Basic Pixel is the right font to have fun with. With 15 different styles you can combine styles and color like building blocks to create endless new combinations and intriguing visual outputs.

Handlettering on a piece of sheet music from 1903 was the inspiration for this little whimsical wonder. The font features a very sinuous S and teddy-bear bookends in the {brace} positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

You may recognize the shapes of this font - it's because it's my Universitet font, but this time it took some beating, and turned into a grunge font! The output was Zero Output! It has 5 different versions of each letter and of course multilingual support! Go ahead and grunge up your next project!

Friar Pro is a revival of Frederic W. Goudy's "Friar" typeface. Goudy described this typeface design as a 'typographic solecism' as it combines a lowercase of half-uncial forms from the 4th through 7th centuries with an uppercase of square capitals from the 4th century. Steve Matteson developed the font as a tribute to Goudy and his joy of typographic exploration. Steve created a complete character set with OpenType typographic enhancements to give the font an authentic appearance to the original. Friar Pro is a beautiful design which imparts a scribal appearance to any document including greeting cards, certificates and official papers.

Introducing Megatropolis : intellectual, architectural, urban and urbane. What started as an idea where the counters would be letters (3 scribbled glyphs on a piece of scrap paper), has grown into a mighty font family of eight stackable fonts. First came Megatropolis itself, a Deco font within a Deco font; Double Deco, you might say. In Illustrator, you can deconstruct it to make solid letters, outline letters or just the inset letters on their own, and you can stack them how you wish. Or you can get the whole Megatropolis family with Black , Outline , Inset , Smog , Shade and Shade with Inset and keep them all separate stackable, editable fonts. In addition, there’s Megatropolis Benday (available in TT only), with its fabulous stackable comic dots. Megatropolis is a typographer’s playground.

Kautiva is a comprehensive modern sans serif family that includes true italics, small caps, and unicase variations. Kautiva was developed to be efficient in both text and display environments. Kautiva serves as a refreshing middle ground between serious geometric and overly humanistic design. This gives it a balance, allowing significantly more flexibility than is normally expected from a sans serif typeface. Versatile in its functionality, Kautiva is also extensive in its features. The OpenType format Kautiva Pro family is available for layout architects who want to take advantage of the numerous features of the format: from true small caps to a variety of ligatures and stylistic alternates, through proportional and tabular figures and complete support for a multitude of Latin-based languages, as well as Cyrillic and Greek scripts.

ION A is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION A are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

ION C is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION C are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

ION B is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there’s a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION B are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what’s important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

Spread a little love with the Be My Valentine display font. These capital letters are filled with love. 82 Glyphs. Letters A-Z, Numbers 0-9, Punctuation!?.’ In both Black & transparent (white) and black with colored heart. A-Z glyphs with colored heart are in lower case, check compatibility for colored fonts.

This typeface has its roots in the Egyptienne-family which became popular in the beginning of the 19th Century. To make the family more unique and personal, ”twists” have been crafted throughout the design. All together a family of 6 weights, including: Medium, Medium Italic, Bold, Bold Italic, Black and Black Italic.

Europa Grotesque is a condensed sans serif font family that was originally designed by Sam Ardell (TP) in the 1950’s for the Techni-Process Collection. Steve Jackaman (ITF) acquired the rights to the TP Collection in 1991 and produced Europa Grotesque in its digital form in 1994. Europa Grotesque has impressive impact at display and subhead sizes, and its geometric forms sustain that distinctiveness in both all-caps and lowercase. The family is flexible and freeform enough to support both a laid-back feel while still feeling tight and controlled.

Cora is a sans serif with an experimental bent, offering a large x-height, some contrast of stroke weight, and capitals inspired by classical lettering. The large x-height gives it a voice with a little more volume so that those in the back of the room have no trouble hearing. Because the letters seem slightly large, Cora remains clear at smaller point sizes. It is a typeface intended to perform well on screen without losing its attraction in print and the nature of its shapes allows for condensation or expansion without becoming severely distorted. The uppercase exhibits classical proportions found in ancient Roman inscriptions, which provides opportunities for setting titles in all caps. Cora Opentype Pro has a full range of numerals for every use, small caps, the most common open type features and supports many languages that use the latin extended alphabet. It is available in a range of three weights plus Italics. CoraBasic is a reduced version of Cora. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.

An eye-catching and practical type family that doesn't intend to be retro or evoke any geometrical cliché. Ranging from a low contrasted thin to a vigorous black, Denso is available in both low and high contrast versions. All consistently developed across two styles, Serif and Sans. Marked by the vertical rhythm, enhanced by the enormous x-height, Denso has the typographic qualities that will allow the design to be highly readable, with a strong stylish statement.

Quanta was designed without reference to existing sansserif faces. As an original design, Quanta draws on principles of letterform developed during my studies of lettercarving (in Wales with Ieuan Rees) and Roman proportion. My intention was to produce a highly legible and adaptable sans-serif, initially intended to be a TrueType GX font, then as a Multiple Master font, later as a five weight range from extremely thin to extra black. A related uncial design will be released shortly.

Soliden is a neo grotesk san serif font family with solid letterforms. Designed and published by Eko Bimantara in 2022, Soliden became a suitable choice for large display and functional purposes. The letterforms are built in large x-height with spacious counters. It consists of 8 weight from Thin to Black and 3 width; Condensed, Normal and Expanded, which make it a large font family with 48 styles. Soliden has 394 glyphs which cover broad latin languages.

An eye-catching and practical type family that doesn't intend to be retro or evoke any geometrical cliché. Ranging from a low contrasted thin to a vigorous black, Denso is available in both low and high contrast versions. All consistently developed across two styles, Serif and Sans. Marked by the vertical rhythm, enhanced by the enormous x-height, Denso has the typographic qualities that will allow the design to be highly readable, with a strong stylish statement.

Regon is a modern sans serif typeface/font family (18 fonts) designed with carefully handcrafted. This perfectly made to be applied in logo or branding, stationery, books, packaging, fashion, magazines, t-shirt, novels, labels and many advertising purposes. Styles: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black (All with Italic). Features: Uppercase, Lowercase, Number, Punctuation, Symbol, Multilingual. All the pictures used in the preview are not included. They are intended only for illustration purpose.

Puck is a Rounded Sans Serif font that comes in 20 styles from Thin to Black, including italics. Its design, which features rounded edges, open terminals, and extended width, along with generous negative space, ensures easy readability across different sizes. It's a versatile choice for various applications like print, banners, and branding. Plus, it maintains its adorable appeal on social media platforms like Instagram. Puck's design brings a blend of elegance and cuteness to any project.

Tazugane Gothic is a Japanese typeface family developed by the Monotype Studio. The project began as a companion Japanese typeface for the famous Neue Frutiger. The goal for Tazugane Gothic was a humanist sans serif face with a clear and legible forms, and nearly unlimited applicability in a broad range of uses, from signage and publishing to advertising and websites. The Tazugane Gothic font family is extremely versatile with ten different weights from Ultra Light to Extra Black.

Cedora is a humanist sans serif designed with a playful appearance. Cedora comes in 14 styles with 7 weights ranging from thin to black each of which represents multiple languages allowing you to do editorial activities. In the terminal section the size is made a little thinner so that the shape doesn't look so sharp and the x-height and open counter have been taken into account so that it is good enough for a small text size.

KhaoSans is a Rounded typeface. The latin was inspired from Thai woodtype used as headline in old day Thai newspaper. The refined curve with some sharp end add uniquely beautiful touch to the typeface. In Thai language, ‘Khao’ (ข่าว) means ‘news’ and ‘Sans’ (สาร) means ‘message’. The font comes in 8 weights, ranging from a delicate ExtraLight to Black, with 3 widths (Normal, Wide, and Expanded). Matching italics are provided, resulting in a total of 48 styles family.

BR Firma is a geometric sans serif consisting of 8 weights ranging from Thin to Black with matching italics. It supports an ‘Extended Latin’ character set that covers over 200 latin based languages. BR Firma provides advanced typographic support with features such as case sensitive forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, advertising, publishing, branding, software and gaming as well as being optimised for web and screen design.

URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased. These design characteristics increase the usability and legibility tremendously. Accordingly to the URW Geometric, Boutros Fonts designed the URW Geometric Arabic. 10 weights, which harmonize perfectly with the Latin ones, were created – from Thin to Black.

Stenka is a sans-serif stencil typeface that stand for display typeface to use in any typographic situation. It has his own unique style in expressed perfect condensed forms. Stenka is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation, with a set of ligatures and alternative characters for your design in any layout. The family has 4 weights ranging from Light to Black and their italic.

Argot is inspired by condensed grotesque letterforms and would be a monolinear sans except for an unorthodox disparity between inner and outer shapes. Elegantly curved outlines contrast starkly with austere rectangular counters, suggesting a no-frills functionality, 20th century modernism, or an unsettling discordance. The squared off inner spaces also add clarity and crispness. Argot is available in three widths — Wide, Normal and Narrow. Each width is supplied in three weights — Regular, Bold and Black — with corresponding italics (obliques).

All 6 fonts use the characters A - K and a - k to show two planets/stars/moons moving across each other. Nice and simple. There's a different number of points on the stars, or they're different sizes, and some appear to pass left-to-right, and some appear to pass the other way. Just type in ABCDEFGHIJK or abcdefghijk and you'll see. Two fonts have all the characters on the same level, (All-Black and Black+White). The Offset font has the 'sun/moon' with one slightly above the other and in black and white, and Half has them all-black. Partial has them even further separated in 2-tone. NearMiss is a very close shave. Comma, hyphen, and full stop/period give just a single symbol; there's a Space, and that's it.

The Takhie Pro Multilingual Brush Font is a 100% hand-drawn decorative font with which you can achieve a handwritten-type lettering feeling. T This typeface is a multilingual lettering font with Greek (of course), Latin characters and diacritics. The style of the font is perfect for your modern graphic design needs. Also, the font has a really nice flow so you use it in a large text if you want to give them a touch of personality. In addition, this typeface can be used on social media content, for branding or packaging. Also, this font is perfect for crafting and invitations material.

Myna is a modern geometric sans font family, primarily designed to be a lightweight web font. But is also suitable for any other purpose, such as brand design or editorial design, or any other use case that require clean and elegant geometric sans font. It contains 54 styles, divided into Condensed, Regular and Expanded weight, with 18 styles in each (9 upright, and 9 italic styles), ranging from Thin to Black styles, and are all available in one variable font. All styles are manually TrueType hinted to produce sharp glyph outlines for easier reading at small text sizes. And all contain OpenType features: Fractions, Kerning, Ordinals, Scientific Inferiors, Subscript, Superscript.

Reba Samuels is based on the 2007 release Rebecca Samuels. While Rebecca was largely intended for text use Reba aims to be more versatile with an extended weight scope and added cut varieties. While Rebecca’s slab character is developed in the Reba serif, the ’seriffed’ italic of Rebecca is abandoned in favor of a simple italic sans, better matching the serif in plain text. The weight extremes are very useful for headlines while the middles do better in text. The robust and angular shapes of the serif matches the straightforward sans. The extreme contrast between the thin and the black cuts opens up great opportunities in any design project.

Sequel 100 Wide is a static sans-serif or neogrotesque with generous horizontal proportions. A variant of the original Sequel Sans, it considerably expands the stylistic scope of the Sequel superfamily. In addition to its wider letterforms, it has got a larger x-height, slightly shifting the historical flavor from the 1950s to the 1960s. Yet, at its core, it’s as clean and functional as the main font family, with perfectly horizontal stroke endings and vertical terminals. Six weights from 45 (Regular) to 95 (Black), matching italics, and limitless possible interpolations by means of two Variable Fonts offer a rich typographic palette for any situation.

Nata is a sans serif family with fourteen weights plus matching italics. It was designed by Candi Erwanto in 2019. This sans serif family is based and influenced by geometric styles that were popular during the 1920s and 30s and have been optically corrected for better readability. Nata has a functional look with a warm touch. While thin and black weights are great players in display size, lightweights, regular, and medium are suitable for longer texts. Small x-height and curbed shape provide a distinctive elegance. Nata is equipped for complex and professional typography. This OpenType font family has extended characters to support Central and Eastern European and Western European languages.

Tambau is a display typeface crafted by Matheus “Fio” Gonçalves, a Brazilian design student, still in college, inspired by Brazilian concert urban posters and wood type that I saw at the Oficina Tipográfica São Paulo. The font was first made for a magazine project in design school, making it beautiful on giant pages headlines, billboards, signs, etc. There’s no lowercase, the character set is dramatic and objective. The uppercase is actually expanded letterforms causing some eyes and breathing paths to the very condensed and very modular glyphs, which creates a quite interesting striped texture between form, counterform and spacing. The lots of ligatures come to give it more closure between the letters, when they try to form blank spaces. So do the diacritics, fitting in the space given to them by the dynamic letterforms, making dense rectangular blocks. You may use Tambau as big as you can or do a high tracking to it and still it will be pretty. The titles can be dynamic, just condensed or just large. It’s on your own. Don’t be afraid to play with Tambau, it’s an alive typography. Curiosity: For the magazine in design school, the pilot project of Tambau was cut in a MDF board, to print it with texture and paint. Later was added more characters, languages and special glyphs to it. Set: Tambau is a singular font typeface, with extended and condensed characters, numbers, ligatures, punctuation and symbols for Basic, Western, Central and South Eastern Latin languages.

Welcome to the old version of Kage. "Old does not mean obsolete" In April 2022, we updated whole letterforms. We redrew all glyphs and refined the nodes, corners, rounded shapes, flowing tails, etc. Of course, you can still use the update of an older version of Kage, although we highly recommend you move to the Pro version for the full benefits. Kage Pro has massive development, puts forward experimentation on alternate letters, and applies an oblique style to provide diverse style choices. Come with tons of swirly ligatures and advanced opentype features include case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Learn more about Kage Pro here: Kage Pro 2.0 | Type Specimen About Kage The Inspiration: The radical exploration world of fashion inspires us. It leads our minds to the Neo-classical type style created during the age of enlightenment in the 18th century. It has a reasonably extreme contrast from the previous serif style, making the impression that it is emitted more expensive and classy. Organically, this Neo-Classical typeface is closely related to the fashion world, especially in Europe, and even spread across the globe. Fashion and this typeface reflect each other. After, we boldly observed Japanese fashion designer Rei Kawakubo. Famous for radical & deconstructive fashion, which makes the world of fashion more flexible and dynamic. The Design: As well as the typeface that we made, we started it with a cultural foundation of the Didone typeface. We tried to deconstruct the appearance. The decoration that better reflected the dynamic of fashion implemented in the fashionable alternate and calligraphical stylistic set ended with ball terminals. The versatile impression created is like taking off a scarf on the model's hair during a fashion show. The deconstructive image is combined with a legibility structure like the appearance of the Neo-Classical style. Kage is designed to visualize a costly and exclusive image of a thing, product, world clothing brand, famous fashion magazine, etc. The modern transitions of each letterform are softer, so when repositioning and escalating the size of this font, it will remain beautiful without injuring other elements. So, Kage is a bold choice on headlines and more prominent media with a portion of 50% even more. The Feature: Kage has 11 styles, from thin to black; all family-style consist of one variable font with two axes. The total number of glyphs is 748 in each style. She comes with tons of swirly ligatures and stylistic alternates in Advance OpenType features, including: discretionary ligatures, stylistic alternates, ordinals, fractions. Support multi-language including Western European, Central European, Southeastern European, South American, Oceanian, Vietnamese.

Manometer Serif is a pneumatic ultra-black serif typeface with variable pressure. Fat but stylish.

Manometer is a pneumatic ultra-black slab serif typeface with soft corners and fine counters.

Hierra is a reinterpretation or redraw letter design of a font that appears in the collection of fonts of Dan X. Solo. Strong German flavor this is a letter of rough edges and a special blackness that recalls ancient typefaces Art & Crafts. Hierra is also presented in the Rough version which increases their antique woodtype appearance.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering. This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

Arya Rounded is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.