The first Century typeface was cut in 1894 by Linn Boyd Benton in conjunction with T L DeVinne for the Century Magazine. It was a blacker, more readable face than the type previously used. Morris Fuller Benton designed the Century Expanded version in 1900 for American Type Founders to meet the Typographical Union Standard of the day. The 'expansion' was in the vertical plane. Century Expanded is a useful font family for text setting in magazines, books, presentations and newsletters.

Shortly after the preparation of the original Century, the two Bentons (father Linn Boyd and son Morris Fuller) prepared a wider version for De Vinne’s press and called it Century Broadface. In 1900 ATF released the design for general use as Century Expanded, one of the most popular and effective of typefaces, to this day the text face of the New York Daily News.

Brigends Expanded is a bold sans serif font which looks great to be modern and strong impression to your design. This font is also suitable to be applied especially in logo, branding, promotions, posters, book covers, magazine layouts, social media, headlines, titling, movie title, logo brand, logo company, layout website and other design. What’s Included : All Caps Numbers & Symbols Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Brodaers Expanded is a display sans serif font. With the initial concept of the inner shape, made round. Comes in six styles, which makes it easier for the project you are working on, as well as alternative glyphs as an attractive option. Brodaers Expanded is an expanded version of Brodaers typeface. It comes with 400+ glyphs, which also include multilingual languages. Brodaers is perfect for headlines, branding, and many more.

Designed by José José Villamizar, Enza Expanded is a display sans font family. This typeface has nine styles and was published by Neo Type Foundry. This font includes 8 OpenType features including Stylistic Alternates and Standard Ligatures making this font a great value. Enza Expanded has extensive Latin language support. Its design stems from the typographic exploration for conducting an identity aimed at entrepreneurs of the Millennial Generation, also known as Generation Y. Its use is recommended for titles, semicondensed texts or short, and elements of visual communication large phrases. It is also ideal for creating logos, in packaging, signboards and poster design.

The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.

Eneas Expanded is a decorative artistic poster handwritten font. It's an sans serif, wide, rounded monoline font which will provide an informal, funny and fancy look to your work. It's recommended for display usage for its glyph quality.

This sometimes-top-heavy, sometime-bottom-heavy, sometimes-centered typecase is based on an old Photolettering face designed by the irrepressible Dave West, originally called "Nickelodeon". That name was already taken, so I chose another with a nod to the 1953 film starring Leslie Caron. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

The font is made in the direction of Tribal aesthetics. He is restrained, but at the same time very cityistic, has an aggressive mood.

Esfand is a modern Sans Serif font family in three weights, Light, Medium and Bold.The Esfand innovation is a contribution to the modernisation of Arabic typography; gives the Arabic font letters real typographic arrangement and provides for more typographic flexibility. Esfand supports Arabic, Persian, and Urdu and includes proportional and tabular numerals for the supported languages. The Esfand Font family is available in Three weights; Light, Medium and Bold. Its intuitive design arrangement fulfills the following needs: - It is precisely crafted for use in electronic and print media. Esfand is not based on any pre-digital typefaces and it is not a revival. Rather, its forms were created with today’s ever-changing technology in mind. - Esfand is suitable for multiple applications, and gives the widest potential for acceptability. - It is extremely legible not only in its small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Esfand's simplified forms may be artificially oblique with InDesign or Illustrator, without any degradation of its quality for the effected text. - Esfand is an eye-catching and classy typographic image that was developed for multiple languages use and writing conventions. - Esfand uses the very highest degree of geometric clarity along with the necessary amount of calligraphic references. The Esfand typeface is of a high vibration that is finely balance between calligraphic tradition and the contemporary sans serif aesthetic commonly seen in Latin typography.

Enphand is a stylish and easy handwritten font with a contemporary touch. This will add a unique spin to each design project!

JH Naskh Expanded font is designed based on Naskh calligraphy; it is typical for book covers including spine, headlines, short text paragraphs, poetry…..