Maim is one messed up sans serif typeface. Designed to be used as a family by intermixing the letters for more random looking destroyed text.

Doodled, whimsical, curly "capitals" (some of which are lowercase styles) are paired with unicase lowercase letters in a playful mix of capital and lowercase styles.

Alphonse Nouveau JNL is based on the lettering style of famed Art Nouveau illustrator Alphonse Mucha, and is available in both regular and oblique versions.

We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

A wrecked, monospaced font containing 272 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

Bay Ridge JNL, modeled from vintage sheet music lettering, is named for a neighborhood in the Southwest corner of the borough of Brooklyn, New York.

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

The Azola font family is elegant, hand lettered & charming. Azola features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications.

A wrecked, monospaced font containing 273 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

This font is all monkey business. Add character and whit to scrapbook journaling, invitations, signs, flyers, and announcements. This lettering has a juvenile, handwritten style.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Baby Fun is inspired by the playfulness of hand lettering. This font can be used for comic design, children's books, preschool name tag and more.

Ammonia is a simple sans serif made fumey and gloopy. Strange little dendrites poke out from some of the characters, causing some linkage between letters.

An antiqued looking Caslon type letter, very retro but works well for many of today's applications. This font also works very well for text settings.

A wrecked, monospaced font containing 261 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

Step into the future with my Reminders font! The letters swirl and turn around and into each other with its almost 700 ligatures - that's crazy!!!

This is a connected script font with a trendy flair. You can add little flourishes to the beginning or end letters for a whimsical touch.

Generic Gothic JNL is a straightforward interpretation of the classic typeface Franklin Gothic Condensed, modeled from a sheet of self-adhesive vinyl letters and numbers.

Bollatica from Philip Bouwsma is a nice interpretation of the scrittura bollatica. It has a floreal historical lettering and can be used for historical documents.

Distinction Is a brand new font from Great Lakes Lettering. A high contrast brush script with a ton of usefulness. Make you mark with Distinction.

This is a revival font from an Image of a plate made from Eleventh Century initial letters. The "numerals" are Roman numbers done as ligatures.

The Simple Serif fonts are designed as hand-lettered serif fonts. They are casual and informal and are ideal for use in conveying these qualities.

Adroit was designed by Phil Martin in 1981. Adroit’s letters have a strong contrast between thick and thin strokes and a distinct diagonal stress.

Reinert is a casual script font inspired by a few words in a magazine ad layout from the mid-1930s hand-lettered by Allen Reinert.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

Adapted from Ronsten to make an acceptable chunky, more normal serif font retaining the serif alignment with the letter curves. An Italic is also available.

Stencil Machine JNL replicates the lettering of a stencil cutting machine. The stencils produced on such machines were primarily used for carton identification and shipping.

Pleasant Hand is designed as a condensed hand-lettered font. The family is casual and informal and is ideal for use in conveying these qualities.

This caps only hand lettering could have come from an architect. Speedy written on a 45 degree slope with a bold felt pen or brush.

Sakurata is a unique and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out!

Very decorative script inspired by old lettering in Eastern Europe. Eye-catching for picture books, toys for children. There is another font which called Garash.

Robert Moore is a font that was specially designed for comics. A lot of work has been done. At first, glyphs were drawn manually using different markers, then they were transferred to the font. The font was tested on real printing and digital comics. The world of fonts for comics is big and I wanted to create even more variability for authors with one family, which is why a variable version was created containing two axes: weight and italics. This gives you more options. A large number of glyphs, multilingualism, ligatures, and a capital give even more scope for work and creativity. The name was created from the names of the authors of the comics Robert Kirkman and Alana Moore, so the Robert Moore font turned out. Although the font was made for comics, it is not limited to them. Posters, logos, covers, text, headings, prints, product design, web, interfaces are not all options for using the font.

Blossomy is a pictographic font consisting of 72 plant and flower illustrations, designed by kapitza. The font explores the beauty of shapes and structures in nature. The illustrations are based on photographs which have been traced by hand and are the result of a long term interest in the organic and erratic lines of naturally growing plants. The idea for Blossomy originated several years ago via a series of paintings exploring forms and structures in nature. The outlines for those paintings were traced in Illustrator and then transferred onto canvas. The outcome was so simple and beautiful that the designers decided to keep working on new illustrations and combine them in a font. Blossomy can be used as individual illustrations or to create patterns. The font covers a wide variety of flora and fauna, including pot flowers, a bonsai trees, leaves, blooms and grasses, and gives creatives a wide variety of shapes to get inspired by and use in their work.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.

Cosmic Venus - Brush Typeface Cosmic Venus is a handmade brush typeface with bold and strong feel. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as labels, logos, magazines, books, packaging, fashion, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase (alternates) PUA encoded ADDITIONAL INFORMATION Feel free to convert the fonts to web fonts for your personal/business website. You may not use the fonts in templates or for sale/free or on template websites. ( web/print/app ) For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. Simply email me to : ironbirdcreative@gmail.com Hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Velino is the most recent of our premium typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed, and Velino Compressed. The display package contains high-contrast typefaces, with a modern flair—very feminine but with plenty of character, especially designed for fine print in big text sizes. The text package was designed for any running text. Its proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a slab serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, such as setting very big text, magazine covers or newspapers’ special sections. Finally, we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.

Bennet, Richard Lipton’s spirited serif superfamily, was inspired by Moth Design’s logotype and stationery system for the North Bennet Street School in Boston. Initially modest in concept, Bennet grew to an expansive suite of 96 fonts tuned for editorial use. The three widths of Bennet’s Display and Banner sizes—Regular, Condensed, and Extra Condensed—are ideal for precise fitting of newspaper and magazine headlines. Lipton developed graded text styles for the series, offering users precise variations to help compensate for varying degrees of ink spread on different types of paper stock during the printing process. For example, because of ink absorption, the lightest grade—Bennet Text One—printed on low-quality newsprint stock will have the same gray value as the darkest grade—Bennet Text Four—on superior coated paper. (Bennet Text Two is the default grade and offered here. Additional grades are available upon request.) Bennet also provides for a stellar reading experience in digital media, its carefully considered details vibrant yet legible on-screen.