Hand sketched lettering in a chalkboard, Pinterest inspired style.

Trade Gothic Next is Akira Kobayashi's 2008 revision of Jackson Burke's 1948 design. Developed over many years, the original Trade Gothic was filled with many inconsistencies. Under the direction of Akira Kobayashi, Linotype's Type Director, the american type designer Tom Grace, a graduate of the MA Typeface Design in Reading, was commissioned to redesign, revise, and expand the Trade Gothic family. Kobayashi and Grace refined many details such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. The Regular weight has been beefed up making it stronger and more robust in text settings. Trade Gothic is a staple of the advertising and newspaper industries, and now Trade Gothic Next brings more features and better quality for today's astute typographers. In addition several weights are available as soft rounded versions.

VAG Rounded Next Variable Regular is a single font file that features one axis: Weight. For your convenience, the Weight axis has preset instances from Light to Extra Black. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum.

A WPA poster announcing the latest production by—guess who?—the Big Tent Players inspired this eye-catching, if somewhat unconventional, typeface. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

hello !! this time I released a new product called "all in" which has an elegant and modern style.This font is suitable for invitation cards, decorations, clothing products, greeting cards and others. This font also has uppercase, lowercase, numeric, puntuation and multilingual. and there are several ligature and stylistic alternate.

I'm Roberto Teixeira, a Brazilian graphic designer. After looking for a form quite different from the existing types, created in 2019, Di Barros Fonts Family is composed by Di Barros Regular...for while. This,form covers the following, according to the Windows character map: Basic Latin, Latin Supplement 1, Extended Latin A, Extended Latin B, Additional Latin, Cyrillic, Greek, Greek Extended, Armenian and several other special types, such as currency symbols, numbers, fractions, Roman numerals, arrows, symbol of electricity, hearts and vector images, of own authorship and more. Di Barros, with a good length, serves several languages. I think Di Barros applies to fine environments, such as jewelry stores, fashion stores, cultural events and others, where a beautiful and non-aggressive look is required. But there is no better application than the one chosen for its inspiration and creativity. Di Barros Fonts Family was made for you. Thank you for using it.

Di Mare is a layered script inspired by Italian restaurant and cafe signs. It’s about delicious food and the joyful atmosphere of traveling: freedom, sea, fresh wind and warm sun. This font family has three styles: Regular, Line, Shadow. You can combine and overlay them to get different effects. Di Mare works well for menu, packaging, clothes, signs, magazines, and as a starting point for lettering and logos. Di Mare is designed with hundreds of contextual alternates and ligatures. It makes all connections look natural and harmonious. Di Mare supports most European languages, has small capitals, numbers, fractions, currency and mathematical signs. All contextual alternates are built into the “Liga” feature that is turned on by default. However, when your work with typeface, please make sure that “Liga” is turned on.

SF Groove Machine Pro, a typeface that's just as groovy as Johnny Bravo himself! This font family is so happening in a far-out way. Well, at least we think so.

Tulipán Broken Caps Pro is new variable/complement of Tulipán Broken Caps, it includes 200 interesting ligatures, specially designed for games, apps, books, logos and packaging. Its bold structure is perfect to give great effects.

My personal handwriting has changed a number of times over the years. Just Another Hand is a narrow brush drawn handwriting font, inspired very loosely by the handwriting of my high school days. There's a little artistic license taken with Just Another Hand in the sense that while I never really wrote with a brush in high school, I wanted a cleaner stroke for this interpretation. A little personality, a little restraint... a style that works for all sorts of projects across the board. The Just Another Hand Pro family contains 659 characters per font. The expanded SmallCaps option for gives the typestyle a little extra versatility, expanding on the original typeface inspiration. Opentype features include: A collection of ligatures Smallcaps Limitless Fractions Full set of Inferiors and Superiors Proportional figures and Tabular figure sets

The handwritten cursive by the famous Italian Casanova has inspired Petra Beiße to design a new script, the “Casanova Script Pro”, with a complement of over 1400 characters and symbols. “Petras Script”, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Petra Beiße has resided for a long time in Wiesbaden, Germany, where she is working as a renowned calligrapher. It is rare that any of her scripts are transferred into digital format and sold worldwide as fonts. Because “Petras Script” became such a huge success, she decided to release this new design for digitization. Under the guidance of Günther Flake, Jessica Franke enlarged this font to contain over 1400 characters. Further information about Petra Beiße and her present workshops can be found under www.handlettering.de.

New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, maybe the best. In the next step I repaired some of the mistakes that I made more than thirty years ago. Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick. Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher

A stylish retro script where I have completely redone the spacing to make the text look more even. All of the diacritics have been redone, too - and the character set expanded in our usual fashion. So now this little gem from Nick Curtis is ready for the big time! Nick Curtis says: “This font is basically a design exercise, influenced by a number of contemporary fonts, but unique in its own way. The gentle, fluid motion reminded me of diner lettering from the 30s and 40s, hence the name.” ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Albrecht Duerer Fraktur Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Auto-Techno-Motive Stance in a softer package. Bruno Ace Rounded Pro is a fresh derivative of our Bruno Ace Pro typeface. It draws its inspiration from modern automotive logotypes. This geometric sans-serif has a wide stance with a tall x-height for a strong look and appeal, as well as ease of legibility. The SmallCaps and extensive figure sets offer a more extensive range of use as well as a more intense vibe. Bruno Ace Rounded Pro has an obviously softer feel to it compared to the original. See the 5th graphic for a comprehensive character map preview. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

This new OpenType pro family has four members so far with 473 characters and glyphs each. It is a redrawing of Albe Sans, which has been found to be very readable, elegant, and extremely useful for books, newsletters, or anything you need. It is a humanist sans that works well for body copy or headlines. A black version is in the works.

Dez Weimar Plakat Pro was inspired by a 1923 Weimar Bauhaus exhibition poster. It is in strict keeping with Constructivist rectilinear thought of that time. Dez Weimar Plakat Pro includes multiple language support including Greek and Cyrillic-- contains nearly 800 glyphs.

This is a radically modernized uncial with many OpenType features and 415 characters: Caps, lower case, small caps, numerators, denominators, accents characters and so on. There are 21 ligatures. It is an experimental look at medieval writing for the 21st century.

TG Aqsa Grotesque Pro is the latest version of the font that was previously released in 2017, TG Aqsa Grotesque. In this latest version there are several optical fixes on each glyphs. In this latest version also added 2 new weights namely black and ultra black so that TG Aqsa Grotesque Pro has 6 fonts of different weights. Still maintaining the sans serif grotesque style coupled with the improvement of the letter form make TG Aqsa Grotesque Pro have a good level of readability when applied as a body text. And this version also has extended latin which will support more than 90+ different languages.

A handwritten decorative font with brush characteristics This attractive decorative script is found in a pamphlet of script samples from around 1900 which was issued by Otto Maier publishing house in Ravensburg/Germany. The forms and flow of Maier’s Nr. 42 are obviously influenced by Art Nouveau. In the original sample, only the Latin alphabet appears. All other characters, especially the Greek and Cyrillic letters, were modeled on elements of the original. A typeface can first reveal a true "handmade" character when the letter forms do not continually repeat themselves – a completely normal occurrence with handwriting. Thanks to OpenType, some key letters of Maier’s Nr. 42 appear in various alternative forms depending on the combination of letters. For example, the difference is obvious between an e followed by i and an e followed by l. Using this principle, a number of letter combinations are presented with alternative character forms so that overall a very lively impression is created.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.

Introducing my Cochocib Script, with a soft style and has an elegant nuances, classy and natural. Perfect to get a more charismatic impression or unique touch to your projects and branding, greeting cards, wedding, banner, name card, lettering, fonts pairing, etc. Come with swash letter, ligatures, uppercase and lowercase alternates that you can combine every letter perfectly. Also easy to use with any program with opentype feature support. Including: - Cochocib Script Latin Pro OTF - Cochocib Script Latin Pro TTF This font support accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...) Thank you!

FM Bolyar Ornate Pro is the latest member of our renowned Bolyar mega family and the perfect companion for our very successful FM Bolyar Pro . Developed to a new level of excellence this new improved ornate design is quite able to satisfy every typographic taste and meet the ever growing design requirements for high quality typefaces. If you are addicted to classic vintage style, then you could easily use Bolyar Pro Ornate for almost any project of desire - from letterheads, logos and catchy headlines to elegant packaging, book covers and wine labels. Alternates, Swashes and Ligatures will help you customize almost every single letter and fit perfectly to your artwork. Bolyar Ornate Pro provides a broad range of advanced typographical features such as: Five weights ranging from thin (100) to black (900) with full multilingual support of all Latin based languages as well as Cyrillic; 1000 glyphs per weight including three multilingual stylistic sets, swash designs and useful discretionary ligatures; Sub- and superscript basic Latin and Cyrillic glyphs as well as figures. Two positional models for lowercase accessed as OpenType case sensitive forms ñ base to base (default) and spur to spur (vertical center).

The three Script fonts: Brush Pro, Ballpoint Pro and Calligraphic Pro were derived from the original Ballpoint design. A custom Brush and Calligraphic texture was added to complete the family and twenty-two clip-art illustrations were created for each style. The 3-font package with illustrations is available in the Buying Choices of any of the three fonts.

A festive spin off our Maiden Orange Pro typeface, Maiden Orange Inline Pro comes packed with all of the features of the original Maiden Orange Pro typeface, but adds a little more visual flavor with hand drawn inline cuts, leaning even more towards the custom hand lettered 1950’s advertisements that inspired the original. Clean and legible, while also being offbeat and friendly, this font lends itself to a wide variety of uses. The SmallCaps and extensive figure sets offer a slightly more serious tone as well as a wider range of design use.

A typical Art Deco font with high contrast. I have mirrored the uppercase A and M to give the strokes a correct direction, and shortened/widened a few lowercase letters to give the text a more even color. A stylistic 30s-looking font is ready for international text-setting! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The concepts of Spencerian Palmer Penmanship PRO come from the Palmer’s Penmanship guides and calligraphy manuals from XIX century. This enhanced OpenType version has complete set in Latin alphabet with Central European, Vietnamese, Baltic and Turkish complete resources with all diacritic signs and punctuation marks plus extra characters belonging this ranges. Spencerian Palmer Penmanship PRO presents you with extra sets of stylistic alternates, swashes, ornaments, tails (to artistic increase any letter of this font) and plus over of 120 contextual alternates solutions - ligatures providing a lot of letterform variations that make this type family looks like a real handwriting on a page or the exact fancy text you wish. Over 500 glyphs which you have total access using software such as InDesign, Illustrator, QuarkXpress and others.

I have improved and added diacritics to this elegant alphabet, and generally cleaned it up to a professional standard. It is well suited to logos, menus, invitations and other things wanting a touch of elegance. Nick Curtis says: "I came across this particular treatment for swash caps in an old book on letterhead design. The original had been handlettered, but I though it might be convenient to have a ready-made font to accomplish the same effect, and here it is. As an extra added feature, the “§” sign is an ampersand with a long tail." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.