Ring-bearers across Middle Earth will be kissing their Sorceror's Stones, when they hear the news of the debut of this magickal collection of fonts, suitable for Incantations, Faerie talk, Books of Magic and fantastickal Arias. Coincidentally the official font of Scott Sava's DREAMLAND CHRONICLES (how didja guess?), Dreamland is also suitable for any chronicles you may have of your own.

Mint Monday is a beautiful handwritten font, fashionable appearance and elegant simplicity of lines. You will fall in love with this font Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Eckhardt Slabserif JNL is a bold, condensed slab serif font that's perfect for attention-getting headlines, signs, banners, price cards or any printed project where a strong type face is needed. Its name (as others in a series of sign shop-oriented fonts) is Jeff Levine's way of honoring his friend Al Eckhardt, who ran Allied Signs in Miami until his passing.

The Speakons are made out of 500 icons in three different styles. They change automatically into icons by typing the right words through its OpenType feature. It was specially designed to break down our language barriers. To be understood internationally. It’s also perfect if you just need a huge icon family. Give it a try! You don’t want to miss it.

La Dolce Vita is an elegant serif font family with a feminine style. This beautiful collection will instantly add class to all of your design projects. This stylish font family is timeless and can not be missed in your font collection. It is the perfect branding font and will help you to easily create logos, wedding designs, and all other commercial projects.

A Braille font designed with the look of the Go Game. Lowercase glyphs use black stones while uppercase use white stones. To make the text more like within a Goban, Corner and border glyphs are provided. Also the font allows a "new kind of ASCII Art" by providing the missing glyphs (black stones) which enable this usage (see "drawille" project on Github).

Eckhardt Showcard JNL and Eckhardt Showcard Two JNL are drawn from more lettering found in an old sign painting book. Jeff Levine has continued naming a series of fonts for the late Albert Eckhardt, Jr. (1929-2005) who had owned Allied Signs in Miami, Florida from 1959 until his passing. Al was a talented lettering artist and a good friend to Jeff.

32 borders and frames, round ones, square ones, rectangles and an oval. Curly Qs, vines, flowers, dots and swirls in outline and reverse. Plz note that this is not a dingbat font and needs to be used in large sizes of 72 point or more. Don't miss Rae's other frame fonts. Frames & Borders Too and the new Frames and Banners.

Just in time for the Holiday Season, here's a FREE font with word art, clip art and border elements to dress up your next project. Enjoy!

Serve up a generous portion of nostalgia with this retro font inspired by lettering in old diners, drive-ins and eateries of the 40s and 50s.

Alien Segment has got rounded corners and even though being built up upon geometry, it deserves rich text - and works well in both upper- and lowercase.

Yoon Backjae is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

Yoon Gogooryo is a sans serif typeface consisting of 2 weights. It supports up to 13 different languages such as English in Latin and other scripts

bb-book A — breaking rules typeface Expressive book serif (triangular and curved) kicking up weight, width and contrast — in 4 styles: light, regular, medium and bold.

YD Winter is a casual script typeface consisting of 3 weights. It supports up to 13 different languages such as English in Latin and other scripts.

YD Yoonche is a geometric sans serif consisting of 4 weights. It supports up to 13 different languages such as English in Latin and other scripts.

Garishing Worse is a multi-language font supporting the complete Latin/Latin-1 character range, as well as Latin-A (Central European), Greek, Cyrillic and Hebrew. In other words, this is more than just the usual line-up of glyphical villains. There’s even a few OpenType features to make things interesting. Just type in a bullet or a hyphen and you'll be presented with some interesting alternatives. A cool ligature or two might even pop up.

No, no fantastic story about how I came up with the name for this font. It was a Sunday when I thought up Sunday Thinker. It seemed like the right name and it wasn’t taken yet, so there you have it! Sunday Thinker is a thoughtful font, made with creativity in mind. Personally I think it’d look great on product packaging or book covers, but the font will adapt itself to whatever you think of! Just think happy thoughts!

Mariné is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Mariné to work well as both a text and display font. It also includes an Up version and calligraphic features that add a touch of informality. Mariné is available in an extended family and is the close cousin of Amelia (available at MyFonts.com). All differences between Mariné and Amelia appear in the italic and Up versions.

Make a statement that will set your design on fire with the "Smokin' Hot" font! Get ready to turn up the heat and create designs that will make an unforgettable impact. With playful, vibrant characters that will turn any project up a notch, this font is sure to add some positive energy to any project. Whether you are creating posters, flyers, or other marketing materials, "Smokin' Hot" is here to get your message noticed. Thank You.

Zuzana Licko's goal for Fairplex was to create a text face which would achieve legibility by avoiding contrast, especially in the Book weight. As a result of its low contrast, the Fairplex Book weight is somewhat reminiscent of a sans serif, yet the slight serifs preserve the recognition of serif letterforms. When creating the accompanying weights, the challenge was to balance the contrast and stem weight with the serifs. To provide a comprehensive family, Licko wanted the boldest weight to be quite heavy. This meant that the "Black" weight would need more contrast than the Book weight in order to avoid clogging up. But harmonizing the serifs proved difficult. The initial serif treatments she tried didn't stand up to the robust character of the Black weight. Several months passed without much progress, and then one evening she attended a talk by Alastair Johnston on his book "Alphabets to Order," a survey of nineteenth century type specimens. Johnston pointed out that slab serifs (also known as "Egyptians") are really more of a variation on sans serifs than on serif designs. In other words, slab serif type is more akin to sans-serif type with serifs added on than it is to a version of serif type. This sparked the idea that the solution to her serif problem for Fairplex Black might be a slab serif treatment. After all, the Book weight already shared features of sans-serif types. Shortly after this came the idea to angle the serifs. This was suggested by her husband, and was probably conjured up from his years of subconscious assimilation of the S. F. Giants logo while watching baseball, and reinforced by a similar serif treatment in John Downer's recent Council typeface design. The angled serifs added visual interest to the otherwise austere slab serifs. The intermediate weights were then derived by interpolating the Book and Black, with the exception of several characters, such as the "n," which required specially designed features to avoid collisions of serifs, and to yield a pleasing weight balance. A range of weights was interpolated before deciding on the Medium and Bold weights.

Watch Elevator Boy bounce up and down, a playful, whimsical display type that looks like fun and tastes like Saturday morning cartoons. Mmmmmm.... it's like font candy!

Pepper was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a greater spotted version of Salt.

Rack 'em up or take a swing at 'em! It's Ardball JNL. Letters inside spheres can add a novelty touch to your next project... Wanna play Ardball?

Bloxed Rounded was originally designed for a new Manchester band called Datadiva. Unfortunately they split up before the face was completed. Well, their loss is your gain.

Salt was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a lesser spotted version of Pepper.

During the spring of 2006, while creating this typeface, I was reading Praying For Gil Hodges, by Tom Oliphant, who grew up a Brooklyn Dodgers fan. I grew up a Los Angeles Dodgers fan. My mother worked as secretary to the president of the old Triple A LA Angels Baseball Team. In 1952 when she was pregnant with me, she left the team. They gave her an autographed baseball and a puppy named Angel. That's the dog I grew up with. Toward the end of the book the author talks about Gil Hodges' favorite ballplayer, a slugger for the LA Angels, Jigger Statz. I thought, could it be? My mother died two years ago and I got the team baseball. Sure enough, the first name after the dedication to my mother was Jigger Statz.

YD Gothic 700 is a modern sans serif typeface consisting of 9 weights. It supports up to 13 different languages such as English in Latin and other scripts

A very heavy yet elegant small serif font, powerful but very legible. Great for punching up your ads. Can be used in numerous ways from magazines to paperbacks.

What about some spooky type? Nd Harquied is great for Halloween, Comics, Monsters, or maybe something that you came up with melting cheese! How creative can you be?

All Over Again is a messy, scratchy script that looks like someone wrote a lengthy letter, realized he had screwed up and had to start all over again.

TiedUp is a distortion of the font Ingone. I no longer remember which font distortion program or procedure I used to get this cut-up or ragged effect.

Classy is a modern serif font, that features a simple and minimalist feel. This font will brighten up each of your designs. The only limit is your imagination!

A fantastic font that I came up with after 3 weeks of work. It was a nice and attractive version of the Latin alphabet. Use it with pleasure.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

The three typefaces that make up the Balance font set are legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance a distinct family of fonts which are appropriate for all documents. Balance Regular is legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance Regular a distinct font that is appropriate for all documents. Balance Light is legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance Light a distinct font that is appropriate for all documents. Balance Unicase is legible, funky and stylish. Every character has been spaced and designed on a uniform geometric grid to insure true typographic "balance." Each letter, in this unicase version of Balance uses a single character height. There are only two shapes that make up every character: a parallelogram and a quarter circle. This design renders Balance Unicase a distinct font that is appropriate for all documents.

In 1927 Albert Auspurg cut Trocadero for the Trennert foundry in Hamburg. This new version is not a mere digitalization, but many letterforms were altered and updated, and missing links in the complete alphabet had been drawn afresh. Out came a beautiful cursive font with a certain charm of its own which covers beside the West European languages also those of Central Europe and Turkish.