FWD Zooks is a very casual pen style OpenType LatPro font containing 411 characters. This font contains a full complement of characters including many extra ligatures and OpenType alternates. FWD Zooks was designed directly from hand lettered notes with a few uniquely creative features added yielding a truly individual and recognizable typeface. FWD Zooks is perfect for your personalized casual text across numerous document types. FWD Zooks was designed with a natural bounce to provide a more personalized, hand lettered appearance. For instance, while FWD Zooks is great for Cartoons and Comics, it is also an excellent choice for Invitations, Cards, Posters, Book Covers, Personalized Letters and much, much more!

History, as it's said, tends to repeat itself. The round-point pen lettering used in the 1920s logo and ads for Dodge Brothers cars (pre-General Motors) is an early predecessor to the techno type styles of the 1980s. Square in shape, with unique stylization to some letters, Jalopy JNL can cross the decades and be used for a 1920s period piece and still look fresh in an ad for computer parts. Rather than round out the inside lines of the characters to fully emulate the strokes of a lettering pen, the inside lines have straight intersections for the contemporary side of this font's design.

Exoner is a worthy graffiti font for you to use in your particular project; by using this font, you will attract a lot of attention from the audience since your project’s appearance is neat, charming, unique, and of high quality. All of your projects will be evaluated for their suitability and uniqueness. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Rockdale is a bold and luxury serif font that created for brand or logo design purpose. It teases your eyes with its curves yet still able to maintain its modern and classy composure. The variety of weights provide a range of choices that will help you find the best typographic colour. The available stylistic Ligature and Alternate offer a perfect font for anything your creativity takes you. 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

This expressive face was drawn with a dry chisel felt-tip marker, resulting in two​ ​striking, detail-rich fonts. Beyond its remarkable face, Marker Aid is a generous ​one​​, packed with 4 alternates for each letter, 2 for each number and yet some handy ornaments for creating a convincing - and rather cool - organic look. It is ​also ​equipped with OpenType features to instantly cycle the ​alternate ​glyphs and access stylistic alternates and ornaments. Marker Aid is available in two cuts, upright and oblique​, for added flexibility. ​​Make your mark! * Please note that these fonts have complex outlines and quite a load of glyphs, which may slow down some applications.​

Bustan is a new Arabic display typeface inspired by Kairawani Kufic and cursive Sunbuli, notable for its compact compositions. Designed by Jamal Bustan and developed by Sakkal Design, Bustan has updated proportions and details, and is distinguished by its traditional serenity, modern aesthetics, and a rich set of letter variants. You can see the full set of font features at http://www.sakkal.com/type/bustan_brochure Bustan is ideal for a variety of applications including logos and monograms, titles of newspapers and specialty magazines, and for book covers. It can be used also for jewelery design, garments and T-shirts, product packaging and greeting cards among other uses.

Pitcher is a bold brush with roots in 1940s and 1950s Americana. Pitcher is great for sports team or bar logos, beer labels or anything where you need a strong sturdy script with lots of character. Pitcher is equipped with several OpenType features - keep on Standard Ligatures and Contextual Alternates for smooth connections between letters. Try Swash or Titling Alternates when you need more customised headlines or when designing a logo and look for Glyph Palette for even more alternates. Pitcher Printed is the same font with a worn-out texture and a bit softer corners. Combine Pitcher Ornaments with the script to complete your designs!

Ashety is our newest san serif, font family. It has 18 different styles, making it ideal for a variety of projects. This font is tailor-made for a wide variety of display design and branding requirements. This font has everything you need to create stunning graphics – including titles, text, banners, posters, and more. Now you can compose beautiful graphics that delight your audience with this original font family! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Wavespired is a unique font that combines the playful and jazzy lettering of the 1950s cartoon modern style with a modern and sleek design. This font is perfect for creating eye-catching logos and headings that will stand out in any design project. The font is influenced by the retro vibes of the fifties, but with a fresh and modern twist that makes it ideal for today's design needs. The font is legible and easy to read, making it perfect for headlines, titles, and other design elements that need to be easily understood. The font is perfect for any project that requires a fun, retro-inspired design with a modern twist.

The Oyster family is a useful toolkit for hand-draw moods. It's a super casual and somewhat messy font that comes in two flavors: regular and outline, or rather, truly-hand-drawn-outline. Both styles have two choices for each upper- and lower-case letter, for that additional handmade feel. The OpenType contextual alternates feature instantly get these alternate glyphs to dance. The regular style also brings a set of glyphs with filled counters in a stylistic alternates pack, for a little twist now and then. And finally, the family has also a picture font with useful icons and ornaments. Handmadify your message and give Oyster a try!

SK Boncuk is a very special font family I designed for my pet. Bead is a very smart and special rabbit. It can understand all commands and do whatever is said. It is very lively and fun in his daily life, but also monotonous. For this reason, I designed a fun font for him, with a single weight but with surprises. This font represents Boncuk's fun but monotonous life. SK Boncuk offers full support for the Latin alphabet and includes all the typographic elements you will need. This font family consists of 8 different fonts and 3288 glyphs and it supports hundreds of different languages thanks to the characters it contains.

Soyuz Crash is a Modern Sci-fi font that created special for Technology, Sci-fi, modern and more stand out typography needs, with extra alternative styles that make your design more memorable. It's so perfect to add your style and headline overview for future, technology, actions, and technology theme. And specially for this font, we crafted for bold action style and modern feels so enjoy to create any project that will show your main idea out. Soyuz Crash Modern Sci-fi font ready with: Modern Font variation characters prepared to get creative Preview as a inspirations that you can do Ready with All Uppercase characters Wish you enjoy our font. :)

Gone Hills is a whimsical display typeface that’s perfect for a variety of creative projects. Your project will appear natural and attractive in the eyes of onlookers if you use this typeface. Let’s use this typeface to increase the quality of your graphics. This typeface is ideal for use in games, sporting events, branding, banners, posters, movie titles, book titles, quotations, logotypes, and other applications. Naturally, your varied design projects will be excellent and extraordinary if you use this font because it comes with a complimentary font family, which can be used for titles, subtitles, and sentence text. Start utilizing our fonts for your great projects today.

Stubby Rough is a display type family with 4 styles, inspired by the vernacular landscape. It was made for titles, headlines and also packages, posters and everything that provide space for a rude, fat and widish type. Nonetheless it can be a type for text if you are looking for an informal shape, with eleven styles mixing from a narrowed thin to a sloppy ultrabold. Stubby has a tight spacing looking to fit in squeeze places, trying to simulate some real spirit of the botecos from Brazil, always serving very cold beer in stubby brown bottles. Stubby Rough is a distressed version of the original Stubby.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.

Devil Inside is a spine-chilling display font that will send shivers down your spine. Designed in a large, bold font, this typeface demands attention and exudes an aura of darkness. Each letter is meticulously crafted with a square shape, high contrast, and haunting brush details, adding an eerie and sinister touch to the font. The large size of the letters enhances the font's ominous presence, making it impossible to ignore. The square shape of each letter adds a sense of rigidity and sharpness, while the high contrast brings an element of drama and intensity. These design choices contribute to the font's unsettling and sinister look, immersing the viewer into a world of darkness and fear. The brush details in Devil Inside give the font an organic and handcrafted appearance, as if it were inscribed with ancient symbols by a malevolent force. These haunting details add a sense of craftsmanship and enigma, creating an atmosphere of mystery and foreboding. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Devil Inside fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Fottina Script is a calligraphic script font that comes with beautiful alternative characters. a mixture of copper calligraphy with a zipper style. Designed to bring the elegance of style. The Fottina Script attracts good, clean, feminine, sensual, glamorous, simple and very easy to read fonts. The classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. The Fottina Script has 450 flying machines. including multiple language support. With OpenType features with alternative styles, binders and characters, it allows you to mix and match pairs of letters to suit your design, as well as a touch of ornament to make this font look elegant. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer. (Windows), Letter Books (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use the font style set in Microsoft Word 2010 or later: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternatives / swash, use Character Map (Windows), Nexus Fonts (Windows) Font Book (Mac) or software programs like PopChar (for Windows and Mac) How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Thank you for your visit.

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design.Today Rotis ia also available with pan european caracter set.

Now available as Opentype font with extended character set, Coranto 2. It is originally based on Unger’s typeface Paradox, and arose from a desire to transfer the elegance and refinement of that type to newsprint. Coranto 2 has a larger x-height and in many places has been made more robust. Over the past 25 years newspaper production has seen spectacular improvements in paper and print quality, the introduction of colour printing, and vastly better register. Newspaper production still demands a lot of letter forms, but advanced printing brings out details better and makes typography more appealing to readers. For text type the newspaper is no longer an environment in which survival is the chief assignment. Today, newspapers are not merely a matter of cheap grey paper, thin ink and super-fast rotary printing, and type design no longer has to focus on surviving the mechanical technology and providing elementary legibility. Now there is also room to create an ambience, to give a paper a clearer identity of its own; there is scope for precision and refinement. One consequence of this is that newspaper designers can now look beyond the traditional group of newsfaces. Conversely, a newsface can be used outside the newspaper — not an uncommon occurrence. The update to this beautiful font family, Coranto 2, includes the addition of over 250 glyphs featuring full Latin A language support, new ligatures, 4 sets of numerals, arbitrary fractions and superiors/inferiors. Furthermore, kerning was added and fine tuned for better performance.

Say g'day to Ainslie Sans, insigne Design’s new typeface. Like its big brother, the new face incorporates a mix of influences from Oz, although Sans is pared down from the original semi-serif. The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital--a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city, which include Mt. Ainslie, are now also the same structure that make up the foundation of Ainslie Sans. Unlike the original Ainslie family member, though, Ainslie Sans does away with much of the aboriginal-inspired touches by eliminating the semi-serifs, forcing the font to borrow more heavily than its predecessor from Canberra’s distinct, geometric design and style. The result’s a spiffy Australian font that’s usable within a wide array of applications. The trendy typeface incorporates a multitude of alternates. You can access these in any OpenType-enabled application. Alternates, swashes and alternate titling caps allow you to customize the look and feel. Also incorporated are capital swash alternates, old style figures, and compact caps. Check out the PDF brochure to view these options in action. OpenType enabled applications can take complete benefit of your automatic replacing ligatures and alternates. This font also presents the glyphs to help a wide array of languages. Try it for copy. Try it for a headline. Try it alongside the original Ainslie. Whichever way suits you best, give it a burl. You won't be sad you did.

I saw a cool UT-Ligature on an old (maybe 70's or 80's) Texas Longhorns fan-shirt - it was in 3D and I wanted something like that with my own initials A and B to print it on a baseball hat. I started drawing it and when I was finished, I thought it might be nice to do the same for my officemates. I needed another G, T and K. After finishing that I thought it might be cool to do this for other people as well. Since the source of all the 3D glyphs is found in the regular ones which get moved by a 45 degree angle and then connected with lines , I first draw all the uppercase regular glyphs. The thing that followed was kind of an addiction: after finishing the uppercase letters, I wanted to add lowercase letters, after finishing the 3D letters, I thought it would be nice to have a fill version to layer with the 3D letters. Having a rough, woodcut version of the regular style would be cool, too. And the font is also pretty much suited to make a stencil version. When all this was done, I was interested on how the font would look like without the serifs and curves instead of the 45 degree angles, so I did the Longhorn Sans. Good to use for all sports-related designs, especially retro-style soccer/football shirts. Uppercase characters can be combined to form ligatures or logotypes.

Resist Sans is a free-spirited neo-grotesque that embodies both the innate desire for revolt and a tendency towards uniformity. While Resist Sans preserves the neat, minimalist look which is associated with neo-grotesques, it also accentuates the tentativeness of each letter form. The name, too, hints at the rebellious character of the typeface. Resist Sans comes in 28 styles (14 uprights and matching obliques). Text vs Display Resist Sans comes in two versions: Display and Text, which serve different purposes but remain interchangeable and even complementary in some cases. Resist Text is equipped with deep ink traps and optical compensators, which really come into play at smaller sizes. The Display version is smoother and more consistent, so better for use in larger sizes and headlines. Styles/Weights Each of the two versions of Resist Sans comes in 7 weights (Thin to Black) and is equipped with matching Obliques, which brings the total number of styles to 28. Two trial styles (Text Light and Display Medium Oblique) can be downloaded free of charge. Each style contains 900+ glyphs, awesome OpenType features, and around 1500 kerning pairs. Language Support Resist Sans is truly multilingual. It supports most European and Latin-languages and features Extended Cyrillic, which gives access to such languages as Ukrainian, Bulgarian, Serbian, Russian, Macedonian and many more. Free Styles Two styles of Resist Sans can be downloaded for free on MyFonts. Type Specimen Resist Sans PDF Type Specimen can be downloaded here: Resist Sans PDF Type Specimen

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design.Today Rotis ia also available with pan european caracter set.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Sans is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Sans, Fino Sans, and Fino Sans Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Sans to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Sans family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino Sans perform a range of roles far broader than your typical Bodoni or Didot.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Stencil is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Stencil, Fino Stencil, and Fino Stencil Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Stencil to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Stencil family, along with our entire catalogue, has been optimized for today’s varied screen uses. All these talents let Fino Stencil perform a range of roles far broader than your typical Bodoni or Didot.

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design. Today Rotis ia also available with paneuropean caracter set.

Hello Freeday is a striking display font that combines a bold and clean font weight with playful swinging endings. With its uniform letter proportions and unique character details, this typeface effortlessly balances sophistication and a touch of whimsy. The bold and clean font weight of this font commands attention and adds a sense of strength and impact to your designs. Each letter is meticulously designed with precise geometric forms, resulting in a polished and professional appearance. The consistent proportions of the letters contribute to the font's overall coherence, ensuring a harmonious and balanced visual experience. What sets this display apart is the charming swinging endings found in select letters. These decorative details add a hint of playfulness and movement to the font, injecting a touch of personality and delight into your designs. The swinging endings give the letters a sense of rhythm and flow, making Hello Freeday an excellent choice for projects that require a dynamic and captivating visual presence. The font's bold and clean aesthetic ensures legibility and readability, even at smaller sizes. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Hello Freeday fits in headlines, logos, attention-grabbing titles, product packaging, greeting cards, branding materials, editorial layouts and website headers. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Clinto Sans Serif Clinto Sans is a simple geometric sans serif font Clinto Sans are constructed using basic geometric shapes such as circles, squares, and triangles. The letterforms are based on simple geometric proportions, resulting in a consistent and harmonious visual rhythm. Clinto sans serif fonts embrace simplicity and have a minimalistic approach. They aim to reduce letterforms to their essential elements, eliminating any unnecessary embellishments or flourishes Clinto Sans also has Straight Lines and Clean Edges. Clinto Sans also have open apertures, which refer to the space enclosed by the curved or diagonal strokes of certain letters like "a," "e," "g," and "s." The open apertures contribute to legibility and readability, especially at smaller sizes. Special features: - Ink trap Ink traps are small recessed areas or notches incorporated into the corners or junctions of letterforms. They were originally designed for letterpress printing to prevent ink from filling in and distorting the shapes, especially at small sizes. However, in modern digital fonts, ink traps are often used as a design element to add visual interest and maintain legibility at small sizes or in low-resolution environments. - Alternates Stylistic alternates offer alternative shapes or forms for certain letters in the font, a, e, g, and r, etc. Stylistic alternates can be accessed through OpenType features in design software. OpenType is a font format that allows for advanced typographic features and character substitutions, you can access the alternate letterforms through the glyphs palette or the OpenType panel in their design software and apply them selectively to specific letters. Thank You _

Dolsáb was designed from scratch with uniqueness in mind. The subtle movement from thick to thin and the variants of sharp to rounded make this cutting edge san serif a must have. The inspiration for Dolsab was a simple pairing of a rhombus and calligraphy. While neither of those two elements can be seen in their entirety in any instance, the influence of both is strong. The rhombus can be notice on most ascenders like on the lowercase t & l, for example. And the calligraphy inspiration is most easily captured on the descenders such as the lowercase y & g. The most beautiful characteristics of Dolsab is definitely the calligraphy-influenced movement. These features really stand out on the lowercase a & e. It's almost amusing to let your eye follow the contours of those two letter forms as they travel from thick to thin, sharp to rounded and back again. Users are welcomed to try all font styles of Dolsab in any applique of their choosing. However, it will be quickly noticeable that only Dolsab Air & Demi (the thiner of the styles) will be best suited for body copy. Personally I like to see these letterforms as large as they can be to really showcase the subtle movement, especially in Dolsab Heavy where these movements become much more dramatic. You'll never know what really works best unless you experiment. Dolsab surely isn't the answer to all projects, but it's certainly worth trying. No other typeface moves quite like Dolsáb.

Rotis¿ is a comprehensive family group with Sans Serif, Semi Sans, Serif, and Semi Serif styles, for a total of 17 weights including italics. The four families have similar weights, heights and proportions; though the Sans is primarily monotone, the Semi Sans has swelling strokes, the Semi Serif has just a few serifs, and the Serif has serifs and strokes with mostly vertical axes. Designed by Otl Aicher for Agfa in 1989, Rotis has become something of a European zeitgeist. This highly rationalized yet intriguing type is seen everywhere, from book text to billboards. The blending of sans with serif was almost revolutionary when Aicher first started working on the idea. Traditionalists felt that discarding serifs from some forms and giving unusual curves and edges to others might be something new, but not something better. But Rotis was based on those principles, and has proven itself not only highly legible, but also remarkably successful on a wide scale. Rotis is easily identifiable in all its styles by the cap C and lowercase c and e: note the hooked tops, serifless bottoms, and underslung body curves. Aicher is a long-time teacher of design and has many years of practical experience as a graphic designer. He named Rotis after the small village in southern German where he lives. Rotis¿ is suitable for just about any use: book text, documentation, business reports, business correspondence, magazines, newspapers, posters, advertisements, multimedia, and corporate design. Today Rotis ia also available with paneuropean caracter set.

Heimat Sans is the grotesque typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Display, Heimat Mono and Heimat Stencil. Heimat Sans is a legible typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Sans character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Sans [732 glyphs] comes in six weights and contains an extra set of alternate glyphs, many ligatures, lining [proportionally spaced and monospaced], hanging [proportionally spaced and monospaced], positive and negative circled for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Village was originally designed by Frederic Goudy in 1903 for Kuppenheimer & Company for advertising use, but it was decided it would be too expensive to cast. It was later adopted as the house face for Goudy's Village Press. The design was very much influenced by William Morris's 'Golden' type. Paul Hunt began working on a digital version of Frederic Goudy's Village type prior coming to P22 in 2006 for an internship (which evolved into a staff designer position at P22.) Around this time, The Tampa Book Arts Studio was looking for a digital version of Village to complement with a letterpress edition of a book called "The Rich Mouse" by JJ Lankes. Many years later the Rich Mouse project has been completed, so we decided to release the Village type on the same day as the release of the Rich Mouse Book!

Heimat Stencil is the monospaced typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Display, Heimat Sans and Heimat Mono. Heimat Stencil is a legible typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Stencil’s character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Stencil [684 glyphs] comes in six weights and contains an extra set of alternate glyphs, many ligatures, lining [proportionally spaced and monospaced], hanging [proportionally spaced and monospaced], positive and negative circled for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Funny Hippo is a stylish display font in a freedom concept to show unique, friendly, fun expressions with smooth, round, curvy accents. The characteristics are the dynamic lines and angles and various letter proportions. In addition, Funny Hippo gives you an extra bonus called the clipart. Use this font for big text sizes for a legibility reason and enjoy the available features as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Silentgraph fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Babyhome Elegant Script If you are needing a touch of casual chic calligraphy for your designs, this font was created for you! Babyhome was built with OpenType features and includes beginning and ending swashes alternate characters for both lowercase letters, loads of different swash alternates for lowercase letters, numbers, punctuation, alternates, ligatures and it also supports other languages :) Accessing the swashes / opentype features / glyphs: This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC. You can access the swashes and alternates from the 'Glyphs Panel' in these programs. More Questions? Here are some (potential) answers! You are not permitted to resell this font in any way. Multilingual Support is included for Western European Languages Also, the sans-serif font used in the preview images is Gotham :)

Briliond has an aesthetic style, and the serif-type tagline is modern and elegant. This font is equipped with ten levels of thickness, from thin to black suits your needs. Briliond is also equipped with the latest professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It goes well with modern serifs, and scripts depicted or stand firm as a title and brand representative for an elegant look. Briliond also comes with multiple languages, making it easy for any country and language use. It also comes with alternative Ligatures and styles to make your designs more attractive. Briliond is suitable for branding projects and various design purposes such as business cards, name tags, and uniforms as a brand enhancement. Advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc.

Daylosta Authentic Handwritten Font created by AuthenType. This font features a classic and elegant style, perfect for: The concept of font design for the food, drink and cake industry leads to an energetic and creative youth market processing the taste and color of food. Features Standard glyphs uppercase and lowercase letters Numerals, a large range of punctuation and ligatures. Lowercase letters include ending swashes. Works on PC & Mac. Simple installations, accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ ________________________________________________________________________________________________________________________________________________ Image used : All photographs/pictures/logo/vector used in the preview are not included, they are intended for illustration purpose only. Thank you for your purchase! Hope you enjoy with our font! Designers: Ekayasa.

Hi, Everyone! Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, stylish, and adventure font? We've got what you want. Hysteria Rollers - A Sans Script Font Duo Hysteria Rollers is a fantastic font duo. An uppercase sans serif font is accompanied by a gorgeous handcrafted script brush font that works together in perfect harmony. Designed primarily as a captivating font to add the right amount of modernity and style, This font duo is an excellent choice to ensure a great font match for your designs and projects! Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Wait a second... Seconda. A sans serif with its own individuality. A typeface which combines character with legibility. A typeface which combines business with pleasure. Its moderate contrast and narrowing terminals give this typeface a gentle and sophisticated nature. Use it for books, reports, magazines, business letters — and relax. Use it for brochures, posters, signs, corporate identity projects — and enjoy. Seconda has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. When using Seconda in small text sizes, it will be a reliable and legible text face. When using it in big display sizes, it will show its refined details. Seconda has the companion typefaces Seconda Soft, Seconda XtraSoft, and Seconda Round. For more information about Seconda, download the PDF Specimen Manual.

Geogrotesque Slab is the ideal companion of the popular Geogrotesque. The challenge was to achieve a fully recognizable font that works as part of the existing family, for that reason the Slab version conveys the same message in a different way. The new font remains clean and tech with a human touch yet provides a new security, confidence and firmness thanks to the serifs. This new addition, combined with Geogrotesque, Geogrotesque Stencil and Geogrotesque Condensed Series provides even more design options and now there’s a Geogrotesque for every need. The type family consist of 14 styles 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics. It is available for desktop and WebFont and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.