My goal in designing Zentral was to create a distinctive sculptural font intentionally in Regular and Italic only. I believe Zentral Regular and Italic has the latitude and flexibility needed in most type scenarios without having to resort to multiple weights. Zentral Regular upper/lowercase provides a very pleasant contrast and can be varied by using Zentral Regular capitals. Zentral Italic is ideal for creating emphasis of words, quotes or phrases. This combination provides maximum impact and readability. Zentral is a contemporary font ideal for branding, packaging, advertising, editorial in print and e-print applications.

Christopher Matthews originally drew Piccadilly for Letraset in 1973. Piccadilly is a decorative, all caps display typeface with a high degree of stroke contrast. All of Piccadilly's letterforms are made up of a single, curvy line. The thick" elements of each letter are five lives, while thin elements are made from one or two. In order for all of this detail to be clear, Piccadilly should be used in large point sizes, i.e., from 36-point on upward. Piccadilly's style is reminiscent of both the Art Deco and Disco eras."

'Andara' is a handwritten font. We created this font for any modern branding brand. Unique and natural hand touch gives a different impression, this can make attention to take a closer look at your brand. Some agencies like this font for branding modern products, you can also make a large number of logos with one font as this font is suitable for use on web logos, signatures, portfolios, prints, headers, magazines, book covers, printed t-shirts, crafts, and cosmetic packaging. Hope this is a font worthy of your collection. Thank you,

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. The Semi Serif is ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. The expanded versions of the semi serif, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Dacttelyons is a blackletter typeface inspired by gothic era, and this typeface perfect for people looking for vintage with dark feel. Dacttelyons suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, packaging .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : hastohst@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Cheers 🍻

Anicon Slab font consist of 18 weight: from Thin to Black with each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a fonts superfamily, semicondensed sans serif and slab serif with humanistic forms of characters. This font was crafted with the intention to present a clean, legible, multipurpose font family that is easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium.

Ribka - The Elegant Pointed Serif Font harmoniously blends the classic appeal of sharp serifs with an exquisite sense of sophistication. This typeface radiates timeless charm, making it an excellent choice for projects that seek a touch of enduring beauty and grace. Whether you're creating invitations, developing branding materials, or curating editorial content, Ribka seamlessly instills a sense of opulence and distinction into your work. With its precise and pointed serifs, Ribka stands as an emblem of timeless sophistication in the realm of typography, elevating any project with an essence of refinement and exclusivity

Palmerson is an aesthetic vintage font, inspired from the past typography, elegant signage, gold leaf , sign painting and old label product. Palmerson comes with tons of alternates characters to make more eye cacthy . Two different size uppercase and one lowercase it's make more choice to combine and find some more great typography. Palmerson Font is suitable for authentic logos, headings, sign painting, posters,letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. Finally BOOM..!! you get a great design for your project.

A calligraphic alphabet in bold/light brushstrokes Actually, a typeface like this one should be written with a wide brush; this one was written with a thick, pointed brush. Thus were created the round or misshapen ends of the stems, and the sometimes excessively pointed ends of the hairlines. For each character of KLEX, the large brush was dipped in the ink anew. Using this method, the forms turned out very soft, in spite of their geometrical rigidity. The individual characters are heavy, simple, and monumental, so that they are also suitable as initials.

Bredston is an aesthetic vintage typography font, inspired from the past, elegant signage, gold leaf , sign painting and old label product. Bredston comes with tons of alternates characters to make more eye cacthy . It is suitable for authentic logos, headings, sign painting, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more. You just combine with the another font like script , serif or san serif font and adding some effect finally BOOM..!! you get a great design for your project.

Karl Georg Hoefer’s Sho first appeared in 1992 with Linotype-Hell. The font is a part of the package Calligraphy for Print, which also contains Ruling Script and Wiesbaden Swing. Calligraphy for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. Sho distinguishes itself in the extreme contrast between the strokes. A unique characteristic of the font is the way it uses simple round forms in some of its letters, giving it a peppy and playful feel.

The Hamilton Wood Type & Printing Museum staff is honored to partner with New York-based graphic designer Louise Fili on her first font release project. The new font, “Mardell,” is named for Hamilton retiree and wood type cutter Mardell Doubek. This is the fourth font to be cut for the museum as part of the Wood Type Legacy Project. "The bold, lively angularity of Italian futurist letterforms made it a natural choice for wood type.” says Fili. This digital version presents Fili’s wood type design for use in web and print applications.

Astine Sophiya Script, a handwritten script font inspired by handwriting with an aesthetic touch. Aliya Script is flexible enough for web and print and can be used in a variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding and much more. The script includes a set of uppercase characters, numbers, symbols, two sets of lowercase letters, and ligatures. Complete Set of standard alphabet and punctuation marks Additional set of brushed lowercase endings Handwritten ligature. Thank you so much for checking out my shop!

Anicon Sans font family consist of 18 weight: from Thin to Black, each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a superfamily, semi condensed sans serif and slab serif with humanistic forms in the characters. This font was crafted with the intention to present clean, legible, multipurpose characters that are easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other applications and medium.

Swiss 721™ is a sans serif family that ranges in style from thin to black while mixing in a few unexpected, but beautifully made and ironically flattering, outline weights that spice up the grotesque design. Couple these upstanding letterforms with matching italic styles and you have yourself a beautiful tool that is as legible on screen as it is off, has the technical prowess to conquer even the trickiest of design riddles and will work in a myriad of projects. Swiss 721 is a staple sans serif that you’ll never be sorry you have in your library. It’s been said that a simple sans serif is one of the most difficult typefaces to design. This is because when letters are reduced to their most basic details, irregularities and inconsistencies in design become immediately visible. The Swiss 721 typeface family is a quintessential example of letterforms distilled to their essence while still possessing warmth and verve. Based on mid-century sans serif typefaces, Swiss 721 is a versatile family of weights and proportions ideally suited to a wide variety of print and interactive design projects and is equally at home as headlines on billboards as it is navigation content on small screens. Swiss 721 takes the essence of mid 20th century sans serif typefaces and melds it with modern design consistency and a systematic weight range. OpenType® fonts of Swiss 721 also benefit from a rich character set and a range glyphs supporting most Western European and many Eastern European languages.

An attempt to go back towards the beauty of fine book printing, inspired in Britain's literary classics. Athelas takes full advantage of the typographic silence, that white space in the margins, between the columns, the lines, the words, the lettershapes and finally, within the characters themselves. It is also intended to take advantage of the great advances and technical developments made in offset printing. Athelas shows its best side in finely crafted book editions and good printing conditions. Athelas has a large character set that covers most of the languages that use the Latin script. Although inspired in British literature, this typeface respects the cultural values behind different languages, where diacritic marks have an utterly important role. Athelas features four weights and about 800 characters per weight, including small caps, discretionary ligatures, fractions, a complete range of numerals for every use and a set of ornaments and arrows.

Optimum readability in small bodies with scarce interlining, under poor printing conditions such as in newspapers, where velocity and bad quality’s irregular surface papers, truly distort strokes was the challenge taken. Pobla was designed with this in mind, hence Patau present a hybrid between the conventional strokes of a serif’s classical roman type and markedly “fractured” forms inside, providing a unique personality to this typographic family, where calligraphic’s humanistic axis is visibly broken with the straight axis of the fabricated letters. Subtle details in the serifs, give it a modern look to a classic skeleton. Very pronounced ink traps get the shapes rounded in the printed product to artificially increase the average medium-eye and promote reading in the small sizes it was designed for. An absolutely handwriting look for the italics, where the rupture of the stroke marks a white’s subtle change to only whisper in the printing surface a slight difference, but without fuss and so not to break the rhythm of reading. And as we are used to, a complete set of OpenType features, where you will find small caps, fractions, ligatures, old numerals and tabular, discretionary ligatures and support for 220 languages; and all available in twelve weights to meet the needs of any newspaper printing.

As its name suggests Captions is a font created to mimic the small legible bodies of text that often accompany pieces & productions. The letters were originally created with spray paint & rendered solid & smooth.

Strong Passion is a cool, clean, and simple display font. It will look stunning on any food menu, poster, flyer, or print. Use this font for your designs and explore its endless possibilities.

Kenza is a serif geometric font, which is inspired by letterpress printing. Hand crafted wood letters used in the mid-20th century. It is characterized by being large, bold poster-block movable type.

Restoe Iboe is a quirky and cartoon like display font. It is perfect for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, apparel design, instagram post, album covers, and more.

Re-drawn from examples of vintage wood type, Primitive Tuscan JNL captures the essence of early letterpress printing of the 1800s; the styles of which were most closely associated with the Old West.

A distinctive display font is called Sunmood. This font looks great on stationary, logos, t-shirts, papers, print designs, website headers, picture frames, flyers, album covers, posters, and image sliders, among other things.

Drum - handmade brush display font in grunge style. This font doesn't have lowercase glyphs. That makes it perfect for headlines, design logos, quotes prints on t-shirts, rock festivals. Includes Russian Cyrillic characters.

Graphically drawn condensed bold style with abbreviated square serifs. PitchPipe was designed for all media and can be used in a wide range of point sizes. PitchPipe requires subjective display kerning and compensation.

As its name implies, sharpy appears as if written with a fine-point marker. As with most Typadelic fonts, sharpy is warm and friendly and works well at small and large text sizes.

Hypocrite is a wide and black display serif face with a hint of decay and black humor. Handle with care. Shelf-life unlimited. Designed by Alexander Lubovenko and released by Paratype in 2017.

Leader Santa is a brand new display font. Leader Santa is perfectly suited for stationery, t-shirt, paper, print design, website header, photo frame, flyer, music cover, poster, image slider, and much more.

Keishue is a modern handwritten typeface, beautiful and luxurious. This elegant and beautiful font is stylish and versatile so you can use in a plethora of designs in both digital and print applications.

Rockabilly is a modern, minimalist serif that works beautifully in modern design pieces, clean lines; serifs are modern, and a little vintage. Looks great in logo work, magazine titles, books and printed materials.

Darkening is a brush display font. This font works well for many different things, including stationary, logos, t-shirts, papers, print designs, website headers, picture frames, flyers, album covers, posters, and image sliders.

Chevin Eco is a whimsical display variation on the original Chevin typeface with knocked-out circular holes producing a glitzy neon effect that saves toner when printed. Simultaneously glamorous, green and good fun.

My font Ribbonshoe is created with Power Point shapes Block Arc and Punched Tape and they resemble ribbons and horse shoes. This font is very unique, stylish and very attractive to the eye.

My font Trainbridge is created by Power Point shapes, Block Arc and flowchart. It resembles a train and bridge, which gives it a unique look that will be eye catching and out standing.

Argufy is a cool, vintage styled and organic display font. It will look stunning on any food menu, poster flyer or print. Use this font for your designs and explore its endless possibilities.

Luruh are inspired by the flow of running and melting water. Luruh is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, and headers. Publisher: Sebeningjingga

A font that can be used to simulate old dot-matrix style printing, older receipts, or even as marquee light lettering. Includes extended Latin diacritics, Roman Numerals, and Greek, Hebrew, and Cyrillic Alphabets.