Arlo is a geometric sans serif typefac containing purposeful subtle design touches, details, and deviations from conformity. The width of the counters and comfortable, breathable apertures means that Arlo Sans has excellent legibility and contrast throughout weights and sizes. Mastered for optimal readability, Arlo Sans is a versatile typefamily, designed with robust, reliable forms; it contains its contemporary personality. The family includes over 20 stylistic glyphic alternatives making it stunningly versatile with its modern details and classic styles.

Spinnenkop is an old Dutch word which means both ‘spider’ and (in dialect) cobweb. The word forms the basis for that English word: cobweb. Spinnenkop is a magical font. I didn’t use witchcraft to create it, but when it was finished, it reminded me of old fairytales, spell-books and potion recipes. Use it for anything you like, but book covers, product packaging and posters come to mind. Comes with a few swashed letters and a weird alternate g.

Meetha Script is modern calligraphy script font. This is a beautiful script font with italic style. Made gently and danced to give the character of modern writing that is sweet, simple, stylish and firm. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Zoltana is a lively decorative typeface family designed for elaborate titling or text layouts, with an elaborate form and filled with delicate details, this font aims to grab attention and fill the viewer with a sense of wonder. Thanks to an extensive glyph palette, this single typeface offers a range of letterforms through alternate letters, small capitals, ligatures or swash letters and includes a selection of typographic fleurons that can be used in the layouts or individually.

Utilize the elegance of Art Nouveau in modern form with Lotus Grove. Lotus Grove is a high-contrast serif typeface with deep roots in Art Nouveau aesthetics. In contrast to its archetypal models, Lotus Grove boasts a clean-cut and smooth design, perfectly suited for modern requirements. It is a fancy typeface that suits any kind of display use. Lotus Grove is equipped with Stylistic Alternates for letters G, E, K, R, S, T and ampersand.

Aliykit Open a decorative OpenType font generated from geometry with parallel lines of open and closed forms, by the way they can fit inside the Art Deco style but is part of the design influence of Venezuela in the area of art and cinetic art, his set of characters includes letters for western and eastern European languages and Cyrillic, also provides several ligatures that link between them. It is ideal for decorative display headlines to large sizes.

Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three basic styles - Thin, Light and Light Rounded - try to approach the cartographic technique annotations and their output on plotters. The voluptuous style, Ultra, keeps the same structure of the Light versions, but develops as a historic Art Decó variant of this 20s and 30s graphic style.

Faculty is a robust, warm and rational sans, with a large x-height that lends clarity in text and headline. Functional, clear and authoritative, it still has character. Stroke terminals are cut vertically or horizontally, minimising inter-letter gaps and lending it an even 'colour' in extended settings. Suitable for both headlines and text, the family has extensive language support, alternative characters, lining, tabular and old style numerals, making it a versatile all-purpose type system.

ITC Stylus is the work of American designer Dennis Pasternak, who based its forms on those of freehand architectural lettering from historical and contemporary sources. Pasternak points out that while the typeface emulates hand lettering, no pencil drawings or scanned art were used in its creation. The letters bounce slightly across the baseline, giving the typeface the look of true handwriting. ITC Stylus emanates warmth when used for extended text and a fresh quality in display sizes.

Quan Geometric is an altered modified from the form of the original Quan Pro typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 8 weights with slim option in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

French Armoire is a subtle, modern calligraphy font that will give a casual chic look to your designs. It supports Central, Eastern, Western European, Baltic, Turkish and Greek languages and it is delivered in OpenType format. French Armoire has over a 1000 glyphs, with a variety of opentype features in Latin and Greek alphabet: Stylistic alternates, contextual (positional) alternates, swashes, 2 stylistic sets of initial and terminal forms and standard ligatures. The font is fully unicode-mapped (PUA encoded).

Thamarind is a new fun and unique new handwritten script font. This font adopts a bold, cute, firm, and trendy style. Very suitable to meet your various design needs that are trending now. With a style like this, this font will be suitable in use for comics, logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Denmark is a brush font that is modern and elegant. The imperfectionist form brings a natural impression. Denmark is handmade which is equipped with an alternative glyphs set (uppercase & lowercase), numeral, punctuation, and also multilingual supports. This font is suitable for your design needs such as product packaging, merchandise, social media design, T-shirts, Logotype, and more. Enjoy the font, feel free to comment or feedback, send me PM or email at letteralle@gmail.com. Thank You!

Haven Bride is the beautiful brush script font that perfectly captures the casual of a handwritten. With its natural feel and casual, chic style, it's the perfect choice for branding, logos, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose where a personal touch is needed. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Introducing, Gargamoth - A modern blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : uppercase & lowercase layered fonts numbers and punctuation stylistic alternate multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Vanitha is a bold script font, inspired by vintage logos and old-school sign painting. This font is made with hand drawings and still pays attention to the calligraphic form so that it looks modern and unique. Vanitha is a display font, which you can use as logos, logotypes, merchandise, sports themes, flags, banners, stickers, labels, posters, and others. This font is also equipped with stylistic alternates to beautify your typographic design. Thank you for your support!

Oxamu is a contemporary geometric font that sacrifices a degree of readability in order to create interesting and provocative letter forms. Suggestions for use: - headlines - greeting cards - clothing tags - trend-setting magazine pages - contemporary music media - logos The font is fully professional: carefully letterspaced and kerned. It contains over 230 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It also includes all the accented characters used in the major European languages.

Introducing, Fountencil - A blackletter stencil typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation stylistic alternate multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Selene Book is a sans-serif font family designed by Leonardo Di Lena and derived from Selene. The font is based on geometric forms with as few improving legibility optical corrections as possible. If you need a minimalist font, technical but friendly and elegant, this is your choice. There are glyphs for all languages ​​with Latin, Greek and Cyrillic alphabets, all the basic ligatures, old style numerals and five Latin capitals alternates that catches the 1900-1950 font styles.

Conica is a bold, condensed typeface that aims to grab your attention. By playing with heavy, dark shapes and small counters, this single weight typeface explores the contrast between defined shapes and gentle curves to produce a surprising headline font. It equally includes a range of Opentype features, with a set of small capitals, stylistic alternates and ligatures, users can choose which forms best suit their needs. Conica includes an extended Latin glyph set covering most Latin based languages.

BR Firma is a geometric sans serif consisting of 8 weights ranging from Thin to Black with matching italics. It supports an ‘Extended Latin’ character set that covers over 200 latin based languages. BR Firma provides advanced typographic support with features such as case sensitive forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, advertising, publishing, branding, software and gaming as well as being optimised for web and screen design.

Grold Rounded is an altered modified from the form of the original “Grold” typeface. Designed to be more friendly, the font family has rounded terminals that harmonizes with rounded corners. With all of these features, “Grold Rounded” is a prominent, eye-catching and unique typeface. It comes with 9 weights with 2 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.s

Polate Soft is an altered modified from the form of the original “Polate” typeface. Designed to be more friendly, the font family has rounded terminals that harmonizes with rounded corners. With all of these features, “Polate Soft” is a prominent, eye-catching and unique typeface. It comes with 6 weights with 5 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

Virtuosa Classicis the 21st century OpenType re-release of a classic Hermann Zapf design, his very first script typeface, Virtuosa. Based on the same sketches that would inspire Zapfino 50 years later, Hermann Zapf developed Virtuosa in 1948-49. It was originally released in metal in 1952. Virtuosa nova is an English copperplate script with character. The font includes two form variants for each capital letter, and there are a number of lowercase alternates and ligatures, too.

Config was influenced by geometric sans with circular forms but the proportions have been condensed by incorporating straight sides for a design that is sturdy and efficient yet friendly. The neutral design with subtle details makes it functional for type setting in small and large sizes. Its clean nature makes it readable at small sizes but the touch of character—as seen in the notched joints, rounded details, and horizontal/vertical terminals—make it interesting at large sizes.

Genit is a classy, elegant, modern and natural handwritten script font. Genit was made to handle every minimalist design project. Minimalist design is recommended for professional business, just like Leonardo da Vinci said: "Simplicity is the ultimate form of sophistication" With its signature style, Genit is ideal for business cards, magazines, book covers, blogs, branding, posters, headlines, wedding, quotes and also GREAT for logos. You can use this font for various design projects that need an elegant feel.

Foundry Sterling is a functional and eloquent typeface family that has its origins in the desire to create a modern sans design with a quintessentially English flavour. The letterforms have been designed with particular attention to classical proportion and purity of form, resulting in the creation of a functional yet graceful typeface with elegant beauty. Foundry Sterling is an eminently versatile font with a carefully chosen weight range equally applicable to identity, editorial and signage use.

Forever Loved is a delightful new handwriting font which is full of character and suitable for every occasion. It has OpenType features such as alternates (two sets of uppercase alternates), swashes, ligatures, terminal forms in lowercase, and a European language support. This wonderful script font is perfect for wedding stationery, engagements, and baby, family and friends orientated themes. Not only that - it can be used for logos, tattoos, delicious food and drink, mugs, clothing, the list is endless!

A little goofy, a little nerdy, Winooski mixes loose pen-drawn gestures with legible forms to deliver a playful workhorse. It’s packed with goodies like small caps, ligatures, case-sensitive alternates, and broad linguistic support. It also sports extras like two styles of catchwords that can be fired up by flanking the desired word with either asterisks or underscores and discretionary ligatures for pricing. There are even easter eggs in the OpenType features for the scavenger hunters among us.

Edberd is a beautiful font. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!

Introducing, Killviners - A modern blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation stylistic alternate multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Losta Masta - fun and playful serif family. Unique, playful and versatile serif family with 40+ ligatures and 100+ alternates that you can combine to get curves and beautiful shapes just in seconds. Play with the ornaments to create a more stunning display. This font is suitable for use in many design forms, for example magazines, postcards, logos, vintage look, old classic ,60s, 70s, 80s era, wedding projects and many more. We recommend using Adobe Illustrator or Photoshop.

Kelpt Sans is an altered modified from the form of the original Kelpt typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 9 weights with 2 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging.

Stenka is a sans-serif stencil typeface that stand for display typeface to use in any typographic situation. It has his own unique style in expressed perfect condensed forms. Stenka is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation, with a set of ligatures and alternative characters for your design in any layout. The family has 4 weights ranging from Light to Black and their italic.

Inspired by the urban typography, which later led to a grotesque style. It can be used for bold editorial statements graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique. Its robust, strong and contemporary form makes it perfect for any project that needs the extra strength. Humanism is available from A to Z in the regular and italic style, developed in an urban style.

Atley is a script font to have a form of modern calligraphy, there are also some wonderful alternative glyph. The Features of this fonts is; Contextual swashes Contextual Alternates Standart ligatures Stylistic Alternates Stylistic sets Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Shaliya is a beautiful font. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Happy Designing!

Nitrous is a script and serif typeface with elegance and vintage looks. This font has some of alternate characters, swashes and ligatures. You can design beautiful, elegant and diverse typographic elements with it. This font duo is effective on product packaging, particularly for wares that prefer a handcrafted, artisan approach to their finished presentation. Nitrous is ideal for strong branding, identity, and logo design, as its letter forms effortlessly express a tone of familiarity, reliability, and timelessness.

Originally inspired by the numerals on a vintage clock face, Roloi is a layered numbers font in the deco lettering style, and includes a full set of automatic clock symbols. Its geometric forms are typical of the deco style, but stop well-short of pure geometry. The irregular stroke and character widths work together to give the forms a warm and energetic, yet cohesive, feel. Roloi offers two layering styles—the personable Fill and the more dynamic Inline. Designed to be layered over the background Regular style, they both lend the forms an added level of interest. Roloi also includes a clock symbol for any and every time of day, rounded to the nearest five-minutes. The regular weight provides the circular clock background, while the Fill and Inline styles produce the clock hands. If ligatures are activated in your text-editing program, type out any time—such as 9:32, 12:05, etc.—and the proper clock symbol will be automatically substituted. Go ahead, type any time out below! To stop the automatic clock symbol substitution, simply deactivate ligatures. Because the clock symbols are standard ligatures, every major modern browser will support their use on the web. With some programing they could even be used to make a lightweight, text-only clock. In addition to the clock symbols and basic numerals, Roloi’s glyph range covers numeric superiors and inferiors, standard and arbitrary fractions, currency symbols, all of the punctuation and symbols commonly associated with currency, unicode clock Face symbols, the A M P / a m p letters, and alternates of the 1, 2, and 4, accessible by selecting Stylistic Set 1.

Although Andi AW. Masry designed his Coomeec typeface with one eye on comic books, this is more than just another cartoon font. Even in our short profile of the font below, we're sure you'll find enough to be surprised by the calligraphic aesthetic and the wide range of potential uses of Coomeec. Typography had been one of Andy AW. Masry's hobbies before he turned professional in 2008 and formed his own agency in Jakarta in Indonesia. The former construction engineer had already spent many hours of his leisure time in following his pastimes of designing, photography and Latin typography. Fascinated by the close interaction between text and image in comic books, one of his first projects was the development of his font Coomeec™. The condensed letters of Coomeec seem to have more in common with a calligraphic brush typeface than a more conventional cartoon font. With the characteristic line forms of a brush font, the not unextensive variations in line thickness and numerous small embellishments to the glyphs, Coomeec can be used to enhance your projects with animated effects. You can achieve this not just in the larger font sizes; the font is also very legible in small sizes thanks to its large x-height. There are certain unusual letter forms, such as that of lowercase 'g', 's' and uppercase 'Y', that provide Coomeec with a touch of the exotic. As Coomeec has numerous character alternatives, you can use it not only to create diverse designs but also to ring the changes with the character of the text itself. There are variants for most lowercase letters, some of which exhibit only minor differences, such as the lack of a curlicue on the 'b', a modified downstroke on the 'h' and an elongated base for the 'k'. In the case of other letters, such as the 'q' and the 'r', there are significant disparities between variants. The uppercase characters are also available in a lively swash style with significantly extended terminals. Among the range of characters of Coomeec are oldstyle and lining figures designed for proportional and tabular setting. All alternatives are available in the form of the corresponding OpenType versions. Coomeec comes in two weights; Regular and Bold, each with its Italic version. The form of the slightly inclined Italic characters is identical to that of their upright counterparts with the exception of the lowercase 'f', which has an ascender in its Italic version. As an OpenType Pro font, the glyphs available for Coomeec ensure that it can be used to set not only western European but also central European texts. Coomeec is not just at home when used to set headlines. The excellent legibility of this individual and vibrant typeface means that it's also ideal for setting shorter texts. The various alternative letters provide the designer with the opportunity to vary the textual appearance, and to choose between creating a more formal or more light-hearted effect. Coomeec is not only available in an OpenType version but is also obtainable as a web font, so that you can employ its exotic features to good effect when creating internet pages.