Geogrotesque Stencil is a member of the popular Geogrotesque family, and despite being thought as a display typeface, it goes one step further and tries to solve some of the typical problems with stencils fonts. Geogrotesque Stencil comes with 3 widths of cut (A, B and C). These cuts not only allow a better performance when printing at different sizes, you can also move across versions A, B or C in accordance to the rigidity of the material used. The family consists of 42 styles, 7 weights with 3 versions each plus italics, all of them in Open Type format including ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Sunny Evening - Groovy Trendy Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu

Railroad Gothic was originally designed in 1906 for ATF (American Type Founders). This uppercase-only typeface is very condensed and also heavy, giving it a distinct 19th American wood type feeling. Like those 19th Century classics, Railroad Gothic is best used when set really big. Originally designed for use in railroad signage, Railroad Gothic has since been adapted for use in many American tabloid journals, which employ it in screaming headlines. When you need to set something large and loud for the whole world to see, this old ATF classic may be right for you. Railroad Gothic is an all caps font, and is available in digital format exclusively from Linotype. The typeface is included in the Take Type 4 collection from Linotype GmbH."

Welcome to the future with Asrog Genos, a futuristic technology font that designs each letter with a modern, sophisticated touch. Every character in Asrog Genos exudes a future feel, giving the appearance of cutting-edge technology. Asrog Genos brings elements of technology into your designs, creating a font that is not only eye-catching but also embraces the essence of innovation. Asrog Genos is an ideal choice for projects that require a touch of futuristic technology. Whether you are designing user interfaces, technology promotional materials, or other futuristic design elements, this font brings an unmatched modern aura. Do not miss this opportunity! Get the Asrog Genos Futuristic Technology Font now and let each character be a portal to your design future. **Uppercase

Tropical Vibe - Groovy Retro Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu

Sansterdam is a modern condenced grotesque font family. It's great for titles, posters, logos. Condensed font allows to include more information in one line. Sansterdam has special Deco version with circle uppercase letters and oldstyle numbers for more vintage feeling. Also Sansterdam has signature script font with many ligatures and alternates for more unforgettable combinations! Font looks amazing as alone words and as full text blocks. Also it good for bright captions and logos. Language support more than 30 languages: Afrikaans, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmal, Portuguese, Romanian, Russian, Slovak, Slovenian, Spanish, Swahili, Swedish, Zulu etc. Download Sansterdam for your next project today! Thank you and have a great day!

Cerebri Sans is a design inspired by early geometric and grotesque typefaces. Subtle humanist details provide an undercurrent of warmth that simmers just beneath the bones of its contemporary simplicity. Cerebri Sans’ concept involved the development of a hybrid appearance. Its soft elegance and finely-tuned legibility make it appropriate for a vast range of applications including headlines, editorials, publishing, advertising, corporate communications, white papers, educational texts, web content, and mobile applications. Cerebri Sans' multilingual support is extensive, covering Basic Latin, Western European, Euro, Baltic, Turkish, Central European, Romanian, Vietnamese, Pan African Latin, Pinyin and Igbo Onwu for global accessibility.

Uranos is a serif type family with uncomplicated appearance and modern, geometric glyphs shapes. Available in three styles, include many stylistic alternates and automatic ligature creation. Character set contain the complete Unicode Latin 1252 (Western European; ANSI), 1250 Latin 2 (Central European), 1254 Turkish, 1257 Baltic. Supported OpenType features: Acces All Alternates, Capital Spacing, Case-Sensitive Forms, Contextual Alternates, Fractions, Kerning, Localized Forms, Ordinals, Proportional Figures, Slashed Zero, Small Capitals, Small Capitals From Capitals, Stylistic Alternates, Stylistic Set (1-20), Superscript, Tabular Figures, Titling. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Introducing Perfectly Splendid serif typeface - 5 weights Perfectly Splendid is magical, sophisticated typeface with 5 fonts to enchant your next project. Very versatile fonts that works great in large and small sizes. Basic latin and advanced latin character sets are supported! Perfectly Splendid is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase numeral, punctuation & Symbol Hairline, Light, Regular, Bold, Black Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The Shapirit family belongs to a category of geometric sans sherif fonts, that was created in 1920s. The main feature of this category is geometric architecture of shapes. Shapirit family is perfect for headlines, brief texts used on any screen, print materials as well as logos. The whole family includes 8 fonts from Thin to Black and contains full Hebrew and Latin script. Therefore, Shapirit is an ideal solution for any adaptation into Hebrew or any Latin script language. The word "Shapirt" (in Hebrew שפירית) means dragonfly. The font’s name was inspired by the dragonfly’s slim and elegant body.

Sagor, designed by Cihangir Öziş in 2019, is a modern font that adds a different flavour to your works with its cool look and unique details. Sagor is suitable for fashion, branding, packaging and editorial uses. It is an excellent choice for short sentences, big hero titles, unique logo fonts, in particular. It can also be used to add a new look to historic design structures. Sagor is particularly elegant and assertive, especially in lowercase letters. Features: Latin Basic Latin Western European South Eastern European Uppercase Lowercase Numbers - Decimal Digits Standart Punctuation Standart Ligatures Alternate for "a" Letter Symbols - Currency, Basic Math, Arrows

Paestum is a Latin typeface inspired by Greek inscriptions of the 6th and 5th centuries B.C. Its name comes, suitably, from the Latin name for Poseidonia, a former Greek city south of Naples whose two remaining Doric temples have been on antiquities tours since at least the 1700s. Others have scanned this terrain before, of course, but earlier designs failed to supply a lower case. Although Paestum includes complete upper- and lowercase alphabets, diacritics, numerals, and essential punctuation, it does not have many unhistorical glyphs -- such as currency symbols and the @ sign. Paestum comes with three weights: light, medium, and heavy.

Its one of the NEW SARAH ( Arabic – LATIN – URDO) fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays. NEW SARAH font is one of the ( Arabic – LATIN – URDO) fonts. It is the most common font and is written in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is used in the titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.

Huova is classic, sophisticated typeface with 4 fonts to enchant your next project. Very versatile fonts that works great in large and small sizes. Basic latin, advanced latin, basic Cyrillic and advanced Cyrillic character sets are supported! Huova is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase numeral, punctuation & Symbol Light, Regular, Bold, Black Multilingual support Basic and Advanced Cyrillic support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Slabber is a big ol’ chunky serif that’s specifically designed for display purposes – headlines, logotype, branding, titles, packaging, signage, etc. Its characteristics include heavy bracketed serifs with a strong 19th century wood type influence, while a very large x-height combined with a small cap height creates an awkward tension that delivers a strong, stylish, contemporary typeface. Slabber is enhanced by 22 alternates that will allow you to add flourishes to your typography. All Latin European languages are covered in this 6-weight typeface. Key features: 6 Weights 22 Alternates European Language Support (Latin) 500 glyphs per font.

Xotor is a double styled typeface family destined for use in titling and headlines. The main style, the Triline weight, is a modular typeface composed of three strokes and is best used in large sizes. For smaller bodies of text, the second Regular style is based on the same letter construction but in a simple, solid stroke. Both weights can either be used individually or combined to add extra effect to any layout. With an extended Latin language support, Xotor covers most Latin based scripts and equally features a range of Opentype features, from ligatures, alternative letters or different styles of numerals.

Eurobia is a family of two typefaces - Regular and Plain. They are display faces with a strongly European feel and a strong flavour of the 1920s. My suggestion would be to use them for poster or banner work, or packaging or cover design, with the heading text set in Eurasia Regular and subsidiary text set in Eurobia plain. Why not give that European flavour to your next project? We see Eurobia as a fun typeface, for advertising products like confectionery or concerts. We had a lot of fun designing it and hope you'll like it too!

Its one of the SARA modern ( Arabic – LATIN – URDO) fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays. SARA MODERN font is one of the ( Arabic – LATIN – URDO) fonts. It is the most common font and is written in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is used in the titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.

Mahardika is a Retro Sport sans Serif family with variable font technology, and its axis weight range spreads from Light to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

Pockota is a retro, soft display serif typeface with 12 fonts. Ranging from light to black with its matching italics, Pockota offers many possibilities to be applied in many graphic or editorial projects. Lighter weights are suitable for body text, and the heavier weights are perfect for striking headlines. Thanks to the OpenType features built in, many stylistic sets and swashes are fun to play with. And with the extended latin character set, so that Pockota supports 200+ latin-based languages. Pockota is a classic and timeless typeface, perfectly suitable for display purpose such as branding, editorial, headlines, and packaging.

Introducing Kuoros Serif typeface - 5 fonts Kuoros is classic, sophisticated typeface with 5 weights to enchant your next project. Very versatile fonts that works great in large and small sizes. Basic latin and advanced latin character sets are supported! Kuoros is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Hairline Light Regular Bold Black Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Anglecia Pro is an exquisite and versatile system of three transitional serif typefaces designed to work together in editorial design. Sharing the same skeleton, vertical axis, and trapezoidal uncurved serifs, each of these faces bears different key dimensions and different contrast typical for three different type epochs. Anglecia Pro Text is a typeface designed for general typesetting in average reading sizes. Although it features a vertical axis, its soft skeleton, relatively small x-height and prominent ascenders and descenders give the typesetting a traditional warm texture with a slight contemporary touch. Anglecia Pro Title incorporates proportions of familiar transitional serif typefaces but exposes higher-than-average vertical contrast which makes it useful for setting captions, pull quotes or general purpose text in sizes of 12 pt and above. Anglecia Pro Display, still having non-rectangular serifs and the same soft skeleton as the rest of Anglecia Pro system, features extreme contrast, much thinner serifs and exaggerated ball terminals typical for Didone modern serif families. Its large x-height and tighter letter spacing suggests larger text sizes e.g. in decorative headlines, extra large pull quotes or logos. Altogether these three typefaces form 36 styles – each supporting numerous Latin-based languages as well as major Cyrillic languages. In roman styles the Cyrillic script comes in two flavours accessible via OpenType alternates – to choose either more traditional and curvy (default) or more formal and rigid type texture. In italics this feature affects uppercase and small caps. Also, each style is packed with OpenType features: ligatures, small caps, six sets of digits, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation. There are also language-specific alternates for Polish kreska, Romanian Ș/ș, Catalan punt volat, and correct small-cap versions for Turkish/Azerbaijani i/ı. Some of the styles of Anglecia Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Upton is a modern and condensed sans serif. The initial inspiration for its design came from lettering Wim Crouwel created for a poster design. It also takes some cues from neutral grotesks like Helvetica and Akzidenz. Because of its narrow letterforms, Upton is best applied to headlines and poster-sized typography. Upton’s italics were designed with high-quality compensation for all circles and strokes. Upton ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 14 static OpenType font files instead. Those weights run from Extralight to Extrabold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The weight axes in Upton’s Variable Fonts allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. In its fonts, Upton has several ligatures. That includes optional “discretionary ligatures,” which bring a unique tone to display usage. For instance, the fonts include optional ligatures for the letter combinations “E-T”, “F-l”, “L-E-T-T-E”, “L-E-T-T”, “L-E-T”, “L-E-L-O”, “L-U”, “i-j”. and “m-m”. There are also many alternate glyphs. Stylistic Set 1 substitutes in new forms for “G”, “R”, “a”, “f”, “g”, “i”, “r”, “t”, and “y”. Six more Stylistic Sets have alternates for the “æ”, “g”, “k”, “o”, “K”, “O”, and “Q”. Additional OpenType features activate other useful features, such as fractions, numbers in circles, or symbols.

Poligon is a large family of geometric sans serif fonts. It is inspired by classic typefaces from the geometric-sans genre, like Futura and Avant Garde Gothic, whose shapes were constructed from circles and straight lines. Every character has been crafted to give it a distinct and individual feel. The family is an excellent choice for both corporate design and editorial design projects because of its range of weights, as well as its legibility in text. The typeface family ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s eight static OpenType font files instead. Those weights run from Thin to Black. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over the stroke width in their upright and italic texts. The weight axes in Poligon’s Variable Fonts allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. But even the static fonts satisfy the need for flexibility, creating harmonious variations of texture and emphasis. Despite their rigid geometry, the fonts have a playful air to them. That playfulness and uniqueness can be dialed up by applying stylistic alternates via the fonts’ four Stylistic Sets. The first of these replaces “G”, “M”, and “&” with alternate, more outgoing shapes. Stylistic Set 2 has an alternate “ß”; Stylistic Set 3 has a “Q” with a longer tail and another “G”. Stylistic Set 3 has alternates for “A”, “K“, “Q”, “R”, “S”, “Y”, and “Z”.

Originally released in 1987, Charter incorporates three important features: compact set width to give economical copyfit; generous x-height to give readability at small point sizes; and sturdy open letterforms to give reliable reproduction at both typesetter and laser printer resolutions. The design brings a clarity and freshness to everyday documents, such as newsletters, textbooks, directories and technical manuals, where the reader’s concentration must not be interrupted by unfamiliar letterforms but where typographic dullness can itself impair comprehension. The Italic has cursive letterforms - so is instantly distinguishable, while being readable enough in its own right for continuous text. The Charter BT Pro Pack features 6 fonts: roman, italic, bold, bold italic, black, and black italic. The fonts include characters originally developed for expert sets, such as ligatures, ornaments, old style figures, small caps, and superiors. The Pro Pack fonts support Western, Central European, and Eastern European languages. OpenType fonts are a cross-platform font format. The same OpenType font can be installed on Mac OS X, Windows, Linux, and Unix systems. Mac OS X and Windows 2000, XP, and Vista have built-in support for OpenType. OpenType fonts also work on Linux, Unix, and earlier versions of Windows, where they are recognized as TrueType fonts. OpenType includes many more features than the standard TrueType and PostScript formats, including the ability to install the same font on different platforms, crucial for document portability. OpenType fonts boost productivity because graphic designers and business professionals do not have to wrestle with many different fonts. With OpenType, customers have larger character sets to work with and fewer font files to deal with.

Just when you thought every possible fat alphabet has already been done, Kofi shows you that there still are plenty of good ideas left in the genre! Kofi is simply fat, fun letters that scream for attention and promise delight. This package ships with two fonts, the second constituting a busload of alternates.

One of the type samples showcased in the 1907 Barnhart Brothers & Spindler specimen book was named “Sterling”; a spurred serif Art Nouveau design. This is now available digitally as Millinery JNL in both regular and oblique versions. An old fashioned term for a once plentiful business, ‘millinery’ is a women’s hat shop.

Hand drawn, sketchy antiqua that come in two font variants: Regular, Small caps with old style figures. Æterna was revised 2012 and now hold a full character set of basic english/latin letters and west european diacritics!

Urbax; Bold expressive script for urban people and urban projects. Fit for Logo, Brand, Titling, Shirt, Hoodie, Products, Signage, Prints and Various Creative Projects. Contain 5 stylistic sets with lot of alternates. Contain basic latin multilanguage support.

Zydeco JNL gives the 'Latin' style spur serif treatment to Jeff Levine's Halavah Twist JNL, for a new and fun typeface named after the Louisiana French-Creole music popularized by accordion player Clifton Chenier in the 1950s.

Get your groove on with this trippy little gem, based on a Fotostar face called Angelica. Not for the faint of heart. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages

Retch - what's in a name? Retch is a unique typeface, heaving with character. It is scary and grotesque and is made to look like letters scratched onto a metal surface. Retch spits out most Latin based languages.

A wooden face, rather prosaically named Gothic Bold, from Hamilton's 1889 specimen book provided the pattern for this bold and brassy face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A circa 1900 type from the foundry of W. Grauneau, Berlin. A great utility face as it works well as the "plain" face with other decorative type of the same era. Reads well in paragraphs of copy.

Artica is an elegant sans serif typeface, offered in five weights. It was inspired by classic Roman letterforms. Artica Pro supports Latin, Cyrillic and modern Greek scripts, and includes swash initial & final forms, stylistic alternates and ligatures.

From Mortised to Morticia, this quaint titling face will add antique charm and a bit of drama to any project it graces. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.