Inspired by a few letters in a hand-drawn logotype, Swashington is a serif font with both an early 20th Century feel and yet is evocative of the swash fonts of the 1970s as well. The real meat of this typeface comes with using all the swash and ligature variants allowing for an enormous amount of typographic flair. Starting with the original logo, Jason Walcott was moved to develop these interesting letterforms into a full typeface with all the swashy might he could muster. In addition to a comprehensive set of Swash and Alternate letters, there are also over 270 Discretionary Ligatures that can be used to create different possibilities by mixing and matching. Included with the downloaded fonts are two .pdf files showing all the swashes and ligatures, that can be printed and used for easy reference. All of the alternates are available via the Glyph Palette or with OpenType features. The font includes support for all Latin based and Eastern European languages.

Originally commissioned in 1979 as a new corporate typeface for Volkswagen AG, the VAG Rounded™ family’s geometric sans letterforms feature distinct rounded terminals, imparting the design with a friendly, approachable demeanor. With its design led by Gerry Barney, the VAG Rounded family remained in use for Volkswagen AG’s unified, worldwide automobile marketing for over a decade. The design was released for public use in 1989, and was bundled with many desktop publishing software titles available at the time. This opened the door for millions of computer users to work with the VAG Rounded type family. Available in four weights—from thin to black the VAG Rounded family is an apt choice for logo design, identity systems, or any application where a typographic warmth is desired. For contrast in voice, consider pairing the design with a more reserved serif typeface, or a sans serif with narrow styles, such as those found in the Alternate Gothic, Trade Gothic, or FF DIN type families.

The Data Error AOE Family was one of my earliest typefaces, at a time when I had become obsessed with all forms of "digital/techology" typestyles. It's been awhile since the early 2000's, but I've had a hankering for awhile now to revisit this typeface, giving it a more expansive language character set and fill it out with some Opentype features. Inspired by some old printouts of BASIC programs and an Atari 1050 Disk Drive manual with pin printer examples, comes the familiar yet oddly restricted style with this Data Error family. This family comes complete with Regular and Bold versions with their respective Oblique versions. Odd pin printer restrictions inherent in this typeface are: no characters extend below baseline or above ascender line, (except international accents). A nostalgic typeface for computer programmers everywhere, strong and legible at any size, Data Error is perfect for so many purposes, get it today!

Le Typorium présente une nouvelle famille de caractères calligraphiques basés sur une écriture étudiée à travers les manuscrits et autographes de Georges Brassens, poète et musicien (1921-1981). Son tracé, rigoureux et appliqué, souvent minutieux, est à l’image d’une œuvre unique et singulière, immédiatement reconnaissable. Le script Brassens offre des fonctionnalités OpenType telles que des caractères alternatifs pour les majuscules et les minuscules afin de renforcer la fluidité d’une écriture manuelle, des chiffres alternatifs, des fractions et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues étrangères. Trois graisses ont été créées afin d’offrir une large palette de possibilités graphiques. 60 images d’un poète qui a cassé sa pipe à l’âge de 60 ans., classées en trois séries de vignettes (pictogrammes, symboles, portraits), elles illustrent l’univers imagé et la richesse symbolique de la poésie de Georges Brassens où les représentations mythologiques et allégoriques y tiennent une part importante. Georges Brassens est un poète, auteur-compositeur-interprète né à Sète le 22 octobre 1921, mort à Saint-Gély-du-Fesc le 29 octobre 1981 et enterré au cimetière Le Py de Sète. Auteur de plus de deux cents chansons populaires, il met en musique et interprète ses poèmes en s’accompagnant à la guitare. Outre ses propres textes, il met également en musique des poèmes de François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, ou encore Louis Aragon. Il reçoit le Grand Prix de Poésie de l’Académie Française e 1967. Un grand nombre d’écoles, salles de spectacle, voies, parcs et jardins portent également son nom, dont à Paris le parc Georges-Brassens, tout proche de l’impasse Florimont où il vécut ses premières années parisiennes, de sa maison de la rue Santos-Dumont et du café Les Sportifs Réunis – Chez Walczak – rue Brancion qui lui inspira « Le Bistrot ». À Sète, l’Espace Georges Brassens ainsi que de nombreux festivals et associations redonnent vie au poète et à son œuvre. The Typorium presents a new calligraphic typeface family based on a writing studied through the manuscripts and autographs of Georges Brassens, poet and musician (1921-1981). Its layout, rigorous and applied, often meticulous, is in the image of a unique and singular work, immediately recognizable. Brassens script offers OpenType features such as alternate characters for upper and lower case to enhance the fluency of handwriting, alternate numbers, fractions and an extended accented character set to support many foreign languages. Three weights have been created to offer a wide range of graphic possibilities. 60 images of a poet who broke his pipe (French expression for passing away) at the age of 60, classified into three series of vignettes (pictograms, symbols, portraits), they illustrate the imagery world and the symbolic richness of Georges Brassens poetry where mythological and allegorical representations hold an important part. Georges Brassens is a poet, singer-songwriter born in Sète on October 22, 1921, died in Saint-Gély-du-Fesc on October 29, 1981 and buried in Le Py cemetery of Sète. Author of more than two hundred popular songs, he sets to music and performs his poems, accompanying himself on the guitar. In addition to his own texts, he also sets to music poems by François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, or Louis Aragon. He received the Grand Prix of Poetry from the Académie Française in 1967. A large number of schools, theaters, streets, parks and gardens also bear his name, including in Paris the Georges-Brassens park, very close to the impasse Florimont where he lived his first years in Paris, his house in the rue Santos-Dumont and the café Les Sportifs Réunis - Chez Walczak - rue Brancion which inspired "Le Bistrot". In Sète, the Espace Georges Brassens as well as numerous festivals and associations bring the poet and his work back to life.

My goal was to make a design that might fit in anywhere,” says Jim Ford about his Quire Sans™ typeface. “I wanted it to be highly functional and sexy at the same time.” With one foot comfortably in the realm of oldstyle design and traditional book typography, and the other in evolving electronic media, the Quire Sans family does, indeed, fit in just about anywhere. As for sexy, someone once quotably wrote, “A great figure or physique is nice, but it's self-confidence that makes someone really sexy.” Yes, Quire Sans is sexy, performing confidently in virtually any setting. 2014-06-26 00:00:00.000 57.9900 F43063-S193385 42831 Neue Frutiger World Monotype https://www.myfonts.com/collections/neue-frutiger-world-font-monotype-imaging https://cdn.myfonts.net/cdn-cgi/image/width=417,height=208,fit=contain,format=auto/images/pim/10000/279026_ed8c8093fe1ac59ebe9e3ee1d9262c8e.png Neue Frutiger World is designed for global use with an impressive range of 10 weights, from Ultra Light to Extra Black, with matching italics. It embodies the same warmth and clarity as Adrian Frutiger’s original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. Neue Frutiger World supports more than 150 languages and scripts including Latin, Greek, Cyrillic, Georgian, Armenian, Hebrew, Arabic, Thai and Vietnamese. “Before Neue Frutiger World it was not an easy task for western brands to find families in Arabic, Hebrew, Thai and Vietnamese which match with their Latin,” says Monotype type director Akira Kobayashi, who led the Neue Frutiger World project. “They may find a type with closer expression, but there was no guarantee if the bold version in the non-Latin family matches the bold in their Latin. Neue Frutiger World offers a better solution.” In addition to Neue Frutiger World’s linguistic versatility, it works hard across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments. The Neue Frutiger World fonts can be paired with Monotype’s CJK fonts: M XiangHe Hei (Chinese), Tazugane Gothic (Japanese), Tazugane Info (Japanese), and Seol Sans (Korean). These were all designed to address brands’ needs to expand into Asian cultures and solve for global typographic challenges.

Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

Berliyan Script is a beautiful font with OpenType features and includes start and end swashes, numbers, punctuation, alternatives, binders and also supports other languages. Berliyan Script is a beautiful and sweet script font with extraordinary nuances.

Vagabundo is a hand brushed family with three styles and some extra goodies. You can combine different weights with icons, ornaments and banners to get a nice original design. You can download the instruction PDF here.

That's a special horrific font with an intricate pattern of bones. All letters are put together of nonrecurring elements drawn individually by hand. The classical forms as we see it sound afresh with the bones attire.

Kally dreams is a beautiful monoline font with signature style that really good for water mark, logotype, advertisement, social media posts, product packaging, clothing design and more. complete with uppercase lowercase ligatures swashes alternates multilingual support

A clean humanistic sans-serif typeface which complements its serif version Diplomat Serif. It has preserved several of its original characteristics and comes complete with true-italics with a distinct flowing structure. Supports Latin and Greek.

Shorthalt is a dashingly handsome upright script- all dressed up, but not too stuffy, with lots of ligatures and contextual alternates. Shorthalt works great for headlines or bylines paired with a nice simple sans or serif.

Florid Sans perfectly balances minimalist quality with a combination of contemporary details and classic styles. Florid Sans is geometric in nature with humanist quality rooted in the Swiss tradition. Comfortable, breathable apertures make it stunningly versatile.

Apollonius is a high contrast, display typeface designed by Michael Parson. Packed with Opentype features, this single weight font offers a whole range of options that designers can explore and play with to create stunning layouts.

Porcupine Pickle - a weird font with a weird name. It is loose, it is girly, it is fun. It has an uneven baseline, yet is very easy to read. It comes with all the accents. Yay!

Introducing MARDE SAUVE, an elegant display with aesthetic look. Perfect for who needs touch of elegancy, stylish, classy beautiful bold type, and modernity for their design. Complete with ligatures alternates regular hollow icon kerning multilingual support

Better Friend is an authentic handwritten signature font with personal touch. Created with a marker by hand makes each stroke more natural. This font fits all creative projects and will make each of your projects amazing!

Festany is script font with handlettering brush style, this is handmade ink, and with dry ink for finished the texture font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work.

A family with a retro feel with 12 styles in 6 weights, for both headlines and body text use as well editorial and corporate design from advertising to packaging and digital design. Supports Central/European languages.

Introducing: Urbano Handwritten! A fancy handwritten font with a urban style. With strong strokes and ae extraordinary style, Urbano Handwritten is perfect for branding projects, daily text, product packaging - or simple style for your photography text.

Muirne, a cheerful semi-serif inspired by a Celtic calligraphy and figure. Font family contains from Light to Black weights and suitable Italic. With a dozen of alternates to enhance your typesetting with a Celtic touch.

Introducing AQRADA, an elegant display with aesthetic look. Perfect for who needing a touch of elegancy, classy, stylish, beautiful bold type, and modernity for their design. Complete with ligatures alternates regular hollow icon kerning multilingual support

Wind Factor is a display typeface with rough features and roman italic essences. This type features elements of crafting and design along with a bold elegance. Ideal for brochure design, menus, invitations, package design, and advertising.

A slim, crunchy and slightly worn-looking font. Comes with unique accented letters, ligatures for double letters and numbers along with OpenType alternate letters. You will need to use OpenType supporting applications to use the autoligatures.

Souplesse (flexibility in French) is a nice, uncomplicated typeface; happy beyond words, yet with a bit of a bite. The glyphs have a rough edge, yet remain very legible. Souplesse comes with a bagful of diacritics.

Modern display typeface with beautiful contrast. Decorative details on each character maintain its classy composure. Perfect for logo/branding identity, headline, wedding invitation, poster, and more, to create a project with a classy and luxury touch.

Venture Script reflects Hermann Zapf's handwriting. It was originally written with a Japanese feltpen. And like with Zapf's typeface Noris Script he wanted to preserve the rough outline of the handwritten form in the final drawings.

Wardrum is an expanded sans with two styles. Use this font for your new project. Suitable for branding, poster, or your headline! This font contain uppercase only with numbers, symbols, punctuation and also multi-lingual support.

Slightly condensed with a taller lowercase, Gallivant carries itself very well. Similar to classic thick-and-thin san-serif faces with stems slightly facing inward. Note: OpenType variants may only be accessible via OpenType-aware applications.

Hello. Arizona Futur is a pixel font with little pixel guys. Easy to use to make cool artworks. The little guys have the same size than the alphabet. So you can mix the words with illustration.

Stay Peach is Modern Retro Serif with Unique Elegant and Retro Style. Each unique come with alternate letters designed to create harmoniously, charming and lend themselves to high end branding, product packaging, logo designs & invitation designs.

With this font, the true fun is ornaments, and there are tons of them. Design conveys either adventurous or eco friendly look, which coupled with many alternate characters adds up to uniqueness in your final design.

Glaster is a beautiful calligraphy typeface with a distinctive style of its own. It is a bold and elegant script font. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Queen Anne Hill is an modern Calligraphy style font with upright strokes and bold flourishes. Revealing the styling of fine artist and calligrapher Alissa Mazzenga, this font communicates refinement with a hint of playful artistic individualism.

Plowright is a new font based on hand lettering from the 1880s. It's a great example of the style we often associate with signmaking in the old west, with a lot of quirks and original character.

Old styled Brushwork-Font. Poisoni Pro comes with many OpenType-Features. Three Styles of Numbers, Three Styles of Caps, many Ligatures and alternate Ends with Swashes. Also Ligatures for the Glyphes "Th", Td, Tk and more.

The Head Strung font is designed with a simple and basic serif structure, but has its oddities and curly lines. It comes with 4 different versions of each letter, and these automatically cycle as you type.