Finador Slab is a soft slab-serif family. It has a strong character and can be used for a lot of cases, especially for editorial, branding, packaging and logos. The Slab version is based on the Finador Sans version. It matches perfectly and can be used easily together. The Finador Slab family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. Finador Slab supports almost every of your needs. It meets all the requirements to become your next favorite workhorse family. So just give it a try. The Medium weight is for free.

Amigo was designed by Arthur Baker in 1989 and consists of a single weight. Its basic forms are based on Venetian old face types, as can be seen for example in the slightly slanted cross stroke of the lower case e. But Baker also gave his figures eccentric contours, for example, a marked stroke contrast which gives the look of having been written with a broad-tipped pen, and the change in stroke is by no means regular in the lower case characters. The heavier upper parts become thinner as they progress downward, in contrast to the tendency of most text typefaces. The eccentricity of the forms give the characters a lively almost comic look and is best highlighted in large point sizes. However, Amigo is also legible in point sizes as small as 10 and well-suited for middle length texts and headlines.

German type designers Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department created this sans FontFont in 2013. The family contains 10 weights from Hairline to Black and is ideally suited for film and TV, advertising and packaging, editorial and publishing, logo, branding, music and nightlife, software and gaming, sports as well as web and screen design. FF Mark provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. NEW: the new FF Mark W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet and also several based on Cyrillic and Greek alphabets.

My son’s name is Ata Caner Yüksel. After building this character, I wanted to honor him by using his name for this font. I think it fully reflects the character I created in my mind. Ata Rounded, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family, with eight weights plus matching italics, was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding, and signage, as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-sensitive forms, classes and features, small caps from letter cases, fractions, superior, inferior, denominator, numerator, old-style figures, stylistic alternates; just one touch easy In all graphic programs. You can enjoy using it.

Woven is a geometrical typeface based on a simple tessellation or tiling pattern. The template for the letters has both vertical and horizontal symmetry and the tiling pattern has four-fold rotational symmetry. Variations of this pattern are popular with quilters and most have a woven look to them. To fit the letters into the template results in some distorted letters but it is the pattern that matters, not the individual elements of that pattern. With proper spacing, a block of text will fit together both horizontally and vertically. Woven is intended to be used with alternating letter sets and the OpenType feature of contextual alternatives does this automatically in applications that support it. The upper-case could be used alone but it unlikely that the lower-case characters could be used by themselves. The typeface is hard to read and would make a challenging font for word-search puzzles.

My son’s name is Ata Caner Yüksel. After building this typeface, I decided to honor it with my son’s name. I think I fully reflects the character I created in my mind. Ata typefamily, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family has eight weights plus matching italics was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding and signage as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures, Stylistic Alternates in just one touch easy In all graphic programs. You will enjoy using it.

Twigglee was inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones. It has no lower-case letters; the upper-case letters are simply repeated on the lower-case keys.

Bowling has letters on bowling pins. On the upper-case keys, the bowling pins are white with black letters and on the lower-case keys the pins are black with white letters. The lower-case letters can be colored and placed behind the upper-case letters to give two-color lettering. (The letters on the pins are from the typeface InsideLetters.)

ITC Kulukundis is the work of designer Daniel Pelavin, a square, connecting script which looks as though it could have been cast in shiny chrome for the side of a 1950s American roadster. Pelavin based his design very loosely on a vertical French script but the overall look is all his own. Unlike calligraphic scripts, the lower case letters all connect in exactly the same way and the straight diagonal junctures give the typeface its broad, spacious character and keep it locked into a continuous line. ITC Kulukundis could also be used to create a decorative border for special occasions.

Designed for Linotype Library GMBH and the International Typeface Corporation in 1997 by Phil Grimshaw. Based on bold script Banco designed by French graphic and poster designer Roger Excoffon and released in 1952 by the Fonderie Olive. Originally Banco was an all-caps bold typeface, and the lower case and the corresponding light weight were created for ITC. The tapering slightly slanted strokes of Banco made by sharp-edged flat brush. The face has the effect of being quickly sketched by a powerful hand. For use in advertising and display typography. Cyrillic version developed for ParaType in 2000 by Tagir Safayev.

Sun-tanned, smooth, and fluid. Suave Script is based on disconnected calligraphy originating from a how-to lettering book from the 1950s. The uppercase letters dance, and then dance some more - Samba, Tango, Mambo or Candombe - take your pick. The lowercase flows like honey waiting to be licked off the comb. A rare gem - depicting the sweet hustle and bustle of life of a history-rich urbanism. Suave Script is at once fashionable, human, and creative. For this new Pro version a number of endings, ligatures and an extensive range of languages were covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic)

American type designer Guy Jeffrey Nelson created this script FontFont in 1994. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, festive occasions, poster and billboards as well as web and screen design. FF Providence provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures. As well as Latin-based languages, the typeface family also supports the Greek writing system. This FontFont is a member of the FF Providence super family, which also includes FF Providence Sans.

This is Avris, an exceptional and feminine stencil font. The base was designed in 2015. The word ‘avris’ derives from the latin rara avis, which means “rare bird”. Stencil fonts were initially designed for mass production and transportation companies. Unlike this one, Avris’ curvy and minimalistic design feels and looks like the wings of birds, flying above the quiet ocean. It also has a roman, calligraphic and cryptographic touch to it. It can be used for editorial (fashion) magazines and poster designs. Looks great in headlines! Also the numerals are a must see when you put it in use.

Dimensions is redesigned font family based on Blackout font released as free font in 2005. The original blackout has been used especially for company or brand logo of fashion and music label in the world. In 2011, Blackout had evolved into this Dimensions font family of seven weights with roman and italics. They are one of the most condensed, black and skinny font in the world. All weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature. There is high contrast version called Speedometer.

Rapier, designed by Martin Wait for ITC in 1989, is an impulsive, energetic script font with strong ties to the brush and advertisement typefaces of hte 1940s. The zestful capitals contrast with small, narrow lower case letters, lending the font its dynamism and liveliness. Desinger Wait reached the energetic, almost aggressive feel of Rapier with snappy base forms and especially with ascending strokes. For an optimal look it is advisable to set Rapier's forms near to one another, so that the ends of the strokes of one figure touch the beginning of the next. Rapier is best used for headlines and short texts.

Polish type designer Lukasz Dziedzic created this display and sans FontFont in 2009. The family has 18 weights, ranging from Thin to Black in Condensed, Normal, and Wide and is ideally suited for editorial and publishing, music and nightlife as well as poster and billboards. FF Mach provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

Montigny is a contemporary calligraphic font with classical roots, based on an 18th-century roundhand script. It is carefully designed, with a special emphasis on the connection of the letters, with high ascenders to give rise to the ornaments of the different letters. There is a special search for high readability. This font contain 585 glyphs, in addition, a wide selection of alternates and ligatures is included, to preserve the qualities of handwriting, in order to accommodate various design aesthetics. These alternatives are automatically applied through an advanced programming scheme or manually through several OpenType features.

Pooper Black Pro is based on a brush ethic and has an extreme axis that lends a certain amount of speed to the font while the lack of connectors slows it down. The pro version expands on the original and popular Pooper Black with the addition of full Central and Eastern European character sets and plenty of alternate characters for those who have applications that support Opentype features. Almost all of the lower case characters now include an in stroke and out stroke version for greater design flexibility. A wonderful face for packaging, titling, and short bursts of text.

German type designer Albert-Jan Pool created this sans FontFont in 1995. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for film and tv, small text as well as software and gaming. FF OCR-F provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

Advertiser JNL is a simple A-Z only font used to make retro-styled titles and names. Based on a popular style of retail signage from the 1950s and 1960s, alternating keystrokes will create a contrast of positive and negative letters. The capital letters have the alphabet in white on black boxes, the lower case have the black letters alone—with the white space conforming to the width of the black boxes. In a pinch, the boxed characters can also be used as initial caps. For a more complete character set with the same style of lettering, use DuBois Block JNL.

Vermont is an outline semi slab serif created by British designer Freda Sack. The serifs of Vermont are typical of slab serif fonts, having the same stroke width as the base strokes and forming a right angle to them. The strong figures of this font still manage to seem light and airy and the marked shading makes them seem almost plastic or sculpted. This class of font appeared at the beginning of the 20th century as an advertisement typeface, rose in popularity through the 1950s and phototypesetting in the 1970s. Vermont should be used exclusively in headlines and displays in larger point sizes.

I created my new »EXEC« sans font during the years 2018 to mid 2020. The Normal »EXEC«-family has 7 weights, ranging from Thin to Bold (plus 7 italics). This elegant Sans is suited for editorial, book text, advertising and packaging, logo, branding, small text as well as web and screen design. »EXEC« has advanced typographical support including ligatures, small caps, alternate characters, case-sensitive forms, fractions, super- and subscript characters. »EXEC« comes with a range of figures—oldstyle and lining figures, each in tabular and proportional widths. »EXEC« supports Basic-, Western-, and Central-European Latin-based languages.

French type designer Xavier Dupré created this script FontFont between 2002 and 2007. The family contains 3 weights: Regular, Bold, and Black and is ideally suited for advertising and packaging, logo, branding and creative industries as well as sports. FF Tartine Script provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Greek writing system.

The letters in Bouncer are round because they all begin as a ball and then have parts of the ball cut away. Bouncer was one of the earliest typefaces from Ingrimayne Type. Lower-case letters are smaller versions of the upper-case letters. BouncerTwo, designed twenty years after the original Bouncer, continues playing with the idea of making letters by cutting out parts of a circle, but in this case the circles are interlocking. All letters are upper-case but some of those on the lower-case keys differ from those on the upper-case keys. BouncerTwo is eye-catching but not highly legible.

Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft "Bodrum Sweet" is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. "Bodrum Sweet" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. "Bodrum Sweet" some corner is rounded. These nuances aid in legibility and give "Bodrum Sweet" a harmonious and sensible appearance for both texts and headlines. Bodrum Sweet provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sweet 14 Regular” forms the central point. "Bodrum Sweet" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Sweet is the perfect font for web use. You can enjoy using it.

Based on a 1940s lettering stencil, Teacher JNL continues Jeff Levine's extensive collection of stencil fonts based on original sources.

Meet Uncle Lee - a hand drawn and playful serif! An upper-case-only font with upper-case-variants on the lower-case letters. With three happy versions - regular, outline & thin - you just can't go wrong! Don't forget to pay Auntie Lee a visit!

The lower case of Lettergical is a mixture of several medieval styles and the upper case is a variant of Lombardic.

Choob Stripes is reminiscent of pipes and tubes, and other mechanical works. Upper Case has the small circle, lower case doesn't.

A William Page font, a variation of the William Page 500 font, with wider lower case, more clearly worked upper case.

At this pivotal juncture, where every choice casts long shadows, the imperative of pinpointing the archetype of typefaces is of paramount importance. One mere oversight, and the soul of your endeavor risks being lost in the mists of time. Yet, amidst these crossroads, "Winsel" emerges as the North Star in your typographical odyssey. Birthed in the revered sanctums of insigne design, this typeface is a magnum opus, echoing the artistic brilliance of British poster craft from epochs of golden jazz to times of renaissance. Winsel, in its sheer magnificence, stands as a testament to artistry, each stroke demanding undivided reverence. Be it the valiant weights reminiscent of a guardian sentinel or the graceful finesse mirroring a maestro's touch, Winsel is an unparalleled behemoth. Imbued with the finesse of OpenType, it's poised to embrace the multifaceted European Latin tapestry, while its Small Caps and Titling Caps take pride of place across its grand suite of nine weights. Sculpted with precision, Winsel is the beacon that challenges the ordinary and pledges to be an immortal testament. Seldom has the cosmos aligned to present such an illustrious moment. Fortified with Winsel, you stand on the precipice of legend. Carve your tales into the annals of perpetuity, voice your ethos with unyielding conviction, and let each letter be a symphony of undying commitment. In this epoch, in this narrative, Winsel beckons you to etch history.

Meet Auntie Lee - a hand drawn and playful sans serif! An upper-case-only font with upper-case-variants on the lower-case letters. With three happy versions - regular, outline & thin - you just can't go wrong! Don't forget to pay Uncle Lee a visit!

Hs Alwajd is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Kufi fatmic where horizontal parts are equal than vertical ones. It is a new style based on HS Almajd but without swirling round forms terminating in ball. The font is based on Kufi Fatmic calligraphy along with some derived ideas of decorative fonts, maintaining the beauty of the Arabic font and its fixed rates. Undoubtedly, the insertion of curved ornament in some parts adds more beauty and fascinating diversity in the flow line between sharp, soft and curved parts. This font supports Arabic, Persian, Pashtu, Kurdish Sorani, Kurdish Kirmanji and Urdu, consisting only one weight which can add to the library of Arabic Kufic fonts contemporary models that meet with the purposes of various designs for all purposes and all tastes.

Hexonu is a weird, awkward, monospaced font family. In place of true lower-case letters, it has a second set of capitals that, through the magic of the OpenType contextual alternatives (calt) feature, automatically alternates with the set on the upper-case keys. If one wants to use only one set of letters, the contextual alternatives must be turned off and character spacing adjusted. Hexonu is another effort to create a font with alternating sets of letters (see PoultySign, Lentzers, and Caltic for others). The base shape for forming the letters is a lopsided hexagon that resembles an old coffin. In four of the six family members, the alternating shape is a distorted hour-glass. In the other two, coffin shapes heads-up alternate with coffin shapes heads-down. The family was created as an experiment with the calt feature and not for any particular use. It does not work as text but its bizarreness makes it appropriate for some poster and signage applications.

The Roundup family was inspired by fonts from the late 19th century, though it is not based on any one of them. Roundup-Caps was the first of the group to be constructed. It has two sets of upper-case letters that have minor differences. It has reverse contrast, that is, the verticals are thinner than the horizontals. Unlike most of the "Old-West" fonts with reverse contrast, the serifs are not square but have an odd, rounded shape. Roundup-Regular replaced the second set of caps with lower-case letters. A bold style strengthens the vertical elements so that it no longer has reverse contrast. Both the regular and bold styles have matching oblique styles. Finally, there is a hollow version with a shadow to the lower right. This shadowed style has had its inside taken out, creating RoundUp-ShadowInside. The spacing is the same as RoundUpShadowed so it can be layered over RoundUpShadowed to easily create two-colored lettering.

Full Neue is the younger brother of original Full Sans, Full Slab and Full Tools. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding and signage as well as web and screen design. Full Neue provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Full Neue LC 50 Book” forms the central point. The first figure of the number describes the stroke thickness: 10 Thin to 90 Bold. Full Neue LC comes 5 weights and italics also Full Neue SC comes 5 weights and italics total 20 types. The family contains a set of 485 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Full Neue is the perfect font for web use. You can enjoy using it.

The family has 24 weights, ranging from Thin to Black in Normal, Condensed and Wide styles. It is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster, and billboards, small text, wayfinding, and signage as well as web and screen design. Zawya Pro provides advanced support with features such as case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of letters for Arabic and English with Arabic and Latin digits. As well as Latin-based languages, the typeface family also partly supports the Arabic, Urdu and Persian and more than 30 writing systems such as ( Afrikaans - Albanian - Catalan - Croatian - Czech - Danish - Dutch - English - Estonian - Finnish - French - German - Hungarian - Icelandic - Italian - Latvian Lithuanian - Maltese - Norwegian - Polish - Portuguese - Romanian - Slovak - Slovenian - Spanish - Swedish - Turkish Zulu - العربية Arabic - Urdu الفارسية - الأوردو Persian). In includes OpenType features for Arabic and English: Stylistic set 01 and 02 Numerator & denominator Fractions Ordinals Superscript standard ligatures discretionary ligatures Case Sensitive

Behrens Initialen is based on the type graphics of the German architect and type designer Peter Behrens (1868-1940). The drawing of the original typeface is in tune with the Art Nouveau (Jugendstil) style in which Behrens worked. This is a light, delicate, somewhat theatrical typeface, the forms of which bear at the same time a certain shade of Gothic and modernity, and can be used, in particular, when there is a need to make a reference to medieval graphics while maintaining the modern style of composition. In the proposed version, the original initial graphics are used not only for uppercase letters, but also for Arabic figures, while for lowercase letters and for the base of other characters are used the letters themselves - without decorative framing. This feature can be useful for obtaining various effects when using both lower and upper cases in parallel, including when they are overlaid. The font includes the Latin, Cyrillic and Armenian ranges. Created by Ruben Tarumian in 2020.

Low contrast and clean Roman Sans with capitals based on the classic Capitalis Monumentalis proportions with uniform and modern SmallCaps, with a subtle script touch on some curved strokes, that give it a less hard feel, more organic and friendly look. The design idea born on 2013 from Roman Schemme studies, where new version of Legan and other roman typeface projects was based on too. Orqquidea was developed in 12 sizes with 659 glyphs each enhanced with professional opentype features (aalt, ccmp, locl, subs, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, c2sc, smcp, case, dlig, liga, zero, salt, calt, ss01, ss02, ss03, ss04), plus a complementary Orqquidea Framed version with 226 glyphs and a Orqquidea Garden version that include floral ornaments and related dingbats with 102 glyphs. It can easily adapt to print and digital environments ideal for fashion branding and corporate purposes, magazine and book headlines and titles, cosmetic label design and even on contents with a modern and artistic air.