Picz JNL is a rockin' font made up of guitar picks and is perfect for any projects representing good times. Use it moderately in short phrases or as initial caps, or combine it with Sock Hop JNL for a matching look. Limited character set.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Picto Handwriting” comes with beautiful handwritten pictograms that let you quickly spruce up your designs.

Introducing Retro Pica, a bold and fun display font. Retro Pica features a bold retro style with many alternate characters ideal for design, such as posters, t-shirts, branding, logos, etc. Retro Pica Lite, with this style, we replaced the uppercase character with the alternate version for those who use applications that do not support open-type features.

Victorian Alphabets is a incoming family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century. The "Victorian Alphabets W" font has just W' designs, performing 52 different W's to your use. Here at MyFonts you can get more TWENTY fonts of this family, wih a very and atractive array of alphabets and letters to complete your artwork

Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.

The Alphabet of Death font is inspired by the work of Hans Holbein the Younger. This series of Northern-Renaissance-style woodcut letters shows the figure of Death in many disguises, confronting individuals from all walks of life and intervening directly in scenes of everyday life. As depicted in this detailed alphabet, Death is sometimes the dispenser of justice, denouncing greed and the abuse of power. At other times, Death plays the role of a friend or a servant. This unique font includes one set of A-Z ornamental initials conveniently assigned to both the upper- and lower-case alphabet characters and is perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, biblical texts, and any written work conveying the expressive style of typography in the 1500s.

Victorian Alphabets I is an incredibly cool and classic display font. Elegant and distinct, this font will most certainly elevate your creations. Add it confidently to your projects, and you will love the results. You have a great set of letters "I" using the uppercases, lowercases and numbers keys on the keyboard.

Steve Jackaman. In the early 1980's, Steve worked at Typographic House in Boston, Massachusetts. At the time, 'Typo' House, as it was affectionately known, was the largest type house in New England. This font was designed and produced during his tenure. The design was so popular that it became available commercially through VGC, and was known as TH Alphabet Soup. Completely redrawn and remastered, Alphabet Soup Pro contains all the high-end features expected in a quality OpenType Pro font.

This font can be used as a play'n learn tool to teach the meaning of these modern day communication symbols. Each alphabetical character can be printed with or without the corresponding roman symbols. NOTE: comes with an interpretation guide in pdf format.

Doodles the Alphabet was designed to coordinate with Doodles the picture font. Doodles received honorable mention in U&lc’s First Annual Type Design Competition in the Picture Category.

Some time ago I bought my smallest book ever: Kate Greenaway’s Alphabet* 57 x 72 mm. I thought it was the sweetest little book I had ever seen. Not knowing about the fame of the designer Kate Greenaway (1846-1901), I put it in some dark drawer and looked at it from time to time. Kate’s books were all outstanding successes in English publishing history; she was an icon of the Victorian era. Some of those books are still being reprinted today. This little gem I had accidentally acquired has become very rare and I have not found any reprints yet. So I thought maybe I could adapt her drawings for use on today’s computers. I ventured to redraw her delicate illustrations, blowing them up 300 percent, being forced to simplify them without losing her touch. It took quite some time! While redrawing them, I discovered that she most certainly drew them in at least three different sessions as well. Then I scanned my drawings and put them in a font. To make the font more usable, I added the ten numerals in Kate’s style; the original does not have those. I hope she would have liked my adaptations. Yours in a very preserving mood, Gert Wiescher. * Kate Greenaway’s Alphabet, edited by George Rutledge & Sons, London and New York, ca. 1885.

Gummed Alphabet JNL was modeled from a 1960s-era package of foil embossed gummed letters. This type of lettering device was sold through stationery, variety stores and similar merchants, and could be used for personalizing items or making small signs.

Introducing the Big Alphabet Tracing Font – a font designed to help kids learn the alphabet in a fun way. The font looks friendly and playful, making learning feel like a game. It is perfect for teachers, parents, and anyone who wants to make learning the alphabet exciting and interactive.

Victorian Alphabets H is an incredibly cool and classic display font. Elegant and distinct, this font will most certainly elevate your creations. Add it confidently to your projects, and you will love the results. You have a great set of letters "H" using the uppercases, lowercases and numbers keys on the keyboard. Plus, acquiring the Titivilus font you get GREAT DUO combinantion, like you can see i the banners

Fun, mixed, jumbled lettering in a variety of styles.

Includes: Western European, Central European, Baltic, Turkish, Romanian sets

Ico Weather is a set of 115 symbols depicting weather, temperature, weather forecast and astronomy. To name a few, there are sun, clouds, rain, snow, thermometers, wind socks, tornados, volcanoes, weather warnings as well as symbol for raining fish. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Weather is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Ico Time is a set of 115 symbols depicting time, clocks, watches and rhythm. To name a few, there are alarm clocks, binary watch, moon phases, calendars, 7-segments digits, hourglasses, sun dial as well as infinity symbol. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect solution for LCD style typography. Ico Time is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

Ico Phone is a set of 115 symbols depicting anything that happens on the screen of a regular mobile phone. To name a few, there are Bluetooth and sync icons, signal bars, battery statuses, media playback icons, USB symbol, lock icon as well as a wifi signal strength indicator. The style of Ico is inspired by the look of symbols used on the classic monochrome LCD displays. The symbols are monolinear with rounded corners, composed of a smallest possible number of elements. In addition, the rounded style is accompanied by a second style with sharp corners and more detailed drawing. All symbols of Ico share the same width, making the font compatible with the LCD typeface ION. Together, they are the perfect sollution for LCD style typography. Ico Phone is a part of a larger set. Have a look at the other available Ico fonts and don't forget to check back soon for even more additions.

The Dollfus Mieg Company was founded in 1800 by Daniel Dollfus (1769-1818) and Anne-Marie Mieg (1770-1852). In the 1890s and again in 1901 it published Monograms and Alphabets for Combination, a book with alphabets and monograms for cross-stitching. This book served as example for several digital fonts by Paulo W. Here you can get one of them,

Erik Spiekermann, working in collaboration with Ole Schäfer, originally designed FF Info® Display for use in the context of wayfinding systems. The variants FF Info™ Text and FF Info™ Correspondence were developed later for text setting and office communication. FF Info Display The sober and clear forms of the sans serif FF Info Display have been deliberately molded to make them perfect for use on wayfinding systems. The font by Ole Schäfer and Erik Spiekermann not only takes the problem of lack of space into account - it is some 15% narrower than comparable typefaces - the characters have also been designed to ensure they remain legible even in adverse conditions for reading. As text on signs often contains words with which readers are unfamiliar and which are thus deciphered letter for letter rather than perceived as whole words, it is essential to provide for a clear differentiation between glyphs. Additional serifs on the lowercase "i" and uppercase "I" and a small arch on the terminal of the lowercase "l" ensure that it is possible to readily discriminate between these particularly problematic letters. Moreover, sharp corners on glyphs can also make it difficult to read signs with backlighting or when driving past. The rounded corners of FF Info Display counteract this effect and make sure that the character forms remain well defined.FF Info Display is available in five carefully coordinated weights, from Regular to Bold. In the corresponding italic variants, the letters appear overall more rounded while the lowercase "a" has a closed form and the "f" has a descender. Also included among the glyphs of FF Info Display are several ligatures and arrow symbols. Pictograms with different themes that complement the typeface are also available in four weights. FF Info Text Thanks to his know-how gained through designing other typefaces, Erik Spiekermann became aware that fonts created for use in problematic environments can be used in many different situations. In smaller point sizes, FF Info Display cuts a fine figure when used to set longer texts. So Spiekermann carefully reworked FF Info Display to produce FF Info Text, a font perfected for use in this context. Not only can the characters be more generously proportioned, certain features, such as additional serifs to aid with the differentiation of problematic letters, are also no longer necessary in textual surroundings. The upright styles have a double-story "g" while Spiekermann has added oldstyle figures and small caps. FF Info Correspondence FF Info Correspondence has also been designed for setting block text although it recalls the style of old typewriter characters and is specifically intended for use in office communication. The characters of this third member of the family are thus more formal, without rounded terminals but with rectangular punctuation marks. The narrower letters are provided with large serifs to give them more space although, at the same time, this reduces the differences in terms of letter width among the alphabet. In contrast with its two siblings, FF Info Correspondence has only three weights, each with corresponding italic.The three styles of the FF Info super family cover an extensive range of potential applications. If the different kerning is adjusted manually, the three styles harmonize happily with each other and can be readily used in combination to set, for example, headlines and texts and also creative display options.