Kilo is not only almost exactly equal to the mass of one liter of water. It also flows like one. This font has edgy caps that certainly know how to keep it together at high velocities, and vowels that grin and salute you while speeding by. Sometimes you want it connected and sometimes, well, freestyle. Kilo abides. It has plenty of alternates to fulfill your three wishes and mix a hell of a cocktail for you.

Introducing Strawberry Blossom, a smooth script font, made for your best creative typographic designs! Try it for any of your DIY projects, cards, posters, packaging, web design, photos, scrapbooking, or anything hidden in your creative mind! With this soft and rounded style, it comes with plenty of alternates characters and ligatures so that you could create a unique and personal style to your text. And you'll also find a cool sans serif handwritten font to match perfectly!

Agent was inspired by the classic fun lettering of 1930s Dutch alphabetician Martin Meijer. Casual and playful, Agent is a carefully considered amalgam of the art brush's organic forms and the easily read, ironic forms of the comic book. Ideal for signs as well as packaging of products aiming to be memorable and fun. Agent ships in all common formats, and contains plenty of alternates, as we all as support for a wide range of Latin-based languages.

Qisharon is a contrast sans serif font, consisting of four styles (light, book, regular, bold) and including 5 writing systems such as Latin (supporting all European languages and Turkish), Cyrillic, Greek, Hebrew, and Arabic. It is based on classic calligraphic rules and respects the traditions of every script. There are plenty of ligatures, that will draw attention to your design. Qisharon with it's formal and elegant nature is a perfect fit for logos, visit cards and magazine headings.

Bash Brush is a calligraphy script, handwritten font, with a fresh and modern look. Because of the spontaneity there are plenty of Standard Ligatures, Discretionary Ligatures and Swashes to avoid frequent repetition of letters. If you find a single repeating glyphs, you can change that by toggling between Stylistic Alternates. There are ligatures created for Cyrillic too, few ornaments and artworks with dry-brush texture. Bash Brush is the perfect choice for all natural and authentically beautiful things.

Fido Pro is the official font of dog owners everywhere. Woof! When the original Fido font was published in 2009, it became an instant hit with cartoon channels, comic book artists, toy makers, cereal packagers and game developers. Now, more than a decade later, we decided to pick it up and give it the Pro treatment. This new version boasts more than 800 glyphs, including 117 interlocking ligatures, plenty of alternate glyphs, and and Pan-European language support.

A bit of Victoriana whimsy from this set of two fonts is heavily inspired by a variety of 19th Century faces without being a direct revival of any one in particular. Undulating curves, swirly terminals and bifurcated semi-serifs give these faces plenty of character. Both fonts include f ligatures and ct/st ligatures. Clementine Curly includes a full set of alternate curly caps as opentype alternates making it essentially a bonus font within a font!

Pop Flowers is set of 64 cute graphic flower illustrations derived from Kapitza's graphic pattern font Pop. Pop Flowers marks a new direction in Kapitza's exploration of shapes in nature. While their projects such as Blossomy and We Love Nature Leaves are based on photographs of plants and flowers, Pop Flowers is constructed of graphic shapes. In moving away from 'realistic' forms, Pop Flowers creates a reality of its own that evokes a magical atmosphere.

The 225 glyphs that make “Spina Typeface” are the result of experience with hundreds of drawings, sketches and digital tests in seeking to achieve a typeface that represents the fluidity of the script and elegance of the modern roman. Thereby, based on this principle and a unique style, an infinitely versatile typeface was designed that evokes both the beauty and finesse of the plant as power its thorns and its deadly poison.

Zodor JNL is modeled from the packaging for injection-molded plastic letters used as a teaching toy for youngsters in the early 1960s. The hand-drawn alphabet on the sides of the package was quirky enough to merit being made into a digital font.

Cottonwood Market is a sweet, upright calligraphy font with loads of decorative alternates and a charming signature feel. This lovely little calligraphy font is packed with alternates, ligatures, and an authentically inked texture. It’s both romantic and delicate, with thin lines and signature glyphs. Just check out that swanky ‘k!’ Cottonwood Market has plenty of personality for branding, bridal, merchandise, signage, signatures, and more! With over 90 ligatures and alternates to play with, you can have some serious fun with this font.

This quasi-Chancery classic is a revival of Walter MacKay’s Heritage typeface, made for ATF in 1952. Walter is clean and legible free-flowing calligraphy with a subdued, conservative and traditional letterform base that can be used in large sizes for posters, covers and packaging, as well as in relatively small sizes for personalized letters, poetry and quotables. Walter comes with 430 glyphs and support the majority of Latin-based languages. Plenty of alternates and ligatures are sprinkled throughout the font.

Pattycake family is artsy and friendly. Pattycake is a 3D sketched block letter font with lots of hand-drawn energy and bounce. Pattycake Solid is a smooth and cheerful stand alone font that complements Pattycake, and works nicely as a loose fill under Pattycake so you can easily have fun with color! Both fonts have double-letter ligatures in upper and lower for plenty of movement, and are ready to brighten any fun project, especially those designed for young people.

Naluri - is a beautiful, smooth and clean sans serif font, created by natural strokes making it look flawless with plenty of alternatives to help your creative needs. This font is perfect for logo branding, product designs, quotes, posters, display, website, invitation card, greeting card, headline, website and various other project creations that require beautiful clean touches. Naluri includes 4 weight styles which each include 224 glyphs. Features: 4 Font Weight Uppercase & Lowercase Multilingual Support Number & Punctuation Alternatives & Ligatures Thank you, for supporting us.

Colby is a hand-drawn workhorse sans serif family. It consists of a wide range of weights and widths for a variety of applications. Colby balances the quirkiness of hand-drawn letters with the legibility of a clean sans serif. This combination provides authentic warmth with functional benefits. The fonts feature plenty of alternates, icons and arrows to add character and customization. Colby is perfect for packaging, restaurant menus, children’s books, digital applications, but will be comfortable in any situation.

vastra is a slim, futuristic, bauhaus inspired typeface. It has plenty of those pesky foreign glyphs and various alternates of the standard alphabet. It’s available in 5 different weights from light to Heavy and is complimented by 5 italicized versions of the 5 different weights too. I wanted this font to look like background set typography in a 70’s sci-fi movie. D A N G E R You can buy it in singles, pairs or the whole damn brood.

With an extreme stroke contrast and wide, spacious construction, Olivette blends understated minimalism with elegance and expression. Olivette’s fine details shine at large sizes on screen and in print. Olivette CF pairs well with simple typefaces, set at smaller sizes, such as Greycliff CF and Artifex Hand CF. The key is to let Olivette breathe, setting it at large sizes with plenty of open space. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Worker 3D is the tridimensional version of Worker. The tridimensionality enhances the vintage feel of the original design. It has 8 different layers so there are plenty of possibilities, you can use all 8 layers at the same time or have a more sober look by just using some outline and shadow or some lines texture. You can create astounding lettering in a matter of seconds. Make great logos, eye-catching typographic posters, re-create vintage packaging, and much more.

Cavole Slab is a new slab serif, designed in early 2011, that has a strong influence from Dutch typography. The name is an altered form of the Portuguese word for feather, emphasizing the typefaceís soft and friendly character. Slab serifs give this face plenty of impact and make it an excellent choice for contemporary designers. The font family includes a very dark and powerful black all the way down to a hairline thin weight, giving a tremendous versatility. The family also features dynamic italics that add plenty of emphasis and momentum. Cavole Slab is suitable for both headline and text settings and should easily find its place in a number of different settings, from corporate identity to magazine body copy. There are six weights that come with complementary italics, and each font includes over 450 characters and extended Latin-based language support. The typeface family comes in OpenType format, and OpenType alternates are easily accessible through OpenType enabled applications such as the Adobe suite or Quark. Please see the informative .pdf brochure to see what OpenType features are available and to see them in action.

Oversimplified JNL is based on some examples of lettering silk screened onto plastic pieces for use on an interchangeable sign board. These thin, monoline letters are modular in nature and have the look of a ‘constructed’ alphabet. Oversimplified JNL is available in both regular and oblique versions.

Contains over 130 symbols based on the Western astrology system - it features the 12 zodiac signs, the 12 astrology symbols, the 12 corresponding planets, along with the 30 phases of the moon and charting signs. NOTE: this font comes with an interpretation guide in pdf format.

Cucaracha is a freaky, crazy, flowery-kinda looking family of two fonts: Cucaracha Font & Cucaracha Wixa. Cucaracha Font is like a plant starting to bloom in spring. It comes with an assortment of 8 additional icons all available through the standard keys. They are easily positioned so you can combine the icons and make an endless variety of patterns, structures and frames. Cucaracha is custom made for the Volcano ‚Bastard Project’ and was published in the project book.

Luxurious high-quality ornamental initials superimposed on elaborate Art Deco drawings of plants and flowers, inspired by 18th and 19th Century French designs, with a modern approach. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Beautifully ornate and perfect for the beginning of paragraphs in publications and texts conveying the feel of the 1920s and the Art Deco movement, garden-themed texts, or fairy tales.

Theorem is an interesting change from the usual calligraphic work of Koziupa and Paul. An art deco font with a 1990s twist in its capitals, Theorem’s lowercase characters were designed to automatically achieve the best optical spacing in typesetting. To accomplish that goal, a variety of alternates were drawn for most letters, and plenty of vowel-focused ligatures were designed. The automagic of OpenType ties it all together to make a very versatile typeface that is quite useful for packaging and many different applications of display typography.

Since you like to look, Angel Koziupa and Alejandro Paul bring you Voyeur, an entirely different direction from their usual collaborations. This typeface attracts two opposite design theories by mixing bold and blocky modernism with delicate ornamentals. The unlikely mix is not haphazard, however. It is calculated with an alchemist's (or voyeur's) attention to detail. This font includes many, many different ornamental treatments, each adjusted specifically for its letter form counterpart. Open your glyph palette to find plenty more variation and alternative combinations. For everyone's eyes only.

This font family is the first collection of almost all pictograms, signs and letters that refers to the topic of White Magic, witches and witch hunt. There are plenty of witch symbols, astrology signs, woodcuts and witch letters. The cryptic symbols are explained in an extra style. In addition to the symbols the scripts contain both: a digitized original manuscript from the ending 18th century and a modified newer script version. Bringing the light of the Enlightenment to the dark ages of suspicion, chasing and unjustness!

Stepside is a slick retro display face with plenty of horsepower. Stepside’s heavy-duty type chassis of sturdy uprights and bold strokes was modified with sweet retro details like graceful curves and tapered fins. Inspired by street rods, custom vans and power wagons, Stepside modestly hides its muscle like a true sleeper. Take Stepside for a spin on logos, posters and t-shirts for a more classic look. Need more speed? Step on the gas with Stepside Italic — perfect for type in need of emphasis.

Approach is a modern approximation to the early grotesques. An utilitarian low contrast font, a bit mechanic but plenty of character. One of its characteristic elements is a kind of ‘elbow pipe’ shape that is present in many letters like the tail of the a, f, j, t, R, Q or 1 among others. Besides, the synthetic punctuation and quotes give it a more contemporary appearance. Approach tries to feel fresh against all odds, being familiar but different. For more details see the PDF.

The Sommet series has been updated with a rounded variant. Sommet rounded retains its predecessor's high-tech web 2.0 character but features blunted terminators, making for a much warmer and friendlier impression. Sommet Rounded features a tall x-height, and its letterforms are compressed, perfect for when layout space is at a premium Sommet Rounded can be easily mixed and matched with its non-rounded relative. Sommet Rounded includes four weights and italics for plenty of design options and is suitable for body copy and display text.

Fábrica is an exquisite display letter with flair. Its delicate curves have been carefully honed; yet its beauty is seemingly effortless. To add to its appeal, Fábrica is equipped with several handy features such as ligatures (there are plenty of them), old style figures and fractions. Its true crown jewel, however, is the finely tuned hairline accents – no longer will a diacritical mark ruin your heading. Find those under a feature called Thin accents. Use Fábrica to turn your communication into statements of divine elegance.

I love cheese snacks in all kinds of variations. As a kid I even loved having chessy fingers, but as an adult I prefer to wash my hands (instead of licking and sucking each finger "clean") So, as a loving memory of an all time favourite snack, I made this all caps organic looking sans. Obviously handmade, and cleaned up digitally...just a little bit. Furthermore I have made 5 different versions of each letter and made sure that there is plenty of multilingual support!

Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. ITC Garamond? was designed in 1977 by Tony Stan. Loosely based on the forms of the original sixteenth-century Garamond, this version has a taller x-height and tighter letterspacing. These modern characteristics make it very suitable for advertising or packaging, and it also works well for manuals and handbooks. Legible and versatile, ITC Garamond? has eight regular weights from light to ultra, plus eight condensed weights. Ed Benguiat designed the four stylish handtooled weights in 1992." In 1993 Ed Benguiat has designed Handtooled versions.

A truly organized storage section is only complete with properly and neatly organized labels. This font is perfect for that. It is legible and professional enough to use in an office setting. It is also perfect for use in the home for example organizing a home or a pantry.

Cosima is an effective workhorse with a touch of pointy elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typefaces is important, whether you're creating app design, magazine or editorial – typography is always the essential part. www.typethis.studio

Main Feature JNL is patterned after the plastic letters found on theater marquees. As an extra bonus, the | (bar) key has the phrase "double feature", the ^ (ascii circumflex) has the word "and" and the ~ (ascii tilde) has the phrase "with" for anyone doing a theater marquee mock-up.

Delugional is an Atlantis theme typeface, it's character set is an imaginary alphabet inspired by Greek style scripts mixed with Classic Latin. This font is a display font family of two weights, Regular and Bold. It can be used for various creative/mythological and fantasy theme projects from book covers to games or movie titles. There are some OpenType features such as Stylistic Alternates and Discretionary Ligatures along with some extra symbols like sun, moon, snake and the stylised map of Atlantis in place of stylistic set 02 of uppercase "O". I have also created a font presentation video you can view it on youtube here: https://youtu.be/f7bKdoffWnI I hope you enjoy this one as much as I did while creating, Good luck with your project!

SK Curiosity is a modern geometric and sans serif font.It was designed by Salih Kızılkaya in 2020, inspired by the circular structures of the planets, blending modern design with a futuristic perspective. It includes all Latin characters. It is available in 40 different fonts and contains 18.200 glyphs in total.

Sunny summer days, white sand beaches and radical waves come to mind with Endless Sixties JNL, inspired by a poster for a surfing movie entitled "Planet Aura". The image of the poster was provided by Gene Gable, who has on many occasions supplied Jeff Levine with many interesting font inspirations.

Inspiration of the typeface Dalloway comes from Virginia Woolf's novel "Mrs. Dalloway". Some calligraphic features are incorporated to add humanity to this typeface. Because Woolf's writing style is very sentimental and personal, which somehow reminds me of the feeling of reading someone's dairy. Some other features of this typeface takes inspiration from flowers and plants, which is another influence from the book. Flower appears in the first sentence of the novel and works as an important symbol throughout the whole story.

Approach Mono is the fixed width version of Approach. A utilitarian low contrast font, a bit mechanical but plenty of character. This version shares its main features with the original one, but it has a more prominent and visible punctuation. The more obvious use of a mono would be in tables, programming code or “in progress texts”, but not just that. Approach Mono can be used in the modern communication, bringing an aseptic voice to brochures, advertising, identities and any other piece of communication. For more details see the PDF.