In the 1889 Franklin Type Foundry specimen book is a type face called “Armenian”. With lighter weight horizontal slab serifs than more traditional Western fonts, it could be pictured as being used as copy on wanted posters or town notices. This is now available as TV Western JNL in both regular and oblique versions.

Fox Wizard is a vintage and cool slab serif font. this font is perfect for publications, logos, business cards, or printed on t-shirts, this font will look outstanding on everything, no matter the topic. This font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

A type foundry example showcasing some letters from a narrow slab serif wood type design served as the inspiration for Wood Serif Poster JNL. This condensed typeface is available in both regular and oblique versions, and digitally recreates the kind of lettering found on flyers, broadsides and newspaper headlines of the mid-to-late 1800s.

Signorina is a funny font (a "funnty"?) not to be taken so seriously. It reminds me of slab serif designs, but jelly-stuffed instead of having wood. This font also works very well on small sizes because of it's tall x height. You can use this kind of font on both text and titles.

Spontial consists of two fonts, Script and Slab serif, designed to complement each other perfectly. Whether together or separate, these fonts will add an elegant and classy touch to your design. It is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, signature, product designs, labels, photography, and much more!

A 1940s ad flier for the Los Angeles restaurant “Lucca Paris Inn” had its name hand lettered at the top of the page in a condensed Art Deco slab serif with some stylized characters. Given a more uniform look, the end result became Dining Out JNL and is available in both regular and oblique versions.

Advertising and Marketing often calls for the use of neutral typestyles; conveying a quiet but clear message with little stress and an even color on the page. Admarks' roman weights have simple slab serifs contrasting with generously rounded features. Italics provide a sharp emphasis, still keeping the delicate use of stress combined with contrast.

Dubidam is A Cherfull semi-slab Typeface. Has a playful but firm style in each stem. Come with many feature; Stylistic alternate, Standard & Discretionary ligatures, multilingual characters, that can be accessed with opentype feature. Dubidam can be use for branding project, product packaging, advertising, quotes and where ever you need fun and playful design.

Tithua is a modern font with strokes clear and well marked, easy to read and simple design. The curved shape on the slab terminations give a harmonious and pleasant smoothing which removes stiffness and enriches the design. For now comes in five different widths and includes Latin extended-A characters and some OpenType features.

Epokha is the work of Colin Brignall, an unusal slab serif typeface influenced by the poster styles of the early 20th century. Its robust geometric construction commands attention in a fresh, contemporary way. Epokha is made even more flexible by a number of alternative letter forms and should be set tightly for maximum effect.

“LAPOYA” (meaning in english “the coolest”) is a large slab serif typeface family, with a certain Italian inverted contrast touch. Specially designed for advertising big shows and commerces, Lapoya has 36 variables and four axes, including a text and decorative versions, where the drawing and width of its counterforms vary. It also has icons that remember the old aesthetics of wood types from the early 20th century, and more than 400 characters with a multitude of signs and ligatures, that make Lapoya ideal for up to 89 languages. It is clearly inspired by the large wood types designed for posters, advertisements and newspapers. Since they were introduced in the 19th century, slab serifs have become extremely popular. In fact, serifs are often enlarged, not so much to look like beautiful or balanced letters, but to be more graphic and visual powerful than others. Furthermore, in the case of this typeface, this idea has been applied not only to capital letters, but also to the lowercase, numbers and signs of all kinds. “That’s why this typeface is LAPOYA!” Designed by Carlos Campos in 2023. cuchi@cuchiquetipo.com OPENTYPE FONT 426 GLYPHS 388 CHARACTERS 4 AXES 36 INSTANCES 9 LAYOUT FEATURES 89 LANGUAGES

P22 Phantasmagoria is a stylized Celtic-meets-Futurist font has multiple variations as a geometric majuscule. The heads of beasts that cap each large Uppercase letter complement the thinner, lowercase letters that can function on their own as an effective and flexible titling font. The Pro version features all basic variations plus more.

The Nickson pro 1 invokes the spirit of the cigar labels & circus poster from the early 1900's. A typeface designed for headlines, posters, advertising and corporate identity. There are Alternate character of uppercase. Check the alternate keys file for more info or if you're using the OT version simply select Stylistic Set.

Creolia is a bold rounded serif typeface in modern and classy style. OpenType features include old style figures and ligatures. Creolia is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: Basic latin alphabet A-Z 56 Ligatures & Alternates 112 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Creolia!

Cholens is a bold, rounded script typeface in a modern and classy style. OpenType features include old style figures and ligatures. Cholens is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, and more. Features: Basic latin alphabet A-Z Ligatures & Alternates Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures

Premium Sans is a professional typeface which is aspired to solve the major typographic challenges in editorial, print, Graphic design, Commercial designs and other form of templates and documents such as pdf or ms word. It has four weights light, regular, semi bold, bold. Each with an italic profile, so in total it has 8 typefaces. We created this typeface to have attention of reader in Graphic commercial designs and as well as on editorial designs. The X-height plays a great role in readability of a typeface, so we tried to give it a reasonably high x-height with accordance to ascenders and descenders. We've engineered it in such a way that it can easily be paired with script, slab serif and serif typefaces. Premium sans is made on minimum required character set which will be handy while typing currency symbols like cents, dollars or euro and also be very useful when typing the characters consisting of diacritic. We've designed it in such a way that either you write a long content for editorial purposes or you create a typographic or graphic/commercial design it will look nice and fine which is the uniqueness of this font.

ArchiLogo is not a regular outline-font. It has a stencil element to it and it’s a kind of indirect, because the font is basically the space between the lines. You have to read between the lines, so to speak. It’s like one of the key elements in architecture: the space between the walls. Here’s where type design meets architecture! The new version, ArchiLogo 3.0, has been improved slightly and 13 glyphs have been added to a total of 85 characters. It is still a free font. Because of the popularity of this font I decided to introduce ArchiLogo Pro. Indeed, the pro version of ArchiLogo. Besides the basic Macintosh Character Set the supported languages are Latin 1, Latin 2: Eastern Europe, Turkish, Windows Baltic. It grew to over 300 glyphs.

The inspiration source for MFC Falconer Monogram is an unusual hand-drawn design from a vintage embroidery publication which relies on rigid geometric letterforms to create an upward stepping framework. This monogram which evokes visions of it embossed or printed on antique baking tins was originally intended to adorn handkerchiefs, but the possibilities of its use are up to your imagination. This is one of many monogram designs from the early 1900’s which fall into a two letter format that is either adorned or interwoven decorative elements. Download and view the MFC Falconer Guidebook if you would like to learn a little more. MFC Falconer Monogram comes complete with Pro format fonts. You will require with programs that can take advantage of OpenType features contained within the Pro fonts.

Expanse is a retro futuristic typeface. The font has a bold and big vibe and mixes sharp and round corners, kind of like the very old sci-fi movie titles. Expanse includes uppercase multilingual letters, numbers and punctuation.

I've been working on a usable sans serif for body copy since the mid-1990s (though I certainly did not know it at the time). This one works well. It started life back in the mists of time as a scan of an old German font by Carl Fahrenwaldt. It was developed fully as a synergized serif with strong traditional roots and released as Bergsland Pro. Now it finally makes it to where I was headed all along as a sans text font. This is a well modulated humanist, sans serif font family with many OpenType features and over 600 characters: Caps, lower case, small caps, ligatures, swashes, small cap figures, old style figures, numerators, denominators, accents characters, ordinal numbers, and so on. It is designed for text use in body copy. But it also works very well for elegantly stylized display.

Say hello to Gothica. It’s a display geometric sans designed with Stencil-like elements and letter cutouts specifically created for visual impact—ideal for logo, branding and advertising purposes. The font includes capitals and capital alternatives in the lower case keystroke positions—it’s like having 2 display fonts in one. In addition, Gothica includes various opentype features that allow graphic designers to tailor the type for custom needs. The development of Gothica started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. An experimental design, Gothica is specifically introduced as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Gothica—check out similar gothic alternates like Decrypt 01, Decrypt 02, Decrypt H1 and all of Type Innovations fonts from Alex Kaczun.

Filson Soft is the rounded version of the popular Filson Pro . At first sight, the main feature of Filson Soft are the distinctive letters ‘K’, ‘Q’ and especially ‘R’ that make the font family very elegant. With its rounded terminaisons, this font family is also perfect for original titles and will give you future creations a nicely friendly aspect. But with all these originals features, Filson Soft is highly legible and quite versatile. Its large x-height, even performs nicely in small sizes. Filson Soft comes in 8 weights - Thin, Light, Book, Regular, Medium, Bold, Black, Heavy with a professional range of Opentype functions such as lining and oldstyle figures, stylistic alternates, case sensitive forms, localized forms, stylistic set, arrows and f-ligatures. For better typographic control, Filson Soft also includes an OpenType class kerning with thousands of kerning pairs.

Plenty of swashes, ligatures, beginning and ending shapes, Wishes is a wit option for invitations, cards, stationery, fashion and apparel, among a wide range of uses. The curves of the cursive style are neither too solemn or pompous, its grace and playfulness are more 1950s than 1750s. This family offers the designer an additional decorative toolkit full of frames, ribbons, hearts, flowers and ornaments, plus a collection of caps and small caps. Wishes Script Pro includes the complete set of Script characters plus Ornaments and Caps. The family offers optically optimized Display and Text styles for each of the weights: Light, Regular and Bold. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide Use Wishes to express your greetings!

Aeris™ typeface is a contemporary book face created by the American designer Tom Grace. It combines the proportions and rhythm of a sans serif font with the high contrasts and flexed strokes of script faces, while the open counters also ensure optimal legibility. Tom Grace focuses on providing subtle differentiations in his cuts and, as a consequence, this font family has its own individual structure: there are A and B variants of the basic forms regular, italic, bold and bold italic, and a display version for use in titles that also comes in A and B variants. It is advisable to use the A variant for larger font sizes, while the slightly more emphasized B variant can be recommended for smaller font sizes. Where the basic forms are to be mixed together in a work, it is important to use the corresponding A/B variants throughout as their designs have been carefully coordinated. Aeris is available in the OpenType Pro format and thus includes a wide range of different glyphs. The font family can be used in various environments, such as books, magazines, advertisements and promotional materials, but it is also the perfect choice for printed corporate documentation.

With open palms, place your hands together at the center of your chest, close your eyes and bow the head slightly. Namaste! Welcome to a beautiful spiritual journey. Namaste is a font collection, designed by Coto Mendoza, consisting of two variants: a capital sans and a script font (based on watercolor calligraphy strokes). Each variant comes in 5 weights—Thin, Light, Regular, Bold and Black—and 2 versions: Essential and Pro. The script font, in its Pro version, provides a wide range of OpenType features such as swashes, alternates, ligatures and different stylistic sets. The Namaste family also includes a set of ornaments inspired by Hindu and Buddhist symbols—that Coto Mendoza saw virtually everywhere on her trip to India—like Mandalas and Yantras, and others found in textiles and monuments. Namaste is the perfect choice for wellness, healing and therapy oriented products. Its smooth shape and soft curves allow the user to create beautiful designs for essential oils, bath salts, quartz crystals, mindfoodness, candles, incense and aromatherapy products packaging. The font is well-suited for publishing design (short text); self-help and healing handbooks; tarot and divination cards; and women’s empowerment and spirituality publications. Namaste is an ideal typeface for yoga (and other body disciplines) center branding; holistic centers; and group meditation, womb blessing and circle of women invitations. Namaste is a beautiful journey full of love and inspiration. Namaste: a spiritual journey.

A display fontface for titles inspired on Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured. By mid-1997 I was developed the early type edition was called «Muisca Sans» as my work for the degree in Graphic Design (Universidad Nacional de Colombia), based on the concept of pre-Columbian figures characteristics within some of the very few visual elements recovered from the Muisca culture, ancient pre-Columbian tribe disappeared before the arrival of the Spaniards in what is now central Colombia. In fact, the name of the capital Bogotá (the capital of Colombia) goes back to Bacatá as primary or village downtown of what was once the imperial capital of tribe Muisca. Although this unfinished early typographic project has not yet been published, Tequendama is the evolution of the first one. Tequendama reminds the myth of Muisca culture and religion of this tribe. The god Bochica, a wise old man with a white beard heard the cries of his tribe suffered against flooding of their land losing harvests before the divine punishment resulted by the offended god Chibchacun. However Bochica appeared wearing a white robe sitting on a huge rainbow and he broken the mountain towards the southwest wise old man with a golden staff broke the mountain to drain the flooded savanna. This emblematic and iconic place would later be called as «Salto de Tequendama». Tequendama name also been adopted to a nearby province to Bogotá.

Gudeg Theo is a modern Slab serif style display font category. This font is very attractive. Perfect for cute quotes, packaging, branding, invitations, greeting cards, and more. Features : – Uppercase and Lowercase letters – Numbering and Punctuations – Multilingual Support – Works on PC or Mac – Simple Installation – Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word

The Quitador™ Sans family is a fresh and distinctive design with roots that go back to the original Quitador typeface. Like its slab serif relative, the Quitador Sans suite of typefaces is large with several weights of roman and italic designs, making it an excellent choice for a wide variety of print and on-screen projects.

Arch Creek JNL is Jeff Levine's all-caps re-interpretation of a classic typeface of the past; Beton. Clean lines and slab serifs make this design a wonderful display face for attention-getting headlines. The beautiful watercolor print used in the font flag is by a good friend of Jeff's - Miami artist Michael George, and is used by permission.

UNY is a display slab serif font. UNY is a distinct all caps geometric typeface inspired by varsity, college and university sports as well as the military. The UNY name was derived as a new styled acronym from the word university. UNY is great for sports, sports teams, schools, fantasy, display work, invitations, writing, quotes, posters, acronyms and headings.

Tourette draws inspiration from 19th century French light slab serifs. This area of typography is relatively unexplored in contemporary design. Tourette includes two versions, Normal and Extreme. Normal is simple, delicate and legible, whereas Extreme is full of little flourishes that grant an exquisite, slightly frivolous, feel to the weight. Tourette is a progression of the Expletive Script family.

Brussels City is Modern Slab Serif Font Brussels City font is perfect for your up coming projects. Such as logo branding, editorial design, stationery design, sport design, blog design, modern advertising design, card invitation, art quote, home decor, book/cover title, special events and any more. That's it! Have fun with Brussels City Serif Font. Thank you! Lettercorner Std

Hansel is a slab serif with 2 styles rough & textured, which can be nicely applied in various products. Complete with multilingual characters and stylistic alternates. It is suitable for quotes, clothing design, vintage logos, labels, posters, packaging and other designs. Features (PUA Encoded) : - UPPERCASE. - LOWERCASE. - MULTILINGUAL. - PUNCTUATION & SYMBOL. - STYLISTIC SET. I hope you enjoy and thank you.

Benderville comes with a solid construction, an ample x-height, an angular edge, and an attitude to match. A sort of rangy slab-serif with a voice all its own -- a voice that seems to holler "Hey! What you lookin' at?" Its sturdy single weight has a complete character set, including ligatures, diacriticals, and other symbols.

Typedesigner Hannes von Döhren created Cowboyslang, a display typefamily with a Wild West flair. It consists of three widths plus fitting ornaments. Although it is based on the slab serif typefaces from the nineteenth century Von Döhren gave it a contemporary feeling. Cowboyslang has an extended character set to support also Central and Eastern European languages.

The slab serif typeface Calvert was designed by Margaret Calvert with a marked constructed look. The unique design of its serifs distinguishes this typeface. Many figures have only half serifs, for instance, the A, M, and X, which lends the typeface its constructed character. Calvert is timelessly modern, static and stable, and is therefore particularly good for headlines.

Halliday JNL was redrawn from impressions made by a rubber stamp sign printing set, thus providing the slight imperfection of line widths that gives a hand-made approach to the typeface. The lettering style is based on Beton Open Condensed, a clean and popular slab serif used for decades in print display titling and rubber stamp manufacture.