Denso is a font family delivering great force using minimum space. It supports 111 languages, features a total of 309 glyphs and includes an outlined and italicized version for each of the 3 weights.

Contra Condensed is the condensed version of my Contra family of fonts. It is very condensed, but not yet narrow. It is well suited in all situations were one needs to save space. Enjoy!

ALL CAPS font with an organic crunchy look. Very good for posters and stuff that needs a organic look. Multilingual support and 6 different versions of each letter - these cycles automatically AS you type!

Art Nouveau serif capitals and numerals in the 1917 instructional book “A Roman Alphabet and How to Use It” were the inspiration for Show Card Roman JNL; available in both regular and oblique versions.

The Sans Narrow and Slab versions were added to the Vista family in 2008, extending this super-family to a total of 108 fonts. For more information, see the original Vista Sans Design Information.

Anubis, the first DSType font at MyFonts is back in an improved Pro version. AnubisPro, a slab serif font with a contemporary feel, with Central Europe diacritics, swashes and ligatures, available in OpenType format.

The namesake for this type design was the dust jacket for the 1926 book “Revelry”. A classic Art Deco thick-and-thin design, Revelry Deco JNL is available in both regular and oblique versions.

A vintage brass stencil used for marking oil drum lids for the Standard Oil Company of Kentucky served as the model for Refinery Stencil JNL, which is available in both regular and oblique versions.

Say hello to Magic Ramen - an oddball sans serif font with weird contrast! Playful and strange - perfect for unusual avant-garde branding and projects. Includes Opentype Kerning. Available in both solid and outline versions.

Pavement JNL is Jeff Levine's version of the extra-condensed lettering used on roadway information signs as revised by the U.S. Government in 2000. A companion font to this style is Endless Journey JNL.

The hand lettered title for the 1890s book called “The Octopus” featured extra bold Art Nouveau lettering with rounded serifs. This is now available as Headline Nouveau JNL in both regular and oblique versions.

A font to boost your creative work - handmade strokes and a scribbled 3d effect! Use the 4 different versions to create cool effects. With, or without shadow and with or without the worn effect!

Mighty Oaks is a collection of stylized oak leaves. There are 47 oak leaves located under the character set keys. There is a flopped version of each leaf located under the shift+character key.

Protocol is an experimental pixelated font, which allows you to easily experiment and to combine it with other typefaces. This version (1.0) comes with 580+ glyphs, multiple language support and some unique emoji characters.

A new Version of Turquoise Roman Capitals. With specials Tuscan Serifs to add more engraving feel. Turquoise Tuscan is full of ligatures and awesome alternates. Perfect for big headlines, logos, branding and wine labels.

The Sans Narrow and Slab versions were added to the Vista family in 2008, extending this super-family to a total of 108 fonts. For more information, see the original Vista Sans Design Information.

Another William H. Page classic, Gothic Dotted, provided the pattern for this bold and brassy typeface. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The Butterfly Brand [from the UK] manufactured some lettering stencils (circa the 1950s) with a distinctively British look and feel. These inspired Lancashire Stencil JNL, which is available in both regular and oblique versions.

Rushing Pass JNL is the italicized companion font to Forward Passed JNL and Return Pass JNL. This package includes a bonus solid version of the font (Forward Passed Black JNL) at no extra charge.

Slab Compact JNL was based on the printed title found on the box cover of a 1950s-era word games set called “Lex-O-Grams” and is available in both regular and oblique versions.

A dotted font perfect for teaching penmanship to students. With handwriting lines and without, perfect for making worksheets and projects for classrooms. This style matches KG Primary Penmanship, a solid version of this font.

Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.

Arcato is a font family shaped from spherical curves inspired by celestial bodies. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.

Road Repair JNL is a bold (hand lettered) sans serif stencil font based on the opening credits from the 1954 film “Drive a Crooked Road” – and is available in both regular and oblique versions.

Paper Cutout Pro is a playful typeface inspired by paper letterforms cutout by scissors. It's imperfect letters create the feel of an authentic hand-cut school project. It comes in regular and round versions.

Sans-serif with ornate, swashy capitals, AcornSwash is an elegant decorative face. The differences between the two versions of the font are in letters I, Z, a, e, f g, j, k, and o.

Champions is our best-selling typeface that has been completely rebuilt, from the ground up. Now featuring special characters, alternate glyphs and a sans serif version. This is the font champions are made of.

Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows the 60-pt design.

Bucanera Antiqued is the black ship of Bucanera's family, sure you will use it in any dark or dirty project. Try the Open Type version to reach its numerous swashes, flourished and alternate characters.

Anodina is a font family with human features but symmetric in its soul. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.

Apice is a font family made for precise bursts of data. It supports 111 languages, features a total of 310 glyphs and includes an italicized and outline version for each of the 3 weights.

Sleepy Head is a comic sans serif with slightly geometric curves, Perfect for anything that has the need for a casual display font. Comes with 5 different versions of each letter and multilingual support!

Classic stencil typeface. Please note many of the letterforms come in two versions - some of the Uppercase letters are filled in while the lowercase letters are open, and there are also other variations to play with. Ten shun! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The new Fabrizio™ types, designed by Ari Rafaeli, have made their first appearance in Saggi di Letteratura Italiana: Da Dante per Pirandello a Orazio Costa, by Lucilla Bonavita, printed at Pisa in March 2016 by Fabrizio Serra Editore for whom the type was specially designed. The types are now offered for general sale. Each style (roman, small capitals, italic, semi-bold, bold) contains Cyrillic and ‘polytonic’ Greek letters and letters for many European languages (Czech, Hungarian, Icelandic, Lettish, Polish, Romanian, Serbian, Ukrainian, Welsh etc.), non-kerning fs, long ſ, ligatures and fractions. Alternative forms are supplied in ‘B’ versions of each style. A set of swash letters and sets of superiors, inferiors, fractions and phonetic letters are also offered. Two ‘Special’ fonts (roman and italic) containing special accents, letters for transliteration, Vietnamese letters, mathematics signs and symbols, arrows, commercial signs, pictograms, figures in circles, scansion marks, braces & benzene rings and the Rafaeli-Meruba Hebrew letters, as well as Latin, Cyrillic and Greek letters, are included in the Fabrizio family.

Droob7 is An Arabic typeface for desktop applications, for websites and for digital ads. Currently prepared by the weight one has the alignment between the Arabic and Latin letters to serve the articles sites without resorting to other fonts in the page or article each. Droob7 font family contains two weights: normal and bold. This font supports Arabic and Latin, Persian and Urdu. The font (Droob7) is characterized by clarity and readability and ease of being a promising line very carefully to be used in Web sites (best size is 12-bit).

HS Ishraq introduces a modern OpenType Arabic Typeface that combines the features of Kufi and Naskh Style with noticeable both curvy and sharp segments beside the refinements of its letters that made it more readable. HS Ishraq can be used in both titles and text in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains five weights: Thin, light, regular, Medium and bold which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes and all projects.

Hakim Ghazali, designed by Hakim Ghazali in 2005, is an Arabic typeface in the style of Maghribi and a winner in Linotype’s first Arabic Typeface Design Competition. This style, which originated in western North Africa, is characterized by a strong baseline and long, fluid, and curvaceous curves. It can be used in headlines or in text and gives a very fresh and calligraphic look. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Abigan is an elegant new serif font that will add a touch of luxury and sharp diamond points add a slick yet legible Persian style. This versatile font is Perfect for editorial projects, magazine headers, Logo designs, Apparel Branding, product packaging, and displays both masculine and feminine qualities. Abigan comes with full uppercase, lowercase, numbers and punctuation marks + Multi-language support and PUA encoding. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later.

Jaleh is a sans-serif font family designed by Naghi Naghashian in tree weights, Jaleh Light, Jaleh Regular and Jaleh Bold. Width of this font family is Extra-expanded; a unique typeface. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jaleh supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Jaleh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Jaleh’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jaleh was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Ahmed is a modern Arabic headline face, first produced by Linotype-Hell Ltd. in the early 1980s. Originally developed as a simplified face, its design recalls the inscriptional and decorative tile work lettering of the medieval period. The strong treatment of the tails of certain characters departs from the more traditional style of tapering these finials, introducing a modern feel to the design. The contrasting proportions of the tall vertical strokes and the rather elongated counters lend a monumental look to Ahmed, allowing its effective use in titling. During the later 1980s Ahmed was developed into a traditional typeface, with the introduction of medial forms to improve character spacing and balance. Recently, Ahmed has been converted into the OpenType font format, ensuring its continued popularity as a heading face for newspaper typesetting. The Ahmed typeface contains two weights, Ahmed and Ahmed Outline. Both of the OpenType fonts include Latin glyphs from Clearface Gothic Roman inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The two Ahmed fonts include the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.