Palmas is a striking display typeface that exudes a sense of boldness and vintage charm. Its thick and heavy letterforms make a statement, demanding attention from viewers. With its retro psychedelic style, Palmas is perfect for designs that require a touch of nostalgia or a hint of the 70s-90s era. The letters of Palmas are intricately crafted, with subtle curves and serifs that add character to each glyph. The font's weight gives it a commanding presence, making it ideal for headlines and titles. It's easy to imagine Palmas being used for album covers, movie posters, and other designs that require a bold and unique typeface. Despite its retro inspiration, Palmas remains versatile and adaptable. Its bold style works equally well in modern designs, lending a touch of personality and character to any project. Whether used in print or digital media, Palmas is sure to leave a lasting impression on viewers.

Cushy is a versatile san serif font that’s stuffed with numerous plush swashes and unique alternates. But it’s not limited to display use only. Cushy is well suited for text or display applications. Cushy’s large “x” height, square proportions, and generous even weight enhance its legibility in all point sizes. The font’s bold personality radiates friendliness and warmth. Clean classic proportions lend it authority and vigor. Cushy bends around corners and flows throughout. You won't find any sharp corners. The diagonal strokes possess a subtle arch and enhance its characteristics. Available in 8 styles with multiple weights: Thin, Light, Regular, Bold, including italics. Cushy includes stylistic sets, stylistic alternates, swashes, ligatures & discretionary ligatures, and foreign language diacritic glyph support. Cushy provides 40 distinctive swash options, 17 ligatures, and 13 alternates. Weights include Thin, Light, Regular, Bold, with italics. Cushy is suited for corporate ID, retail, magazines, books, brochures, websites, logotypes, etc.

Yesterday Morning is a lively handwriting font that captures the essence of an active and cute brush style. This handmade calligraphy font is perfect for fashion projects, adding a sense of energy and excitement to your designs. The font family's hand-brushed appearance brings an authentic, personal touch to your creative work, making it feel warm and approachable. The Yesterday Morning font family includes four engaging styles to suit various design needs: Regular: A balanced and energetic style for everyday use Regular Italic: Adds a playful touch and a sense of movement Bold: Offers a bolder, more assertive presence for impactful designs Bold Italic: Combines the strength of bold with the flair of italic Built with advanced OpenType functionality, Yesterday Morning ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique.

Wide font family is a geometric sans serif font, which features 9 styles. It’s based on the Futura developed by Paul Renner and neo sans-serif fonts. At the same time, it has significant stylistic differences. Massive lengthy letters are among the unique features of this font. They will help you come up with the perfect composition. The letters have optical compensation, while a circle is the main figure of the fonts. Due to wide fonts, your project will have modern and fresh design. The composition will keep its contrast regardless of a background you’ve chosen. The Widy family includes 9 styles: Thin, Extra Light, Light, Semi Light, Regular, Medium, Semi Bold, Bold and Extra Bold. Each of them also has Italic variation. The fonts are perfect for both graphic design projects (posters, brand identities, logotypes) and simple interface design, which needs the necessary style.

Iturritxu (a small spring or fountain in the Basque language) is the basic style, one letterform per character, using highly readable glyphs suited to text applications. It includes Latin characters for Western European, Central European and Baltic Languages, plus Romanian and Turkish. Iturritxu 2020 is the feature-rich style for OpenType friendly applications. Designed to work especially well with the concave consonants and nesting vowels (KO, RO, TXO, ZO etc.) common in Basque (Euskara), the font also has many ligatures and contextual features for other languages such as English and Welsh. Much of the inspiration for the contextual forms comes from the compound consonants and vowel signs of North Indian scripts. Small capitals, old-style numerals (with optional swashes), sub and superscript numerals are all present. A PDF guide to the features is included in the 2020 package together with the basic Iturritxu font. The Features Guide is also posted in the Gallery.

Domani from CounterPoint is a faithful digital revival of an old photo-typositing face called ITC Didi. Originally designed by Herb Lubalin and Tom Carnase, Domani brings to life a font that has been somewhat neglected by the digital era until now. Brought to the attention of Jason Walcott by graphic designer Rob King, this font immediately captured Jason with its 1970s high contrast Didone style, typical of that time period. It has some unique design details that set it apart from other didone style typefaces. “Domani” is the Italian word for “tomorrow”. The name was suggested by Rob King, and Jason felt it was perfect for this revitalized design. Walcott has created a professional quality digital version that is both faithful to the original design while expanding the character set to make use of OpenType features. A full set of swash capitals and several swash lowercase, designed by Walcott, has been added, as well as support for Latin-based and Eastern European languages.

Gojali is a sleek and modern geometric sans serif font family. It offers a range of 5 weights, from Thin to Thick, combining contemporary style with its distinct softness. The design of Gojali is characterized by its minimalistic, elegant, and versatile nature, providing a unique feel and ensuring ease of reading. Gojali was specifically created to deliver an easy-to-read text display. It is suitable for both text and display purposes, making it a perfect choice for headers, titles, posters, websites, branding, apps, and a wide range of other creative designs or projects. Gojali features various OpenType functionalities, including standard ligatures and number variations such as old-style numerals, fractions, numerators, and denominators. It also offers extensive support for the Latin language. With Gojali, you can effortlessly create captivating text displays with a special touch. Its soft yet strong design makes it an ideal option for crafting extraordinary and charming designs.

Inspired by the MacFarland series in the 1912 ATF catalog, Apparel is a typeface that shares similar functional characteristics with Times New Roman and Caslon fonts yet it has its own personality: A great choice for high-impact design. Apparel is a contemporary, classy and fresh serif typeface with a laid-back attitude that best suits your design needs. Its medium-large x-height makes it ideal for headlines and brand identity design. Apparel also includes a version, with a greater contrast between thick and thin strokes, for use in even larger sizes. The font comes with italic styles which can be used individually or in combination with the upright variant. Moderately slanted italics are also available as OpenType Stylistic Alternates. Each font style supports more than 200 Latin-based languages, as you would expect from Latinotype fonts. Apparel also includes a basic Cyrillic set, old style & lining figures, fractions and alternates, among other OpenType features.

“My Dearest Friend” is how she began nearly all her letters to her husband, John. I refer, of course, to Abigail Smith Adams, first Second Lady and second First Lady of the United States. Her famous correspondence with John Adams produced nearly 1,200 letters over a span of some 40 years, leaving us with a priceless record of early American life — from household routines to war and politics to expressions of personal worry and devotion. Although Abigail’s was not the loveliest hand, I found it sure and expressive, as befitting her extraordinary sway and intelligence; it also carries a genuine flavor of the period. In making the font I focused chiefly on her handwriting from the 1780s and ’90s, when she’d taken to using a disconnected cursive, which struck me as distinctive and alluring. The OpenType release of Abigail Adams has scores of ligatures, standard and contextual alternates, lining and old-style figures, cross-outs, ink blots, and full Latin language support.

Mayes is a soft, geometric sans serif font family. It consists of 6 weights ranging from Thin to Black, combining elements of Bauhaus and modern styles with its distinctive softness. Its design is minimalist, elegant, and warm, offering a unique yet versatile and easily readable impression. Mayes was created with the purpose of providing text displays that are easy to read, strong, and make a standout impression. It is compatible with both text and display purposes, making it perfect for headers, titles, posters, websites, branding, apps, and various other creative designs or projects. Mayes features several OpenType functionalities, including standard ligatures and number variations such as old-style figures, fractions, numerators, and denominators. It also offers extensive support for the Latin language. With Mayes, you can effortlessly create text displays that stand out with a touch of specialty. Its soft yet strong design makes it an ideal choice for creating remarkable and captivating designs.

This font was inspired by the rare manuscript Roman Quadrata used by an unknown scribe to inscribe a copy of the Roman poet Virgil’s GEORGICS, somehwere around 161 to 180 AD. Only a few sheets have survived, now preserved by different libraries around the world. In creating this font, we have adapted it for contemporary users, making differences between U and V; I and J (which made no difference at all to ancient Latin scribes) and naturally adding the glyphs for Thorn, Oslash, Lslash, W, Y, as well as the usual accented characters and punctuation, none of which existed at the time. Only capitals are present in the original; but we have provided alternates: so alternating each character A-Z/a-z will give a pleasant appearance of manual script. We have added the Roman numerals “I V X L C D M” in the OTF/TTF versions usable as “Old Style Numerals” alternates.

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile. This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier! Key features: • 6 Weights in Roman and Oblique • 3 Widths – Narrow, Regular, Wide • Extended Caps • Small Caps • Extended Small Caps • Petite Caps • Unicase • Old Style Figures • European Language Support (Latin) • 1,200 glyphs per font.

There is an interesting story about this vintage professional Mercedes typewriter I’ve used to make this font. My grandfather, who was a Yugoslavian partisan during the WWII captured it from a Wehrmacht command building during an attack, and he kept it in a perfect shape for so many years. After I inherited it, I wanted to share it’s uniqueness (as well as it’s story). I’ve intentionally kept it in it’s original condition - I haven’t replaced the ribbon that was some 34 years old (or more) before sampling the font, and it turned out really nice. One more important thing - I have used ONLY it’s original set of characters (Latin with some Balkan-based letters). With it’s untouched originality and uniqueness it fits to our modern culture perfectly. There are no compromises here - there are no popular @,#,$ and other characters you would expect in a font. You will get EXACTLY what’s on this genuine “Mercedes” typewriter with so much soul.

Cohort is a strong and crisp geometric sans serif. Cohort uses a rounded rectangle as its central motif. Although the geometric design is minimalistic, Cohort has a variety of unique letterforms that keep the design from being too predictable and maintains a bit of beautiful nuance with plenty of legibility. Cohort's six different weights give it a great deal of versatility, from its sharp and potent black weight to the fresh and razor sharp thin. Cohort can be used for logotypes, headlines or short blocks of text. Cohort includes many useful OpenType features, including a set of upright italic swash alternates, ligatures, small caps, fractions and old style figures, sharper and more unique counterforms and simplified characters for titling. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages.

Floki is a contemporary condensed sans serif with sixteen styles ranging from extralight to extrabold and accompanying italics. The amount of styles, condensed proportions and large character set make Floki suitable for various uses such as infographics, packaging, branding, advertising and editorial design. Floki’s aesthetics are distinctly modern and they have a hint of softness which comes from sublty curving the diagonal strokes in letters such as A and V. This feature really shines when you set text in tightly set caps as big as possible. Stylistically Floki leans more to the humanist sans serif but it has a flavour of geometry in its shapes as well. The result of this combination of features is a highly usable typeface with a clear voice of it's own. All styles feature small caps and multiple sets on numerals including lining figures, old style figures, tabular figures, small cap figures, numerators, denominators, superiors, inferiors and fractions. Floki has latin extended character set making it well suited for multilingual typography.

Peppo is an informal, simple, readable and easy-on-the-eyes handwritten typeface inspired by hand-written script. Each font providing an organic and spontaneous hand lettering feel. Combination of 12 styles (3 widths and 4 weights) and wide range of glyphs guarantee high freedom and flexibility of typographic work. Peppo typeface includes extended Latin characters with capitals, small letters and small capitals, lining and old style figures, superscripts, scientific inferiors, currency symbols and arrows. You can use this font to create childrenís publications, posters, CD labels, T-shirts, coffee mugs, and banners. Important technical notice: Combining diacritical marks (U+0300, U+0301, U+0303, U+0309, U+0323) are only 'compatibility characters' for codepage 'MS Windows 1258 Vietnamese'. Combining diacritical marks (U+0312, U+0315, U+0326) are only 'compatibility characters' for Czech, Latvian, Romanian and Slovak language. OpenType features 'Mark to Base' and 'Mark to Mark' is not supported. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Don Sans is a sturdy display sans which evokes the invironment of old-day industrialism, steamers, locomotives and other machinery; dusty back-yard workshops and the glamorous air of backstage life. It has been inspired by various letterings crafted by former graphic workmen who would have had an idea of simple letter construction but did not really wanted to bother with detail sophistication. Hence the result is somewhat quaint and imperfect … if that is something you are willing to enjoy. The unique charme of this typeface lies in its lack of perfection. And yet it embodies a peculiar straight-forward strength and sobriety, a visual stubbornness which is certainly not over-used! Utilize Don-Sans for stationary and ads, for crisp title settings and smart identity graphics; for menus and leaflets, business cards, cutting-edge campaign eye-catchers … whatever your imagination makes of it! Don Sans is a multilingual typeface, it supports every Euro-Latin language.

Serat is a medium contrast flared serif with mixed up styles of classic typefaces which is highly influenced by early stages of Latin based hand writing. The lowercase are modernized versions of Carolingian minuscules, vertical stems which touch the baseline have been modified to have horizontal cut for simpler look and keep the calligraphic style for terminals & stroke ends. Then the uppercase are flared serif which were influenced by Roman inscriptional capitals. The font name was taken from the Javanese word "serat" which means writing (noun). It comes with some unique features, such as: - Carolingian style alternate for some letters (a,e,f,g,t), also comes with separated stylistic set for long 's', and long left leg 'x' and alternative ampersand. - Discretionary ligatures for all caps titling. - Standard Ligatures. - Tabular and Proportional for both Lining and Old-style figure. - Fraction with Nominator and Denominator. - Superscript and Subscript for numbers, etc. Serat would be suitable for "classic" themed work; poster, book cover, branding, videography, etc.

Palatino Sans Informal was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf’s original Palatino idea. Palatino, which was born as a metal typeface in 1950, proved to be one of the 20th Century’s most popular designs. Not only is Palatino Sans Informal a completely new typeface, it is also a completely new interpretation of the entire sans serif genre. Its letterforms are curved, rounded, and soft, not hard and industrial. In comparison with Palatino Sans, Palatino Sans Informal offers eccentricities that are somewhat artistic and more individual looking. The fonts in the Palatino Sans Informal family include several OpenType features, such as an extended character set covering all Latin-based European languages, old style figures, small caps, fractions, ordinals, ligatures, alternates, and ornaments. Palatino Sans Informal can be mixed well with Palatino and Palatino Sans.

“Sympathetic Font” multi-purpose use is an open designed font. It is possible to produce unlimited designs using this font. “Sympathetic Font” is made up of 24 different forms. Hearts, square, triangle, circles, moon and stars, horizontal and vertical lines, sloping inner lines and wavy lines. Shading and decorations are also available. Ideally suited for advertising and packaging, logo, branding, slogans and creative industries, poster and billboards as well as web and screen design. You can create unique designs using fonts in layers. TECHNICAL: Sympathetic provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. “Sympathetic” has 24 different forms and italics total 48 types. The family contains a set of 321 characters. Stylistic Alternates, Localized Forms and Old Style Figures just one touch easy In all graphic programs. Sympathetic is the perfect font for web use. You can enjoy using it.

Donnerstag is an extended slab serif and a new companion to insigne's Montag, Dienstag and Mittwoch typefaces. Donnerstag conveys power and personality with its strong slab letterforms and ball terminals. Donnerstag's seven different weights give it a great deal of versatility, from its beefy and masculine black weight to the delicate and feminine hairline. Because of Donnerstag's width, this typeface is best used for logotypes, headlines or short blocks of text. Donnerstag includes many useful OpenType features, including a set of upright italic swash alternates, ligatures, small caps, fractions and old style figures, alternates for the ball terminals and simplified characters for titling. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages. For complementary companions, be sure to check out the rest of the typeface super family, also available from insigne.

Be a trendsetter and stand out with bold and sophisticated style font. The epic Castre. Castre is a serif font family to better charm your designing experiences. This package package to please you with a variety of choices for your own project consisting of eight different choices of thickness level. It is designed to be simple and easy to read without losing the modern feels. The uppercases design is paired with thin lines allow us to dive more into the world of modernity. Included: Castre Thin Castre Extra Light Castre Light Castre Regular Castre Medium Castre Semi Bold Castre Bold Castre Extra Bold Slay your design with Castre’s best features so you’ll look your best on what ever your design is, all the time. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Castre fits best for any design projects, such as posters, banners, logos, book covers, album covers, quotes, invitations, greeting cards, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thank you for purchasing our premium fonts. If you have any further question or issues, don’t hesitate to contact. We’re happy to help! Happy Designing.

No Dr. was inspired by an old movieposter lettering for the 1962 movie "James Bond: Dr. No". Just like the original Dr. No, No Dr. has a diabolical charm. It was developed into a font family that combines distinctiveness with versatility. It has a good readibility as a textfont but also looks great as a Headline. The two widths and the two weights give you a big choice. Intended to become an interesting alternative to the much used DIN Schrift, it has now developed into a highly functional family of it's own.

Palmerson is an aesthetic vintage font, inspired from the past typography, elegant signage, gold leaf , sign painting and old label product. Palmerson comes with tons of alternates characters to make more eye cacthy . Two different size uppercase and one lowercase it's make more choice to combine and find some more great typography. Palmerson Font is suitable for authentic logos, headings, sign painting, posters,letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. Finally BOOM..!! you get a great design for your project.

Modern digital typography pushes many designers to try and achieve visual perfection with their lettering. In the days of wooden type, the premise was more in creating a font that "sold" the message (possibly, in part due to the lack of advanced tooling to achieve uniformity). In many styles of wood type (such as the one used as a model for Broadletter JNL), there are vast differences within the character design, weight and symmetry from letter to letter. This is now looked upon as "old fashioned" and "charming" - part of the appeal of this typeface.

Bredston is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Bredston comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. You just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

Beady Ready - Bold Display Font Beady Ready is a bold display font featuring a modern style, perfect for creating sporty modern-inspired designs. This font is the perfect choice for designers looking to add a bold and unique touch to their projects. Created with attention to detail, Beady Ready is a versatile font that can be used for a variety of purposes, such as branding, packaging, advertising, and more. When using Beady Ready, the possibilities are endless. This font works well for designs that need bold and eye-catching titles or headings. It can be used in posters, flyers, product packaging and other printed materials that require a strong visual impact. Additionally, Beady Ready can be used in digital designs such as social media graphics, web banners and more. Beady Ready comes packed with features that make it an excellent choice for designers. This includes uppercase and lowercase letters, as well as alternatives and ligatures via the OpenType feature. This feature makes it easy to add a unique touch to your designs by swapping out the letters for different variations. Fonts also include numbers, punctuation, and symbols, making them easy to use in a variety of projects. Finally, Beady Ready has multilingual support, allowing you to use it for projects in multiple languages. If you're looking for a font that is unique, bold, and full of character, Beady Ready is the right choice. This font is perfect for designers looking to add a touch of modern sport to their projects. In short, Beady Ready is a bold display font with a modern style that's perfect for creating sporty-inspired designs. It comes with a variety of features, including alternatives and binders via the OpenType feature, making it easy to add a unique touch to your designs. This font also includes multilingual support, making it an excellent choice for projects in multiple languages. With the Beady Ready font, you can create eye-catching designs that stand out from the crowd.

Decima Mono – condensed geometric monospaced Sans Serif typeface, released back in 2009 and quite successful ever since (MyFonts Rising Star, February 2009). This new edition is an upgraded version of Decima Mono and Decima Mono X, combining both into one edition. New version supports more Latin languages with an extension to glyph amounts. Also, six more alternate styles have been added to the original six styles.

Zoran Kostik began designing the Just Square font family in 1999, based on a logo that his son, an art student, had designed. The design project grew until Kostic had designed eight weights, for both the Latin and the Cyrillic writing systems. Just Square is a very geometric and constricted face best used in experimental designs (i.e., logos, web sites, flyers, and expressive headlines).

Lettering by an uncredited designer on a French travel poster from 1929 provided the inspiration for this ultrabold headline typeface, a curious blend of symmetry and asymmetry. The font’s small descender height allows tight line spacing while maintaining legibility, even in relatively small sizes. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

This decorative delight is based on a typeface discovered within the pages of "Schriftatlas: Alphabete von A bis Z," and originally named Pygmalion. The swash caps and plain caps in the lowercase positions allow for wide-ranging creativity in the composition of dramatic headlines. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Railroad Gothic Pro is a condensed, sans serif typeface, exclusively licensed from the Ludlow Collection. The original Railroad Gothic was produced by Ludlow in the early 1900’s, and Steve Jackaman (ITF) produced the digital version in 2017. The font provides support for Latin 1, Central, and Eastern European languages, and Cyrillic. Railroad Gothic Pro is reminiscent of typefaces used in 1900’s railyards, hence the name.

Introduce our new font “Ghostbumps” is a scary display font, this font looks horror, cool, cartoon, playful, catchy and easy to use. Highlight : - Easy instalation - Work on PC or Mac - PUA Encoded Support - Basic Latin A-Z and a-z - Numbers - Symbols - No special software is required, The fonts can be opened and used in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.

The 1923 Barnhart Brothers & Spindler specimen book called this typeface "Cardstyle", and suggested its use at small sizes for business cards. It also work quite well in large sizes when a warm, casual antique feeling is called for. Named for a river that flows through Washington, DC. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Herbal Infusion is a sweet, modern calligraphic font with ligatures. It is perfect for branding, wedding invitations and invitation cards and many more Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks and ligatures. Includes: Regular Script Latin languages support Uppercase and lowercase Numbers and punctuation Ligatures Check out my blog: https://www.instagram.com/di.zigner pinterest.com/dmitriychirkov7 Enjoy

Introducing "Cyhiru Font" - The Artistry of Handwriting Meets Contemporary Design. Cyhiru Font is your gateway to infusing a personal and distinctive touch into your creative projects. This font seamlessly marries the warmth of handwritten text with a modern aesthetic. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

This distinctive titling face is based on Elegant Lichte, designed by Hans Möhring for D. Stempel in 1928, with the helpful addition of a lowercase not found in the original. It functions equally well as either a period piece or a contemporary masterpiece. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as wellas localization for Moldovan and Romanian.

Lovato is a family of five fonts, perfect for branding applications, books, or poster designs that require a clear, sharp, stylish tone. The styles range from an elegant, delicate light weight up to a brazen, commanding black weight. This original Latin-serif family, designed by Kosal Sen, has primarily a geometric construction, with hints of details inspired by inscriptional lettering, all coalescing to fit a contemporary palette.

MS Mincho™ Japanese font features serifs at the end of its strokes, and can be used for a variety of uses from screen display to publications. This font file is 5.3 MB in size. MS Mincho Japanese font is a trademark of Microsoft Corporation. MS Mincho font Character Set: Latin-1, Japanese (code page 932). MS Mincho is available in both TrueType and OpenType font formats.

School Trip is a fun and cute handwritten font. It has a playful vibe and it’s easy to read. Get inspired by its simplistic charm and use it to brighten up any creative projects Features : Basic Latin A-Z, a-z, numbers, symbols, and punctuations School Trip is supporting 66 Languages: from Afrikaans Albanian Catalan Danish to Dutch English Spanish Swedish Zulu. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you