Use Fancy Flourishes to add formal or shabby chic accents to your scrapbook layouts, handmade greeting cards and other creative lettering projects. Each letter on the keyboard corresponds to its own unique flourish.

Add some personality to scrapbooks, greeting cards, invitations, announcements, signs, menus, restaurant themes, and more. The thick, brush-stroked lines of Menu Item lend unique character to the letters of this cool font.

Kayane is a splendid script font that can be used for branding, greeting cards, wedding invitations, and many other projects. It will add luxury to any design project that you wish to create.

Gruffly is a new font brushed very interesting, also provided some ligatures. It is perfect for projects for brands, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm etc.

Renitta! It allows you to create stunning and easy hand-lettering designs in an instant. Ideal for logos, quotes, wedding, product label/packaging, fashion, letter, advertising, invitations, posters, merchandise, greeting cards, and more.

Gardenisa is a stylish and incredibly distinct script font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Ali Ana- Heart Font feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

Graby Bold Script Font feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.

This display font is perfect choice for the whole variety of New Year greeting cards, advertisements, posters and banners. It has alternative graphic symbols, that fills any word or line with holiday spirit.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

TA Regresso PRO graphic presentation at Behance TA Regresso PRO font is inspired by Didon and Bodoni fonts. A combination of a little Bodoni and a little Didon elements and a unique style and Text, Display, Subhead and about 80 styles, it is a font that gives the user a choice. TA Regresso font supports Greek, Hebrew, Cyrillic and Latin alphabets. After starting work on the font since February of last year, the font is ready today with constant revisions. Being open to learning, I sought help from experienced designers. I must mention that Yulia Gonina, the founder of Schrifteria Foundry, also helped me a lot to make Regresso good. With her knowledge and advice, the flaws in the font were eliminated. By the way, Viktor Baltus also helped me with his valuable advices. I did some research about the alphabets of the supported languages so that Regresso is good. I paid a lot of attention to the correct design of the letters. I will fix the problems I missed in the next updates of the font. I would be happy if you send me your work when you use my font. I'm very interested in where you use my font. TA Regresso PRO contains 200+ Latin and Cyrillic, Greek, Hebrew languages. TAFT produce retail typefaces, create custom fonts and even do Greek, Hebrew and Cyrillization. Our mission is to create and distribute only carefully drawn, thoroughly tested, and perfectly optimized typefaces which are available to a wide range of customers. If you're looking for a type or logo → t@taft.work

Really No. 2 is a redesign and update of Linotype Really, a typeface that Gary Munch first designed in 1999. The new Really No. 2 offers seven weights (Light to Extra Bold), each with an Italic companion. Additionally, Really No. 2 offers significantly expanded language support possibilities. Customers may choose the Really No. 2 W1G fonts, which support a character set that will cover Greek and Cyrillic in addition to virtually all European languages. These are true pan-European fonts, capable of setting texts that will travel between Ireland and Russia, and from Norway to Turkey. Customers who do not require this level of language support may choose from the Really No. 2 Pro fonts (just the Latin script), the Really No. 2 Greek Pro fonts (which include both Latin and Greek), or the Really No. 2 Cyrillic Pro fonts (Latin and Cyrillic). Each weight in the Really No. 2 family includes small capitals and optional oldstyle figures, as well as several other OpenType features. Really No. 2's vertical measurements are slightly different than the old Linotype Really's; customers should not mix fonts from the two families together. As to the design of Really No. 2's letters, like Linotype Really, the characters' moderate-to-strong contrast of its strokes recalls the Transitional and Modern styles of Baskerville and Bodoni. A subtly oblique axis recalls the old-style faces of Caslon. Finally, sturdy serifs complete the typeface's realist sensibility: a clear, readable, no-nonsense text face, whose clean details offer the designer a high-impact selection.

The Palatino™ typeface was first designed over 50 years ago by Hermann Zapf, and is probably the most universally admired and used of his type designs. In 1950, it was punchcut in metal by August Rosenberger at D. Stempel AG typefoundry in Frankfurt am Main, and then adapted for Linotype machine composition. Zapf optimized Palatino's design for legibility by giving it open counters and carefully weighted strokes, producing a typeface that was legible even on the inferior paper of the post-World War II period. The font was named after Giambattista Palatino, a master of calligraphy from the time of Leonardo da Vinci. Palatino is a typeface based on classical Italian Renaissance forms. It has become a modern classic in itself, and is popular among professional graphic designers and amateurs alike. Palatino works well for both text and display typography. The new Palatino™ Linotype typefaces are OpenType format fonts, which include many newly designed characters in four large character sets; including extensive support for the Latin, Greek, and Cyrillic alphabets, as well as for Central European and many other languages. The Palatino Linotype OpenType fonts contains the following Microsoft code pages: 1252 Latin 1, 1250 Latin 2 Eastern, 1251 Cyrillic, 1253 Greek with polytonic Greek, 1254 Turk, 1257 Windows Baltic, and 1258 Windows Vietnamese. The fonts also include many ligature glyphs, including some historical long s-ligatures, as well as sets of Small Caps, Old style Figures, and vertical & diagonal fractions. Each font contains 1325 different glyphs.

Migolan is a sweet and soft handwritten script font. Fall in love with an authentic feel and use it to create beautiful wedding invitations, beautiful artwork, interesting social media posts, and funny greeting cards.

Individual Thinking is a bold and chunky lettered display font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Love Rabbit is a stylish and free-flowing script font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

A whimsical array of floral pointers (up/down/left/right) - great for adding directions or pointers to documents, maps, posters, greetings, or simply used as decorative elements. See also 4Point Deco and 4Point GreekFret.

Anulika is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Dress up your handmade holiday greeting cards, newsletters, programs, letters to Santa Claus, and party invitations with this vintage style true type font. It gives an old world feel to your Christmas paper creations.

Vintage is an easy to read and comfortable serif font. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more.

Introducing Amberlight Script - a new fresh & modern script with a sweet calligraphy style, decorative characters, and a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more!

Fellya a new very attractive brushed font with a natural, detailed and perfect texture.Fellya is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more.

Brestonk is a new font with textured stroke detail, also provided some ligatures and extra swashes. Perfect for projects posters, logos, product packaging, invitations, greeting cards, brands, news, blogs, everything including personal charm etc.

Christmas Weather is a stylish and incredibly elegant script font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Wow Darling is a narrow and simple handwritten font. It fits a wide range of casual or friendly designs. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

Sanderyna is a simple and dainty handwritten font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on.

Kinantey is an elegant monoline signature script font with smooth lines and many alternates of swashes. It can be used for various purposes, such as signature, branding, watermark, greetings, logos, stationery, wedding invitations, etc.

SeeSaw is a novelty bounced display font. Suitable for children's books, packaging and greeting cards as well as other creative possibilities. Pick and choose letter combinations between caps and lower case letters. Have Fun!

Golddrew is a handwritten font. A beautiful display font with alternate characters, very suitable for any design purpose like magazines, packaging, branding , website header, posters, greeting cards, letterhead, and many more other creative project.

Glaudusa is a new calligraphy font which is fresh, funny, interesting and with a cute heart that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more!

Anthom is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project

Rodenberg is multipurpose display typeface with cool characters, inspired by urban culture that combine the classic and modern style. It is perfect for headlines, logotypes, signs, posters, greeting card, letterhead, t-shirts and more.

Introducing Butter Carney, Butter Carney is handwritten font with a modern calligraphy feel, Looks amazing on wedding invitations, thank you cards, quotes, greeting cards,tshirt design, mugs, logos, business cards and any other design.

A whimsical array of deco pointers (up/down/left/right) - great for adding directions or pointers to documents, maps, posters, greetings, or simply used as decorative elements. See also 4Point Florals and 4Point GreekFret.

Introduce Madyra a lovely Script Handwritten Font, with attractive single line this font very ready for any crafter in making any branding product design, greeting card, invitation card, surprise gift, or some decorative craft.

Black Jacky Bold Script Font is versatile script font that has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project.

Tralee Font family consist of 2 styles, regular with outline and bold filled with background colour. Originally designed for packaging typography, also would be suitable for titles, headlines, greeting cards, adverts, books and more.

Labyrindo is inspired on the classic Labyrinth. The oldest known labyrinth is 3200 years old and is to be found in Greece. The mythological king Minos held the monstrous son of his wife ‘Minotaurus’ prison in a labyrinth. Much later the labyrinth made his appearance in the medieval churches, this time as a pattern on the church floor. During the Italian renaissance the multiple gate labyrinth came in fashion. Paths led trough green hedges in beautiful palace gardens. These hedges where perfectly cut in rectangular shapes. Mainly meant as an aesthetic statement. Besides the origin of the physic labyrinth, it has always been a great source of story-telling and myths. I mention a few personal favourites (film) like, Pan’s Labyrinth (a journey to the underworld), Labyrinth (with David Bowie) and the Shining with Jack Nicholson (where a horrific scene takes place in a labyrinth). Not the most cheerful stories but fascinating and intriguing. A Labyrinth is mind boggling and mysterious but wonderful. I made graphic translation in this typeface.

Obcecada Sans & Serif are two geometric digital typefaces in regular and bold versions, very condensed and thin with a rounded finish on the horns and joints with a modern style. They include the Cyrillic and Greek alphabet. These fonts are the result of my obstinacy for very condensed fonts, in this case I have inclined to a very fine proportion with short ascending and descending that gives them elegance decó.