The movie poster for the 1937 film “Cafe Metropole” served as the basis for Outdoor Cafe JNL, which is available in both regular and oblique versions. The extra bold, stylized letter forms with their rounded corners typify the wide variety of typographic styles the Art Deco period offered.

Tinta Arabic is the sibling of Tinta, with with additional Arabic glyphs for more international fun with the addition of Arabic glyphs; Arabic, Urdu, Kurdish Farsi and Jawi. Basic form for arabic font is refers to the arabic Naskhi style, with a cute shape to harmony with Latin.

The 1915 sheet music for the tune "Dancing the Jelly Roll Song" by Nat Vincent and Herman Paley featured the title hand-lettered in a sans serif design strongly influenced by the Art Nouveau movement of the early 20th Century. This formed the basis for Jazzy Roll JNL.

Loco is an impacting display typeface playing with simple geometric forms perfect for posters, flyers, magazines and everything that needs to look bold, noticeable and up-to-date. Loco was created to perfectly match Ambassador Plus Sans Light. Their combination offers a flexible tool for your creative designs.

A vintage hand-punched brass stencil for the Pasadena Playhouse spotted online was the basis for Theatrical Stencil JNL. Slight variations in the letter forms from other similar designs might not quickly be noticed, but there is always a charm in the hand-made look of any stenciled lettering.

Obsession has taken me completely in its spell. I could go on forever creating new forms for this script. But I have other fonts to do, so this is as far as my obsession goes for the moment. There are six different cuts and all letters can be mixed.

Naveid Arabic is new version of Naveid with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with combining the cuppped serif on top and the tinny Subtle Flaring on the terminal, to harmony with Latin.

Because of the geometric basis of its forms, Memphis is often thought of as a font for technical fields, making a rational, purposeful impression. This emphasis on objectivity is well-suited to technical texts, but Memphis is appropriate for any text which should exhibit a clear, neutral character.

The Philco font is a capitals only design inspired by the Art Deco period. Available in plain and decorated form, Philco is suitable for use in advertising, flyers etc.

Central was developed specifically as a titling font for a theatre-hub website. The pure geometric forms and elegant simplicity provide a pleasing contrast to small screen text sizes.

The free form hand lettered titles for the 1961 film “The Children's Hour” inspired the digital typeface Late Hours JNL, which is available in both regular and oblique versions.

A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display, or text, somewhat geometric in form, a bit narrow.

Utopia, created by Robert Slimbach and presented by Adobe in 1992, was intended to solve a number of typographic problems related to office correspondence. This demanded versatility, so Slimbach created a font family with cuts for text, for titles, extra bold for headlines, small caps, all caps with numerals, old face numerals, fractions, ligatures and scientific markings. Not just its forms, but also its aesthetics make the balanced, elegant Utopia suitable for any use.

Uplink is decorative upright lettering with heavy calligraphic influences and clear friendly forms. Alternate forms with artificial "tail" connections, swashing their way from one letter across the vertical stroke of the next, add an unusual yet distinctly human detail to the forms that shape the words. Uplink's reserved humor can be a little tolerant of mechanical abuses like shearing or stretching, which makes it ideal for food product packaging design.

This font provides a typical set of characters for the ancient Imperial Aramaic language (the form of Aramaic that saw widespread use in the Persian Empire during the sixth to fourth centuries BC). It includes a full set of alphabetic characters, including some variant shapes, as well as the ancient numeral forms.

HoneyBee is an all-caps display face in a delightfully hand-lettered style for irresistibly sweet layouts on food packaging, fantasy games, or children’s products. This versatile font includes three sets of full-size capitals, two sets of smaller capitals. Mix and match swash forms with titling forms to create headlines, titles, and wordmarks. 20 charming ornaments are included to complement your designs. See what’s included! http://bit.ly/2bGYin7 *NOTE* Basic versions DO NOT include swashes, alternates or ornaments This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Clementhorpe is inspired by the lettering on an early 20th century enamel advertisement-for chocolate. From the dozen or so hand drawn letters found in that source Greater Albion Typefounders have constructed a family of Roman faces for display and text work, with bold weights, an italic form as well as condensed, small capital and title forms, all preserving the fun of their inspiration. The Clementhorpe family provides a complete solution for early 20th century inspired design work with Character, offering all the faces needed to complete a project or a range of projects within one family. Give this flexible family a try in your next project!

Taking the name from substance of the best quality perfumery, Musk present an elegant form of high contrast sans serif combine with an expressive connected script. The sans serif contain three weight; regular, medium and bold within it’s quality for display and also text. Each glyphs shown an unique variation of forms, especially the terminals in regards to achieve legibility and readability. The sans serif contain three weight; regular, medium and bold within it’s quality for display and legible for body text. With over than 240 glyphs. Some open type features contain in Musk sans; old style figures and standard ligature and the Musk script contain swash.

Add charm with intricate swirls! Karika Swirls was inspired by our obsessive love of swirly patterns and symmetric designs. Karika, a Hungarian word for circle, is a charming way of saying we love circular symmetrical forms. These 52 original illustrations are great for creating stationery, adding borders to greeting cards or design projects, background images, etc. The glyphs can be used individually or combined with other glyphs to form complex patterns. Karika Swirls is part of the Karika Collection of fonts. These intricate swirls are symmetrically sized in height and width so they'll work charmingly together for any project. See also Karika Hearts and Karika Encore .

Factor is a letter that breaks with convention, providing an attractive geometric look. Fits perfectly sober rigor contemporary editorial design, and for the creation of logos, labels or advertising, just fits both vintage designs spirit as the simple graphic humor. Factor comes with a wide variety of alternative shapes for a more versatile use. As display font readability features that allow use as an innovative text font. Usage recommendations: Due to its linear simplicity of construction, handy for creating 3D characters. In terms of its form, is related to mechanization, the industrial and metallurgical. The black form may be combined with the inline to create colorful typographic uses.

Matryo is a narrow, sans serif typeface family of fourteen typefaces, ranging from Thin to Black with accompanying Italics. With a soft, rounded form stroke and open shapes, it aims to remain clear and legible at all point sizes and can be set either in longer passages or for headlines and logos. Conceived as a multilingual family, its large character set covers most latin, cyrillic and greek based languages with a particular attention given to covering the historical forms for added functionality. Through Opentype features, Matryo equally offers a choice of numeral styles and some ligatures or alternative letters to add further choices for end users.

Ganges is a condensed sans serif typeface inspired by Central European advertising typography from late XIX century. The font has condensed proportions and original letter shapes. Ganges is designed mainly for editorial design, especially for display use, as well as short paragraphs of text. Its narrow proportion makes it very practical to use for posters and magazine covers. Characteristic letter forms fit great for branding, logo and packaging design. It is also a very interesting choice for websites and e-book headlines. Ganges family consist of 27 fonts - 9 weights, 9 italics and 9 obliques. It supports extended set of latin languages, as well as broad number of OpenType features, such as case sensitive forms, standard and dicretionary ligatures, stylistic alternates, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Amelia Amanda calligraphy script that comes with a very charming fancy character, in the form of results but looks modern, made with inspiration to get a beautiful style and match between one and the other letters. Amelia Amanda belongs to a unique font type, feminine , sensual, clean, glamorous, simple and very charming to look at, due to the unique form of letters and alternative styles that are appropriate for many letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, makeup, stationery, novels, magazines, books, pride greeting cards as well as weddings, packaging, labels and also suitable for all forms of advertising . The Amelia Amanda script is very feasible because it is supported by some charming alternative letters.

Louisa is a monospaced font-family designed and optimized specifically for small font sizes. But even as headline font it looks good. It has a very good distinguishability of letter forms and legibility even in longer text paragraphs. The character of Louisa is a combination of strong elements and warm, friendly forms. The font family is not only designed for coding and tabular layout, but can be used in different fields of communication design. Therefore it provides two stylistic sets with different letter forms: one with the look of serious modern typewriter font, the second with more soft letter forms and elements of a real italic. Additionally it consists oldstyle numbers (and of course tabular numbers) and a set arrows. The font is available in four styles: regular, italic, bold and bold italic.

Most fonts include uppercase and lowercase letters. Some experimentally-minded designers have proposed unicase typefaces as well: rather than having two different forms for a given letter, unicase fonts have one, chosen from the upper- or lowercase forms. Ambicase Modern takes the next step, offering not "either/or", but rather "both/and". Each letter in Ambicase Modern is a combination of its traditional upper- and lowercase forms, in a modern (didone) style. The inventive, hybrid forms that result are intriguing and handsome. Ambicase Modern stands out as a carefully crafted experimental font: its eccentric forms do not hinder its readability. It is suitable for high-style display settings. Ambicase Modern offers a large character set and extensive OpenType features. Most notably, in modern OpenType-aware applications, Ambicase Modern can be set in swash mode, which features sophisticated decorative flourishes that differ depending on whether the letter is at the beginning, middle, or end of a word. Ambicase Modern is available in two optical sizes: Regular and Poster. At very large sizes, the Poster cut, with its finer details, is recommended. For an extra bold variant, see its sibling typeface, Ambicase Fatface.

The font is devoted to the historical past of the peoples of Europe, which today is hidden, but which can not be lost forever, because it lives in the genetic memory and hearts of people. Beautiful font in the historical traditions of 17-19 centuries. Elegant, luxurious, sweet. Some forms and combinations of forms are not always ordinary, but always interesting and exciting. - Letters for all Latin alphabets - Letters for all Slavic alphabets - Ligatures. All standard (ff, fi, fj, etc.) as well as fb, fk, tt, ft - Stylistic alternates a, y, g - Ordinals - Fractions - Historical forms of letters s, я - Historical ligatures ss, si, st - Historical Slavic letters - Lowercase alternates for ж, к, я, ect. - National ligatures: German ss, Icelandic and French ae, oe, Dutch ij - Uppercase German SS (Eszett Große) - Currencies: dollar, ruble, euro, pound, cent, yen and more...

Mojito is a lively and vigorous calligraphic font based on a brush pen calligraphy. The author carefully rethought all of the character forms and created a very concise and clean outline that would look great in any size. Mojito has about 1,400 characters, including alternatives, ligatures, initial and final forms. That’s why letters are not repeated and their combinations look as natural as possible, especially in Cyrillic. For an all caps set in Mojito you can include the replacement of basic forms with the simplified ones, specifically designed for this purpose. Two additional styles imitate writing over a rough surface and a relief print. Mojito is perfect for packaging and advertising, food and beverages, cafes and restaurants, craftsmanship, children's books, magazines, etc. The font was designed by Zahar Yaschin and released by Paratype in 2017. Additional styles were created by Alexander Lubovenko.

Are you looking for a font reflecting ancient times, antiques, knights and suchlike? Consider Stiletto, a beautiful, calligraphic-like design with special forms that evoke pleasant memories of old times.

An experimental type family designed at ParaType in 1996 by Alexander Tarbeev, based on the forms of PT Hermes, 1993, by Tagir Safayev. For use in advertising and display typography.

In 1529, Geofroy Tory, French scholar, engraver, printer, publisher and poet, was publishing the well known so called Champ Fleury, printed by Gilles de Gourmond, in Paris. It is a fully illustrated handbook where the author explains how to draw Roman characters. The font used for the text - a Humane/Jenson type - was not a very beautiful one, but rough and ready, and the book is well known for its capital letters designs. We are offering here the two complete historical type sets and more -- we have entirely redrawn the lacked letters: J, U and W, Eth, Lslash, Thorn and Oslash in the two initial forms. The text font, 1529 Champ Fleury Regular is now containing all characters for West European (including Celtic), Baltic, East and Central European and Turkish language, and the Initial set 1529 Champ Fleury Init is containing two complete alphabets, with a very great effort to be as close as possible to the original pictures.

Gobln is a decorative font. Designed for use in posters, outdoor advertisements, branding, packaging and web sites. Gobln is also perfect for use in the design of invitations and greeting cards. Gobln contains basic and alternative stylistic sets, decorative swash initials & final forms, and standart ligatures that will decorate your design.

The shapes of "Blattwerk" (german for leafage) are based on an abstract leaf. The geometrical sans serif font has several standard and decorative ligatures and will work best as a display typeface for logos, headlines and short texts. The individual letters can also be used to form symbols or patterns.

ITC Anna is a labor of love by Daniel Pelavin. He designed the font for his wedding invitation and reused it on the birth announcement of his first child, Anna, whose namesake it is. The simple geometric forms and their proportions create a unique font appropriate for any special occasion.

Loosely based on a hand lettered title found on vintage sheet music for the song "Hong Kong", the design for Kwun Tong JNL emulates the letters and numbers formed from pieces of bamboo stalk. Kwun Tong JNL is named for a locality in Hong Kong although (according to Wikipedia) "the Hong Kong Government is unitary and does not define cities and towns as subsidiary administrative units."

Fason is a decorative font family. Designed for use in the fashion industry, fashion magazines, branding and packaging. Fason is also perfect for wedding invitations, greeting cards and posters. It is also suitable for use in online activities. Fason contains basic and alternative stylistic sets, decorative swash initials & final forms, many useful Open Type features, as well as discretionary ligatures to decorate your design.

An elegant display face influenced by Aldine oldstyle letterforms, Miranda Pro brings the early successful Tim Rolands font Miranda into the OpenType era. Miranda Pro now includes numerous extended ligatures, alternate forms, small capitals and support for a wider range of languages. Use it as a companion display for classic text fonts or on its own as a refined but stylish messenger for all sorts of projects.

Bugleboy started as a digitized version of "Wood Grotesk," a 1970s film typeface by LetterGraphics. It started with a bare bones character set which we added swash alternates for Capitals, Stylistic Alternates for a Unicase look, and crafted a Sans version without serifs. The Sans style lacks swashes but keeps Stylistic Alternate Unicase forms. See the last graphic for a comprehensive character map preview.

To break from the rigidity of a typical monospaced font, Alloca includes weights that go above and beyond. From the wire-thin to the ultra-bold, you’ll be able to do a lot with one monospaced family. With OpenType features like slashed zeros, old style numerals, and case-sensitive forms, Alloca is versatile. It's great for displaying code, showcasing data, or even flowing your body copy. It has broad language support, too, with localized forms for Vietnamese, Polish, Catalan, and Dutch, to name a few.

Tritone is a serif old style typeface display. The design is inspired by the Art Noveau style, which taken from the facade of a bathing establishment and reinterpreted it. The beauty of the font lies in it is classic and unique shapes and forms that characterise it, and for this comprises only two weights, for the dedication to the forms. The font expresses beauty and tradition, but in a lyrical context it can express the power of opera, because of it is powerful and elegant design.

The design for Titulata was based on the need for a titles of extreme weight, dynamics and soft morphology. Strong and clear, it takes graceful form in the line and is legible even in small bodies. The script variable is softer and features some punch-line touches, providing another vision and incorporating traits of manual writing. One important feature is that both styles have the same rendering in text box, reason why signs can be combined without other alteration that the form of the printed word.