Dainty™ is a flower font inspired by the delicate and beautiful structure of the spurge plant Tithymalus. The various sizes of the 52 illustrations in this font make it easy to create stunning compositions.

Please welcome, Magle - Homebrew Fonts. Freshly baked double fonts, straight from human’s hand. Done with click by click for your satisfaction as our goal. Comes in Script and Sans Serif, perfect for your branding needs.

Ghazal is a display Arabic font with High contrast mainly used for headlines, it comes in single weight. This font is an excellent choice for all kinds of creative projects such as branding and advertising.

Posie is a hand made font created in Procreate by MJ herself. It's a fun and whimsical font that would be perfect for greeting cards, toys, picture books or anything that requires a naive sensibility

Hyperartism is an artistic movement born in La Chaux-de-Fonds (Switzerland) which advocates free and uninhibited creation, in all forms, for everyone. HyperBrush was originally created for the new collective's logo and is the perfect cross between the corrosive spirit, the assumed nonchalance and the natural class of Hyperartists' works. HyperBrush is the ideal font for anyone who wants to add a touch of fantasy to a soft design, or a bit of seriousness to a completely crazy project. Its quirky, edgy and clean look is just as suitable for a festival poster as it is for a DIY shop sign, for the title of a trashy short movie or else for a toilet door sign in a hipster lounge bar. With HyperBrush, it's easy to put more hyper into any project!

Ten years or so after his unique treatment of Garalde design with Trump Mediaeval, Georg Trump took on the transitional genre with Mauritius, which was to be his last typeface. He started working on it in 1965. The Stuttgart-based Weber foundry published a pamphlet previewing it under the name Barock-Antiqua in 1967, then announced the availability of the metal types (a roman, a bold and an italic) a year later. The global printing industry was already in third gear with cold type technology, so there weren't that many takers, and Weber closed its doors after more than 140 years in business. Subsequently, Trump’s swan song was unfairly overlooked by typography historians and practitioners. It never made it to film technology or scalable fonts. Thus, one of the most original text faces ever made, done by one of the most influential German type designers of the 20th century, was buried under decades of multiple technology shifts and fading records. The metal cuts of Mauritius seem to have been rushed in Weber’s desperation to stay afloat. So the only impressions left of the metal type, the sole records remaining of this design, show substantial problems. Some can be attributed to technological limitations, but some issues in colour, precision and fitting are also quite apparent, particularly in Mauritius Kursiv, the italic metal cut. This digital version is the result of obsessing over a great designer’s final type design effort, and trying to understand the reasons behind its vanishing from typography’s collective mind. While that understanding remains for the most part elusive, the creative and technical work done on these fonts produced very concrete results. All the apparent issues in the metal types were resolved, the design was expanded into a larger family of three weights and two widths, and plenty of 21st century bells and whistles were added. For the full background story, design analysis, details, features, specimens and print tests, consult the PDF available in the Gallery section of this page.

“Nusaibah” is the first name of an early convert woman to Islam, and the first female to fight in defense of the Islamic religion. Her full name is Nusaibah bint Kaíab Al-Maziniyyah and she took part in the Battles of Uhud, Hunain, Yamama and the Treaty of Hudaibiyah with Islam’s prophet Muhammad (pbuh). Nusaibah is best known for her brave and heroic feat during the Battle of Uhud - fought on March 19, 625 - when she entered the battle carrying a sword and a shield to protect the prophet Muhammad (pbuh) from the arrows of the enemy, and she accordingly received several wounds while fighting and these wounds were not healed until the following year. The prophet Muhammad (pbuh) mentioned her distinct courage by saying that in whichever direction he turned in the battlefield, he could see her defending and protecting him. "Nusaibah" is a modern, geometric, and headline Arabic display typeface. The main trait of this typeface is the novel symmetrical design of its letters which renders it as one of the modern stylish typefaces used for headlines and titles. This is can be noticed in its letters such as “Theh”, “Jeem”, “Ain”, “Sheen”, and others. Moreover, “Nusaibah” font has a character set which supports Arabic, Persian, Urdu, and Latin letters and numerals with a limited range of specific Arabic and Latin ligatures. This font comes in two weights (i.e., regular and bold) with nearly 643 distinctive glyphs. Due to its geometric and linear design, “Nusaibah” typeface is appropriate for heading and titling in Arabic, Persian, and Urdu magazines, posters, and surfaces of different equipment. It is also elegantly suitable for signs, books’ covers, advertisement light boards, products’ and services’ names, and titles of flyers, pamphlets, novels, and books of children. “Nusaibah” typeface is one of the Arabic typefaces that has a novel and modern-day design which can be used in versatile graphic, typographic, and artistic works in different languages for diverse cultures.

In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to remove these again. His challenge was to find a harmonious and coherent approach that provided sufficient contrast with existing fonts. Biome is essentially in the sans serif tradition and the letters exhibit only minor variations in terms of line thickness. There is still a suggestion of the super-ellipse at many points, but this never becomes the predominant design factor. While most of the terminals of the vertical strokes are only slightly rounded, the horizontals and diagonals have pronounced arches and it is these that basically determine the round and soft character of the typeface. The more unconventionally shaped letters, such as the lowercase 'g' with its two semi-open counters and the 'k' and 'x' with their crossbars, provide Biome with an individual personality. And this effect is emphasized by the generously rounded links in the 'v' and 'w' and the uppercase 'M' and 'N'. Biome has been designed as a typeface super-family. From the near hairline Extra Light to the amply proportioned Ultra, there are seven clearly differentiated weights and three tracking widths. There are oblique italic versions of all variants. The range includes small caps and numeral sets containing lowercase and uppercase digits. With its available range of characters, Biome can be used to set texts in all Eastern European languages. Although the remarkable individuality of Biome is most clearly apparent in the larger point sizes, this typeface is not just suitable for producing headlines and logos. Biome's elegant visual effects mean that it is equally comfortable in short texts while its large x-height and generous counters make it readily legible even in the small font sizes. Biome is a contemporary typeface that employs mid-20th century futurist elements which ironically give it a retro feel.

AZ Cupcakes is a special Font for Cupcakes bakery Designs and for all Fans of Cupcakes. It comes in Creamy Design an with many sweet and sugar Graphics.

Bernhard Fashion is a fine line sans serif typeface designed by Lucian Bernhard in 1929. Use the Bernhard Fashion font for posters, book covers, promotional material and packaging.

Peppercorn seems to have been thickly painted on a rough surface. Comes in regular and a spattered Black version. Based on the font Hubbub, which compliments it well.

A very heavy yet elegant small serif font, powerful but very legible. Great for punching up your ads. Can be used in numerous ways from magazines to paperbacks.

A simple, elegant semiscript…enough said. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Wood Line JNL is based on a printed example of a vintage handmade wood type. This sans serif digital font is available in both regular and oblique versions.

Metropolis was designed by W. Schwerdtner and released in 1928. The tapered strokes give the impression of height. The Metropolis font family shares an attractive, informal headline design.

Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font.

The perfect font for coupon clippers has arrived with Sentzoff Coupon JNL by Jeff Levine. The dashed lines form letters in the same way a coupon is bordered.

German type designer Johannes Erler created this pi and symbols FontFont in 1992. The font is ideally suited for advertising and packaging. It comes with proportional lining figures.

Remnant Sorts JNL is an assortment of twenty-six various images. Pointing hands, price tags, vintage stencil designs and other miscellany comprise the choices gathered in this font.

Kombuca font is handwritten with a casual impression, supported by the ss01 feature which adds diversity to the anatomy of letters, suitable for use in casual themed designs.

Auto-scanning an example of a vintage typewriter font created the design which is now the digital typeface Bitmap Typewriter JNL, available in both regular and oblique versions.

A revived and updated version of Georg Trump's Amati which was first released by C. Weber Foundry, Stuttgart, in 1951. A compressed multilingual serif font for many purposes.

One of the many Solotype experiments in developing fonts with an ethnic flavor, this one is a bit less obvious than most. The lowercase seems to work well.

The new release is called Noki. A font family Ideal for flyers, label, logos, magazine, product branding, corporate branding, signage, posters and certainly in advertising. Check it out !

Cattleprod is an offbeat slab serif font full of swagger. It was created without any reference, but just the idea of a playful somewhat stumbling stance in mind.

Macro is a hand-drawn display font available in a regular and a bold version. Both versions come with double upper cases. Prepare to make a monstrous statement!

Ruby Red is a playful font, made with ink and a brush. Ruby Red would look great in ads and packaging. Comes with a treasure trove of diacritics.

Qasiru is a messy handwriting font with a theme of fun and love, it has bold and irregular lines, but fits perfectly in the whole lettering. Thank you

It is BIG, it is IN YOUR FACE, it is…. Bergelmir font! Comes with character, bravado and fun, language support and legibility. Bergelmir is a typographic Ice Giant!

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

Katiki Can is a bold, messy, painty display font inspired by all of the trashcans in the Outer Banks with names of rental homes painted on the side.

Aquitania Script is a natural but stylish handwritten font with a textured finish. Clearly legible in all sizes, Aquitania is ideal for headlines as well as small text.

Tooned Out JNL gives a serif treatment to the cartoon-inspired lettering of Toon-In JNL. Both fonts are great for any casual or fun messages or themes.

Wilma has 19 weights ready to be combined. Please read the instructions for this font carefully, in the PDF. You will find tips on how use it properly.

Attractive chess and checkerpieces, as well as board components, in a font. Generate boards with light, bold or no border, or a border with rank and file identifiers.

Paradise is a script font thought to be used in a wide range of pieces of design. From packaging to invitations, Paradise looks elegant and sometimes very playful.

Ducktail is font family that combine elements from display and sans serif categories. Comes in 7 styles with OpenType features: Small Caps, Fractions, 2x Stylistic Sets and Ligatures.

TC Jasper is a headline face with oblongated characters, suitable for letterheads and packaging. The serifs have an engraver's influence, making the TC Jasper font crisp in appearance.

This is the cutest font in the galaxy. It's neat yet adorable! Use it for posters, note-taking, or even cute logo designs. Your imagination is the limit.