The Clearface types were originally designed by Morris Fuller Benton in 1907. Their forms expressed the Zeitgeist of the turn of the 20th century; typical and distinguishing characteristics are the forms of the a" and the "k." The ATF version did not include an accompanying Italic. In 1978, ITC's Victor Caruso was licensed by ATF to develop a new serif typeface and matching italic based on the forms of Clearface. The result was ITC Clearface, a serif typeface with marked stroke contrast and italic weights. The teardrop-formed endings of the lowercase a, c and f (also found in Caslon) define the character of the face. The type's design is also distinguished by its small -- almost slab -- serifs, a large x-height, and little stroke contrast. ITC Clearface, with its historical touch, is good for both texts and headlines, but its slightly condensed nature performs at its best when it is allowed its space.

Dossier is a monospaced serif face that originates in Dwiggins's designs for typewriter. It has a soft and casual personality and comes in 8 weights and matching italics, making it ideal for text typography, package and advertisement design. Dossier is an adaptation of William Addison Dwiggins's unfinished typewriter faces. He worked with multiple typewriter manufactures including Underwood, Remington Rand, and IBM, but none of them were finished. He left a number of intriguing drawings which are now kept at the Boston Public Library. You could see in the drawings that Dwiggins was also interested in exploring designs of varied width. Toshi Omagari decided to combine these materials to make a cohesive family: the upright was taken from a drawing of monospaced lowercase for an unknown client, and the italic was from the work he did for Underwood which he called "Aldine". Toshi added narrower and wider alternates in the same way Dwiggins devised.

Armature Neue is an extension and clarification of the original Armature family released in 1997. We made the distribution of weights more even, and added italics extra light and black weights. Originally consisting of four fonts, Armature Neue has twelve: six weights with accompanying italics. Although conceived as a display face, a number of alternate characters are included that can be used to regularize the type for text setting. Armature is one result of my interest in typefaces that are constructed, rather than drawn. Although it is basically a monoline design, there are subtle details throughout that compensate for a monoline’s evenness. As with all fontBoy fonts, there are dingbats hidden away in the dark recesses of the keyboard. When I first started designing this face in 1992, I called it Dino-I thought I would name all my fonts after famous pets-so the dingbats for Armature are dinosaurs. Designed by Bob Aufuldish with editing and production by Psy/Ops.

Proper was based on handwritten characters (of my own) that I scanned and then digitally touched up. I kept the digital editing to a minimum so as to preserve the freshness of the original. I did, however, want to convey a sense of propriety and regularity and so my original handwriting was done with quite a lot of control. I kept the size of the lower case characters quite large and this makes the font very readable, even at quite small point sizes. Proper may be used when you need clean, legible text, with a natural look, e.g.: -- magazines aimed at the natural health market -- "natural look" fashion pages -- "natural look" decor pages -- natural food products -- natural beauty products -- children's books -- packaging for children's toys, games etc. -- educational material -- comics Proper contains a full character set with all upper and lower case characters, numerals, symbols, accented characters and it has been carefully spaced and kerned.

Savaneta is an all caps stylish serif font, designed for display and headline. Inspired by the classic metal movable type (circa the 1440s), with the medium serif thickness. Savaneta is a versatile serif combined with calligraphic sense by adding about 300+ alternates characters so you can create a calligraphic design with ease! This font looks strong and feminine at the same time, that possible to be applied for many purposes. Savaneta is perfect for logos, logotype, letterhead, branding, cards, wedding invitations, label design, posters, apparel, quotes, and short body text. It contains over 500 glyphs and is complete with basic Latin characters. P.S: To access the alternates characters, you need a program with OpenType panel like Adobe Illustrator, Adobe Photoshop, or you can simply copy-paste the alternates characters by accessing Font Book (Mac) and Characters Map (Win) Features included: Uppercase Small case Numbers Symbol Standard Latin accents. Stylistic alternates Stylistic set 01-10 Thank you for visiting, and have a nice day!

Centennial Script was designed and cut by Hermann Ihlenburg in 1876 (the centennial of American independence, hence the typeface's name) for the MacKellar, Smiths & Jordan foundry in Philadelphia. Ihlenburg was then only 33 years old, and these beautiful forms put him on his way to become the most prolific and innovative deco, ornamental and script typeface designer and punch cutter of the nineteenth century. In trying to be a true homage to the history of the new world, Centennial Script transcends its then-contemporary deco fashion to embrace script elements historically similar to lettering found on maps or political documents of the 18th century. Letters like the p and s extend themselves high and mighty to accentuate words and lines of text in a fancy hand-drawn manner. The dots on the i and j are those of a careful scribe who acknowledges the importance of the document being lettered. The lowercase letters connect with two slight angular motions of the hand, also very carefully and elegantly. Even the ligatures and ending swashes Ihlenburg made for this face were reminiscent of a mapmaker's patient hand, though Ihlenburg's elegant touch in them cannot be mistaken. Although Centennial Script was one of the few Ihlenburg faces to make it to film type technology, the transition was neither credited nor faultless. The film type version was a bit sloppy in the way the connectors were made, so the lowercase needed a lot of manual work to typeset properly. To alleviate such waste of time for the user of this digital version, the connectors were redrawn according to the original metal ones made by Ihlenburg himself, and tested thoroughly in print to ensure the quality of the typeface's flowing cursive nature. This wasn't an easy task, and very time-consuming, since the changing angles on both ends of the connection made it impossible to escape from having to build every lowercase letter with both left and right connectors that would fit with the rest of the letters. This is one typeface that couldn't be revived in any other manner than the way it was originally made, regardless of more than 130 years of technological advances since the face was designed. Centennial Script comes in all popular font formats, and supports most Latin-based languages. Also included is an Alts fonts that contains alternates, ligatures, snap-on swash endings, some ornaments, as well as a complete set of the lowercase without left side connectors, for a more natural combination when following a majuscule, or just in case the user finds it fit to set the copy in a non-connecting script instead of the face's original connected flow. Centennial Script Pro, the OpenType version, combines the main font with the Alts font in a feature-packed single font. Use the ligature feature to set wordmarks like Mr, Ms, Mrs, Dr, and &Co, the stylistic alternates feature to replace some letters with their alternative forms, the contextual alternates feature for better uppercase-lowercase sequences, and the titling feature to set your text in a disconnected script. Centennial Script is the only script we currently know of that can be set connected or disconnected simultaneously, either using the titling feature in the OpenType Pro version, or manually in the other formats.

Randolph is a popular font family from Jukebox done in an old fashioned copperplate etching style that harkens back to the days of old leather-bound shop ledgers and hand painted window signs. The large and wide letterforms of Randolph make a bold statement that will add solidity and impact to any design. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Throw away the carbon paper, ribbons and Tippex ... now you can get that typewritten look with RM True to Type. Legible at all sizes, it is available in regular and bold. That faithful old typewriter has given many years of valiant service, but now the keys are worn and blocked with ink. The Old styles replicate the wear and tear of years of use. Includes: Western European, Central European, Baltic & Turkish sets Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Hello, awesome people! This time, we have a new font called Breathing, a beautiful brush font created by Din Studio. Breathing, a beautiful brush signature font, is made for any professional project brandings, such as, signature logos, watermarks, wedding invitations, brandings, promotions, product packagings, etc. Every letter has a unique and beautiful touch. This font comes with rough and solid version. Breathing brush font includes a full set of hand-writing uppercase and lowercase letters, numerals, punctuations, and ligatures. This font gives a realistic hand-writing style. See the previews above to get some inspiration on how to use them. Happy designing! Features: 52 Stylistic sets 37 Ligatures Multilingual Supports PUA encoded We really hope you enjoy it. Thank you for downloading our premium fonts. For further details, please feel free to leave us your messages.

Hi, Everyone! Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, stylish, and adventure font? We've got what you want. Hysteria Rollers - A Sans Script Font Duo Hysteria Rollers is a fantastic font duo. An uppercase sans serif font is accompanied by a gorgeous handcrafted script brush font that works together in perfect harmony. Designed primarily as a captivating font to add the right amount of modernity and style, This font duo is an excellent choice to ensure a great font match for your designs and projects! Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Judicious is perfect for making a bold statement and grabbing attention with its strong and commanding style. With its uppercase and lowercase letterforms, Judicious offers versatility and creativity for your design projects. Whether you're creating impactful headlines, striking logos, or eye-catching posters, this font will ensure your message is delivered with confidence. Featuring a comprehensive character set, Judicious includes numbers, punctuation marks, and supports multiple languages, making it suitable for various design applications. Additionally, the font is PUA encoded, allowing easy access to all glyphs and swashes, expanding your design possibilities. Let Judicious be the foundation of your next design project. Whether you're working on branding, advertising, packaging, or any other creative endeavor, this bold display font will command attention and leave a lasting impression.

Savu is a hand-lettering font in four styles: regular, bold, condensed and condensed bold. It is recommended for use as a display typeface.

The Tomcat Bold is a playful display font. It comes in a regular and bold style which will give your design a fun touch.

The P22 Mystic font knows all. Aside from allowing for type design in a faux eastern script, this font peers into the world of the spirits for guidance and enlightenment. Sure it has small caps and ligatures as OpenType features, but it also has a special “oracle” feature which will answer your most mystifying questions. The design itself was based on an actual Ouija board. Somehow the spirits became embedded into the font itself and now when a question is typed, an answer is revealed—provided the Contextual Alternates feature is enabled. It is not known how the otherworldly harbinger was able to integrate into OpenType scripting, but who are we mere mortals to question this power? Ask and ye shall be amazed! Only the Opentype Pro version will offer the “Magic Eight-Ball” feature. It also contains the small caps and old style figures as found in both TT and PS versions of the fonts.

Introducing Andhibath Bold Script Font, a captivating script typeface that exudes elegance and versatility. With its bold strokes and graceful curves, this font is perfect for adding a touch of sophistication to your design projects. Whether you're creating invitations, branding materials, packaging, or any other creative work, Andhibath will elevate your designs with its unique charm. The Andhibath font features both uppercase and lowercase letters, allowing you to mix and match different letterforms for a customized look. It also includes numbers and punctuation, ensuring that your compositions are comprehensive and well-rounded. With multilingual support, you can effortlessly incorporate various languages into your designs, making it suitable for projects with a global reach. One of the standout features of Andhibath is its PUA encoding. This means that accessing the font's special ligatures and glyphs is a breeze, giving you even more creative possibilities. The ligatures add a natural and handcrafted feel to your text, enhancing its visual appeal. With its script style, Andhibath captures the essence of handwritten elegance. It is ideal for a wide range of design applications, from wedding stationery and logos to social media graphics and advertising materials. The versatility of this font allows you to adapt it to different themes and moods, whether you're aiming for a classic, modern, or whimsical look. Experience the beauty and versatility of Andhibath Bold Script Font. Let its graceful curves and bold presence make a lasting impression in your designs.

Austten is a bold connected script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Austten comes with uppercase, lowercase, numerals, accents (Multilingual characters), punctuations and so many variations on each characters include opentype alternates, common ligatures and also additional swash to let you customise your designs.

Billbreak is a bold script font inspired by urban fashion. This font is great for your next creative project such as logos, badge, apparel, product packaging, headline, T-shirt/apparel, Poster, or anything which needs a Calligraphy. Billbreak comes with uppercase, lowercase, numerals, punctuations and so many variations on each character include opentype alternates, and common ligatures to let you customize your designs. If you have any questions, don’t hesitate to contact us Ergibi Studio

Sunnylise, from Mhdafifersya, is a handwritten script font with a simple and classy style. It includes a set of lowercase characters without connecting strokes. Be sure to turn on your OpenType features when using Sunnylise - it’s packed with ligatures and alternate characters for both upper and lower case glyphs. This font is great for your next creative projects such as headlines, quotes, album cover, bold branding, business cards, and many other design project. Thanks

Introducing Troops Display Typeface: Where Vintage Meets Bold! Inspired by the rugged charm of the past, this slab serif typeface exudes strength and character in every letterform. From striking headlines to impactful branding, Troops Display commands attention with its rough lines and distinctive serifs. Whether you're reviving a classic look or adding a touch of timeless flair, Troops Display is your go-to choice for designs that stand the test of time.

Roihu is a sans serif type family with 16 fonts: eight upright and eight italic weights. Each weight offers more than 1,100 glyphs. Roihu includes some groovy stylistic alternates and swashes that make your titles, packaging, logos, etc. pop out. Roihu also includes small caps, old style and lining figures, and ligatures to make sure your text and designs won't be boring. Download the PDF specimen from the Roihu gallery to see more-specific OpenType instructions and a full glyph set. Opentype features: - small caps - stylistic alternates - swashes - proportional lining figures - proportional old style figures - tabular lining figures - tabular old-style figures - standard ligatures - discretionary ligatures - case-sensitive punctuation - fractions - ordinals - superscript - subscripts - arrows

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila's italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text. Each style of the Aila family offers an extended character set specially designed for editorial design projects.

Integral CF is designed for maximum visual and emotional impact with its stunning, superbold letterforms. An all-caps titling font family, Integral's six weights excel in posters, social media, headlines, video, and print. Hidden behind the linear, confident construction is a hint of roguish charm. Designed to be bold and large, Integral pairs nicely with lighter typefaces that provide contrast, such as a sans serif like Greycliff CF, Criteria CF, or Work Sans. Text-friendly serifs like Artifex CF are also pair well with Integral. All typefaces from Connary Fagen include free updates, including new features, and free technical support.