or lettering. The Manfollo Signature Script font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Notholl Script contains 670 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Mellow Sans is a soft and friendly rounded sans serif. Its bold styles are great for packages of something tasty, while light and regular ones work well in rather long texts, from a children's book to a reading app, or a family restaurant menu. The typeface was created by Natalya Vasilyeva, an expert in designing text and calligraphic typefaces. Mellow Sans’s forms are based on humanist sans serifs. The nobility and liveliness of Renaissance calligraphy reads beneath its curves and makes the typeface even friendlier, while helping the eye to move along the line. The typeface supports extended Latin, extended Cyrillic (all major languages of the Russia’s peoples) and Greek. It also has old style figures, arrows and non-alphabetic signs. With Mellow Sans as a heading typeface (in that case bold styles fit the best), calm open sans serifs, f.e. Vast or Fact, are its optimal text companions on the screen. Calm serifs, f. e., Octava, Scientia or Aelita, will work as its companions on paper. And to create expressive typography, for example, in packaging, you can match Mellow Sans with quirky rounded serifs — Cooper or Epice.

Qonihy is a modern serif typeface that is ideal for projects that require a classic yet contemporary look. Its characteristics allow you to express your creativity. Every character in Qonihy is meticulously designed, with precise and elegant lines that give the impression of luxury and professionalism. This font is appropriate for a wide range of design demands, including book designs, logos, and product packaging. Qonihy’s combination of narrow and bold serifs creates a strong and dominant impression while remaining easy to read. With the available character alternatives, you can easily customize the appearance of your text and make your projects more creative and unique. Qonihy’s multilingual support allows you to easily reach a worldwide audience and deliver your content in many languages. So, if you want to create visually appealing and elegant projects, Qonihy is the way to go. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Hello, Are you looking for a playful sign font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Crafty Signs a Playful Sign Font Crafty Signs a Playful Sign Font, Inspiring from playful signage style typography. Crafty Signs font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for signage style, craft, book cover, children book, comic, poster, packging, merchandise, logotype and much more. Crafty Signs font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Decora Arabic is a new creation of Naghi Naghashian. Decora Arabic's design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. A modern interpretation of Naskh which was invented as calligraphic style by Ebn Moghleh, a Persian savant in ninth century. This script is the most widely used and its popularity has increased through the centuries. Most recently, it has served as a basis for the typefaces that are in use today. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Decora Arabic's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Decora Arabic was developed for multiple languages and writing conventions. Decora Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.

Galactic Adventure is a calligraphic brush font with a retro twist, inspired by the expressive movement and boldness of vintage advertisements. This font effortlessly combines the heavy, dynamic strokes of brush calligraphy with the cool, adventurous spirit of the past, making it an ideal choice for merchandise, branding, and creative projects that demand a touch of retro charm. Use underscore _ to make a underline. Example: Co_ol Use multiple underscores for longer swashes. Example: Super____human The Galactic Adventure font family features three distinct styles to suit your design needs: Regular, Bold, and their respective Italics. These versatile options allow you to capture the essence of the past while adapting to modern aesthetics, providing endless possibilities for your creations. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design. The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts. A veritable swiss-knife for the designer, Codec Pro also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (Codec Cold) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more constructed look, stylistic set 4 (Codec Warm) uses open diagonal cuts and humanist shapes to give the typeface a gentler, warmer feeling. Set 3 (Codec Cold Logo) comes alive with funky ligatures, while Set 5 (Codec Warm Logo) stretches uppercase characters horizontally for a dynamic, unexpected effect

This font is based on the Latin-based font for Linear B syllable writing. It contains all the characters. To see some full characters, you can use Turkish characters by selecting the font from the add character section of the word program. Linear B was a syllabic script that was used for writing in Mycenaean Greek, the earliest attested form of Greek. The script predates the Greek alphabet by several centuries. The oldest Mycenaean writing dates to about 1400 BC. It is descended from the older Linear A, an undeciphered earlier script used for writing the Minoan language, as is the later Cypriot syllabary, which also recorded Greek. Linear B, found mainly in the palace archives at Knossos, Cydonia, Pylos, Thebes and Mycenae, disappeared with the fall of Mycenaean civilization during the Late Bronze Age collapse. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing. Linear B, deciphered by English architect and self-taught linguist Michael Ventris based on the research of American classicist Alice Kober[5] is the only Bronze Age Aegean script to have thus far been deciphered.

This is a decorative and steganographic Braille font based on Lorraine Cross pattern. As the Lorraine cross splits space into six areas, it may be used to represent Braille glyphs. Provided Glyphs * Lowercase letters (a..z): a White cross and Black square dots * Uppercasecase letters (A..Z): a Black cross and White square dots * Special characters (e.g. !#$%*+<>{}()[]...) * Decorative glyphs (provided in black and white as well) Glyph code intervals - Codes 48..57: Bullets (0..9 digits) - Codes 130..150: 'White Stars' - Codes 192..233: 'Black Stars', Black border glyphs and other black patterns. - Codes 214..233: Border/Decorative glyphs (Black) - Codes 235..255: Border/Decorative glyphs (White) - Codes for Cross w/o dots: Black (192), White (235) - Codes for Cross and 6 dots: Black (191), White (234) - Code for 'Half-width space' (166) Posters 1. Logo: illustrates usage of border glyphs 2. Meta: Two big Lorraine Braille glyphs drawn with pattern glyphs 3. Stars: illustrates usage of 'Star' and pattern glyphs 4. Bullets: illustrates usage of bullet glyphs (0..9) 5. Human rights - Article 1 NB: - Encoding is: Windows Latin ("ANSI") - Published in two versions: Commercial and Free for personal use

Hello, Are you looking for a stylish and unique font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Milky Berly a Bold Stylish Font Milky Berly a Bold Stylish Font, Inspiring from playful stylish quirky style typography. This Bold Stylish font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Milky Berly font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Edita is a gentle typeface, humanistic in concept yet with a contemporary feel, where softness and fluidity play a very important role. This can be seen especially in its italics, which are loosely based on handwriting. This book typeface family is intended to be used in books where text is set together with photographs and other graphic elements. However, Edita is a general book typeface, versatile enough to be used in many other contexts, from novels to promotion material. Edita’s large character set, covering most languages which use Latin script, and styles give the designer the possibility to work with a big typographic palette, allowing complex typesetting with several levels of information. This is further enhanced by the two optically corrected weights Edita Small and Small Italic. They have been particularly designed for their use in very small type sizes, such as in captions and notes. They differ in having a slightly bigger x-height, heavier stems, reduced contrast, and carefully drawn ink-traps to ensure legibility at sizes as small as 5 pt. Additionally, their extenders are shorter to save space which allows text to be set with tighter leading.

The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography. The font family includes 15 styles. The font family has a variable font with two axes of weight and width. The font contains a set of alternative characters that will allow you to create different moods. The font contains Western European Latin and standard Cyrillic. The font has more than 3,600 kerning pairs configured. The font contains beautiful ampersand.

Nsai is a modern sans serif font family with a geometric twist, created in 2021 by a Congolese type designer, Audry Kitoko Makelele. It is available in two versions (normal and extended) making a total of 36 fonts. There are 9 weights with their true italics. Over 600 glyphs per font provide a wide range of language support, from Latin to Cyrillic, as well as powerful Opentype features such as professional kerning, stylistic variations, very special ligatures, old-fashioned tabular figures, Fractions, denominators, exponents, unlimited indices, arrows and more to satisfy the most demanding professionals. On the one hand, it features rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles on any medium. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as editorial design. It’s a wonderful, bold and elegant font. This font is guaranteed to make your design stand out from the crowd and leave a lasting impression, as it has the potential to enhance any creation.

Hello, Are you looking for a Comic/Cartoon font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Cruch Branch a Bold Bouncy Font Cruch Branch a Bold Bouncy Font, Inspiring from playful bouncy cartoon style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Cruch Branch font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Pulse JP is a constructivist text and display font that differs from comparable fonts due to its special sharpness and harmonious balance. Its technical and constructed form creates a somewhat artificial impression of special appeal. It is ideal for display on the screen and is used in many projects. Pulse JP is a super family consisting of 48 weights from compressed to expanded in 6 fat gradations each. This opens up a wide range of designs and the possibility of combining typefaces of the same character in a wide variety of variants, or of being able to adapt typefaces to very different conditions. The details of the individual typefaces are coordinated with each other with great precision and perfectly implemented in terms of craftsmanship. In all variants, this leads to a well-balanced typeface with particular sharpness. The very extensive character set supports 120 Latin languages. Pulse JP meets the pulse of the times, which is in a transition away from the humanistic to the classicistic designs. jp Pulse outperforms many other fonts not only in terms of sharpness but also in terms of variety and is therefore always a good choice.

Download PDF Specimen See Blacker and Blacker Sans , the perfect matching companions of Blackest. Blackest is an inverse contrast wedge serif typeface family, designed by Francesco Canovaro and Andrea Tartarelli as a development of the Blacker typeface designed by Cosimo Lorenzo Pancini. The classical skeleton and sharp edges of the original have been kept while bringing the contrast of the typeface in the realm of the so called “italian” or reverse-contrast typefaces. The result is a typeface family that manages to be quirky but classical, and playful without losing elegance. With its exuberance and six weights of eye-catching proportions, Blackest is perfect for display use: editorial & magazine design, poster design and logo development - but to allow its usage as a for typesetting of longer texts a text variant in two weights has been developed, with less contrast, looser spacing, and high readability. Blackest features an extended character set that covers over 220 languages using the Latin alphabet, as well as Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures.

Salome is a revival, normalization and elaborate expansion of a 1972 film face called Cantini. The original film type, released by a tiny independent outfit called Letter Graphics, looked like it was hand drawn with little consideration for consistency in essential lettering flow measurements, like angles, stroke widths, and vertical metrics. All these issues have been resolved in this digital version, and the original character set, including the whole lot of alternates, was entirely redrawn and expanded to include even more alternates and many useful ligatures, as well as extended support for Latin-based languages. Combining elements of early 20th century art nouveau with common 1960s and 1970s signage and poster lettering flair, Salome uses curls and curves to wave its fantastic shapes in a most hypnotic dance. Salome simply cannot be unseen. Just like its namesake, the female seduction icon, it does not hesitate to put all of its natural beauty and energy on display in order to get what it wants. Salome comes in all popular font formats. The OpenType version, Salome Pro, combines the main font with the alternates one, and contains convenient features for push-button alternation and ligature substitution in supporting software programs.

Vincent Pacella was a true giant of hand-lettering and typeface design. Of the dozens of styles he designed for Photo-Lettering and International Typeface Corporation, his dominant Goliath towers above the rest. The font is perhaps best known from Herb Lubalin’s American flag that the design legend created for Print magazine’s 40th anniversary cover. Pacella takes “slab” serif to heart with this colossally-proportioned font, using brawny stroke endings and minimal curves to create a powerful figure for maximum visual impact. Take advantage of Goliath’s superior stature to make viewers take notice in industrial settings, sports branding, and oversized outdoor media applications. For comparatively modest musings in accompanying running text, consider partnering it with a comparatively spartan slab serif like Municipal. Or, team up Goliath with a faceted fellow heavyweight like United Sans. Originally drawn in 1970, Goliath was digitized by Ben Kiel with Adam Cruz in 2011. GOLIATH CREDITS: Typeface Design: Vincent Pacella Typeface Digitization: Ben Kiel, Adam Cruz Typeface Production: Ben Kiel Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Centro Slab Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Unleash the playful vibes with Bigsize, a vibrant display font crafted to command attention and inject a dose of fun into any design. The bold, rounded letterforms make it a perfect choice for titles, headlines, and product packaging. Its whimsical charm also positions it as an ideal companion for brands targeting a youthful or lighthearted audience. Bigsize isn't just about fun; it's designed to be both playful and functional. Its readability, even at larger sizes, ensures that your message shines through. The font's distinctive style is a testament to the designer's creative exploration of letterforms, resulting in a typeface that strikes the perfect balance between playfulness and legibility. With over 350 glyphs, including support for broad Latin and Cyrillic languages, Bigsize proves its versatility across various design projects. Whether you're working on posters, billboards, logos, or digital ads, this font is your ticket to making a bold and memorable statement. Whether you're crafting a poster, developing packaging for a brand, or spearheading an advertising campaign, Bigsize is the font that will set your project apart. Its bold and comical aesthetic captivates your audience's attention, while its readability ensures your message resonates effortlessly."