If you’re looking for a gorgeous font to attract your audiences or customers then we’ve got the font for you! Introducing Javyer- A Handwritten Font This handmade font typeface with elegant style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Includes: Javyer (OTF) Features: Beautiful Ligatures Stylistic Set Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Do you want your visuals to be louder? Hurtmore typeface can make your visuals more powerful. A fun handwritten design with a realistic scribble style. It can add a sense of loudness and boldness to your visuals. Hurtmore also features a unique stylistic alternating character. You can mix and match it however you like! It is perfect for packaging, posters, quotes, editorial, and branding projects that need a bold impact. Features: - Total 232 Glyph - Uppercase - Alternates & Ligature - Numerals & Punctuation - Multilanguage Supports 60+ Latin based languages

Delisha is a beautiful script font. It has a classy, elegant, and modern look which can be used for logos, branding, invitations, stationary, wedding designs, social media posts, and every other design which needs a handwritten touch. What's included: Delisha OTF Numeral and Punctuation Stylistic Alternates , Ligatures, and Swashes International Language Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you for your purchase! Hope you enjoy with our font! Best Regards, Nissa Studio

Hello, this time we would like to introduce a new product. namely "Chaviera", a Serif display font that has a classic, feminine, and elegant style wrapped with a beautiful Alternate stylist. The Chaviera font is perfect for various projects like logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, printed quotes, product packaging, product designs, labels, photography, watermarks, special events or anything else. Feature Uppercase Lowercase Numeral Functional Ligature Stylistic Multilingual Suitable for use All adobe software Coreldraw Microsoft office Mac Or Windows

Generisch Mono is a monospaced version of Generisch Sans. Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

Hi, Everyone! If you’re looking for a elegant font to interest your audiences or customers then we’ve got the font for you! Introducing Flatlion - A Script Font This typeface with elegant style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Features: Beautiful Ligatures Stylistic Set Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing "Margareth Rosinante" is a modern serif font family. With luxury and sophistication that are consistent with one another. Margareth Rosinante is designed for an epic comparison between serif and script styles. The stark contrast between the Margaret Rosinante serif and the script makes this font family always suitable to be paired with in any design. Features: - Two different font types (serif and script style) -Standard basic characters -Multilingual support -Numeral and punctuation -Many ligatures (serif) -Beginning and ending swashes (script) Any questions? Jus ask. Free updates,

Introducing Kavo Sans Serif typeface - 4 weights Kavo is clean, modern typeface with 4 weight, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes. Kavo is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Light Regular Bold Black Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The aim of this typeface is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and on the other Roman serif was established as a universal standard for type fonts continuous text at the time. Is intended in terms of their functionality as a font for titles. The family includes some extended range glyphs as several Caps swashes and stylish alternatives for upper and lower case, standard and discretional ligatures, old numerals and other OpenType features.

Brogi is a stylish sans serif font designed specifically for logo and brand designs. Brogi exuded a sense of boldness and sophistication despite his menacing styles. Ligature fonts can be used for almost any purpose you can imagine. 10 Weights (Light, Regular, Medium, Bold and Black) 2 Styles (Regular & Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Bellanda is a modern, whimsical and relaxed paint brushed script font. Its authentic handwritten look and feel will add a personal and realistic feel to your designs. Fall in love with this font’s incredibly versatile style and use it to create spectacular designs! What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - (PUA Encoded) Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs. Hope our fonts can help your project.

STONES is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, STONES is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. What you get : Numeral and Punctuation International Language Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you for your purchase! Hope you enjoy with our font!

Modern script font with an elegant and captivating concept. You can use it in designs such as logos, photographer watermarks, business cards, creative posts, branding, business, wedding invitations, crafts and many more because they have interesting features and characters. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Ligature -Alternate -Swash Note : Open with a program that supports the Opentype feature and an glyphs panel is available to see more alternative characters. Sample programs like Adobe Illustrator and the like!

A versatile and elegant sans serif with a hint of Futura and a dash of Gill, but entirely its own design. Clear and legible in small sizes, refined and authoritative in larger sizes, Serenity is perfect for corporations, institutions, museums, galleries, editorial and publishing. Seven weights from a fine Thin to an impactful Heavy, plus italics, present a full range for all text and headline needs. Comes with full international character support, tabular and old-style numerals and alternate versions for the R, K, a and g.

Rozelle Fonts are serif fonts with rounded edges. These fonts are formed as a unique multipurpose font, you can use them in vintage, retro, and modern designs. These fonts are perfect for a variety of projects, such as branding, poster displays, logo designs, magazine covers, and more. These fonts are perfect for you who need unique serif fonts! Rozelle fonts feature opentype, kerning, and alternates packed in 4 fonts: Regular, Italic, Bold, Bold-italic. Rozelle fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Bowdon is a warm, Bodoni-inspired English Modern, influenced by the 1930s lettering of designer Barnett Freedman. Slightly rounded corners give characters a printed-look softness, and hairlines are thickened a little to increase legibility at smaller sizes, reducing the harshness and dazzle that can afflict Didone typefaces. Bowdon is supplied in three widths – Regular, Wide and Narrow – and each width is accompanied by a utilitarian oblique rather than a fancy italic. Each font includes a full Latin Extended-A character set and additional oldstyle numerals.

Kicaps is an unique all caps sans serif and bold modern look font. This Font design presents a unique display of each characters that created awesome typeface. Also Kicaps design gives a bit more of a restrained option by keeping with more classic sans serif letterforms. Kicaps font provides a distinct, creative, and expressive message for branding, advertising, packaging, headlines, magazines, websites, logos, and more. Kicaps Features: Uppercase glyphs Numeral and Punctuations Currencies Standard Ligatures Stylistic Alternates Thankyou for choosing this font, Enjoy Regards, Grontype

Traction was originally conceived and designed by Swiss astronomer Christian Thalmann. Schriftlabor designers Chiara Mattersdorfer and Miriam Surányi expanded, completed and produced the font family. This typeface sports signature serifs, soft edges and a fluid, organic design. Enlarged, the organic letters are reminiscent of the profiles of ­off-road tyres and hiking boots. In text sizes, it is the humanistic forms that set the tone to ensure fluid legibility. Totalling at 18 styles in nine weights, all fonts come with small capitals and all possible numerical variations.

Insan, designed by Ihsan Al-Hammouri in 2005, is a modern Arabic typeface in three different weights. The design is based on simplified Naskh with a very low modulated stroke treatment. It is suited for text settings, especially in brochures and magazines. It is characterized by a large body height and open counters and as such can be used in small sizes. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Introducing, Carllosta, a Victorian style font. Carllosta is a layered typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface contains with beautiful decorative ornaments that ready to use to create a vintage lettering in sec. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded.

Hi, Everyone! If you’re looking for a modern and artistic font to captivate your audiences or customers then we’ve got the font for you! Introducing Boomber Rockstar - A Grafiti Font This typeface with artistic style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! Features: Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

CARISTHA - the bouncy script - Caristha is great for branding, web design, product tag, wedding card, wedding invitation, logo, quotes, and more it comes in 2 styles of swash. Very easy to access ( You can see on presentation pictures) underscore+underscore+lowercase for titling swash v.1 lowercase+underscore+underscore for ending swash v.1 underscore+underscore+two+lowercase for titling swash v.2 lowercase+underscore+underscore+two for ending swash v.2 Features: Uppercase Lowercase 2 styles of swash (all lowercase) Numeral Multilingual Support Ligatures PUA encoded

Change is An Arabic text typeface for desktop applications. Change is freestyle Ruqah and a winner in Horouf Bilingual Typefaces Design Competition. The design is open, calligraphic, and very dynamic. This makes it suitable for large display sizes, especially in the area of advertising, while still functioning well as a text face. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Change typeface comes with many opentype features.

TF Madcloud - This bold and playful graffiti font is perfect for any project that needs an eye-catching touch. Its thick, rounded letters will grab attention and communicate a fun, carefree vibe. The hand-drawn style of this font gives it a unique, personal touch that sets it apart from more standard typefaces. With both regular and outline versions, you can use this font in a variety of ways to suit your needs. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

Introducing Arayara Script Font. Arayara Script is modern and elegant font script. Comes with many opentype feature, upper and lower case standard character, punctuation and numerals, multilingual characters, ligatures, stylistic alternates, beginning and ending, and many more glyph. Perfect for personal and commercial use your company logo, branding, poster, flyers, greetings, invitation, book cover, quotes, and many more. We hope you enjoy with Arayara Script. Feel free to comment and give any feedback to build more good font. Thanks for your purchasing, and Happy creating... :)

JACK FROST is an authentic handmade style font with stunning characters. Real written with a brush and high quality water-based ink. Ideal for name tag, handwritten quotes, product packaging, merchandise, social media, greeting cards, etc. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals. Full accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu. Corel, Ms. Word, Ms. Powerpoint, etc. No special software is required to access any of the standard letters.

Hello! We introduce our product called Allison Dream. The Allison Dream font is a modern Hand lettering. We give you a swash to make your design look more awesome. Allison Dream font is great for logotype, Branding Design, Logo Design, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, wedding invitation and any hand lettered needs. Allison Dream font Features : Upper and Lowercase Standard Characters, Punctuation, Numerals and Multilingual. PUA Encoded Characters – Fully accessible without additional design software. Ligatures and Stylistic Alternates.

Belvedere is an Italian word that translates as ‘beautiful outlook’ and describes a pavillion or summer house on high ground with commanding views. It has grace, style and a touch of class, all of which I've tried to incorporate in this font family. The snazzy graphics are by my friend and colleague Dan Austin.

London is always hip. With William and Kate and the 2012 Summer Olympics it made sense that London Doodles would be second in the City Series following Paris Doodles. 29 illustrations and a script word London. Kate’s ring, the Queen’s carriage, crown, skyline, cityscapes, cars, double-decker bus, castles, bridge, tea items, flag and more.

Let your night images come to life! The Fontazia Insomnia set features a strange and unusual assortment of surrealistic hand-drawn images - a tribute to the nocturnal spirits that seem to come to life during those hot sleepless summer nights. These characters are sure to add a little fun and mystery to any project.

"Hello Miami" is a unique display font. This font is complemented by palm tree and beach decorations. It is perfect for your summer season. In addition, this font can also be used for a variety of your needs (product promotion, holiday promotion, congratulations, invitations, quotes, social media status, logos, branding, banners, posters, prints, etc.)

Is it monospaced? Is it a numberplate font? What's up with all the different letters? The questions about Jolly Beat are many, but I can tell you this: No sharp edges, multilingual support, contextual alternates (5 different versions of each letter, that automatically cycles as you type!) and a good handful of unpredictable letters!

Another member of the JollyGood family, this unicase version is a great way to add some fun to your headlines. It has a very complete character set, with support for western and central european languages. I've also included ligatures, alternate characters and some fun dingbats. It has 7 weights, and a rough version too.

A nice mix of 62 decorative tile images. Designs are reminiscent of rubber stamps of architectural tiles found in historical homes and other buildings through the ages and printed devices from old catalogues. Generic enough to add interesting detail to just about any design. From invitations and greeting cards to book jackets, labels or fabric.

Printed Letters JNL is from stamped impressions made by a children's sign making set by the Superior Marking Equipment Company of Chicago - circa the 1940's. The set consisted of individually mounted rubber stamps - easy enough for happy kiddies to print signs, name plates or (unfortunately for their parents) on the walls... Limited character set.

A fun and fresh font that encapsulates both summer and winter with its tall, hand rendered style. A versatile style,the family works well for all kinds or projects from window displays to music albums The Sun and Rain family consists of three weights, light, regular and bold. The weights cover diacritic, Greek and Cyrillic.

Rahere Esoteric is a gothic-flavoured, quasi-Roman display font with an eccentric persona and more quirks than a Tim Burton film. A member of the extended Rahere typeface family, it’s the enigmatic cousin of Rahere Roman Display & Rahere Sans. This is a niche display font that doesn’t try to please everyone. Rahere Esoteric revels in its mystical aura, using a bewildering array of ligatures to magically transmute itself as characters loop, curl, jerk and strut, randomly connecting and disconnecting into words like a retro-futuristic steam train clattering along a disused railway track, challenging and delighting the reader at the same time. To add more sparkle, there are alternatives, inferior and superior caps plus a [Wicca] basketful of symbols, ornaments, weird faces and even a snake-infused ampersand. Whilst Rahere Esoteric has been designed primarily as an all-caps font, the lowercase slots contain small caps with corresponding numerals. However, because this is an arcane, unpredictable font, order and regularity are frowned upon, which means there are no tabular numerals – so company reports or accounts are a solid no! Unless they’re for the Golden Circle of Alchemists PLC or Gothic Blackstar Corporation. It is ideal for all things pagan, esoteric, alchemy, other-worldly or magic-related projects and particularly useful for music genres across the Gothic / Darkwave / Ethereal spectrum. What about legibility? Hey, look into my eyes: Esoteric is all about the mystique. If a secondary font is needed for the important stuff, I recommend its cousin, Rahere Sans, which pairs beautifully with this display font and is perfect for long passages or small text. The initial idea for Rahere Esoteric came about during a visit to Whitby, a small coastal town in Yorkshire, UK and famous for its inclusion in Bram Stoker’s novel, Dracula. A Steampunk festival was in full swing and the narrow streets of the town centre were teeming with people adorned in a glorious fusion of clothing and accessories influenced by a love of 19th-century life, science fiction, horror, fashion and art. I was fascinated by the juxtapositions of colour, patterns, material and style – archaic mechanical Sci-fi, gothic, the American Wild West and romantic Victorian. But what intrigued me the most, somehow, all the disparate elements worked as a whole. Thus, like Frankenstein, this font jolted into existence. Supported languages include Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian.

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times?, Times? Europa, and Times New Roman? are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. Linotype offers many versions of this font: Times? is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters. Times? Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting. Times? Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer."

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times?, Times? Europa, and Times New Roman? are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. Linotype offers many versions of this font: Times? is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters. Times? Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting. Times? Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer."

In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times?, Times? Europa, and Times New Roman? are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. Linotype offers many versions of this font: Times? is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters. Times? Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting. Times? Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer."