South time an enchanting handwritten script typeface with exquisite accents, casual-chic, perfect for you who want a perfect and fabulous font! Suitable for many design projects such as logo design, branding, packaging, blog graphics, stylizing quotes, wedding stationery, art prints, collateral design, packaging, social media, and so on. I’ve truly enjoyed the process of creating this font collection and hope that it will bring some magic into your projects! Whats Includes: Regular Script, Uppercase and lowercase, Numbers and punctuation, Ligatures, multilingual languages support, symbols and more. It's highly recommended to use it in opentype capable software - there are plenty out there nowadays as technology catches up with design. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer and also equipped with Multilingual support. So, let's get it! Thanks and enjoy your day ...!. :)

The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Cinema Script is inspired by this lettering style, but has departed substantially from the source material in an effort to be less retro and more in tune with today’s designers' needs. The font will work admirably ‘out of the box’ but to really shine use the advanced OpenType features. Contextual alternates and ligatures should be on by default for the best results. Discretionary ligatures are a little more out there, so use them, ahem, at your discretion. Cinema Script also boasts swash characters, optional oldstyle numerals, plenty of stylistic sets and a nice ordinal feature for 1st, 2nd, 3rd etc. For greater detail, check out the user guide in the gallery section. This is a versatile brush script style font. It seems familiar, with a similar vibe to other brush fonts but without the staid ubiquity. Cinema Script will look great on the big screen, or on your screen, on food packaging, t-shirts, blogs, photobooks, wedding stationery... You get the idea!

Introducing,Borgest Display is a serif typeface crafted with elegance and luxury, exuding femininity and glamor but also a side of beauty with plenty of alternatives and ties to help you create endless variations for your creative needs. Its striking contrasts and subtle details, along with luxurious strokes and voluptuous curves, create a beautiful and powerful statement for any typographic composition, blending glamor with contemporary aesthetics. Borgest Display elegant serif really helps you create unlimited variations for your creative needs in making your project titles: such as fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books , websites, etc. Feature • Full set of uppercase, lowercase • 87 Ligatures • 85 Alternatives • Numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! I can't wait to see what you do with Borgest Display! Feel free to use the #Black Studio tag and the #Borgest Display font to show what you've done, Thank you!

Pendulum is the much-anticipated digitization and swashy expansion of Americana, an amazing yet long overlooked treasure from the Nebiolo foundry, circa 1945. With heavy descenders and seemingly floating ascenders emanating from one of the most classical attempts at connected upright calligraphy, never did a font have this much charm and complexity at once. To complement the beauty of the original letters, Pendulum comes with two additional sets of swashed ending lowercase we call Swings. These Swings help Pendulum become a fantastic calligraphic plate making tool, as well as a great personalizing headline font. Plenty of alternates and extra custom endings are included for extra choice and variety. The OpenType version of Pendulum comes with the Swings included in the stylistic alternates and contextual alternates features. One click of a button and you have a nice swash ending for your word, or a nice mix of swash lowercase for a calligraphic plate. Pendulum can take your design anywhere your imagination goes. Its use can efficiently vary from simple slogans to richer layouts such as music sleeves or movie posters, and everything in between.

Huckleberry is a revival and expansion of a 1973 typeface called Mark Twain, which was G. Jaeger's reaction to the popularity of VGC's Eightball (also digitized and expanded as Orotund by Canada Type) from across the ocean. Jaeger's reaction was typical German efficacy, with majuscules that surpass their inspiration in art and humour, and minuscules that could have been just the thing if one wanted to make the Eightball lowercase friendlier. Back in its day, this font reached its own heights of popularity in Western Europe, but in the Americas it was less known because art nouveau faces were being made by the hundreds in the 1970s. Round, happy and bouncy, Huckleberry comes as a timely response to public demand for big and cheerful letters. Huckleberry is also very effect-friendly. Stretch it a bit, drop-shadow it, warp it, and it will still keep its cheer and communicate the message with a smile. Huckleberry comes in all popular formats, and contains plenty of alternates sprinkled throughout the character set.

Lavinia is the new hand lettered script font, full of fun calligraphy with 962 characters and a host of specials features that will allow you to add more personality and originality to your work. Lavinia is a seamlessly connecting alphabet. Using OpenType contextual, stylistics alternatives, swatches each lowercase has the minimum ten versions and each capital letter two variants. Also, Lavinia comes with a custom set of standard and discretionary ligatures, lots of goodies ornaments and flourishes, catchwords, tails, words with stylistics alternates, special double letters ligatures. This lovely font has an extended character set to support Central and Eastern as well as Western European languages. Mix and match them for a custom look! You can quickly change the appearance of your design. It’s like getting a lot of fonts for one! Lavinia is perfect for logos, advertising, announcement, invites, thank you’s and correspondence, for packaging, and to create all yours fun and moderns designs you want. There are plenty of options to allow you to create something unique and special. Test it, you will not regret! Have fun with it!

Based on the classic Sol design by Marty Goldstein and C.B. Smith, published by VGC in 1973, Sol Pro goes above and beyond the call of revival/retooling to include plenty of optical improvements to the original design, more weights, italics, small caps, biform shapes, alternates, and extended language support. This particular design is one of the more prominent forefathers and strong influencers of the soft, streamlined aesthetic that has been going strong in branding and geometric design for more than 40 years now. It cuts all links to melancholy and classic empire shapes, and introduces smooth contrast modulation that communicates sleek, adaptable youth, confidence, knowledge, and modern hi-tech presence. This is not your grandfather's Eurostile. This is your offspring's global hope, optimism, and total awareness. Sol Pro's extended character set and range of weights and widths makes it quite suitable for applications of all sizes, from small collateral to product branding and massive marketing campaigns. The Sol Pro complete family comes in 20 fonts, each containing over 520 characters. Available in single fonts or value-maximizing packages.

Poem Script is a mixed collection of interpretations conjuring a late nineteenth century American pen script style. Though not an actual Italian letterform, this style was called “Italian Alphabet” stemming from an old penman’s term for an alphabet where the stress or shades are opposite their normal placement. The American variant followed from the late eighteenth century British hand also confusingly called “Italian Hand,” which itself evolved from some seventeenth century French batarde scripts. It showcases the phenomenal control and mastery of hand skills required to create such ornamental and lively letters centuries ago. Producing the shaded strokes in reversed positions such as this required holding the pen in a position horizontal to the baseline, or the letterforms would have to be written backwards or by rotating the paper at peculiar and extreme angles to achieve the effect. Exotic, elaborate and very attractive, Poem Script contains plenty of variations on each letter and comes with hundreds of calligraphic ornaments. Poem Script received a Certificate of Excellence at the Type Directors Club NY and was selected at the Bienal Tipos Latinos 2012.

Limon was entirely hand drawn and carefully digitised to get accurate curves but keeping the handmade look. The script fonts are smart scripts, plenty of alternates designed to preserve the calligraphic rhythm. Limon is a beautiful option for menus, magazine covers, wedding invitations, cards and all kind of stationery, packaging and labels. Default positional forms appear while you are writing when Standard Ligatures and Contextual Alternates features are on. Just keep them activated and let Limon Script do the rest. It warrants that all the connections will look good. Also, you can activate stylistic alternates, swash, titling and stylistic sets to have options for capitals, initials and terminals. Each Script Font reaches a total of more than 2900 glyphs (languages for every alternate included). Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide. Limon has extensive Western, Central and Eastern European language support. Limon Script matches very well with Dress and Chonky When life gives you Limon, make a beautiful design!

Milonga is one of the most characteristic dances of Argentina and it is usually compared to Tango. However, couples perform shorter and more energetic movements when dancing to the beat of Milonga. In addition, while Tango evokes the idea of nostalgia and reminiscence, Milonga conjures up more light-hearted memories in people's minds. Milonguita was designed so that readers can experience the passion and spontaneity of this dancing style through words. Users can play with the upwards and downwards patterns of the letters creating different images and textures and thus, making texts flow smoothly and naturally, just as a warm piece of Milonga would. The irregularity of the strokes conveys emotions and establishes a bond between the font and the sensitivity of the writer. The result will be a typographic combination of elegance, energy and rhythm which will surely reach the heart of the reader. Milonguita comes in all font formats, including a Opentype version plenty of built-in alternates and a simulated random code. Digitized by Alejandro Paul.

Bronto is a typeface that mutated many times: it went from being morphologically conventional, to have soft features, to finally have some inverted contrasts that made it more dynamical; but all this without losing sight of the meaning of a typefamily, and the aim pursued by this work: Bronto doesn’t behave as a piece of art, but as a tool. In some weights, this typeface possesses fluffy characteristics and is boldly bighead, while in other versions is slightly contrasted and controlled; this in order to maintain the essential features of the typefamily along the versatility and usability of the 20 variations that composed it. Bronto it’s inspired in neo humanists typographies of the 20th century, and in Chilean lettering. This kind of work was made by the spontaneity of the paintbrush, which gave an inverted contrast to some characters. This typeface has plenty of OpenType features, specially an extensive set of ligatures in all weights. Bronto is well suited for motion graphics, letterings, web, advertisings, magazines and books.

Johnny is the latest addition to the long line of popular psychedelic/hippy/funky art nouveau fonts representing the retro side of the Canada Type library. It is the digitization of a popular 1969 Phil Martin typeface that was known by two different names: Harem and Margit. The film type version had plenty of irregularities and quirks that made it seem like it was done in a hurry. In this digital version the errors have been corrected and the character set expanded to include international characters with built-in alternates, to be on par with what today's layout artists expect from a high quality font. This font saw a lot of use on record sleeves and music posters throughout the pre-disco part of the 1970s, which makes it a veteran of both the psychedelic and funk periods. This makes it the sharper, sturdier art nouveau contemporary personality of Canada Type's Tomato font. This font contains a very expanded character set that includes full support for Central, Eastern and Western European languages, as well as Baltic, Turkish, Esperanto, Greek, Cyrillic and Vietnamese.

Only occasionally are we graced with a font so pleasant and enjoyable to our company as the wonderfully amiable Mr. Darcy. The attractive elegance of the contemporary has been conveyed into Victorian times. Feel the call of modernity and friendliness with this antique Victorian-esque typeface. Itís gentlemanly elegance and grace commands the artboard. The elegant Mr. Darcy is sufficiently compete with its additional characters--to be stated precisely, more than 136 defining alternates. These optional features are carefully displayed within the supplied brochure. The employ of the Mr. Darcy family moreover demands the proper implements, such as an program that supports Opentype features such as, Adobe Illustrator, Adobe InDesign, Adobe PhotoShop, CorelDRAW, or Quark. Be sure to check with the Userís Guideline for all the OpenType options and employ them with wit and vigor. OpenType options are there to help you develop your own custom vision. Five different weights offer plenty of design options and offers the versatility of character as possessed only by a refined gentleman...or a refined typeface.

Quit trudging through the thick with encumbering fonts, and spring to the front of the pack with the cutting edge sans serif, Haboro Sans. With nothing to clutter up your work, your editorial designs, websites, and software will be sharp and clear. While this hyperfamily is simple in character, it (like Haboro Slab and Haboro as well) provides you with plenty of options. Haboro Sans features simple geometric shapes to help you achieve that perfect effect wherever you use it. Enjoy the comforting reassurance that this multi-tool of a typeface family can work on most anything, including packaging, branding, web copy, and more. Take the simplicity of Haboro Sans a step farther with OpenType features, too. Haboro Sans contains special glyphs like Titling, Small Caps and Oldstyle figures that give your work just enough of a distinct touch. For even more options, use the entire Haboro hyperfamily to expand your capabilities. Put some simple class into your projects with the traditional look of Haboro Sans. Your layouts, websites, iPhone apps, advertising, and newspapers (to name just a few) will thank you.

Cherry is a bold and smooth display family with connecting script “Brush” and supporting thin marker caps “Sans”. In addition there is “Extras” which is a set of strokes and ornaments designed to go with the fonts. Cherry Print is the same set with rugged outlines and eroded print texture. Cherry Brush has clear and smooth letter shapes with lot’s of character. It’s great for Logo, Poster, Headlines, Packaging or any Display use. Cherry Brush is equipped with plenty of contextual alternates and ligatures that keep the connections smooth. This feature is set in Standard Ligatures and it’s on by default. Cherry Brush is designed so that you can also use it to writ ALL CAPS. For more flashy initials try Swash feature. Cherry Brush is PUA encoded so you can access extra characters in most graphic design softwares. Cherry Sans is an all caps thin marker font with two size of letters (uppercase & lowercase). Cherry Sans is clean and legible. It’s designed to work with Cherry Brush but works just fine on its own too.

Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org TT Ricordi Allegria useful links: Specimen | Graphic presentation | Customization options TT Ricordi Allegria is a sleek and intelligent contemporary Florentine grotesque inspired by the half-erased lettering in Basilica di Santa Croce, Florence. TT Ricordi Allegria was drawn by Antonina Zhulkova and reflects in its graphics the transitional stage between the classic serif with varying proportions, gravitating towards the Roman capital type, and the Florentine sans serif. The font is characterized by variability in the proportions of characters, contrast between strokes, wedge-shaped triangular characters, and the absence of traditional serifs. The main visual feature of the typeface is its diversity and the ability, using different stylistic sets, to completely change the character and perception of the typeface. The drawing of the characters from the main set is strict, thanks to which the font looks stern, as if the inscription in the font was really carved out of stone. And with the help of another set, we can add roundness, or even smoothness, to the font. This is due to the fact that the letters (E R K Q J Y in Latin, and Л К Ж Э in Cyrillic) from the second set have either very noticeable "curls" or smooth, rounded "legs". In addition, the typeface includes a set of beautiful ligatures for use in display inscriptions, such as large headlines. An interesting moment when working on the typeface was the creation of the Cyrillic typeset, since the Cyrillic alphabet does not so easily fit into the concept of the Florentine grotesque and stressed semi-serif. The most difficult thing in working on the Cyrillic alphabet was to create a system of spacing for characters, as it was done in the Latin alphabet, and to make sure that when typing in Cyrillic, the drawing of the text remained beautiful. That is why the letters Д Л У Ы appearing in the font family are somewhat unusual to the eye, and the proportions of other characters in Cyrillic are not quite “classic” either. In general, the Cyrillic set looks more display than its Latin prototype, but at the same time it lacks the sense of historicity or legacy of the Soviet past, which often comes to the foreground when working on the design of the Cyrillic alphabet in this type of serifs. TT Ricordi Allegria consists of two weights (Regular and Bold) and one variable font. Each style includes over 750 characters, as well as 19 OpenType features. Interesting features of the typeface include three stylistic sets that greatly change the perception of the font, a set of bright display ligatures, a few neat icons that are suitable for breaking text and will emphasize the visual language of the font. Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org FOLLOW US: Instagram | Facebook | Website

Capitaly Script is a bold calligraphic typeface. Created with pride and care, this lettering has the optimal appearance of a classic vintage logo, for a modern setting. The font family consists of the styles Script (Regular) and Top (Upright). Use asterisk * after a letter to make a swash letter. Example: Ber*lin Use _ or # or ¤ after any word to make a swash tail. Example: Cursive¤ Letters_ Use multiple _ # ¤ after any word to make swashes of different length. Example: Decorate______ (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Waylom is based on 19th century letters written in calligraphy. These writings had some glyphs of a height higher than the others, which together with the flowing lines, the elegant curves and the flourishes, gave it a very interesting rhythm and a lot of personality. Using this font you will achieve a very elegant, and warm style. This font is slim, feminine, friendly and sexy.
 Waylom includes a wide range of latin languages, 720 glyphs with many stylistic variations, initial forms, swashes and ligatures, which you can mix and match to achieve a more interesting effect. I separated the highest glyphs to create Waylom Pro, to which I added some very useful ornaments to improve its possibilities, with a total of 823 glyphs. 
Waylom is very versatile and is ideal for high-end logos, magazines and book covers, fashion, headlines, cards, posters, websites, and packaging.

Falkosta is a decorative retro script typeface. Drawn and created by Mans Greback in 2022, this cursive lettering has a distinct style and a strong personality. Use it for a vintage logotype, a print for your business or as a headline for an article. Use underscore _ anywhere in a word to make a swash under the word. Example: Love_ Write # or ¤ after any letter to make a swash version. Example: Me# & You¤ Use multiple underscores for longer swashes. Example: Superman_______ (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Unlike its predecessor, Andes Neue contains a larger character set of 759 glyphs which support 219 Latin-based languages from 212 countries. The font comes in 4 variants that provide a wide stylistic range. Andes Neue is the most similar to the original Andes design. The Alt1 character set bears some similarity to the old Andes's (yet cleaner); Alt2 uses the alternates in the font as default glyphs; and Alt3 is a mixture of the other three variants that offers a balanced set of characters. Andes Neue also includes new accents and glyphs for a wider language support, and a set of small caps (in each variant). All of these features give the font a strong personality that helps make text look more appealing. Andes Neue varied weights work well with both short and mid-length text sections, providing a wide range of choices for any design project.

Information displays have an aesthetic of their own. Functional design where transmission of information is key — and best in real time. The Realtime Rounded typeface is not meant to recreate the appearance of those applications, instead it takes inspiration from them. The result is a technical yet friendly design with details that serve function and visual impact alike. Its soft edges apply warmth to the otherwise rather technical appearance. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Rounded Type Specimen PDF in the gallery. Realtime Rounded is the soft companion to the standard Realtime Typeface which is available separately. Thanks for visiting!

Debugger is a futuristic, sicentific, digital family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Debugger has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Octagonal and diagonal letterform is good for sci-fi, digital projects. Common elements for each letterform makes harmony and a sense of unity. Debugger supports almost all Latin languages. Try this all-new experiment.

Arsinoe is a condensed geometric typeface noted for their unorthodox long ascenders and low x-height. Family consists of five different weights plus two special versions accompanied by their italic version. The Arsinoe type family includes extended Latin characters, ligatures, lining figures, OSF (Old Style Figures), scientific inferiors and many OpenType features. From poster design to editorial layout, Arsinoe is intended for a wide range of uses but use in small sizes are not recommended. Important technical notice: Combining diacritical marks (U+0300, U+0301, U+0303, U+0309, U+0323) are only 'compatibility characters' for codepage 'MS Windows 1258 Vietnamese'. Combining diacritical marks (U+0312, U+0315, U+0326) are only 'compatibility characters' for Czech, Latvian, Romanian and Slovak language. OpenType features 'Mark to Base' and 'Mark to Mark' is not supported. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

While DIN Display seems to retain DIN’s basic characteristics, it shines with its sharper corners and contemporary look. Completed in 2002, it was first released and published in Parachute’s award-winning 2003 catalog and immediately was a hit. It has been used successfully in magazines, corporate applications and packaging in fields such as music, fashion, technology, visual arts. The ‘Pro’ series has been enhanced with more weights, multilingual support and opentype features in all different styles. Specifically, this superfamily supports simultaneously Latin, Greek and Cyrillic, while each one of its 15 weights contains 1197 glyphs and 20 opentype features. Additionally, every font in this superfamily has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations. This is a set of very useful daily symbols for packaging, branding and advertising. Symbols for public areas, environment, transportation, computers, fabric care and urban life.

Rombi Technocrat is a geometric, heavy font that features a unique combination of square shapes and slanting angles. Inspired by the dynamics of forward movement and the rigidity of structured design, this italicized font family brings a sense of purpose and direction to your creative projects. The Rombi Technocrat font family includes five weights: Thin, Light, Regular, Bold, and Black, providing a broad range of stylistic options for designs that call for a distinct, angular touch. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Named after the Florentine river which runs through the heart of the Italian Renaissance, Arno draws on the warmth and readability of early humanist typefaces of the 15th and 16th centuries. While inspired by the past, Arno is distinctly contemporary in both appearance and function. Designed by Adobe Principal Designer Robert Slimbach, Arno is a meticulously-crafted face in the tradition of early Venetian and Aldine book typefaces. Embodying themes Slimbach has explored in typefaces such as Minion and Brioso, Arno represents a distillation of his design ideals and a refinement of his craft. As a multi-featured OpenType family, with the most extensive Latin-based glyph complement Adobe has yet offered, Arno offers extensive pan-European language support, including Cyrillic and polytonic Greek. The family also offers such typographic niceties as five optical size ranges, extensive swash italic sets, and small capitals for all covered languages.

Wolverhampton is a new Neo-Victorian face from Greater Albion Typefounders. It's something of an example of starting with a small idea and running with it. This family of three typefaces (Regular, Small Capitals and Capitals) was inspired by a line of lettering seen on a late 19th Century enamel advertisement made by Chromo of Wolverhampton (hence the family name). The family grew, topsy-like, from a recreation of these initial fifteen capital letterforms to the three complete typefaces offered here. The three typefaces are ideal for advertising and poster work with a Victorian, Edwardian, or 'Steam-punk' theme. They would also be eminently suitable for signage inspired by the same eras or (as we've seen a number of our other typeface families prove very popular) for book covers of period related novels and historical works. Finally, these slender elegant display faces are just plain fun!

Introducing Huntsville Monoline Signature, a brand new font with monoline style and signature feels, also made from hanwriting skill to make it more useable and stylish. This font also suitable for Branding Design, Logotype, Wedding Invitation, Headline, Posters, Business Card and etc. Yes this font comes with more than 200+ alternates and ligatures to complete your design and make more attractive than other font. Support for 66 languages Afrikaans, Albanian, ,Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North, Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss, ,German, Taita, Teso, Uzbek (Latin), Volapük, VunjoZulu, Thanks! Happy Desigining :) Umar

ZF Ydor font family has been created to give a crafty, hand drawn look to your project. Its characters have been drawn by hand to give them a warm and authentic look. It was designed as a generic handwritten font; almost a mild handwritten font. The creation of ZF Ydor started for a specific work of our design firm, for which we needed a font that was handwritten, easy to read, and did not seem to be childish or comic, as several handwritten fonts do. ZF Ydor comes in five basic weights, is intended to work best in print materials as well as websites and digital apps, for small family companies, organic products and others. It also feels comfortable with short or large texts, in small and large sizes, due to clear and rounded characters. It supports all Latin language and the Greek too.

Brioso Pro is a new typeface family designed in the calligraphic tradition of the Latin alphabet. Brioso displays the look of a finely-penned roman and italic script, retaining the immediacy of hand lettering while having the scope and functionality of a contemporary composition family. Brioso blends the humanity of written forms with the clarity of digital design, allowing designers to set pages of refined elegance. Designed by Robert Slimbach, this energetic type family is modeled on his formal roman and italic script. In the modern calligrapher?s repertoire of lettering styles, roman script is the hand that most closely mirrors the oldstyle types that we commonly use today; it is also among the most challenging styles to master. Named after the Italian word for ?lively,? Brioso moves rhythmically across the page with an energy that is tempered by an ordered structure and lucidity of form.

Core Sans A Family from S-Core is a modern sans-serif typeface that is clean, simple and highly readable. It is a part of the Core Sans Series (Core Sans N SC, Core Sans N, Core Sans NR, Core Sans M and Core Sans G). Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans A family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans A contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Danish type designer Ole Søndergaard created this sans FontFont between 2000 and 2004. The family has 30 weights, ranging from Extra Light to Ultra in Condensed, Normal and Extended (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as wayfinding and signage. FF Signa provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Signa super family, which also includes FF Signa Correspondence, FF Signa Serif, FF Signa Serif Stencil, and FF Signa Stencil. In 2002, FF Signa received the Danish Design award.

Synerga Pro is a contemporary slab-serif typeface with humanist features. In smaller text sizes it exposes the characteristics of its slab built, but as the size grows, lots of fine features become visible: rounded terminals, dynamic horizontal serifs, non-vertical endings of vertical serifs. Such details make Synerga Pro suitable for setting paragraph texts as well as large captions. Synerga Pro is equipped with many OpenType features including 4 sets of digits, small caps and ordinals. The extensive language coverage includes most of the Latin-based languages, as well as major languages that use Cyrillic script. Also be sure to try Synerga Pro as webfont to appreciate its accurate and rhythmic appearance at virtually any text size! Some of the styles of Synerga Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

The Verdana™ Family of fonts was created specifically to address the challenges of on-screen display. Designed by world renowned type designer Matthew Carter, and hand-hinted by leading hinting expert, Tom Rickner, these sans serif fonts are unique examples of type design for the computer screen. The generous width and spacing of Verdana's characters is key to the legibility of these fonts on the screen. Despite the quality of the Verdana font family at small sizes it is at higher resolutions that the fonts are best appreciated. In the words of Tom Rickner, ‘My hope now is that these faces will be enjoyed beyond just the computer screen. Although the screen size bitmaps were the most crucial in the production of these fonts [their] uses should not be limited to on screen typography. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Proudly present Purple Sigh Typeface. Purple Sigh equipped with several OpenType. Have 40+unique alternates and ligatures. Comes with alternatives and ligatures, and helps to create stunning logos, quotes, posts, blog posts, branding projects, magazine imagery, wedding invitations, poster and much more. Font Features : Lettres, numbers, symbols, and punctuation 40+ alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Corner C is a part of Corner type family. This subfamily is designed with rounded shapes in the corners. The concept of the typeface Corner is based on variation of corner shapes in font characters, from what is also its name derived. The basis is a bitmap modular principle, to which by simple addition of “the missing pixels” in corners of the characters ( Corner A ) to the shape of diagonal ( Corner B ), curvature (Corner C), or inversion curvature ( Corner D ), three more font variations are created. The basic monolinear bitmap weight is supplemented by two more extreme thicknesses – hairline and fat weight. The character set supports the complete Latin, while the x-height of lowercase is drawn at the same height as in the uppercase characters. Corner is a strong display typeface, which allows you to easily experiment and to combine it with its mutual font variations.

Campeche is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness. The initial form arises from the idea of expanding Seriguela, evolving along the way, becoming its own system with a unique personality. Campeche is designed for today's requirements. It is available in two styles and three widths, from condensed to extended, with 9 weights each, totaling 54 fonts, in addition to the variable version. Campeche is a comprehensive typographic system that provides versatility for almost any use. It can be used for packaging, editorial, branding... etc. The mix of widths and between the normal and display versions can generate complex graphic parts or systems with different levels of hierarchy, without losing unity.

Lil Stuart is a beautiful calligraphic script typeface. Drawn and created between 2019 to 2022, this logotype lettering has a vivid style and a strong personality. It has an optimistic look, expressive speed and characteristic movements. Use underscore _ anywhere in a word to make an underline. Example: Love_letter Use multiple underscores to make different swashes. Example: Base_____ball Use numbersign # after any letter to make a swash. Example: Welcome# Summer# (Download required.) The Lil Stuart typeface family consist of Regular and Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. The US No. 4 design was derived from a typical antique US-American stencil-plate. This revolving stencil-plate was invented by Eugene L. Tarbox and patented in 1868. It was a mass factored product and a very common tool in the United States until the success of the interlocking stencils. In case of US No. 4 an original early stencil plate from New York Stencil Works was used. The Regular font style is a clean font design featuring an extended Latin glyph set including some typical stencil ornaments and tabular figures. The Paint font style is made from true stenciled letters and features all the letters of the stencil-plate only. If you like the later interlocking design have a look to my Vtg Stencil US No.2 font. More info: pdf specimen

Loventica - Beauty Fashion Serif - Chic and Elegant Font Loventica is a beauty fashion serif font with a touch of elegance and charm.​​​​​​​ With same height for uppercase and lowercase, you can mix and match as you wish. Comes with condensed alternates and symbols It is perfect for your upcoming projects such as luxury logo and branding, classy editorial designs, woman’s magazines, cosmetic brands, art gallery branding, boutique branding, stationery design, blog design, modern advertising designs, card invitations, art quotes, home decor, book/cover titles, special events, and more. Loventica also support multilingual! Features : Basic Latin A-Z and a-z Numbers Punctuation Symbols Opentype Features Condensed Alternates PUA Encode Multilanguage Support I really hope you'll get pleasure using Loventica font and it will be perfect for your daily design! Contact me with an inbox message If you have any issue or question. Thank you! Second Son Radiance Std