Hello everyone, we introduce our new product, Thadzan - Super Bold Condensed inspired by the title of the sports poster, We make it very energetically, so it has very strong characteristics, taking into account the thickness and density of each gliph, along with a ligature that makes this font look unique. Thadzan font with strong and challenging nuances. It is also equipped with 10 glyph ligatures, which make the characteristics of this font even more extraordinary. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Introducing Romavich, a beautiful condensed serif font, inspired by the modern serif style features with thin lines and bold serifs. This casual and minimalist typeface is versatile and can be used for a wide range of designs, including magazines, editorials, posters, logos, branding, logotypes, wedding, fashion, cards, titles, and more. Romavich is an all-caps font with small caps, allowing you to create an elegant short texts and quotes. It comes equipped with numerous alternates and ligatures, adding a gorgeous touch to your designs. What you’ll get : Uppercase Smallcaps Numbers & symbols Punctuation Stylistic alternates Custom ligatures Multilingual support PUA Encoded Thank you!

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

Manufacturer JNL is a reinterpretation of the classic type face Venus Extra Bold Extended, and is available in both regular and oblique versions. According to Wikipedia: “Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from1907 onwards. Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century. It was exported to other countries, notably the United States, where it was distributed by Bauer Alphabets Inc, the U.S. branch of the firm.”

Meet Voga. Voga is a condensed modern Didone typeface with three weights: Regular, medium and bold. My aim was to create a very elegant and “sexy” typeface with some unique letterforms based on the principle of contrast - curves vs. strong straight lines - thin hairlines vs. thick stems - ball terminals vs. geometric serifs. These contrasts make it a glamourous display font for titles and large typography settings, yet readable at text sizes. Voga was inspired by iconic typefaces such as Bodoni and Didot. It has an extensive glyph set that supports languages for the Americas and most of Europe.

Now Uniform comes in Italics! Uniform is a multi-width geometric type family designed around the circle. The O of the Regular width is based on a circle, the O of the Condensed width is based on 1.5 circles stacked (with straight sides) and the O of the Extra Condensed width is based on two circles stacked with straight sides as well, and all other characters are derived from this initial concept. This unique idea creates a remarkably fresh type family that bridges the gap between circular geometric typefaces and condensed straight-sided typefaces. Uniform also includes many opentype features like Old Style Figures, Tabular Lining Figures, Alternate characters, Ligatures and more. Uniform was first drawn starting with the Black weight. This careful process allows each character to look consistent and balanced through all weights. As a result, the typeface does not ‘break down’ or lose its form in the boldest weights like many typefaces do. The three widths of Uniform Italic make an ideal type family for a host of various uses. From branding to web design, book covers to signage, Uniform is a very versatile solution to complex typographic needs.

Uniform is a multi-width geometric type family designed around the circle. The O of the Regular width is based on a circle, the O of the Condensed width is based on 1.5 circles stacked (with straight sides) and the O of the Extra Condensed width is based on two circles stacked with straight sides as well, and all other characters are derived from this initial concept. This unique idea creates a remarkably fresh type family that bridges the gap between circular geometric typefaces and condensed straight-sided typefaces. Uniform also includes many opentype features like Old Style Figures, Tabular Lining Figures, Alternate characters, Ligatures and more. Uniform was first drawn starting with the Black weight. This careful process allows each character to look consistent and balanced through all weights. As a result, the typeface does not ‘break down’ or lose its form in the boldest weights like many typefaces do. The three widths of Uniform make an ideal type family for a host of various uses. From branding to web design, book covers to signage, Uniform is a very versatile solution to complex typographic needs.

Designed at ParaType in 1989 by Alexander Tarbeev. A modern replica of the typeface by Giambattista Bodoni, the Italian punchcutter and typographer of the late 18th century. Bodoni was a director of printing house of Duke of Parma in Italy. His early types were based on those of Fournier and Didot, but he developed the designs to become what are now considered to be the first modern typefaces. His letters have strong vertical stress, sharply contrasting thick and thin strokes and unbracketed hairline serifs. The contrast of thick and thin in Bodoni typefaces can produce a sparkling effect on a page: should be carefully used in texts; good for headlines and display. Condensed and decorative styles were added in 1993–97.

Double Porter - an elegant font collection. Double Porter includes following: • 6 fonts - a clean and textured version of each. • Ornaments • Catchwords • Ending swash ornaments for the script Double Porter is a clean cut script font with five strong sans fonts. All the fonts are designed to work nice together. Here’s a short introduction to the fonts: • Double Porter 1 -Clean connected script with Swash Alternates for caps and lowercase letters with ascender or descender. The Script also has Contextual Alternates that add variation & make the flow smooth. Contextual Alternates are automatically on. • Double Porter 2 -Wide Sans Serif font. • Double Porter 3 -Bold version of Double Porter 2 • Double Porter 4 -Semi condensed Sans Serif • Double Porter 5 -Condensed Bold Sans Serif • Double Porter 6 -Serif version of Double Porter 5 • Double Porter 7 -Set of 60 icons and ornaments • Double Porter 8 -Set of 68 Catchwords • Double Porter 9 -Set of 62 Ending Swashes and Strokes designed to go with Double Porter 1 - the script. In addition there is a “Printed” version of every Double Porter font. Printed versions are named Double Porter P x. Printed versions are exactly the same but the shapes have rugged outlines and a worn-out texture. Double Porter has wide language support including West European, Central European, Baltic, Turkish and Romanian character sets.

Letterpress Studio -Crafted Vintage Goods Letterpress Studio includes following • 7 fonts - a textured and clean version of each • Ornaments • Catchwords • 25 Logo Templates Letterpress Studios core is seven fonts - textured and clean version of each. Fonts are designed in same proportions and work great together. Here’s a short introduction to the fonts: • Letterpress Script -A connected script with lot’s of OpenType features • Letterpress Script Bold -Bold version of Letterpress Script • Letterpress Condensed -A condensed sans-serif typeface with swash uppercase characters on • Letterpress Gothic -A sans-serif typeface with swash uppercase characters • Letterpress Sans -An extended sans-serif typeface with swash uppercase characters • Letterpress Wood -A woodcut style serif typeface with swash uppercase characters • Letterpress Black -A black woodcut style serif typeface with swash uppercase characters • Letterpress Ornaments -A set of pictograms, ornaments, borders and badges (OTF, AI & PDF) • Letterpress Catchwords -A set of over 100 woodcut-style catchwords (OTF, AI & PDF) All fonts have West European, Central European, Baltic, Turkish and Romanian character sets. Fonts come in OTF format. TTF are also available but OpenType features won’t work with them. Letterpress Templates -25 templates (AI) Letterpress Templates is a set of 25 ready made compositions with font pairings, shapes, ornaments and ready made 2-4 color schemes for each. Templates can be used as such or as a starting point for your own project. Download Letterpress Templates here.

An edgy little number here; Herman was created using a chiselled marker pen and is handwritten as a slanted, bold font with a distinct marker contrast. Designed with two sets of all caps, and alternates that rotate the upper and lower case; Herman is a standout that’s charming and slightly retro, too.

Cleanliness Power is bold script script that looks elegant and classy. It will add a charming touch to anything project This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Hallo Jack is a funny, bold and cute display font with a sharp corner. Get inspired by its unique feel, and turn to add a lovely charm to any crafts project, this font suitable for any project about kids, children, or Student, like, book Cover, kids shirt, baby shower poster, and etc.

A condensed serif that’s been through the ravages of reproduction but has now been digitized for modern use. Elegantly wasted.

Tall, condensed and square in shape... Slim James JNL balances well against bolder Deco-style sans or novelty type faces.

Leftheria structure is designed from the Greek order Ionic columns and their capitals, is a condensed typography with vertical emphasis.

Notification JNL is another condensed sanserif design loosely based on one of the many variations of wood type headline fonts.

Herron is a monoline Sans face with all rounded ends in Condensed and Italic, Regular and Italic, Expanded and Italic.

The Dinkle fonts are the creation of a sketchbook artist who spent years refining her craft, Diana Hollingsworth Gessler. She created the Dinkle handwriting fonts for use in her book "Very New Orleans," and now you can use it in four convenient styles: Regular, Bold, Italic and Bold Italic. Each font in this family was drawn individually, capturing nuanced differences of natural penmanship when the weights are paired together. A hand-lettered journal style, the highly legible Dinkle fonts offer tidy text and clear captions. Use it for signage, quotations, or anywhere you need a personal touch in your designs.

About this font family Musnad Serif Is Old South Arabian typeface for desktop applications ,for websites, and for digital ads. Musnad font family contains two types: Rigular and bold. The font includes a design that supports Latin, Arabic, and Old South Arabian language systems.

Oxford Street is a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster in Central London. The nameplates were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger’s Univers typeface, a curious combination of Univers 69 Bold Ultra Condensed, a weight that doesn’t seem to exist but which would flatten the long curves of glyphs such as O, C and D, and Universe 67 Bold Condensed with its more rounded lobes on glyphs like B, P and R. Letters were then remodelled to improve their use on street signs. Thin strokes like the inner diagonals of M and N were thickened to create a more monolinear alphabet; the high interior apexes were lowered and the wide joins thinned. The crossbar of the A was lowered, the K was made double junction, and the tail of the Q was given a baseline curve. K-Type Oxford Street continues the process of impertinent improvement and includes myriad minor adjustments and several more conspicuous amendments. The stroke junctions of M and N are further narrowed and their interior apexes modified. The middle apex of the W is narrowed and the glyph is a little more condensed. The C and S are drawn more open, terminals slightly shortened. The K-Type font adds a new lowercase which is also made more monolinear so better suited to signage, loosely based on Univers but also taking inspiration from the Transport typeface both in a taller x-height and character formation. The lowercase L has a curled foot, the k is double junctioned to match the uppercase, and terminals of a, c, e, g and s are drawn shorter for openness and clarity. A full repertoire of Latin Extended-A characters features low-rise diacritics that keep congestion to a minimum in multiple lines of text. The font tips the hat to signage history by including stylistic alternates for M, W and w that have the pointed middles of the earlier MOT street sign typeface. Incidentally, Alistair Hall (‘London Street Signs’, Batsford, 2020) notes that when the manufacturer of signs was changed in 2007, Helvetica Bold Condensed was substituted in place of the custom design, “an unfortunate case of an off-the-peg suit replacing a tailored one” and a blunder that has happily since been rectified, though offending nameplates can still be spotted by discerning font fans.

Faubourg marks the first professional typeface release by Marie Boulanger. As much traditional as it is unconventional in its celebration of letterforms, this typeface dances on the page and screen as it moves from a more conventional appearance to monoline and back again. The flowing silk-like undulation only accentuates this distinguishing feature and produces one opportunity after the next for headline settings where the word is as important as the content supporting it.

Inspired by thin and condensed handwriting style, we present to you Saturday Party, a handwritten font with thin and condensed characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Saturday Party is very suitable like as sticky notes, handwritten project, signatures, and more.That way easily change the glyphs to make more unique glyphs.

Quebra is an extend display sans-serif font family with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Inspired by thin and condensed handwriting style, we present to you Windy Monday, a handwritten font with thin and condensed characters that was comes with alternates and multilingual glyphs to help people around world with that unique accent with this font. Windy Monday is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs.

GL Benicassim is a very condensed and practical font. It is only caps font, but it contains latin and cyrillic characters, as well as all kind of accents to be compatible with many languages. It will give to your designs a fancy and fashionable touch and it is specially practical when the space you have is not too big, since it is really condensed.

“Everything old is new again,” as they say. Introducing "Retro Head" - A retro-modern inspired typeface with a bold, charming and versatile look. This font is also equipped with an opentype feature to support your creations. You will get : Retro Head Regular Retro Head Italic Ton of glyphs Ligatures & Alternates Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Language Support: Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish, & much more.. Thank you for looking.

Buckley is a condensed, hand-lettered font based on characters created with my favorite vintage fountain pen: a Waterman Ideal #2. Its textured strokes reveal its ink-on-paper origins, while randomized contextual alternates cycle through letterforms as you type, for a convincing and handwritten look. Buckley’s friendly, happy, and casual appearance helps make packaging, greetings, and storybooks charming and approachable. See what’s included! http://bit.ly/2c98p0L This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Romeo is a perfect couple of Julieta , they are a condensed, unicase family full of swashy love. Inspired by romanticism, Romeo is a charming and versatile typeface. By alternating uppercase and lowercase, and mixing them with alternate characters, ligatures, swashes and endings, you obtain endless possibilities of composition, with 810 glyphs available in the Pro font. In case you don’t need all these alternatives, there is also an Essential version consisting of 247 characters. In addition, Romeo has an affordable set of ornaments, connectors and catchwords to complete this attractive display system. Photography by Damien Vignaux (www.elroy.fr)

Julieta is a perfect couple of Romeo , they are a condensed, unicase family full of swashy love. Inspired by romanticism, Julieta is a charming and versatile typeface. By alternating uppercase and lowercase, and mixing them with alternate characters, ligatures, swashes and endings, you obtain endless possibilities of composition, with 810 glyphs available in the Pro font. In case you don’t need all these alternatives, there is also an Essential version consisting of 247 characters. In addition, Julieta has an affordable set of ornaments, connectors and catchwords to complete this attractive display system. Designed by Paula Nazal Selaive.

Lavah Pro is the upgrade from old version of Lava Arabic 1.0. It's Arabic condensed/narrow with grunge and rough style for vintage style posters, brands or ads maybe for food ads or movie poster. Lavah Pro is supported by OpenType Features with many Stylistic Alternates and Discretionary Ligatures and It's support Arabic, Persian, Urdu and Latin. Designed and Created by Ibrahim Hamdi Copyright © 2019 by Protype Foundry. All rights reserved.

Artuso is a unique condensed typeface, ideal for branding projects and editorials headlines. It Will be a great addition to a modern web or app. The super-tight kerning give this font a distinctive retro feel. A font is a go-to tool for making stand out projects. Artuso has an extended character set to support Central and Eastern European as well as a Western European plus Cyrillic and old Russian letter too.

Inspired by old school sign painting techniques, Grand is a display condensed sans serif that isn't shy to put its foot down. Its verticality and bulky curves combined with its sharp angular connections between the bowls and stems give Grand a distinctive look and feel. It comes in 12 styles (6 weights and accompanying italics), and supports over 200 languages. Grand Regular and Grand Italic are both available for free (personal and commercial use).

Looking for a way to add a touch of bold, retro charm to your designs that evoke the fun and creativity of the 70s, 80s, and 90s? Look no further than our collection of classic and modern fonts that are perfect for logos, posters, and all kinds of design projects, whether you're going for an old-school vibe or a fresh new twist on retro design. With our carefully curated selection of fonts, you'll have everything you need to create eye-catching and memorable designs that capture the essence of classic design from the past. Whether you're looking to add some vintage flair to a modern design, or you want to create a throwback look that's right at home in the 90s, our fonts are the perfect tool for the job. From bold, geometric designs that harken back to the 80s, to playful, colorful fonts that embody the fun-loving spirit of the 70s, our collection has something for everyone. And with our easy-to-use design tools and resources, you'll have everything you need to bring your creative vision to life in no time. So why wait? Start exploring our collection of classic and modern fonts today, and discover how easy it can be to create stunning logos, posters, and designs that are truly one-of-a-kind. Whether you're a seasoned designer or just starting out, our fonts are the perfect way to add a touch of old-school charm to any project.

I want to introduce this cool font, namely (Retro Morely) which is a Bold script font with a charming touch of Retro style, this font also looks interesting because I added some alternative features that you can use, don't forget to add extrude style in it to make it look more Attractive for your designs, this font is suitable for those of you who want a design that displays an old-fashioned side but is still relevant for a charming modern look. there's nothing wrong if you feel all the experience of using this font in your designs, make this font as one of the font collections on your computer what will you get : Retro Morely Retro Morely Extrude Alternates Features PUA encoded We hope you enjoy this font! please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and happy creating! :)

Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.

BENHARD is a display font with masculine characteristics suitable for old or modern styles, this font can be combined with a sans-serif font suitable for poster fonts, logos, headlines, titles on book covers, films, content and others.

Press Run JNL is a reinterpretation of the classic typeface Cheltenham Condensed taken from actual screen captures of vintage newspaper headlines.