Our font of the original was only ten point, so we had to use our imagination to a great extent. As specialists in Victorian typography, we have found that many people do not like the "center alignment" idea, used on several old time faces, but we have been faithful to the original. So there!

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

Scribbler, like Double Quick (another one of my fonts), is a handwritten typeface, designed to look like a quick grocery list, a hasty 'I Love You' note penned down on a Post-it or a home improvement to-do list. Scribbler is a little messier than Double Quick, but this may be just your style!

Red began as an experiment, and turned into a larger project. Most super-black type designs are constructed of extremely simple and geometric elements. Most of them do not include a lowercase alphabet. Red is designed to be simultaneously more human, as black as possible, and as readable as possible. VIew the full specimen here.

I have no particular affection for ducks, nor do I keep them, but I thought it was about time someone named a font after them! Sitting Duck is a jolly comic/kids font. Handmade (of course), cute and useful. Comes with extensive language support and a cool alternative asterisk in the shape of a duck.

Another of the “must have” wood types for those doing poster work with an old-time flavor. Very readable, therefore very useful. We did ads for an old western tourist railroad, and used this often. William Page was a prolific designer of wood types, and his fonts were at every poster print shop we visited.

Always busy is. my easy-to-read and simple kids comic font. You can tell that it is handmade, because I really didn't do much about the inkblobs and the lines that are a bit off here and there. I added 4 different versions of each lowercase letter, and they automatically cycle as you type!

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

When the conditions are met, a heart is attached to the capital letter. It feels soft and lovely. It goes well with wedding cards, invitations, elegant brochures, web images, and promotional materials. If you do not apply the open type feature, the letters without hearts are applied, so you can use it in two moods.

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

VAG Rounded Next Variable Regular is a single font file that features one axis: Weight. For your convenience, the Weight axis has preset instances from Light to Extra Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

Do you enjoy bicycles? So much that when you aren't riding them you spend your time on bike related design? Then this font is for you. BIKES is a dingbat font that lives up to its name. The capital letters are detailed silhouettes of cycles while the lowercase are simplified versions for smaller uses.

There is nothing dangerous about this font, but indeed something dashy! That may not make much sense, and that's the same with the font - unless you want to do something eye-catching and organic looking for kids! Dashy Danger is my laid back, kinda wild, legible but unpredictable kids font - with an organic twist!

Bupkis literally means ‘goat’s dropping’ in Yiddish, but it is used to say ‘nothing, zero, zilch’. Bupkis is a very nice handmade font. A little formal, a little uneven, a little unusual. Use for it whatever you like, but product packaging, cards and book covers do come to mind. Comes with a lot of diacritics.

TOCinRings has letters in circles. The letters are from a typewriter font called TiredOfCourier. The typeface contains characters that can add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero width. This pdf file explains the how this can be done.

Basreng is our newest font brush. Basreng fonts are suitable for today’s projects such as clothing, covers, watermarks, web design, posters, branding. Basreng also comes with an underscore sweep bonus which can be perfectly matched. Just do it with your own creativity, Basreng is an easy to use font, will make your project easier.

Magical Signature are Font duo that includes a serif typeface and signature script. Display Serif inspired by famous logo, This typeface has been made carefully to make sure its premium quality and luxury feel. suitable for your design project business, like logo branding, wedding invitation, typhography wedding, quotes text, magazine, or anything do you want.

Arya is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.

Braniella is a dainty, flowing handwritten font. Sweet and playful, this font is great for logos, titles, posters, magazines, books, comics, or any creative design project.

Hand-drawn playful lettering full of curls and whimsy. This is designed to be completely legible while still offering a fun flair to a finished project.

A heavy one. For major impact use it only in caps, however typing randomly upper and lower case has interesting results too. Play with it please.

Stonegert – playful, friendly, Light, pleasant, handwritten typeface - has two weights, regular and boldWell suited for the design of children's products, magazines, instagram posts and design layouts

Brown Peanut is a cute and colorful display font. It embodies playfulness and authenticity and is the perfect choice for any children activity or school project.

Empty Fridge is my crazy, wacky and totally unpredictable comic font. Forget about typographic rules, but play along with the goofiness in each and every letter!

Anti Gravity is a cute and funny handwritten font. It’s simple and playful style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Céline was inspired by a recent trip to a vineyard in the South of France. A vintage stencil numeral set was etched onto the wine fermentation tanks. Céline is a one weight stencil display typeface with plans to expand the family with multiple weights and non stencil versions. Céline includes some language support, standard and discretionary ligatures. I hope you enjoy it as much as I did making it.

Akrux is a futuristic variable wide font. It is inspired by forms that are close to futurism, stars and space. Everything related to space, movies, cartoons, art, books, spaceships. Ideas came from everywhere. The font is suitable for headlines, posters, logos, large typography, magazines, everything related to cars and anything that can be futuristic and meaningful. It has great language support, and Cyrillic is planned in the future.

Within the pages of “The Essentials of Lettering” by Thomas E. French and Robert Meiklejohn (circa 1912) is an example for creating a sans serif alphabet and numerals. The lesson plate is entitled “Upright Single-Stroke Gothic”; a basic monoline font most useful for architectural and drafting plans because of its easy-to-read properties. This type design is now available as Drafting Class JNL, in both regular and oblique versions.

In this font from graphic arts veteran Tracy Sabin, his trademark whimsy and playfulness are exhibited in spades. Sabin takes a multitude of influences, from mid-century art nouveau to today’s pleasant dream-pop doodles, and mixes them up into a sweet and animated alphabet that oozes energy, enthusiasm and honest innocence. Alongside the chromatic and colour-play possibilities that come with two layerable fonts, the jumpy, rough and curly elements that make up Schneeberger’s construct make this face a unique and essential tool for display and packaging aimed at catching the eyes of kids and teens. Use it for fantasy flicks, sugar-fix wrapping, and the elaborate backyard birthday party invite where the program is just as appealing for the adults as it is for the children. P22 Schneeberger comes in solid (Black) and outline (Regular) variants, each of which containing more than 400 characters, some very cool built-in stylistic alternates, a bunch of ligatures, and support for the majority of Latin languages.

Say hello to our new classy font duo "Karme"- a combination of all-caps serif and stylish handwritten script! Karme Serif - Due to its extraordinary and eccentric characters, the serif can be more suitable for displays, headers, and short logos rather than body or long texts. Not all but some of the letters have alternatives in stunning lowercase forms. You can play with 92 different fascinating ligatures with the Karma Serif. While using the serif, we would recommend turning off the automatic ligatures and accessing them manually through the Glyphs panel (or copy/paste) so that from several options you can choose the one that fits your text best. Karme Script - a modern and realistic handwritten font with a natural flow. Featuring 112 playful and groovy ligatures, the font can be well paired with serif, sans serif, and display fonts. Works great for stationery, websites, packaging, and many other handwritten style designs.

Hey guys, I'm really excited to introduce The Wayfaring Font Duo! A hand-painted set of fonts designed to add a rustic and whimsical charm to your design projects. It's rough around the edges and not without imperfections - but aren't we all? With distinctive bold & playful brush strokes, The Wayfaring Font Duo is ideal for your logo designs, product packaging, wedding designs, book covers, social media posts, merchandise & more. The awesome thing about this typeface duo is that it's so easy to mix up the various font styles and create totally unique, hand-made looking words each time. Not only are there 2 sets of upper & lowercase characters, there is also a unique 'all-caps' version - which not only looks great as a supporting font, but can also be combined with the regular Wayfaring font to give you even more layout options. I'm serious! Just throw a small-caps character in the middle of a word, it's really fun to play around with.

In older American slang, a "bum steer" is a bad tip, some bad advice or being sent in the wrong direction (to name a few examples). Bum Steer JNL was modeled from some playful hand lettering found on a piece of early 20th Century sheet music entitled "When Uncle Joe Plays a Rag on His Old Banjo". It's very possible that "Hobo" (a popular type design of the time) was a strong influence on the sheet music's style of title lettering. It seems that songwriters in those bygone days were prone to cramming as many words from a line of their song into the title itself. Another such example of a wordy song title which coincidently is in keeping with the theme of a "bum steer" (pun intended) is a novelty number from 1915: "Cows May Come and Cows May Go but the Bull Goes on Forever" (words by Vincent Bryan, music by Harry Von Tilzer). [It's kind of self-descriptive, don't you think?]

Stone Dense is a playful display font. Stone Dense has a large number of ligatures, 160 ligatures. So that makes this display font more playful and unique. And Stone Dense has a bold body, with unequal widths for the characters. Stone Dense can suitable for your projects that require fonts with bold and strong characteristics. Such as branding, logos, titles, headlines, printing, magazines, quotes, posters, fashion, t-shirts, apparel and others. Stone Dense is also support multi language.

Scandilover Family was inspired by monochrome Scandinavian style kid rooms full of handwritten graphics, black and white accessories and prints. Scandilover is a playful display font with its personal charisma. Each letter in the font perfectly combines with another and all in all creates a text that is an entire illustration itself. Scandilover Script is a thin delicate font which isn’t devoid of playfulness too. Together with contrasting Scandilover they make funny lively combinations. Just try!

When I am working on a new font, I usually play some music, or have a song in my head. When I was working on this font, an Audioslave song called Getaway Car was playing in my head. Again: naming a font is not that difficult! Getaway Car was made with a cheap brush and expensive Chinese ink. It is an all caps font, ideally suited for posters, book covers and designs that need a bold, rough & ready look.

Happenstance came out of a play session with Bezier curves with a sense of fun built into its being. First came play, then came work. Thomas Edison once said,”Creativity is 1% inspiration and 99% perspiration.” Nikola Tesla thought the opposite. In this case, what started as inspiration took a lot of perspiration to corral into a usable font. So maybe the reality is a) different for different people or b) somewhere in the middle. Just sayin’.

House Soft is the curvy, fun little brother of House Sans. Its exaggerated rounded corners give it a playful feel that will bring happiness and joy wherever it’s used. Like its big brother, House Soft is also made up of 100 weights in 5 useful widths (Compressed to extended) that make it a versatile font. From big bold headlines to playful brands House Soft offers the flexibility and uniqueness you and your project deserve. Go soft or go home.