Kalesi - The Elegant Sans Serif Font strikes a perfect balance between modern simplicity and timeless sophistication. Its clean, sans-serif style features subtle contrasts that add a touch of refined elegance. Ideal for projects demanding a contemporary, minimalist aesthetic with a touch of class. Whether it's branding, web design, or editorial work, Kalesi effortlessly enhances your project's appeal with its understated yet captivating look. With Kalesi, your designs exude contemporary elegance, leaving a lasting impression with its carefully crafted contrast and minimalist charm.

Two Cents Plain JNL is a simple sans design for titling, sign work, display ads and so forth. The name is derived from the way folks in the Northeast used to ask for a glass of seltzer water at restaurants and soda fountains decades ago: "Give me a two cents plain." It was always cheaper to order plain seltzer than to have flavored syrup added, and this was especially true in the years during the Great Depression when every penny made a difference.

The origins of the font Versailles go back to the 19th century in France when, with the introduction of lithography, alphabets could contain freer forms. The basic forms are Modern Face with triangular serifs. The direct influence for Versailles was the writing on the back of the memorial to Charles Garnier, the architect of the Paris Opera. Versailles is a classic font for advertisements, perfect for shorter texts and titles/headlines and it makes an impression of elegance and strength.

This font is inspired by a horror film title or opening, taking inspiration from underground bands, made from watercolor brushes and so you get sharp textured results, with its defiant shape, rough edges and unadulterated imperfections. and give a spooky, firm, horror impression. There are several unique ligatures that can make sentences more unique. Regular Stylistic alternates SS01-SS03 Ligatures os, St, fl, ff, ffi, ffl, ae, si, ss, ha Multilanguge Support Latin Pro Uppercase & Lowercase Numerals & Punctuation 443 glyphs

Spookies Identity is a horror display font. This font is inspired by movie titles and some horror logos. The impression of horror is highly emphasized, but the alternate character of this font that curves at the beginning and end of the letter makes this font very suitable to be used as a logo and poster. Spookies Identity would be perfect for Logo, title, logotype, cover, headline, apparel, comic, cover books, cards, posters, or anything that requires a horrror or scarylook!

Stencil pixel font which has rough, tough and masculine impressions. This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

Introducing Moressans - Luxurious Type, created by ikiiko. Moressans is a sans serif type with a thin and rounded shape. A simple font, with a thin size, adds to the impression of elegance and also fashionable too. This typeface is perfect for an elegant logo, branding, fashion brand, luxury brand, layout magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Works on PC & Mac

Jostern is the first font designed by EMME Grafica. It's a simple bold, all caps, grunge, eye-catcher font, particularly suitable for titling, branding and typographic amusements. The unevenness of Jostern does not affect the heavy and cubital aspect of the font, but gives it the right roughness to be able to convey a slightly rough and harsh impression, like that of Jos Stern, the bitter character who will be the protagonist of a multimedia project currently under development at EMME Grafica.

Taking inspiration from an attempt to marry art with industry of Bauhaus (1919), Brueul Grotesk is classic and straightforward, cutting back superfluous elements. A Sans Serif type, it’s like a design from the Machine Age. It comes in A and B sets to offer end variations—choose the bulbous terminals set if you need a less stern impression. It is then suitable for diverse demands. Brueul Grotesk has A and B sets with 16 weights each, giving you an all-purpose usage typeface.

Cyberank techno display typeface is a bold geometric with sharp angles typeface to unleash creativity and transform your designs! Strong and impactful characters with a futuristic look create a powerful visual impact that will leave a lasting impression on your audience. Features : Bold, Unique & Strong Techno Display Typeface Futuristic Character Design Alternates, Ligatures & Multilingual Support with PUA Encoded Note : To be able to access ligatures and the alternate letters, please make sure the software you are using can support opentype features.

Launched Chinta, new serif type modern fonts wrapped in a soft classic touch combined with crooked and crooked alternative fonts, will make it one of the conveniences to explore various types of designs. With a soft touch but does not leave an elegant impression, this font is suitable for using logos, food design, weddings, branding needs, posters, emblems, advertising and much more. so what are you waiting for? FEATURES CHINTA ONE CHINTA TWO So what are you waiting for? immediately purchase this font.

Cargiona is a very nice font with a soft and confident impression, modern with a clean touch. Cargiona family includes both lowercase and uppercase letters with 7 choices of font thickness from the lightest weights to black weight. Cargiona suitable for large amounts of text to the heaviest weights, intended for headlines. With weights ranging from light to black, there are a variety of applications that the fonts can be used for print, web, branding, logo, advertising, magazines, products, packaging, labels, etc.

Tenacious Brush is an expressive font, provocative, free spirited and wild hearted. It's an all-caps face, with 4 alternates for each letter and 2 for each numeral — some letters also have stylistic choices. For that spontaneous hand-painted feel, you know. Turn on the contextual alternates feature to automatically cycle all these variety of glyphs. Or... pick your choices manually, which is quite a playful task now in some applications like Adobe Illustrator and Photoshop — just select a glyph and you see its alternates. The font brings yet some useful ornaments to give an extra buzz here and there. And let's not forget to mention the extended language coverage. And there are even fractions available! And ordinals! Definitely not just a rad face. This is a cool brush font with a contemporary tone, offering endless design possibilities: logos, poster art, branding, bold imagery, packaging, t-shirts, apparel and much more... With loads of attitude included. Step into it!

Crypton is a modern geometric design by Alex Kaczun. It’s an alternate style variation based on his popular Contax Pro family of fonts. The look is clean, smart and sophisticated—the chiseled end strokes reflect the rage of the 1980s; lettering that represented something to do with electronics, computers and outer space. It’s a futuristic sans-serif exploration of shape and form. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong and dynamic—it can be widely used in publications and advertising. Crypton is a futuristic, techno-looking and expressive typeface with the appearance of machined-like parts—round geometric shapes and sharp edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

The peculiarity of this alphabet is already its origin: the basic drawing was created by narrowing Roman capitals with corresponding lowercase letters. The goal was to create a monumental font for architecture and book covers. Surprisingly, however, Amor Sans has found its way into corporate identity, offices, magazines and packaging design. Its slightly narrowed, economical design predestines it for quick reading of shorter texts, which is why it is also excellent for theater posters and programs. Its moderate width proportions and rich selection of arrows and pointers are excellently used in public spaces. Amor Sans has a neutral expression that works harmoniously in any architectural style. It will serve as an orientation system in a medieval monastery as well as in a modern building, while remaining distinctive even in the dark. The family consists of ten cuts with many functions, such as small capitals, Cyrillic, several types of numerals, a number of ligatures and stylistic alternatives.

The Clearface types were originally designed by Morris Fuller Benton in 1907. Their forms expressed the Zeitgeist of the turn of the 20th century; typical and distinguishing characteristics are the forms of the a" and the "k." The ATF version did not include an accompanying Italic. In 1978, ITC's Victor Caruso was licensed by ATF to develop a new serif typeface and matching italic based on the forms of Clearface. The result was ITC Clearface, a serif typeface with marked stroke contrast and italic weights. The teardrop-formed endings of the lowercase a, c and f (also found in Caslon) define the character of the face. The type's design is also distinguished by its small -- almost slab -- serifs, a large x-height, and little stroke contrast. ITC Clearface, with its historical touch, is good for both texts and headlines, but its slightly condensed nature performs at its best when it is allowed its space.

Brexit now has its own typeface. Brexit the type family is made for being slanted one way or another, to offer stylistic choices and expressions, like for or against, or remain or leave. Because Brexit is international, the letters are made to support many languages. The name is given to mark the British withdrawal from the European union. Brexit is an elongated display typeface in three styles. It is a sans serif with contrasts in stroke and shape. Brexit supports languages with latin characters and ligatures as well as Greek and Cyrillic. The italic and contra italic are extremes that can be used to contrast each other or versus a standing regular. Sometimes complex concepts are best communicated in single words, and the typeface Brexit is made for that and more. The typeface works well for clear messages, shop displays, poster work, menus, signage and other purposes where you want to have impact.

Tetria was designed by Martin Jagodzinski, who says that the font came from the need for a compact, constructivist typeface. Tetria combines the expression of simplicity of the 'norm' typefaces like DIN Mittelschrift with elements of Old Face typefaces which optimize legibility. It therefore contains old style figures and a larger stroke contrast, which makes the font legible even in smaller point sizes." Sources of inspiration for Tetria were the designs of Joost Schmidt and Herbert Bayer as well as the norm typefaces. The name comes from the Greek word for 'four', tetra. "Four is the number of many simple and useful objects, four wheels on a car, four corners of a book. Also, the basic forms of Tetria come from the simple geometric form of the square." The space-saving Tetria is well-suited to a variety of uses, from corporate typeface to text to display on posters, flyers or onscreen."

Proudly Present Apocalypse 13 - Cyberpunk Type, created by ikiiko With its gritty and edgy design, the explosive cyberpunk brush typeface Apocalypse 13 perfectly portrays the feel of a dystopian future. This typeface was created to transport you to the pitch-black, neon-lit streets of a cybernetic metropolis. It is the ideal fusion of technical grit and artistic expression. Each character in Apocalypse 13 is painstakingly created, using jagged edges and strong brushstrokes to evoke a sense of urgency and defiance. The letters suggest a world that is on the verge of anarchy because they look like they were spray painted on a collapsing concrete wall. This typeface is perfect for an movie title, movie poster, game title, game logo, streamer, magazine layout, fashion stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weights : Regular & Oblique Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Oddsorts’ Ciao Bella family pairs the funky elegance of a hand-drawn copperplate script with a bouquet of ornament fonts. Ciao Bella’s expansive range of alternate opening and closing forms, word-connecting ribbons, and swash characters use the power of OpenType to create a genuinely hand-lettered look. Bursting with over 2,000 characters, the Ciao script mates broad linguistic support with expressive possibilities galore in an easy-to-use software experience. But then there are the ornaments! What’s truly innovative about Ciao Bella’s ornaments is that most of the characters come in pairs that can be set in multiple colors without any stacking, layering, or aligning. They work in any application that supports kerning — even most word processors. See the slideshow and Gallery link above to see how they work. Ciao Bella marries the best of the old world — the warm, classic feel of ink on paper — and the new — the amazing capabilities of “smart” OpenType fonts — in a union that’s sure to delight.

New from the Monotype Studio, Cotford is a contemporary serif from Creative Type Director, Tom Foley. Dynamic, adaptable, and surprising—Cotford is a languid serif that ranges from delicate thins, bending and reaching like flower stems, to bold heavy weights that command the page and screen with confidence and vintage charm. And as a variable font, Cotford allows designers to explore and refine the design almost endlessly, unearthing its many visual tones and hidden secrets. Foley set out to design a soulful, contemporary serif typeface that delivers all the versatility and robustness today's designers expect. The variable font unlocks an expandsive spectrum of visual expression that allows designers to explore, tweak, and adjust the typeface until they find the perfect weight, contrast, and optical size for their project. At the same time, Cotford’s static weights follow a traditional model of 3 text and 5 display weights, making it a strong choice for brands looking for simple implementation. A pop serif for the digital age, Cotford takes you places.

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

Komet is a sturdy typeface with a calm and upright feel. Although it derives inspiration from classical English sans-serifs, it’s not too closely related to that model. Komet, instead, feels rather more lively and contemporary. Its compact spacing, low stroke contrast and heavy dots and accents give it an almost monolinear quality. The diagonals are slightly curved and the counters of the round letters such as b, o and q are generously wide. The muted, understated middle weights are built for extended body copy, while Komet’s thin and dark weights look brisk and assertive and make for subtly expressive headlines. Komet is an ideal choice for editorial design, branding and corporate design. The Komet Pro family comes in eight weights with matching italics, from Thin to Black. Each font contains around 850 glyphs, including a rich repertoire of OpenType features. Small caps, ligatures, ten different figure sets with matching currency symbols, stylistic alternates and arrows make Komet Pro a comprehensive toolkit for ambitious typography.

Proudly present Warna - Bohemian Font, created by ikiiko. With a design that is both fun and retro-inspired, Warna perfectly embodies that character. The font in question moves to the beat of your imagination. Each figure has a distinctive, hand-crafted quality, as though they were lovingly and enthusiastically created on a worn-out journal from the 1960s. "Warna" is more than simply a typeface; it's a lively storyteller who tells old tales with a contemporary twist. Its vibrant and youthful appeal makes it ideal for branding with a bohemian or retro aesthetic. The letters serve as your artistic friends, encouraging you to express your ideas with bold strokes that evoke the liberation of a joyful party. This font is very suitable for making a bohomian stuff, vintage boho brand, poster, magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Mirfak™ is a new take on a work from Adrian Frutiger made in 1964. In the first place, it was a specific alphabet made for only one book. Only lowercases, capitals, numbers and a few mathematical signs where created. Covering only English language, used only once and unknown by most, we considered this Slab Serif as an hidden gem that needed a modernization. Mirfak™ is a result of a project whose goal was to take a beautifully designed Slab Serif and update it so that its technical standards surpass the status quo, leaving us with a truly superior slab serif family. Entirely coded from scratch with Metafont™, this family is not only an update but an expansion of the original concept, covering now most used languages on earth. Modernized and unique, Mirfak’s 3 weights, light to bold, can give a full range of expression for interfaces and corporate design; in print, on screen and in multiple languages.

Arnolde Script is a heavy script typeface. Drawn and created between 2020 to 2022, this logotype lettering has a distinct style and a strong personality. It has a bold expression and confident movements, and is perfect for a modern script logo or cool headline. Use underscore _ anywhere in a word to make an underline. Example: Love_letter Use multiple underscores to make different swashes. Example: Cute_____ness Use numbersign # after any letter to make a swash. Example: Welcome# Back# (Download required.) The typeface family consist of Regular and Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introduced by Timurtype Studio! Jasmine Century is a Handbrushed Font This fonts are a beautiful and artistic type of font that mimics the look of letters created by hand using a brush or paint. Each character in a handbrushed font is carefully crafted with fluid brush strokes, resulting in a unique and natural handwritten appearance. These fonts add a touch of authenticity, creativity, and a sense of personalization to any design project. Whether used for logos, branding, invitations, or social media graphics, handbrushed fonts bring a charming and organic feel that can convey a wide range of styles, from casual and playful to elegant and sophisticated. With their versatility and ability to evoke emotions, handbrushed fonts have become a popular choice for designers looking to add a touch of artistic expression to their artwork. Jasmine Century Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

ST Remona Neue is a confident serif. Designed to reflect nature, it creates a sense of softness and natural expression. We pushed the concept in a usability-focused direction, to work as a bold tool and a beautiful communicator. ST Remona Neue allows for fluid designs in 3 styles. Regular, Italic, Outline and Latin based main language. The right slant advances aesthetics, brings energy and makes it suitable for modern design. The type family blends organic curves and soft repetition into strong and harmonious types. At large dot sizes you can appreciate the shape of the letters, while the same control and focus creates an even texture for small dot sizes and long reads. Fonts extend their use by providing a variety of unique language and style supports. The ST Remona Neue character set combines additional symbols, style alternatives, unique binding, and case sensitive punctuation - resulting in a stable, hardworking family ready to tackle projects of any size. Happy Designing

Komet is a sturdy typeface with a calm and upright feel. Although it derives inspiration from classical English sans-serifs, it’s not too closely related to that model. Komet, instead, feels rather more lively and contemporary. Its compact spacing, low stroke contrast and heavy dots and accents give it an almost monolinear quality. The diagonals are slightly curved and the counters of the round letters such as b, o and q are generously wide. The muted, understated middle weights are built for extended body copy, while Komet’s thin and dark weights look brisk and assertive and make for subtly expressive headlines. Komet is an ideal choice for editorial design, branding and corporate design. The Komet family comes in eight weights with matching italics, from Thin to Black. The glyph set of each font contains around 520 glyphs and provides good everyday support for most Latin-based languages. For a wider range of advanced OpenType features, Komet Pro is also available.

Artificial Intelligence is a computer generated typeface, in a brush handwriting style. As the world's first public and commercially available AI typeface, Artifical Intelligence celebrates the interaction between humanity and technology, in an attempt to blur the lines between hard data and interpretation. Based on 400 of Mans Greback's typefaces, this machine learning is bold and expressive, with a touch of retro while keeping it hip. It is provided in an all-caps uppercase style, Artificial Intelligence Caps, as well as the Regular style with lowercase lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Sashay, you stay! Voguing is inspired by the movement and glamour of the ’80s/90s and New York ballrooms scene. Based on multiline strokes like our first font release Afrobeat but this time playing with the movement and direction of strokes we got a 3D effect to embrace the feeling of Voguing Art Expression. We highly recommend to combine Voguing with Nautica Sottile Modern letterforms reminding the skeleton of geometric type and serving optical contemporary elegance to this typeface presented in 3 different styles: regular, slanted and backslanted. The font includes also a set of ligatures accessible through OpenType perfect to customize your text. Bring a “10 across the board” to your layout with this new font family. Voguing is perfect for fashion, publishing, cosmetics, sports and art industries. Its eye catching effect works great for headlines, branding, magazine, social media posts, website headers, posters, ads, stationery designs and products. Check out also Dreamteam & Afrobeat

Milkan Display - A modern classic serif font, perfect for creating bold & beautiful designs. Milkan Display is classic and sophisticated typography with 2 weights to captivate your next project. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, homeware designs, product packaging, mugs, quotes, posters, and more. It can also be more expressive and fun, thanks to the many alternatives and binders that combine harmoniously in this font and make it more interesting and versatile. Try to change alternatives, binders and you will get many options for your project which will make it bold & beautiful. Feature: • Full set of uppercase, lowercase • 14 Ligatures • 80 Alternatives • A wide variety of numbers, symbols & punctuation • Characters with accents • Support Multiple Languages • PUA encoded This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it!

Axion RX-14 is an original design by Alex Kaczun. It is but one of several alternate designs based on his original Axion family of fonts. Alternate design elements, specifically on capitals like 'A' , 'V' and terminals of 'C' and 'G', along with contrasting sharp and rounded corners, create a tension within this modern grotesque and add a class of destinction and interest. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion RX-14 is a futuristic, techno-looking and expressive typeface with an apperance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

The Charman Serif Font Family Pack is an Elegant serif font that comes in 20 different weights. Designed to reflect nature, creating a sense of softness and natural expression. The concept is pushed in a usability-focused direction, to serve as both a bold tool and a classy communicator. Charman Serif is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any additional characters to paste into your favorite text editor/app. The Charman Serif character set combines many of the features of open type - additional symbols, both standard and optional, as well as punctuation in case and lower case - resulting in a stable workhorse set ready to handle projects of any size. I hope you enjoy using the Charman Serif font and that it will be a perfect addition to your font collection!

The concept of Biscotti rised from a personal research into a system of styles that we commonly consider “vintage”. One above all, the Victorian typography that has been rediscovered and widely re-studied during the 70s. Today, thanks to the technology innovation in digital typography fields, Biscotti is certainly an interesting subject which expresses an appassionate and nostalgic homage to a vintage font, seen from the perspective of a technical inspiration. Biscotti is composed of two styles: the “default” and the alternative one. The first is of course more conservative and formal, while the alternative formally chooses a change of the diagonal lines into curves, so it creates a much more friendlier reading. Biscotti consists of 4 styles that can be combined by layers in order to form different ways of reading. This renewed effect increases exponentially the potential use range of this typography. Biscotti has 517 characters; and are composed for 220 latin languages.

The Edit Collection is a brand new super family designed to create multi-platform brand and editorial typography. The Renaissance construction allows the typeface to handle long texts in small, medium and large sizes, balancing its astonishing and recognisable details with high legibility. The Edit Collection with its rational, clean aesthetics and great versatility is best suited for complex typography programs. Edit Serif Pro is a modern multilingual multi purpose typeface and the first release of Atlas’ next super family. Its humanist contrast combined with modern details makes Edit Serif Pro suitable for headlines and texts that need to distinguish themselves — while still expressing rational and clean aesthetics. Each style comes with 1.540 glyphs, many features and alternative character sets. As the well known Heimat Collection and Novel Collection already are, Edit will soon become a huge superfamily like all typefaces published by Atlas Font Foundry. Designed by Christoph Dunst for Atlas Font Foundry between 2012 and 2017.

The famous Catalan architect, Antoni Gaudí, used to say “there are no straight lines or sharp corners in nature…” However, with Between The Lines that’s exactly what you’ll find: straight lines, parallel and perpendicular, all in a glorious display of Art Deco style. Here the verticals and horizontals dominate while the diagonals “sit this one out”. Curvilinear lines also run free here: they serve as refreshing counterpoints to prominent straights. These forms suggest a somewhat expressive script-like characteristic, (especially in lowercase) wherever the font’s many initials, terminals and contextual alternates are employed. Between The Lines offers many options for alternate letterforms (ligatures, stylistic alternates, contextual alternates, etc.). When these OpenType features are used judiciously and selectively, your typography will be greatly heightened. You’ll find BTL right at home in a number of environments: music album covers, snack food packaging, magazine headlines, cosmetics, signage and more. PLEASE NOTE: due to its very tall ascenders, Between The Lines benefits from generous leading (line spacing). Multilingual support included.

Hundred Miracles is a bold and colorful calligraphy typeface. With a confident flow, its soft, expressive letterforms dances across the baseline and is pleasant to read and fun to look at. Hundred Miracles consists of two styles: the Regular style, with the characteristic swashes and decorations, and the Plain style, that is more subtle and controlled. Using them together results in a calligraphic artwork with a truly customized appearance. Use underscore _ anywhere in a word to make a swash. Example: Hun_dred Use multiple underscores for different swashes. Example: Mira___cles (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.