Letraset’s talented type designer Vince Whitlock was inspired by the elegant Caslon series when he created Academy Engraved. The exquisite letterforms of this traditional Roman typestyle make it ideal wherever an elegant and classical titling face is desired.

Simple Ronde is conceived for young pupils. This upright script is based on the french use at primary schools. A large set of ligatures make the links between characters more natural, especially with o, b, v and w.

This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don't tell anyone. Please note: no lowercase.

Gracelyn is a whimsical script font with a relaxed theme, featuring a lovely style. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

Based on L&C Hairline, this family of faces is weighted to achieve stroke consistency in a variety of sizes. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Blue Note is a simple and neat handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Anchorage is a maritime linear Font with Anchor Graphics in the Caps. This Font is for all Sailors and Captains all over the world. It comes in many styles and with a graphic Font full of maritime graphics.

A poster for the 1932 film “Shanghai Express” starring Marlene Dietrich has the films name is a semi-Asian lettering style. This bold poster font is now available as Asian Railway JNL in both regular and oblique versions.

Lost Castedral is a modern and stylish serif font. Add it to any of your designs, and enjoy the results! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

A record album entitled “Calypso” by the Talbot Brothers had a hand lettered cover with a free form style reminiscent of the early 1960s. This inspired Dance Records JNL, which is available in both regular and oblique versions.

Dirndle is a unique and modern family of sans-serif fonts. Feragie has 9 families, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites,

Metalworker JNL is Jeff Levine's take on a perennial favorite originally known as Eagle, but available under different names over the years. This bold, clean Art Deco font was the basis for Jeff's star-studded National Spirit JNL.

Digital Stitch is the embroidery of digital era. This font is a blend of pixel stylization of traditional cross-stitch embroidery and stylization of printed circuit boards. There is a big collection of ornaments in the symbols set.

Tenebrous is modern family of Display sans serif fonts. Koumon has 9 families font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.

That she blows! Another disco-era delight, this typeface is based on an Affolter and Gschwind release called Moby Dick. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Gheamarker is a Natural Handwritten font with a relaxed theme, featuring a lovely style. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

Respektable is random and funky ant the same time, and even though all letters are super legible, the font has this unpredictable feeling to it. Each letter has 5 different versions that vary in width and stroke weight.

You can't take anything for granted when it comes to the Party Mush font - every single letter has got its own personality...and madness! This is a font that will definately kick those party invitations the right way!

Feragie is a unique and modern family of sans-serif fonts. Feragie has 9 families, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites,

This revival of the typeface Baldur, published by Julius Klinkhardt in 1901, is a fine, harmonious and legible Art Nouveau font named after Ferdinand von Reznicek (1868-1909), one of the leading artists and illustrators of those times.

Oksana Text is the demure version of Oksana, with shorted serifs, higher contrast, more slender proportions. In six weights from Thin to Black and with the real italic, this typeface is suitable for longer text with rich typography.

Oksana Text is the demure version of Oksana, with shorted serifs, higher contrast, more slender proportions. In six weights from Thin to Black and with the real italic, this typeface is suitable for longer text with rich typography.

Unadorned JNL is the stripped down version of 2011's Troubador JNL; an ornate wood type font. With the inner ornamentation removed, this Western-influenced type design takes on a bolder look, yet retains its Victorian decorative charm.

This is one of the Victorian standards for job printing issued by the Barnhart Brothers and Spindler Foundry about 1891. It looks old without being decorative, a good counterpoint to fancier types in today¹s old fashioned typography.

Kids Line is a cute and friendly handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.

Whimsical, charming and undeniably cute: Bittle Birdy is, as the name suggests, the perfect font for making any kid’s or baby-themed project stand out! This font is perfect for elegant logo design, packaging or invitation cards. Enjoy!

Winter Cold is a sweet and adorable display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!

Neoland is a round Comic display font, a very unique trendy font with a combination of modern character bindings, and I think this product suits the teaser display theme in every headline design, business cards, leaflets, magazines, children's events, and brand screen printing. Available Fonts: Neolan Font File. Come on, take a look and be happy to hear the review. If you have suggestions about this product, please let your work environment know whether this product is good for them. Thank you so much for everything!!

"Shinobu" is an elegant psychedelic display font that combines characteristics of Art Nouveau and Modren San serif types. The name "Shinobu" comes from the anime character " Shinobu Kocho" from an anime called "Demon Slayer". Like "Shinobu's" characteristics, This exudes elegance and poshness while still having that quirkiness. This display font is intended to be used in big-scale designs such as headlines, posters, flyers, apparel, quotes, greeting cards, product packaging, album covers, movies, and more. *This font includes letters, numbers, alternates, and all essential marks needed.

Alkalis: Modernity Meets Elegance Meet Alkalis – Modern Elegant Serif, where modern meets timeless. This serif offers the perfect contrast for versatility. It’s crafted for both text and display needs. Alkalis brings a touch of elegance to any project. Balanced Contrast With Alkalis, experience the ideal balance in font design. The contrast is just right, not too sharp, not too soft. This balance makes it perfect for an array of uses. Plus, it’s designed to be as fitting for body text as it is for headers.

SS Vortax is a space-age themed display sans featuring broad strokes and tight spacing. This close relative of Galaxus features imposing Capitals with some sharp slants in the Italic version. It’s designed to cover horizontal blocks effortlessly. Most characters have curves on the exterior with right angles on the interior. This dynamic contrast makes it a great choice for a video game/app, toy packaging, or sports logo. SS Vortax is equipped with European accents for international support. Please check glyph maps for all supported characters.