This font is created with original hand drawn strokes for a relaxed, beautiful and elegant impression. This font also offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. We hope you enjoy this font.Feel free to send whatever message you want to convey.Thank you Regards

The dearJoe series of fonts came to life around the year 1999, when I created dearJoe 1, which was a first (and half-assed) attempt to convert my own handwriting into a working font. Being able to type in my own hand had always been a childhood fantasy, and even though I only partly understood the software, a working font was generated and I decided to put it on the internet for people to use in their own personal projects. Which they did: at this moment the dearJoe 1 font has been downloaded millions of times and can be found on Vietnamese riksjas, Tasmanian gyms and chocolate stores on 5th Avenue for instance. The font is not something I am particularly proud of, but it started me of in building what's now the JOEBOB graphics foundry. Inbetween creating other fonts, the dearJoe series has become a theme I revisit every once in a while, trying to create an update on how my handwriting has evolved, along with my abilities in creating fonts that mimic actual handwriting. In the last decade or so I started implementing ligatures and alternate characters, which helped a lot in coming to a result that can almost pass for actual handwriting. The 2019 dearJoe 7 font is the latest addition to this font family. All characters were scanned from handwritten notes, cherrypicking the characters and letter-combinations I liked best. They were written with a Lamy M66 B pen and only minor adjustments were made to the original scans, leaving most little flaws and rough edges as they were for a convincing ball-point on paper result. The font comes with over 150 ligatures, making sure the font has a variated and credible overall look and feel.

A girl’s handwriting written on the iPad Writing changes – throughout history over centuries, but also from generation to generation. Each new generation of students learns to write the basic forms of the letters a little differently than their predecessors. The role model is also changing. The cursive handwriting taught in school is getting closer and closer to printed type. The children no longer learn the forms of cursive handwriting required for connected writing, but first the “block letters”, only later should they develop their own individual handwriting from this, which many of them no longer do. And the writing tool is also changing. Of course, script looks different when children no longer learn to write on paper with a fountain pen, but on a tablet computer with the “pencil”. The writing experience is completely different, and the “material properties” are different too. There is practically no writing resistance that would make it difficult to move against the direction of writing. "Die Lara" was created based on the template by Lara Mörwald from the winter of 2023. The font version "Black" corresponds to the handwritten original, all thinner variants up to the wafer-thin "Hairline" are derived from it. In the variable font, the intermediate forms can be selected steplessly. In order to preserve the handwritten character of the font, "Die Lara" contains several alternates to most letters and numerals, so that different character forms alternate in the typeface. If the "ligatures" function is activated in the app (which is the default in most programs), these alternates appear automatically as you type. There is also an alternative "swashed" variant of some letters. So you can set somewhat livelier accents at the beginning or end of a word. "Die Lara" also contains fractions and tabular figures.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. The proportions and letter shapes are flexible, escaping from tradition to increase expressivity and personality in the design. For instance, variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. For instance, this is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The typeface has a wide range of ligatures that enhance movement and fluidity in text making look text alive.

Every time I bring my youngest son to his swimming lessons, I need to show my Covid Vaccination Pass; a QR code on my phone. I thought that I would be off the hook after I showed it the first time, but no, not at the swimming pool! It feels a bit like a bad comic book, so I decided to name this comic book style font Identity Check. Of course, I should have called it Covid Vaccination Check, but that is just too much and it probably won’t sell. Who wants a font called Covid?? ;-) Identity Check is a comic book style font. The glyphs are wider than I am used to (it seems I AM capable of learning new tricks), but the effect is rather nice. Identity Check comes with extensive language support, including Cyrillic and Vietnamese. Plus two sets of alternate glyphs, that cycle as you type.

Give your documents a sense of history. The study of the ancient Egyptian Hieroglyphics has been an ongoing fascination by scholars and Egyptology buffs for literally centuries. The discovery of the Rosetta stone in 1799 provided an incredible breakthrough in deciphering the hieroglyphs, however there continues to be conflicting opinions on the literal translation of both the phonetic and ideographic symbols. As such, the interpretation provided in this manual represents an assembly of the most popular transcriptions. This series contains 62 assorted gods and deities as well as a few well known kings or pharaoh's from the New Dynasty. It is important to note that most of the gods and deities were represented in many different forms throughout the centuries and regions of Ancient Egypt, and these are but some of these representations. NOTE: this font comes with an interpretation guide in pdf format.

Koralle was an abundant family of grotesque font styles which had been released by Schelter & Giesecke in the first quarter of the previous century. Out of this family four of the most impressive styles were revived, whereby I stuck as close to the original as possible. All styles contain even the weird-looking capitalized German double-s of which I am a strong opponent.

HOKKIEN is an all caps sister to my other font Penang. It was inspired by some old pieces of Art Deco signage I had discovered in Penang Malaysia, The font is available in one weight for now. The font is loaded with plenty of foreign extras and currency symbols. I have also included an alternate cap S which works better visually in blocks of copy.

Rekord Antiqua, regular and semibold, released 1911 by Wagner & Schmidt, is a perfect body text partner for Art Nouveau display fonts. Both styles come with a long s, which can be reached by the OT feature of historical forms or by typing [alt] + b. In addition, you find two framing elements on [alt] + P and [alt] + p, and an oblique style was added too.

Poster is the first type created by this team. Its an experiment. This geometric typeface is based on bold and clean rounded rectangles. It’s soft and friendly look lends itself to a number of applications. It´s a good choice for company logotypes, magazine headlines and, of course, posters applications. This font was designed to be used in large sizes, so you can appreciate the little details.

Released by the Compugraphic Corporation in 1979, the Garth Graphic font family is based on a design by John Matt from the 1960's, reworked by Renee LeWinter and Constance Blanchard. Garth Graphic was named after Bill Garth, a founder of Compugraphic. A fairly strong old style face suitable for text setting; the heavier weights and condensed forms are most used for display work.

Two typefaces from the 1923 Barnhart Brothers & Spindler specimen book have been combined to produce this gem. Swagger Capitals, designed by Carl S. Junge, for the uppercase and Gothic Novelty Title for the lowercase. Named for a lively dance from the nineteenth century. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S served as the conceptual starting point. The inline/outline was then applied to sans and serif variants, and extended into a multi-line prisma and an offset layered shadow version, probably inspired by Face Photosetting’s Stack.

Wrap it up by adding a little sweetness to your words. This is an addition to the Be Me font family, to give it a little flair and charm. Doll up announcements, posters and so much more. Letter alternates available so the placement of the bow is perfect for your word/s. Includes: Basic Latin Latin- 1 Supplement Latin extended-A Latin extended-B

Esencia, a CastleType original, was inspired by a Spanish stock certificate from 1941 with 11 beautiful art deco style letters for the words "PERFUMES y ESENCIAS". Slender, elegant, with a Spanish flare. Uppercase only with numerals and punctuation. Supports all European languages that use the Latin alphabet, as well as modern Greek and most languages that use the Cyrillic alphabet. Includes alternate E, F, and S.

Gotica Lumina is a an attempt to make blackletter more legible to the 21st century's eye. It is available in two styles: soft (for text) and sharp (for display). Both of them have an alternate font, which contains stylistic alternate forms for several characters, for a more “traditional” look. Opentype features: four styles of figures and currencies, ligatures (f-ligatures and c-ligatures), historical forms (long-s).

Marchello simply amazing with Regular, Extrude & Shadow styles, so you can save much time for create design. Marchello inspired from retro style 70's and perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature - UPPERCASE - lowercase - Number & Symbol - International Glyphs - Alternative lowercase - Ligature - Swash If you need anything else please contact : dedukvic@gmail.com

Starella Tattoo is a professional typeface with flowing letter forms representing the merge between beauty and attitude. The font is provided as a regular version, as well as a version decorated with diamonds in each letter. Use symbols _ [ ] at any place in a word to create swashes. Example: S[tarellaTatt]oo It supports all Latin-based European languages, contains numbers and all symbols you'll ever need.

Designed by Morice Kastoun Sentic Display, s a san-serif font based on geometric patterns with humanist elements. Sentic Display incorporates rounded intersecting forms. The font exploits the common affective patterns associated with natural language, and the patterns associated with text and speech. The name sentic was instigated and named by Austrian neuroscientist Manfred Clynes. Which is the study of waveforms of touch, emotion, and music.

They Live Brush font is inspired by the 80's cult classic movie They Live logo. The font is ideal for use in designs that you include a bold brush font in a cool way. The font has a graffiti feel that can allow you to express yourself with some attitude. The font is an all capital letters font. The font contains 128 characters.

Cassandra has two kinds of letters, wide Capitals on the (shift) capitals and narrow ones on the (no shift) lowercase. You can match them as you like. Take one narrow S and a wide one or two wide ones, whatever turns you on. It will almost always look good. Cassandra is my "bow" to Adolphe Mouron Cassandre. Yours sincerely mixing things up for you Gert Wiescher

Lodestone is a sans serif decorative typeface, and was created by Steve Jackaman (ITF) in 2017. The original design was known as ‘Marvin,’ and was created by Face Photosetting (London) in the early 1970’s. Since the name ‘Marvin’ was in use by another foundry at time of publication, ‘Lodestone’ was born. Lodestone has a clean, retro feel, and is electrifying at display sizes.

Grizzly is a handwritten display style typeface. It was designed by hand using a flair pen, then scanned in, vector traced and fontisized. It is a very detailed typeface that looks great at large point sizes on screen and in print. Grizzly"s aggressive, chicken scratch appearance definitely adds pizzazz to every document. Grizzly features a full character set including European and alternate characters!

Liturgisch was created by Otto Hupp for Klingspor foundry in 1906. The basis of this font is a publication in the magazine "Das Plakat" of October 1921. The font contains contextual alternates, ligatures, discretional ligatures for use in German, ornamental bullets and other OpenType features. It supports all the European languages using Latin alphabets (including slashed S and slashed longs used in Latvian old orthography till 1930s).

I love the trends in handwritten calligraphy and wanted to play with playful lettering. I've heard from many of my customers that they don't use Open Type software and feel limited in the cool features of OT scripts because of this, so I've replaced the | (bar key) with a left-sided tail to start the lowercase r and s in words that begin with those letters.

Tme, new lineal — Tme is an update of Sl (T = S + 1, m = l + 1 and e for natural logarithm), drawn in 2006 for the University of Arts Saint-Luc de Tournai. Its geometrical drawing is based on the directions of the hexagon, a scrupulously followed constraint which confers on some glyphs a very particular drawing. in light, regular and bold language: all latin glyphs

Bernhard Blackletter can be compared to a tuba, adding its deep bass sound to the orchestra of blackletter fonts. This font contains a bunch of useful ligatures, and to access all, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s on the # key, and typing the combination N-o-period and activating the OT feature Ordinals gets you the numero sign.

Finador is a modern, soft geometric sans family. The functional style of a geometric sans has been soften by open apertures and rounded corners. This makes it functional and friendly. The default version has open, modern apertures. Stylistic Set 2 includes the whole set with closed, classic apertures. A slightly different look. It´s like having a second font in just one font. So it´s up to you to choose the right look for your projects. The Finador family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. As a versatile allrounder Finador supports almost every of your needs. It has the ability to become your next favorite workhorse family.

Pelegotic makes you think of Scandinavian pioneer design, with its functional letterforms and architectural look. It is also a very versatile typeface, and fits easily as headline type for a magazine, or as part of a graphic profile for a company. It looks simple, but that impression is deceptive; the letters are drawn with a flair and individuality that shows the hand of a master typographer. Pelegotic Regular is rather thin, and is useful for big type like signs. Veteran designer Bo Berndal has created Pelegotic: "Pelegotic is a sansserif inspired by the Art Deco of the 20's and the Swedish functional style of the 30's. The slightly condensed design is an attempt to find a somewhat more elegant lettershape than the usually rather technical expression of monoline typefaces", says Bo Berndal. Pelegotic comes in three weights, with roman and italic in each weight. It is an OpenType creation, for both PC and Mac.

Cinema Moderne is created to pay homage to he fabulous small town theaters from 1930's and 40's America. This unique font plays off of the Art Moderne and art deco style of the day. Art Moderne some times called Streamline Moderne design architecture emphasized curving forms, long horizontal lines, and sometimes nautical elements. Many of these masterpiece buildings have been lost forever. Some have managed to find new life with a new function. Cinema Moderne was created to preserve a small piece of that history forever. This font is to encourage the appreciation of the neighborhood theater culture as well as the grand style of the buildings. Comes in 9 different weights for one low price, or as individual fonts. Perfect for logo creation, or any art deco style project. Previous projects have included event flyers, Gatsby themed party invites and digital marketing content. Give your images a unique effect with this one of a kind font.

If you're looking for a sci-fi inspired, retro-futuristic display font with limitless applications, look no further than Arachnology. Arachnology is a stylish, confident, and versatile display font inspired by the neo-futuristic graphic design movements of the late 90's & early 2000's; and takes cues from the extremely prevalent Japanese and European design influence of that time period. All while refreshing it for a new generation of creatives. Featuring an extensive set of Western alphabetical characters, numbers, special characters, and punctuation; Arachnology includes everything creatives (professional and hobbyist alike) demand from a modern, creative display font. "Arachnology Standard" provides highly-stylized glyphs, apt spacing, weight, and contrast for high legibility in any use-case! "Arachnology Heavy Titling" provides all those benefits, with an additional feature! All its characters (both upper and lowercase) share a single height. Experiment with mixing upper and lowercase glyphs to find the combination that best suits your titles, and especially your personal taste!

This handwritten font is inspired by the cholo calligraphy of graffiti artists. It has a scary design, which is suitable for horor film posters and at the same time for signs and tattoo designs. It has an original style an effect font also available in a color version with drops of blood or paint to give a more lively touch. Try using it for your halloween party invitations or for your tattoo designs, for scary greeting cards. I used the word "Cholo" because this lettering in inspired by cholo-graffiti culture in Los Angeles in 70's years. The one of the best rappresent is Charles "Chaz" Bojorquez the father of cholo-lettering. Cholo because i think that in 70's in Los Angeles neighborhoods where graffiti-culture grow up there was a persons whit a mixed multicultural connexion and Chaz is one of them. Cholo-graffiti or Cholo-lettering is a specifing style o lettering. I think this is a good keyword for this lettering.

Chubiy is a retro bold script style font, come with clean and rough font version. Inspired from retro typography and lettering in the 60's and 70's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. What you get, darling? Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multi-language Support In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files: Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Espinosa Nova is a revival based on the types used by Antonio de Espinosa, the most important Mexican printer of the sixteenth century and very probably the first punchcutter anywhere in the American continent (1551). In 2010, its main fonts were awarded two certificates of excellence: one by TDC2 (Type Directors Club Typeface Design Competition), one by Tipos Latinos (Biennial of Latin American Typography). According to Robert Bringhurst, it is “an unusually intelligent family of type, reaching back to one of the most exciting moments in typographic history and reaching forward to the typographic future”. All of the fonts intended for setting text include small caps, five sets of figures (oldstyle and lining, both proportional and tabular, plus tabular small caps), many f and long s ligatures, and capital sharp S (U+1E9E). In addition, the Capitular fonts allow to create interesting effects by overlapping layers. This family feels very comfortable in books, but it can be used everywhere a touch of classic & elegance is required.

Ursula Handschrift is based on the designer’s handwriting. Individual characters are simple, soft and expressive; making it a friendly, organic script. It will work well in scrap-book style designs, comic books, for informal headings and image captions. Ursula Handschrift is extended, containing West European diacritics making it suitable for multilingual environments and publications.

Here comes a New font,Introducing REBELION It's Unique Rough Brush Font is a Strong Style and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste.

You may already found out that "Simple Mints" is a wordplay. The font itself is playful as well - the 5 different versions of each letter makes sure that your text is lively and playful! Inspiration comes from both grafitti and comics...and my usual kind of sloppy handwriting - a mix that makes a great impression! :)

SPAGHETTI BOLOGNESE is a versatile, discreetly smooth and slightly childlike font, reminiscent of handwriting. It is ideal for authorial and commercial comics and has a lowercase version. The stroke features little modulation, with low or no contrast and is made with a digital brush. The height of the lowercase makes it highly legible and clear.

Henny is a simple but elegant handwriting font which is legible even in very small sizes and longer texts. There is an extended character set with some extra ligatures for a natural look. Henny was used in “Coffeeshop” for titel and headlines: http://www.amazon.de/Aus-dem-Coffeeshop-Dr-Oetker/dp/376700688X Have fun using it!

Dourcha Script is a new modern script font with an irregular base line. Handwriting style, trendy and feminine. Dourcha Script looks good on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes beginning and end letters, alternates, ligatures and multiple language support.