722 search results (0.007 seconds)
  1. Ah, the Blazing font by Isis Type Foundry! Let's dive into this typographic treat, shall we? Imagine a font that captures the essence of a fiery spirit, imbued with energy and movement. That's Blazin...
  2. The Gato font, crafted by the talented designer Juan Casco, embodies a distinct blend of elegance and modernity, making it a versatile choice for various design applications. This typeface stands out...
  3. Nonstop by PizzaDude is a font that directly embodies the spirit of fun, creativity, and relentless energy. Just like the name suggests, Nonstop carries an unstoppable, dynamic flair that can instant...
  4. Scoglietto, designed by Cybapee Creations, is a distinctive font that stands out for its unique blend of elegance and modernity, making it an ideal choice for a wide range of design projects. This fo...
  5. Locked Window, a typeface that captures the imagination and intrigue of a suspense-filled narrative, is a typographic journey through mystery and discovery. At first glimpse, this font presents itsel...
  6. The DS CenturyCapitals font, designed by Nikolay Dubina, is a distinctive typeface that captures the essence of classical and contemporary design elements. This font is characterized by its clean lin...
  7. BrushArt is not a specific font that exists within the public domain or widely recognized font libraries as of my last update. However, the name itself evokes a vivid picture of what such a font coul...
  8. The CoolHandLuke font is a distinctive and engaging typeface that carries with it the spirit of individuality and expressiveness. Created by Altsys Metamorphosis, this font is part of the legacy of e...
  9. As of my last update in April 2023, if "Wobble" is a specific typeface that has been developed or dubbed under this name in a niche or less widely recognized font collection, I might not have direct ...
  10. The Samarkan font is a true gem for designers and typography enthusiasts looking for something uniquely captivating. Its design is heavily inspired by the classic style of Devanagari scripts, which a...
  11. Psycnosis isn't a widely recognized font in the broad spectrum of typography as of my last update in 2023, so I'll take a creative approach to describe what a font with such a compelling name might e...
  12. "Teen Light," a creation by the prolific Canadian typeface designer Ray Larabie, encapsulates the spirit of youthful exuberance and casual charm. This font, part of Larabie's extensive catalogue, is ...
  13. Gallaecia, a font named evocatively to conjure images of historical depth and cultural richness, is one that manages to bridge the gap between the ancient and contemporary with its design. Named afte...
  14. LT Highlight, a font created by LyonsType, emerges as a contemporary and versatile typeface, designed to capture the attention and imagination of its viewers. This font distinguishes itself through i...
  15. Mexcellent, a vibrant and retro-inspired font designed by Ray Larabie, transports its audience straight into the heart of the late 20th century's burgeoning pop culture with a particular nod to the n...
  16. Ah, if fonts were people, Struck Base PERSONAL USE ONLY PERSONAL USE ONLY by Måns Grebäck would be that incredibly charismatic friend who insists on making a dramatic entrance at every party, yet onl...
  17. The font "ButterFly" crafted by the prolific German typeface designer Manfred Klein, is a vibrant and artistic exploration of typography, characterized by its playful and whimsical nature. Manfred Kl...
  18. "Vanilla Boys" by StimulEye Fonts is a captivating typeface that effortlessly straddles the line between classic charm and modern flair. This font embodies a playful yet refined aesthetic, making it ...
  19. "Quick End Jerk" is a distinctive font designed by the talented Vic Fieger, a name well-recognized in the font design industry for creating a variety of unique and eye-catching typefaces. This partic...
  20. Edmunds, a captivating font crafted by the renowned Canadian type designer, Ray Larabie, stands as a vivid testament to the harmonious blend of tradition and innovation in typography. Larabie, known ...
  21. "Walk the Plank," a distinctive creation by Teabeer Studios, sails through the visual seas with a piratical charm that's both adventurous and whimsically menacing. This font captures the essence of p...
  22. Sappy Mugs by Ray Larabie is a delightful and whimsically spirited font that immediately brings a smile to your face, much like the comforting warmth of your favorite coffee mug on a cool morning. Cr...
  23. Ah, Monster Paparazzi! Imagine for a moment, deep in the wild underbrush of creativity, lurks a font so captivating that it could only be dubbed Monster Paparazzi. Crafted by the illustrious duo, Kev...
  24. NotMaryKate, a whimsical and playful typeface, was crafted by the talented typeface designer Nick Curtis, known for his ability to blend historical typeface essences with contemporary flair. This par...
  25. SF Willamette, created by ShyFoundry, is a typeface that carries a seamless blend of traditional character with a modern twist. At its core, SF Willamette is profoundly versatile, crafted meticulousl...
  26. The GirlieLeslie font by Fontalicious is a playful and whimsical typeface that seems to exude a sense of fun and creativity. Designed with a certain light-heartedness in mind, it's the kind of font t...
  27. As of my last update in April 2023, "Geared Up" might not be a widely recognized or established font within the mainstream typographic community or among popular font databases. However, given a crea...
  28. TA Bankslab by Tural Alisoy, $33.00
    The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
  29. TA Bankslab Art Nouveau by Tural Alisoy, $40.00
    TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.
  30. Unfortunately, I can't give a detailed, current description of the "Motorcade" font by Ray Larabie, as my latest update was in April 2023 and I might not have the latest details on this specific font...
  31. As of my last update in April 2023, there isn't a widely recognized or commercially available font specifically known as "Annon." However, the task of imagining or describing a font by this name prov...
  32. ChickClicks, as evoked by its whimsical and engaging name, suggests a typeface imbued with playful charisma and a contemporary vibe, though it’s important to note that as of my last update, ChickClic...
  33. "Fluted Germanica" is a striking typeface developed by Paul Lloyd Fonts that revives the robust spirit and historic essence of Germanic type designs, updating it for contemporary use. This font seaml...
  34. Neck Candy is not a specific font that exists as of my last update in April 2023, so let me conjure up a whimsical and creative description of what a font named "Neck Candy" could embody, leaning int...
  35. Fely, though not a widely recognized font at the time of my last update, conjures an image of a font that is likely characterized by its unique blend of personality and practicality, based on the tre...
  36. Romance Fatal Sans is a captivating typeface that effortlessly marms the line between the traditional and the contemporary. Designed with a keen eye for both form and function, this font stands out f...
  37. Sure, I'd be delighted to paint you a vivid picture of the font named "Felt" crafted by Pat Snyder. Imagine diving into the cozy world of crafting, where textures, warmth, and a touch of homemade cha...
  38. The Leo Arrow font, crafted by the skilled artisans at Tipografia Leone Firenze, stands as a vivid expression of typographic artistry, blending timeless elegance with contemporary flair. This font is...
  39. Optien, crafted by the talented typographer Måns Grebäck, is a font that stands out for its sleek and modern design, imbued with a sense of sophistication and versatility. This typeface is a testamen...
  40. Neucha, a font crafted by the talented Jovanny Lemonad, embodies a spirit of casual creativity and uninhibited expression. Designed to capture the essence of handwritten text, Neucha offers a unique ...
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